Get Ready For A Psychedelic Trip Through Whimsical Dungeons On Temple Of The Fractured Light’s ‘The Groovopolis’

Talk about intriguing, Temple Of Fractured Light’s latest album, ‘The Groovopolis’ is a mesmerizing blend of genres, sounds, emotions, and fanatical experiences all wrapped up in one. This twenty eight minute long exploit is a deep dive into the psyche with psychedelic and tranquility overtones that are reinforced with bold but minimalistic compositions set to take the listener into a brave new world.

This kaleidoscopic journey begins with the audacious “Discard Your Earthly Body To Enter The Kingdom Of Light”. Commencing with an organ-like drone, we are soon greeting with tolling of the bells and an abrupt, distorted keyboard chop. Synth leads are introduced as a synchronous melody slowly comes together. As an introductory piece, this track sets a jubilant tone for the overall theme of the album. “Welcome To The Groovopolis” is a short track that continues the momentum and vibrantly adds a steady percussive beat, as if marching into unknown territories is inevitable. Discordant keys expand the boundaries, creating an uneasy atmosphere for those that dare to partake in the festivities. “Shamans Of The Great Prism Forest” is one of the most melodic achievements on the album, as multiple keyboard effects fuse together to establish a memorable audial encounter. The droning organ-like keys in the background really hold all of these sounds together, allowing for harmonized perfection. Battle-rhythm beats play an effective role as well, building an intricate song full of elaborate detail. “Fractal manner Of The Deep Forest” is a psychedelic dirge that assembles on simplicity and calming effects. The tones are soothing and otherworldly, and succeed at achieving a dreamy environment for an alternate state of mind. “Princess Of The Hallucinogenic Mushroom Dunes” brings out the whimsical effects and is one of the most upbeat tracks on the album. Combining steady percussive elements and layers of eccentric synths & keys, this song forges on a buoyant path while maintaining an incongruous arrangement. “Gargoyles Flying Free” is the shortest track amongst these gems, but bridges the gap between ethereal intonations and cinematic clarity. This brief experience is moody and provides a refreshing outlook on the estranged sound manipulations of the previous tracks. “Past The Vision Fields” is another amusing offering that is light and sincere. The piercing synth leads exhibits the most melodically structured stanza’s on the whole album and combined with the rhythmic synths and sporadic percussion section, this is definitely a standout track. The final track is the outlandish “Coronation At The Rainbow Temple”. This is surely the strangest endeavor but fits in perfectly with the rest of the album. The consistent use of barraging synth effects works well with this composition as it’s more of a dreamy piece with a somber appeal. As this album comes to a close, so does the psychedelic vibe, as this track brings us back to reality, more refreshed than ever.

Throughout its short history, Temple Of Fractured Light has made a valiant effort to include a nifty blend of synth groove, psychedelic flavor and unconventional themes to create an essence that stands out amongst its peers. ‘The Groovopolis’ is a stellar achievement that will stand the test of time and garner multiple listens in order to embrace its awesomeness. Even though this album came out at the first of the year, it’s never too late to embrace the culture of all things groovy and psychedelic. Please show your support by downloading this one-of -a-kind album!

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Links:

https://templeofthefracturedlight.bandcamp.com/album/the-groovopolis

Sydalesis Constructs a Berlin School Classic With ‘Living Machine’

For over a decade now, Sydalesis has been crafting a vibrant blend of atmospheric music that ranges from light to dark ambient with a ton of experimental electronic-based compositions in between. However, earlier this year, horizons were expanded when the Berlin School heavy ‘Living Machine’ was released. This album presented a masterclass of krautrock based synths with over two and a half hours of mesmerizing soundscapes to launch the listener into an overwhelming cosmic universe. On a typical music review, I would present my view of every song on an album but with ‘Living Machine’ and it’s fourteen tracks of celestial encounters, I’ll spend some time elaborating on just a few of my favorites.

Transcendent album opener, “Dawn Of The Rise” blasts off at a contentious pace, setting a resilient standard for the remainder of the album. At six minutes and fifty eight seconds long, it’s actually the albums shortest track. However, the traditional but complex Berlin School sequences provide a nostalgic realm to begin an elongated drift, as this album is undoubtedly relentless. The backing drones elicit a calm demeanor amongst the mild chaotic blend of synth leads and soundscapes. I can’t think of a better track from this album to start this amazing audial journey. Moving right into an epic blend of mesmerizing synths and celestial drones, “Operatives” decreases the velocity initiated by the first track but replaces it with a soothing and emotional retro-adventure for over sixteen and a half minutes. Percussive patterns and melodic keys are the proponents that elevate this gem to solar heights making it one of my favorite tracks. Skipping over a few tracks will bring us to “Epilogue Of War”, an eleven minute sixteen second long excursion into a bleak world of ethereal soundscapes and captivating melody. As one of the darker tracks on the album, the synth leads soar into oblivion over looped percussive patterns and a slightly distorted Berlin School sequence. The retrospective arrangement and bold use of effects will have the listener meandering anxiously in a world of voided space and floating memories. Skipping down a few more tracks, finds my overall favorite song on the album, “Resurgence”. Commencing with a mid-paced sequencer effect and atmospheric keys that quietly build into an aimless composition, the droning keys are what stands out the most to me. The fantastic melody is so fluid, the listener will instantly drift back to a time of neon lights, bleak horizons and cruising in a DeLorean at midnight with their sunglasses on. Although traveling at full speed, the surroundings seem to float by in slow motion, being caught systematically in the keen peripheral vision of the driver. Even at the mammoth length of this song, it seems to pass by too quickly, enticing the listener to hit the repeat button again and again. The last song that I’d like to talk about amongst this fourteen track collection, is the dainty “Capital Metropolis”. Utilizing additional effects and several layers of Berlin School sequences, this near ten and a half minute magnum opus showcases a broader range of sound and dynamics than some of the other tracks. It is arranged in a way that almost sounds like a continuous build. The magnificent synth leads provide a dreamy scenario in which emotional travels to distant worlds can be achieved. Again, this is another fantastic moment on the album in which one doesn’t want it to end. Every single song on this album is simply amazing but I wanted to highlight a few of my absolute favorites.

