Isolation And Nature Collide On Grimloch’s Esoteric And Terse EP, ‘Return To The Wild’

Sometimes fate takes you to a remote location in nature that rarely see interaction with mankind. Those are the environmental settings that have a lasting impression on many enthusiasts that rely on the beauties of the countryside for artistic influence. Some are fortunate to live by these landscapes and have access to these types of wondrous sceneries. That’s exactly the case for Grimloch and the purity of the music that is presented on ‘Return To The Wild’. Leaning heavy on the surroundings of the lonely environment with a conservative approach to instrumental and production integration, Grimloch prepares a unique take on Dungeon Synth that combines modest folk influences across seven short and extraordinary tunes.

The delicate keys of “Rapid Forge (Introduction)” play an irregular pattern as if someone is becoming familiar with a strange new land for the first time. Smooth and slightly distorted chops add a brightness and sense of happiness to the situation, as the ‘Return To The Wild’ commences. The arrangement on “Mirkwood Forest” may seem random at first, but is intricately woven with the allure of nature and it’s haunting calmness allows for this layered and rhythmic tune to sound complex and appealing. “Farewell Rose” is a beautiful forest synth piece that contains several tracks of various instruments that seamlessly play a thoughtful and sedative tune. “Druid Sunrise” is another complex piece that is methodically layered with various sounds that remain harmonious throughout. In keeping with the true fashion of this recording, the track suddenly ends, just as you’re starting to get enthralled in its mysticism. “The Orb” has a traditional Dungeon Synth vibe with some ethereal tones and perfectly fitting echo effects that make this a standout track. “Velox Spiritus” is a very short but dreamy synth piece that has a peculiar reverb effect, giving it a huge sound. The final song on this obscure offering is “A Beautiful Birth”. Not only is it the longest song on the album – just over two minutes in length – it’s also the most adaptable, as it contains soothing drone synths, haunting keyboard leads and eerie soundscapes. Toward the end of the track, there is even a low-end drone to close things out.

Grimloch is certainly a unique and arcane artist. Drawing a majority of his influences from hidden landscapes and remote, desolate settings, the power of this esoteric recording is quite fascinating. Although these seven tracks take up only eight minutes of playing time, every second is utilized to the max and not a moment is wasted. ‘Return To The Wild’ is a charming piece of work and is worth checking out. If you like your Dungeon Synth tracks short & sweet, with a variety of minimalistic instrumentation, I recommend checking out Grimloch’s complete discography, which is available for “name your price”. However, the direct link for ‘Return To The Wild’ is available below.

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