Dark Ambient & Dungeon Synth Recordings To Enthrall You During The Global Pandemic Continuation

Back in March, I published a playlist of Dark Ambient & Dungeon Synth recordings to help tide you over during the shelter-in-place order. Well – here we are – almost two months later and not much has changed, with the exception of a lot of great music being released. So, whether or not you’re still stuck at home, or have the ability to venture out, please enjoy this personal playlist of Dark Ambient and Dungeon Synth recordings that have been keeping me entertained lately! This is all great stuff so please support these artist and download an album or two!

Dark Ambient Playlist:

https://melanohelios.bandcamp.com/album/the-psychonaut
https://cryochamber.bandcamp.com/album/eternal-drift
https://blackweald.bandcamp.com/album/leonov-2
https://noctilucant.bandcamp.com/album/the-autumnal-end-2
https://roberteggplant.bandcamp.com/album/earth-sinking-into-water

Dungeon Synth Playlist:

https://varkana.bandcamp.com/album/cosmic-terror
https://lordorots.bandcamp.com/album/latzineko-erresumaren-itzulera
https://namelessking.bandcamp.com/album/downfall-of-drangleic
https://wyrmlodge.bandcamp.com/album/the-short-but-touching-tale-of-slime-golem
https://serpentsswordrecords.bandcamp.com/album/perpetual-cruelty

There Is A Dark World Order Evolving On New Risen Throne’s Latest Magnum Opus, ‘The Outside’

The unknowing of what the future holds is like an obsession. Whether we continue to advance in technology and expand physiological boundaries or descend into a foreseen doomed planet, the outcome is an exotic mystery. Given the current state of the world with the COVID-19 pandemic upon us, a futuristic apocalypse is not so far fetched. With millions of people becoming effected, hundreds of thousands of people dying, supplies running low, economies crumbling before our very eyes, we are in the early stages of a possible apocalypse. This is the perfect environment for Dark Ambient music, as this is the setting that is conceptualized the most. Imagine a full-on decimation of the world with no means of viable recovery and after several centuries, a group of survivors begin to investigate the cause of this total annihilation. That is the concept behind the latest cinematic Dark Ambient adventure by New Risen Throne called, ‘The Outside’. Containing seven monumental tracks of bleak and gloomy Dark Ambient, New Risen Throne sets the bar for theatrical and atmospheric music. As a bonus, there are an additional eight tracks of older New Risen Throne material that has been deconstructed by some of the most reputable artists in the Dark Ambient genre.

“The Outside (I)” sets the grisly scene many centuries in the future as profound and despotic drones create a slow, dark grind of unknown discovery. As the tone increases, narrative samples of someone appearing to be in distress adds a horrific texture to the track. Multi-layers of synths and pads resonate evil intonations as malevolent discoveries are imminent. “What We Have Seen” is like a nightmare all in itself, starting calm and increasingly adding soundscapes that will agitate the dead. The background, hollow drones play a key role in this track as they are not overly aggressive, but make their presence felt in a frightening way. About halfway through, a discordant riff can be heard, boasting the despondency of the emotional landscape that is being portrayed. Additional guitar tones and vocalizations add layers of empathy and dread which sends this blistering track into realms of the unknown. “The Outside (II)” begins with alluring drones that slowly increase with the introduction of industrial soundscapes. As the protagonists in this story rummage through the wastelands in search of the answer that ended the world centuries before, one has to wonder if they are fearful for what may be found. As thunderous percussions hammer out a distorted beat in a rhythmic pattern with manufactured sounds, the intensity grows, creating an anxious feeling. This combination comes to an abrupt halt as bizarre and inhuman vocalizations are heard explaining a possible truth of the past. “Corrosion Of Pillars” wastes no time sounding the alarm as abysmal siren-like tones emit a harsh warning. Creepy drones are brought forth along with booming percussive beats, making it obvious that the answer may soon be found and an unsettling reveal is about to be told. “The Outside (III)” continues with the industrial influenced Dark Ambience with mechanized soundscapes and eerie atmospherics layered with haunting drones. “The Outside (IV)” begins with various field recordings and echoed effects, as the climactic ending to the story begins to unfold. The sinister vibe on this track is what nightmares are made of and may also result in a negative ending while the search for answers comes to a close. “Birth Of A New Disciple (II)” is the malevolent conclusion to ‘The Outside’ and a multitude of profound sounds and textures are brought together as a new world order is in formation. From tribal drum sounds, choir-like chants to hollow drones and ritualistic undertones, this track has all of the key elements to become a soundtrack for the post-apocalyptic dawn of a new civilization.