‘Living Machine’ is a front runner for Ambient Album Of The Year in my opinion. Even though this album is over two and a half hours long, there isn’t a single boring moment on it and the masterful use of Berlin School sequences is absolutely addicting to listen to. Although it showcases a slightly different side of Sydalesis, it will surely leave its mark in several sub-genres of the synth community. If you’ve not had the opportunity to listen to this massively underrated album, I highly recommend checking it out. Please support Sydalesis by downloading this album from the link below. You’ll be glad you did!

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Links:

https://sydalesis.bandcamp.com/album/living-machine

Psyclopean, Visions Of Ulnahar & Noctilucant Congregate For A Cinematic Lovecraftian Offering With ‘Libris Arcanum’

What happens when three idealistic artists come together on a collaborative effort with a single theme in mind? An absolutely brilliant album is born and an unparalleled blend of Dark Ambient and Dungeon Synth intonations tell a Lovecraftian story of horror and lore. ‘Libris Arcanum’ presents six epic tracks of sonic adventure with Psyclopean, Noctilucant and Visions Of Ulnahar contributing two fanatical adventures each. These dark compositions combine droning ambience with the essential sounds of riveting Dungeon Synth, providing an eerie exploration into the world of One of our favorite fantasy authors.

Psyclopean caters the albums lead off track with “De Vermis Mysteriis”. This majestic undertaking begins with soaring synth leads and subtle soundscapes that set a captivating scene of somber foreboding. The cinematic approach to the first section is a beautiful introduction to this extremely diverse album. However, gloomy elements start to merge in a horrific fashion with moments of layered keys fused with a grim ambience. Elegant keys bring this song to a close, properly preparing the lister for the remaining intonations. The next track is “The Dhol Chants” by Visions Of Ulnahar, setting an aggressive pace with jolting soundscapes and loud, distorted keys. As these tones drone on at full capacity, evidence of evil luring in the background is apparent, as subtle instances of abhorrent effects make their presence known. This one will definitely get the heart racing as the unknown prevails. Next up is “Cthäat Aquadingen” by Noctilucant. The sound of crashing waves start this eight plus minute journey into oblivion and soon, discordant keys set a bleak atmosphere. Inaudible noises dwell in the background as sections of divergent disarray cast a spell on those that continue to listen. About halfway into the track, ominous keys create a sense of melody, casting a shadowy light on this otherwise dark encounter. Psyclopean is up next with their second track of audial ambience in, “The Book Of Dayan”. A beguiling, warm drone casts a melancholic foundation while synth effects churn out a cold arrangement. A mournful vocalization adds a layers of funereal essence before giving way to a drifting thunderstorm field recording. Echoing narrations can be heard in the distance while peculiar percussion valiantly plays an off-kilter beat. The final few minutes of this track is filled with celestial drones, thunderous explosions and ethereal chants. If this doesn’t get you in the mood for Lovecraft-themed Mythos, then I don’t know what will. “Zanthu Tablets” is the next track provided by the magnificent Visions Of Ulnahar. Desolate waves on a gloomy beach front encounter cinematic tones and synth glitches showcasing a mixed emotive state. It’s as if this composition represents the ancient clash of good versus evil. This mesmerizing combination carries on until the end of the track, where the waves suddenly disappear and we’re left with just a soft theatrical melody. The final track on the album is provided by Noctilucant and it’s called “Cultes Des Goules”. Continuing on with a barrage of soundscapes and incandescent tones, this track is like an audible nightmare with haunting ambience, muffled wind sounds and soaring effects that are close to ear-piercing in pitch. A malevolent narrative piece is embedded amongst the ghoulish chaos as this nightmare of a track continues on. Retro synth leads are included in the mix and they provide a sinister tone to the overall sound of this track.

I know that this album has been out for a while now, but it’s never too late to review an epic collection of songs of these proportions. Each of these three artists – Psyclopean, Visions Of Ulnahar and Noctilucant – bring their own perception and taste for Synth excellence to collaborate on this pinnacle recording. Combining the best features of both Dungeon Synth and Dark Ambient music, this theatrical presentation tells an illuminating story of conceptual Lovecraftian manifestations. These are top-notch compositions with a supreme songwriting effort that deliver prestigious music of the highest order. Please support this album and these artists by listening to (and downloading) it from the link below.

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Links:

https://noctilucant.bandcamp.com/album/libris-arcanum

Ruptured World Segregates New Album, ‘Shore Rituals’ From The Planetary Series For A Darkened Realm Of Ancient Landscapes

Since 2018, Ruptured World has presented us with an astounding trio of albums in his Planetary series that follows the visionary experiences of several generations of archeological experiences, based on the discoveries of the Macrae family. Those albums expanded upon a universe with galactic drones and immense piano sequences that bridge the gap between haunting ambience and a clever storyline that thrills with divine amazement. Now back with an exploratory tale of maritime enthrallment, Ruptured World produces an audible story of daring adventure through sonic soundscapes, field recordings and a cryptic narrative. The end result is ‘Shore Rituals’, a near fifty minute excursion through dangerous worlds and environmental contemplation.

The majestic anthology begins with “The Merman”, an introspective nuance of various samples and soundscapes that slowly disintegrates into a somber drone with random musical oddities thrown in. The soothing nature of this intro sets a relaxing tempo and when the beautiful piano textures commence, it places this track on a whole new level. The sound of crashing waves in the background sends the listener to another world of natural scenic beauty. “Black Tides Harken To The Summons Of Eons” begins with peaceful wave motions before leading into a powerful percussive tone set to a dark cadence. Drones and hisses add a nostalgic feel as the amount of space provided allows for other sound patterns to evolve. “The Silencing Tide” carries on that same sediment as random frequency bursts create a vivid state of eeriness. Haunting soundscapes and vocalizations fill the void as this track seemingly comes to life. “The Whales Mouth” commences with a calming natural vibe while layers of placid drones and percussive elements produce a tranquil atmosphere. Random sounds of computer generated noises add a celestial feel, as this is one of the most dynamic tracks on the album. In typical Ruptured World fashion, we’re treated to a dose of spectacular narrations that verbally expand upon this audial transmission. “Radio Signature Interludium” launches with an array of modulations that puts the listener in the middle of a space mission, while a consoling piano melody systematically creates an offsetting foundation of bleakness. This obscure track ends with the commotion of relentless waves crashing along a desolate shore. “Catharsis II” is a spooky piano piece that features the retro sounds of tape hisses and a dragging element that slightly alters the speed of the track. The exquisite use of synth tones gives this a fantastic retro feel, as if taken from a 80’s science fiction movie soundtrack. Probably one of my favorite songs on the album. “The Human Vessel” continues on with the maritime field recordings while adding an ominous musical recording that is barely detectable. Soon, an alluring piano melody is added, increasing the magnificent appeal of this track. Another narrative sequence provides a supplemental piece to this adventure, increasing the depth of this darkened experience. “Bow Fiddle Rock” is a no-frills dark ambient excursion that is as hypnotizing as it is sedative. Minimalistic drones lean more to particular warmness, but it’s the maniacal samples that proves it’s disturbing appeal. “The Unexplained Fury” extends the bleakness of the previous track with enthralling drones and crisp soundscapes that submerge the listener into an enchanted maritime experience. There is also a soothing melody throughout that is reminiscent of a retrospective dreamscape. The last track on the album is “The Three Kings”, a final glance into this fascinating tale of ancient oceanic mystery. Harrowing drones and suspenseful synth chops bridge the worlds of suspended animation and natural essence. These looping sounds create an epic realm of controlled chaos and ethereal beauty. Obscure samples and random radio frequencies fuse seamlessly with these qualities, producing a transient ambience of the highest order.

It’s apparent that the audial cosmos created by Ruptured World come naturally. Every album emulates a particular environment, whether it’s in a series of recordings or a diversion into a different realm. ‘Shore Rituals’, allows Ruptured World to have a clean break from the Planetary albums while diving into a new environment of quintessential excellence. I appreciate this new atmosphere and particularly like the massive use of field recordings and samples as it conceives a unique take on the Dark Ambient genre. If you’ve not had the opportunity to spin this fascinating recording, I can’t recommend it enough. Please download this fantastic album from the link below.

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Links:

https://cryochamber.bandcamp.com/album/shore-rituals

Celestial-Themed Intonations Lead To Visionary Dungeon Melodies On Time Unveiled Masterpiece ‘Lunar Theology’

It’s certainly pleasing to the ear to hear fresh elements in the Dungeon Synth genre. I’m sure we all have our favorite aspects of the music whether it be melancholic, gloomy, quirky or whimsical but what’s so gratifying is when an artist comes along and redefines the listening experience with a combination of the aforementioned styles. Time Unveiled – a fantastic new project from the mastermind behind the psychedelic Dungeon Synth act Temple Of The Fractured Light – gives us a unique perspective on the genre in terms of compositional approach and thematically driven vibes. The result is an eighty plus minute journey down an ethereal path of solar enlightenment and systematic melodies.