It doesn’t stop here though. Although ‘The Outside’ is the complete package for a Dark Ambient masterpiece, the bonus material is equally as mesmerizing. These eight additional tracks are previously recorded material that have been remixed by some of the top Dark Ambient Artists in the genre to include: Sysselmann, Visions, Taphephobia, Phantom Ship, Vestigial, Apocryphos, TeHÔM, as well as New Risen Throne. If I had to pick a few stand out tracks amongst these, they would be, “A Vision Of The Hidden (Sysselmann Remix)”, “Sigh Of The Soul (Apocryphos Remix)” and “Withered Regions (TeHÔM Remix)”.

Without a doubt, New Risen Throne is one of the leading Dark Ambient artists in the world. By adding a relevant, theatrical story line to his cinematic brand of music, the creativity of his craft sets him miles apart from most others in the genre. ‘The Outside’ is a visionary album and one of the best Dark Ambient recordings of this year so far. I highly recommend checking out this extremely addictive album, so show your support by downloading it from the link below.

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Links:

https://cycliclaw.bandcamp.com/album/the-outside

Akashic Envoy Records Assembles An Immense Compilation For A Charitable Cause Called, ‘Apostils Against Hegemony, Vol. I: Transitive Properties’

I love compilation albums for several reasons. For one, they are usually extremely long and provide near endless amounts of entertainments. Secondly, it gives us listeners an opportunity to check out artists that we’ve never heard of before. Especially in this incessant sea of Bandcamp artists, it’s nearly impossible to catch every amazing artist that’s out there. Akashic Envoy Records recently summoned LBGTQAI+ artist from multiple genres to lend their amazing talents not only for this behemoth of a compilation, but also for a great cause. Akashic Envoy Records has decided to donate 100% of the sales of ‘Apostils Against Hegemony, Vol. I: Transitive Properties’ to The Trevor Project, a non-profit organization dedicated to the prevention of suicide amongst LBGTQAI+ youths. The fantastic music on this compilation range from dark pop, synth wave, death metal, black metal, dungeon synth & dark ambient. For my reviews, I typically provide a breakdown of each song on an album. However, due to the sheer size of this compilation, I’ve decided to pick ten of my favorite tracks and talk a little about those. That’s not to say the rest of this album isn’t worthy, because that’s not the case. This is one of the most interesting and entertaining compilations I’ve heard in a really long time. However, If I were to write about each track, it would take you an hour to get through this review. That being said, let’s get started!

“Dew Tipped Grass Along The River Banks” by Bowels Of Eternity is a theatrical adventure with massive dungeon synth undertones. Dark ambient like drones and atmospherics, complimented by eerie soundscapes and textures puts this track in a class all of its own. “Ghost” by Forbihavet is an unforgettable post-metal affair that will insert the listener into a fantastic, dark world where somber melodies slowly build like overflowing volcanic lava. The ethereal acoustic ambience floats endlessly like objects in the vast universe. However, as the instruments become louder, the mood becomes more dense. The elongated buildup leads to an emotional and climactic ending that is heavy and energetic. “Her Stillborn Body” by Putrescine is a brutal, death metal affair with old-school 90’s style production. The high-pitched screechy vocals take turns decimating the ear drums with low end gutteral growls. The music is ferocious without being over the top and the amazing guitar solo is a welcoming sound – especially since a lot of bands turn a blind eye on solos anymore. “Ancestral Magick” by Mutable Body is a really cool synth track that builds slowly, layer by layer, until a full on melodic assault takes the listener into a dark world of fantasy and fiction. There are plenty of otherworldly effects and smooth droning to boast a huge sound, but the real treat here is the keyboard arrangement that remains constant throughout most of the track. I could listen to this stuff all day long and never get tired of it. “Evocation I” by Guan Yin, is an eerie track full of samples, soundscapes and gruesome vocal effects that will keep you on the edge of your seat. I sense a ritualistic theme to this track and as it proceeds, the listener is subjected to cultural beauties and horrors that may not be fathomable by some. Listening to this track is a very rewarding experience, as it’s so different, yet fits right in. “The Void, Transmuted” by Blood And Dust is one of my favorite tracks on this compilation as it mixes the aggression of synth wave and the deep droning sounds of dark ambient music. It slowly builds out of a simple drone, layered soundscapes and simple narrations, then mutates into a multi-layered synth wave track as if the climactic ending of an 80’s horror movie is coming to an end. “His Words Are A Void” by Vulgarite is a blackened doom metal track with a great main riff that is layered to have a slight echo sound. Although the vocals are typical of a harsh black metal style, the music has a bit of a post-metal influence, so all of this combined makes for a stunning track that will embed the listener into a trance-like state. “Six Of Swords” by Jenn Taiga is a progressive synth masterpiece. This track is a mix of something you would hear from the Stranger Things soundtrack, 70’s style fusion progressive rock, as well as the instrumentation from the Swedish band Anekdoten. Jenn Taiga is something special, as it takes an extraordinary ear for music to write a track like this, with such passion and restraint. “The Worm/The Wretch” by Age Decay is one of the most unique tracks that I’ve ever heard. It has a good mix of singer/songwriter, metal, clean & harsh vocals and masterful songwriting. If I had to sum up Age Decay in a few words, I would say it’s a metal version of The Swans – which is a huge compliment. This eleven and a half minute track flows between soft acoustic parts and bombastic metal parts, with all around great vocals. Finally, “Wealth Beyond Measure” by Mausoleum Wanderer is a dungeon synth track that tells a voiceless narrative in the most legendary way. Pulling no punches, Mausoleum Wanderer brings his “A” games in a cinematic score-like anthem that soars high above many tracks of this nature. Beautifully produced and with a clear and crisp sound, this track is a very mature step for Mausoleum Wanderer and I’m looking forward to many more tracks like this from him.