Whisked away to a celestial world with minimal distractions, “Into The New Story” is a satisfyingly gloomy piece with a simple (but infectious) melody that sets the mood for a daring adventure into the far reaches of galactic realms. By the time “…And Her Hair Was Made Of Starlight” kicks in, the journey begins to take flight with a simple but combative refrain that exemplifies a battle-like cadence with whimsical synths. “Master Of No Domain” commences with a single keyboard tone that plays a delightful intonation. After a brief introduction, layers of mischievous synth effects combine to create an amusing ride through harrowing landscapes. A short ambient section fuses two eccentric sections as this seven plus minute track provides the foundation for the remainder of the album. “Unrest In The House Of Solar (Prelude To Battle)” is a short somber piece that exudes a completely mournful state with soothing synths and elongated ambient sections. “Battle For The Sky” is a slow builder but showcases a variety of instrumentation and sounds to create an anthem for an upcoming lugubrious campaign. “Goodbye, Green Castle” features psychedelic effects and stringent synth arrangements and overall has a very nostalgic feel to it. “All The Things Which Make Light” is one of my favorite tracks on the album as has a grim tone and modest production. These are just a few key factors that enhance the experience as the trance-like groove is almost meditative. “A Song For Jacky Lynn” has a sensational bass line that thumps at a harmonious pace throughout the track. The layers of synth melodies build from start to finish and preserve the dark noir approach to this catchy track. The albums title track, “Lunar Theology” is a deceptively dark piece that combines calm, flowing synths with memorable leads. It’s minimalistic in nature but contains a haunting melody that makes it supremely grand. “Arabia In Monochrome” is a fun little tune that contains tribal-like beats and Eastern-influenced synth leads. The beat will have the listener bobbing their head with swift fulfillment while the Middle Eastern synth arrangements will catapult you to a dimension of dry desert heat and mischievous adventures. “XI: Sleep (Träd Cover)” is a beautiful rendition of a song by the late, great Geo Romero. Somber melody leads are superbly fused with reverberated synth tones that are crystal clear and down right mesmerizing. “Skyward, Amber Dancer!” contains guitar-like effects with a pitch-shifting ambient background that screams retro! This is such a fitting track to close out this illustrious nocturnal adventure. The final track is the bonus adventure, “Live At Rainbow Bridge (12/19/2020)” and is thirty five minutes of raw, emotional Dungeon Synth that is out of this world. From gloomy field recordings and soundscapes to dreamy synths, this recording is more than meets the eye as even the subtle imperfections blend well to create a riveting experience that must have been amazing to witness live.

I absolutely love the variance of melody that is embodied on ‘Lunar Theology’. Time Unveiled represents a new era of Dungeon Synth and sends these colossal transmissions on an interstellar orbit by way of renewed compositions and fantastic thematic approach. I highly recommend this amazing album so please click on the link below and support this project.

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Links:

https://timeunveiled.bandcamp.com/album/lunar-theology

Xerxes The Dark Delves Deeper Into The Chaotic World Of Death & The Macabre With ‘Soundtrack To The Blind Owl’

Over the past few albums, Xerxes The Dark has taken a seemingly harsher approach to his Dark Ambient output. Instilling more of an industrial assault rather than lush, cinematic tones, it’s safe to say that XTD is producing some of the most aggressive work of his career. Although his past work has contained quite a bit of ominous modulations and sinister soundscapes, material from the past couple of years have been extremely bleak and harrowing, but a fitting progression for one of the best artists in the genre. That leads us to this years surprise release, ‘Soundtrack To The Blind Owl’. Extremely influenced by the 1937 novel, ‘The Blind Owl’ by Sadegh Hedayat, the story is about a desolate mans descent into chaos after experiencing personal loss and metaphysical shame. XTD interprets that discord into a grueling six track album of harsh noises and antagonizing dread that breaks down ones own spirit and will force the listener to question their own sanity.

It’s almost cliche to say that the album begins with a calm-before-the-storm approach. However, with the ensuing onslaught of punishing tonality that reeks havoc on the mind (and ears) for the following fifty three minutes, that statement is putting it mildly. “Misanthropic Mind Within Nightmares” begins with pulsating modulations and distorted guitar screeches that progressively sets the tone for this horrific ordeal. Subtle glitches are manipulated in a rhythmic pattern while random guitar noises inflict audial damage at deafening volumes. “The Women” commences with some of the same fragmented tones that were predominate in the first track and fuses with strident guitar reverberations that would please fans of the mighty Sunn O))). Bleak soundscapes are imbued strategically, enhancing the experience of the ascension of chaos. The layers of deep, guttural nuances give this track an overall creepy vibe. Next up is my favorite track, “Opium & The Bent Man”. Before I get into the details of this track, I’d like to point out that each song flows seamlessly into the next and is meant to be listened to as a single instance, showing a slow descent into oblivion and the process in which maniacal sentiment infiltrates all thought processes. As for “Opium & The Bent Man”, this is the eeriest eight minutes on the album and the celestial synth contained within are what phantasmic dreams are made out of. The droning, distorted guitar riffs are still present but take a back seat to the sinister soundscapes that oscillate at will, like an abandoned pitch shifter. “Bed Of Dead” continues down the path of destruction as distorted frequency sounds create a drone-like impulse, devastating everything in its wake. Layers of exaggerated guitar riffs continue to surge, adding a frenzied accent to this otherwise minimalistic intonation. “Horrible Abyss” continues the insanity but doesn’t begin with a constant hysteria of sound. Instead, vibrant impulses tease of an imminent demise before fully committing to an agitated madness of constant tones and malevolent riffs. The final track on the album is “The Shadow Of The Void”. Commencing with a low volume and gradually committing to a solid foundation of hateful, droning guitar riffs and dismal effects, this is the climactic piece that solidifies the concept of this very engaging album. As the psyche begins to wear thin, the throbbing fill of sonic distortions continue to blast at earsplitting volumes. However, everything comes to a grinding halt – and without warning – as the song stops in an instant, representing the abrupt end to the rapid decline of the mind.

Xerxes The Dark has been on a role over the last few years by releasing some of the best albums of his career. Instead of maintaining the status quo, XTD continues to add to his signature sound, digging deeper into the industrial ambient sub-genre and producing albums of harsher and more severe sounds. “Soundtrack To The Blind Owl” is no exception, as it’s his most brutal XTD output thus far. However, if this is what we can come to expect, then I’m already excited to hear of what may be next. This is not a relaxing, meditative listen. This is very coarse and requires the full attention of the listener in order to appreciate and understand what all is going on. That all being said, this album is absolutely amazing and one of my favorite Dark Ambient recordings of the year so far. Please show your support and listen to and/or download this outstanding piece of work from the link below.

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Links:

https://xerxesthedark.bandcamp.com/album/soundtrack-to-the-blind-owl

Celestial Ephemerides: A Collection Of Dungeon Synth Summary Reviews, Part III

Here with my third round of Dungeon Synth summary reviews that I call Celestial Ephemerides. As the Dungeon Synth genre becomes more expanded with an increased sense of popularity, there are many artists that continue to broaden their sound beyond the sphere of traditional Dungeon Synth. Such is the case for the amazing artists in this posting, as many of them create a fascinating world with their music that incorporates many elements of surprise. Please check these artists out and support them as much as possible and I hope you enjoy these releases as much as I do.

1. Meadow Grove – That Which Lies Beyond

‘That Which Lies Beyond’ is probably my favorite output but Meadow Grove as it’s firm mix of ambient textures and minimal use of synth leads create a mournful Dungeon Synth experience. These four epic tracks present a somber, musical experience that is part whimsical, part melancholic but completely alluring that is surely to reach a broad spectrum of listeners. When this thirty three minute long excursion is over, you’ll want to start it again, further embracing the enlightened bliss that it exudes.

https://meadowgrove.bandcamp.com/album/that-which-lies-beyond

2. Kalameet – The Everlasting Prairie Winters

Kalameet exemplifies the Medieval Dungeon Synth experience with bleak atmospherics and haunting synth arrangements. The gloomy production effort also increases the authenticity of the era that this recording represents. in addition to the captivating synth compositions, elements of percussion and whimsical key leads thwarts the listener back to a darkened time where castles and enchanted forests reigned supreme. I particularly love the ambient lead-ins for each track as they prepare the listener for a middle-aged journey that is compelling as it is real.

https://kalameet1.bandcamp.com/album/the-everlasting-prairie-winters

3. Gate Master – Gate Master

Although the self-titled Gate Master album is not the latest release in his catalog, it’s definitely one worth mention especially if you’ve not heard it yet. ‘Gate Master’ is everything that I love about some of my favorite genres of music. It contains a methodical Dungeon Synth cadence that draws the listener in as well as some bleak atmospherics that will satisfy fans of Dark Ambient music as well. On top of that, it encompasses some very cold and powerful Black Metal that was some of my favorite from last year. The track “Inverse Transcendent Hypostasis” is worth the price of the album by itself. Don’t pass on this artist and the amazing discography of albums that are available.

https://gatemaster.bandcamp.com/album/gate-master

4. Caliginous Empire – Gloom Lands

‘Gloom Lands’ is a captivating listening experience that runs the gamut of soundscapes and genre-bending within a twenty two minute span. Starting with a cinematic intro and leading into an fascinating journey of fantasy synth induced tracks, ‘Gloom Lands’ proves its epic prowess by virtue of musical compositions instead of the length of the album itself. One minute it is inviting with eccentric tones and the next the listener is presented with a brood of darkened atmospherics. An excellent debut from an up-and-coming Dungeon Synth artist!

https://caliginousempire.bandcamp.com/album/gloom-lands

5. Lamerak – Lamerak

At just sixteen minutes in length, ‘Lamerak’ is a charming fantasy synth adventure that catapults the listener into the heart of Medieval elements where a serene setting provides a peaceful existence for the entire kingdom. Although mostly a light and enchanting experiment, there are aspects of obscurity that enhances the listening experience. Synthwave effects create a haunting atmosphere for these tracks, making it a standout release in the Dungeon Synth community.

https://lamerak.bandcamp.com/album/lamerak

6. Lamia Vox – Alles Ist Ufer. Ewig Ruft Das Meer

‘Alles Ist Ufer. Ewig Ruft Das Meer’ is a soundtrack worthy album of cinematic proportions. Beautifully produced and classically arranged, these tracks fuse elements of Dark Ambient and Medieval Dungeon Synth with crystal clear clarity and a precise mix of elegant synth leads and dreamy narrations. Also featuring percussion, piano and stringed instrument arrangements, this album is an absorbing listen and is guaranteed to get multiples spins from listeners of this variety.

https://lamiavox.bandcamp.com/album/alles-ist-ufer-ewig-ruft-das-meer

7. Apoxupon – Nameless And Formless

‘Nameless And Formless’ is a bold and refreshing take on Dungeon Synth music. With dark atmospherics, layers of amusing keyboard arrangements and elements of experimental, avant-garde, Apoxupon has conjured quite an adventure with their fifth album of inspiring synth music. Never one to maintain the status quo, Apoxupon expands upon the realm of darkness and fantasy synth to create a signature sound that is unmistakable. This is one of my favorite Dungeon Synth albums of the year so far.

https://apoxupon.bandcamp.com/album/nameless-and-formless

8. Frailord – Injecting Divine Essence Of The Empyrean Kingdom

Frailord, one of the many projects behind Serpent Swords Records mastermind Davey Sasahara, finds a more regimented sound with a stark mix of Medieval Dungeon Synth and Black Metal, put together in a lo-fi production setting. One thing that stands out is the bombastic percussion, as it creates a hasty style of synth music that hypnotizes from the very first note. Sure you can hear the influences of Serpent Sword projects, but the intonations released on this album stand on their own as a unique project and identity. Another amazing effort by Davey!

https://serpentsswordrecords.bandcamp.com/album/injecting-divine-essence-of-the-empyrean-kingdom

9. Dahliad – The Feast Of Fools

‘The Feast Of Fools’ is a masterclass of synth compositions that extends beyond the Dungeon Synth realm. The theatrical presentation of this album as a whole is on point, while the inclusion of dark ambience and trance-like drones adds a bleak setting to the ominous output of each track. As if you’re trapped in a nightmare, certain tracks will play on the listeners emotions, ensuring an essence of coldness. However, other tracks contain an overwhelming sense of beauty, creating a wonderful balance as this album takes us down a different path in the realm of Dungeon Synth.

https://retconindustries.bandcamp.com

10. Genus Inkasso – Odd Little Gestures

This album is a little older but definitely with the mention in this article. Although not your typical Dungeon Synth album, it’s more like an experimental noise recording with harsh modulations that resonate in the same fashion as Dungeon Synth does. Using frequency manipulation as it’s stronghold for tonal adventure, this single track provides twenty six minutes of angst-laden soundscapes and reverberations that is sure to generate some feedback (no pun intended).

https://tonestrukt.bandcamp.com/album/odd-little-gestures

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Celestial Ephemerides: A Collection Of Dark Ambient Summary Reviews, Part III

I love how Dark Ambient continues to grow and find ways to expand beyond the typical means of uniformity. While the baseline of stimulating drones and gloomy soundscapes are a permanent fixture in Dark Ambient music, the use of textured field recordings and the fusion of other genres show an increased variety in the music created for this genre and how it is able to expand. Welcome to round three of Celestial Ephemerides for my Dark Ambient summary reviews and I hope you savor these broad spectrum of releases and appreciate them as much as I do.

1. Secant Prime – Wavelets

For starters, this album is a few years old but after have been introduced to it, I knew that I had to write about it in some form or fashion. This isn’t your run-of-the-mill Dark Ambient recording, as it is filled with pulsating modulations, harsh industrialized noises with random samples and soundscapes that make this a horrifying affair. However, these five tracks present an hours worth of entertaining dark electronic music that will keep you on the edge of your seat, and trapped in a dark post-apocalyptic world.

https://secantprime.bandcamp.com/album/wavelets

2. Ulvestad – Fall

On the other end of the spectrum, Ulvestad presents the drone-laden, “Fall”. This minimalistic adventure commits the listener to a world of obscurity through elongated drones that build around cinematic soundscapes and grandiose production. This is as disturbing as it is tranquilizing and these four tracks tell a story through masterful synth and pad arrangements.

https://cycliclaw.bandcamp.com/album/fall

3. Tarme Til Alle – Blood Moon Prophecy

‘Blood Moon Prophecy’ is a unique recording in that it contains all of the elements of a theatrical and climactic Dark Ambient album but in a harsher sense. The tone and volume on the instrumentation is mixed louder than usual, creating a level of acerbity and distortion not normally experienced in this genre. Whereas Dark Ambient (at times) tends to be calm and soothing, this album is more abrasive, presenting more of a realistic approach to post apocalyptic and industrial themed tracks. Fortunately, it blends perfectly and I need to hear more of this!

https://tarmetilalle.bandcamp.com/releases

4. Mindspawn – Daemon

Mindspawn excel at creating a drone masterclass with the ominous ‘Daemon’. Extremely minimalistic droning with the help of some very demonic sounding effects, this may not be the album you want to fall asleep to. However, I do recommend this for those times where you need bleak soundscapes to set a harrowing mood. The modulation variants are very creative and the arrangements couldn’t be any better for a one hour recording of ominous sounds from the underworld. Don’t sleep on this one!

https://mindspawn.bandcamp.com/album/daemon

5. Flowers For Bodysnatchers – Infernal Beyond

Flowers For Bodysnatchers epitomizes the conceptual experience with each of his albums. From start to finish, you can expect an enthralling journey through realms of the obscure. On ‘Infernal Beyond’ the use of bleak soundscapes and field recordings propels this journey beyond expectation and the results are a sinister cluster of tracks that will leave the listener in a maniacal disarray. An absolutely amazing album from one of my favorite artists!

https://cryochamber.bandcamp.com/album/infernal-beyond

6. Snake Eggs – The Birdland Chakras

‘The Birdland Chakras’ is a deep dive into the dimension of industrial-tinged experimentation. The variety of sounds and noises, mixed with Dark Ambient undertones creates a frantic output and the outcome is a horrifying collection of intonations that will dismantle your very core. At times whimsical and other times sadistic, this is a well blended assemblage of sounds that is very appeasing and completely entertaining. Can’t wait to hear more from this artist.

https://snakeeggs.bandcamp.com/album/the-birdland-chakras

7. Bocci/Arrighi/Lepore – Anagrammi

Now for something a bit different. Bocci/Arrighi/Lepore combine their compositional talents to create a piano-based album full of darkened arrangements and jazzy undertones. Their masterful piano and synth manipulations present a soothing, yet gloomy take on Dark Ambient and experimental music in general. Consisting of just four tracks, the listener is provided with a forty minute journey of alluring ambience that borders improvisational madness and supremely structured tunes. This one is highly recommended for fans of dark noir themed music.

https://unexplainedsoundsgroup.bandcamp.com/album/anagrammi

8. Melkor – Hall Of Bats

‘Hall Of Bats’ embodies the minimalistic listening experience with dark, depressive drones and occasional layers of grim soundscapes and field recordings. Interestingly, there is a sparse sense of melody used throughout this recording, keeping it from become a completely bleak experience. However, it’s used as an expression of dread and increases the grandeur of this Dark Ambient spectacle. This album must be listened to from start to end to gain an appreciation for the full compositional encounter. At times, it’s like having an out-of-body experience.

https://kalpamantra.bandcamp.com/album/hall-of-bats

9. Kammarheit – Thronal

‘Thronal’ is the perfect Dark Ambient album to listen to if seeking a completely melancholic experience. Agonizing synths accompany deep and slightly distorted drones to produce a deplorable sound that is not only addictive, but mesmerizing to the point of total submission. This album is like a minimalistic soundtrack for misery and sadness and I can’t get enough of it. Highly recommended for those seeking a dark and emotional audial dialog to accompany your own personal experiences.

https://cycliclaw.bandcamp.com/album/thronal

10. J. Donovan Malley – Echoes In A Cage

J. Donovan Malley packs more into this twenty two minute album than a lot of artist in an album twice the length. From warm piano ballads and soothing soundscapes to industrial-based noise fills and vocals (both operatic and harsh), ‘Echoes In A Cage’ is a compelling Dark Ambient album that goes beyond standard drones and synth modulations and explores the psyche of emotional projection. This is another expertly crafted album that I highly recommend checking out immediately!

https://jdonovanmalley.bandcamp.com/album/echoes-in-a-cage

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Løgan McCurter Cultivates A Kaleidoscope Of Synth Madness On The Elusive, ‘Primitive Baptist & The Oldest Time Traveler In The World’

I spent some time perusing Løgan McCurter’s Bandcamp page and was fascinated by the variety of music that he’s generated over the course of several albums and demos. From singer/songwriter and psychedelic to synth pop and retro synthwave, Logan knows no boundaries and has a niche for creating great music. Now, even further expanding his musical forte, Dungeon Synth is added to the audial pallet, and the release of ‘Primitive Baptist & The Oldest Time Traveler In The World’ is bestowed upon us. With a solid foundation in the Dungeon Synth realm, these eight tracks expand beyond multiple genres, creating a fascinating album of melancholic desires.

Impressive album opener, “Primitive Baptist” commences with a steady dose of tape hisses followed by the consoling sounds of retro synth chops that paint an effervescent scene of jubilant mystery. Celestial soundscapes and percussive pops create a harmonious tone, setting a wondrous theme for the remainder of the album. “Uniform Resource Locator” begins with some creepy sound effects before melding into a whimsical fantasy synth groove. This soon comes to an end, giving way to a warm ambient tone and a variety of sonic textures, as if providing a soundscape to a fanatical adventure. Toward the end, a barrage of synth leads come into play, bringing this track to a climactic ending. “Chapel Dweller” is a lugubrious effort with dreamy keys and cosmic effects. There is a beautiful sense of melody on this track that makes it an infectious listen. “Spoken Into Existence” begins with an alluring piano melody before shifting into a retro synthwave affair. It’s so easy to get lost in the ambient space that is created by the solar atmospherics, that you’ll almost feel as if you’re on a celestial journey through unknown realms. This leads right into the lush, “The Meaning Of Life Is That It Ends”. With tape hisses and fantasy synth tones, the melody is beautifully arranged to create a stark world of beauty and darkness. Hints of percussion and layers of synth leads add to the mystique of this song, making it one of my favorites on the album. “The Oldest Time Traveler” continues with the tape hisses and austere soundscapes, sending the listener on a psychedelic excursion. As the elongated synths begin to take shape, every element of this track becomes more predominant. The obscure effects really do this track justice, as it keeps the listener drawn into a world of fantasy and arcane details. The eerie “Tomb Sleeper” begins with haunting field recordings and maniacal effects before settling into a heavy bass-driven dirge that sounds like a synthwave ballad from the 80’s. The inclusion of steady rainfall provides a very soothing effect as this emotionally arranged anthem continues with various elements of surprise that succeeds in captivating the listener effortlessly. The final memorable achievement on this fantastic album is the mesmerizing “You Were The Spell”. After a brief, dismal array of grim sound effects, the track settles into an austere arrangement of harmonized synths that are simply breathtaking. The expanded notes overlay each other in an integrated fashion, providing a soothing and somber experience. The trance-like quality that builds with each interval pulls the listener further into a world of darkness and uncertainty. What an amazing way to end this extraordinary album.

Løgan McCurter’s Dungeon Synth journey – although a youthful one – is surely paying off with the bold and captivating release, ‘Primitive Baptist & The Oldest Time Traveler In The World’. He masterfully blends multiple synth styles to create his own unique signature within the Dungeon Synth realm. This is an extremely entertaining album with lots of twists and turns and I can’t recommend this one enough. Please click on the link below and support this prodigious artist by downloading this tremendous piece of work.

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Links:

https://loganmccurter.bandcamp.com/album/primitive-baptist-the-oldest-time-traveler-in-the-world

Dark Ambient, Synthwave And Noise Collide on Trajedesaliva’s Intelligent Offering, ‘Ultratumbra’

Sometimes, the best albums out there are the ones that haven’t been heard yet. There are many gems hidden away on bandcamp and often it’s like a diamond in the rough, searching for the one that offers pure cosmic bliss. Fortunately, Bandcamp is one of the best platforms for music these days – especially for obscure genres – so finding an album as impressive as ‘Ultratumbra’ by Trajedesaliva is certainly appeasing to these ears. Combining all of the elements that I love about esoteric music, ‘Ultratumbra’ delivers forty two minutes of musical euphoria that fuses Dark Ambient, noise, spoken word and retrospective synthwave. The modulations that prowl behind every corner are unexpected but are eagerly welcomed, as this album is supremely put together and most of all, enjoyable on multiple levels.

Sonic album opener, “Todo Era Blanco”, sounds like an immediate drift back into time when retro analog synths ruled the airways and the break of dawn demanded its own sound signature. This track builds in grand layers with a lot of reverberation to thicken the sound. The synths are clean without being crisp, like a morning fog clearing before a beautiful day. Spots of percussion can be heard throughout without going overboard and this is such a grand way to start this amazing album. “A Casa Por Las Vías” continues on the strengths of the first tracks with massive, elongated synths that are slightly muffled but concise in the mix. We also get our first listen of a spoken word bit (spoken in Spanish) and it sounds so bleak with the terrifying layer of noises and percussive elements happening in the background. Upon the completion of the spoken word element, there is a climatic shift in music as it builds up in devious fashion before collapsing into a beautiful and melodic synthwave track. “Familia Ferro” commences with a loud, constant tone, followed by a short spoken word piece. It immediately unfolds into harsh noise modulations that shake the foundation with its strident industrial intonations. Next up is the multi-faceted, “Arenas Calientes”. Beginning with a single keyboard chop and then quickly expanding into multiple layers before suddenly unfolding into a mechanized tone, this track goes through several pitch shifts and succeeds at altering ones mood from dark to anxious to downright maniacal. Toward the end, sharp whispers can be heard throughout, adding some mysticism to this already terrifying song. “Mamá Es Un Animal Morado” starts with a jolting tone, like a large turboprop airplane already in mid flight. However, other sound effects are introduced, creating a spacious melody and then spoken words take over. The track deviates from the harshness and turns into a somber affair and the spoken words continue to complete the calming nature of everything that is fused together up to this point. “Mammillaria Sempervivi” is another melodic affair with dreamy keyboard harmonies and a compelling bass line that’s adds a great bit of depth. The spoken words continue to tell their tale and then 80’s style keys and beats commence, adding yet another aspect to this incredibly diverse album. “Queremos Verte” maintains the keyboard harmonies of the last track but adds an extra layer of emotion with superior song writing and haunting production. Even the spoken words sound different in this track, as the narrator seems to be at ease or in a more comforting situation than previously. The final track on the album is “Ultratumbra” and it immediately begins with a line of spoken word before fusing into a harmonic keyboard composition that sounds straight out of the 80’s. This track is magnificently arranged and contains all of the elements that I love about Trajedesaliva. Although it starts out smooth and alluring, there is a middle section that begins to fill out with harsh noises and drum rhythms that’s simply infectious to listen to. This song is so wonderfully arranged, I just wish it would never end.

Although Trajedesaliva is a new artist for me, they’ve been around for over twenty years. It’s a travesty that I’m just now getting to know their craft but I couldn’t be more pleased with what I’ve been exposed to so far. From the retro compositions, nostalgic arrangements, well placed spoken word bits and great use of industrialized noise, ‘Ultratumbra’ contains everything I could ever ask for in an album. I highly recommend checking this one out so please click on the link below and support this amazing artist.

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Links:

https://trajedesaliva.bandcamp.com/album/ultratumba