Aside from the ten tracks that I just wrote about, this is an overall extremely impressive album and Akashic Envoy Records couldn’t have done a better job assembling a group of top-notch artists with great talent in a wide-array of genres. It’s not often that you get to hear a compilation of this nature that contains all of your favorite genres of music. At just over three hours of playing time, there is plenty of music to explore on here and I’m sure there are some artists on here waiting for you to discover their awesome music. Since this all for a good cause – supporting The Trevor Project – I highly recommend you clicking on the link and supporting this magnificent compilation album!

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Links:

https://akashicenvoy.bandcamp.com/album/apostils-against-hegemony-vol-i-transitive-properties

‘Cosmic Terror’, Varkâna’s Lovecraftian Themed Third Album Is A Mind-Blowing Dungeon Synth Magnum Opus!

H.P. Lovecraft – the legendary author that wrote some of the most transcendent stories in the genres of weird fiction, cosmic horror, horror fiction, and science fiction – has inspired generations of entertainers and artists with his Cthulhu mythos (among others), that has allowed his name to live on for quite the foreseeable future. Unfortunately, Lovecraft’s legacy wasn’t cemented until after his death, as his writing craft and vision was virtually unknown and unchallenged and he died in hardship, unable to support himself by his penmanship along. That being said, his writing was well ahead of its time and influenced movies, music, games, fictional characters as well as occultism. Of the Lovecrafian musical output there has been throughout the years, one of the most impressive recordings is the latest album by Varkâna called ‘Cosmic Terror’. An hour long Lovecraft-themed masterpiece, ‘Cosmic Terror’ builds upon the grimness of dungeon synth and appends ritualistic undertones and synth wave elements to produce what may very well be one of the greatest albums of the year.

“From Beyond” wastes no time as the opening sounds are a conglomerate of haunting synth notes straight from the grave. As the eerie melodies prowl the audio waves, incandescent synths radiate a sense of dire oppression. Soon, blazing synth wave tones fill the atmosphere that radiate with pure madness. At around the three and a half minute mark, trance-like droning keyboard sway like the waves of a Dead Sea under a full moon. One final solo synth arrangement plays on to end this stellar track. Next up is “Space Lord”, my absolute favorite song on the album and possibly one of the best despondent sounding synth tracks ever written. Dismal keys play saddened notes while spacious synth leads create a dynamic atmosphere that is more gray than black. Multiple percussion sounds and retro synths begin to crowd the airwaves as the abundance of textures come together to form the perfect mix of dark tones and harmony. A little over halfway through the song, the music fades into a warm ambient composition that drones slowly with the same melody as the beginning of the track. “The Dream-Quest” has the sound of a dark anthem being played in a dimly lit room that is used for seances to conjure unruly spirits. Tribal-like drums set a deathly pace while the long winded keys continue their heinous ways. Toward the end, more traditional drums are introduced, as well as synth wave patterns that add a bit of light to the grimness. “Nyarlathotep” is my second favorite track on the album as it combines memorable synth melodies with extended keyboard notes that establish a baseline for this epic composition. This nine minute requiem is packed with moments of sheer bliss, specifically the final two minutes as the beautifully toned keyboard arrangement plays so well against the rhythm and drums. “Devourer Of Stars” continues the powerful combination of synth rhythms and leads with alluring drums and retro synth wave sounds. “Devourer Of Dreams” is another nine minute anthem that is full of somber annotations and dreamy textures, especially when the percussion kicks in. The standout part in the track starts at around the four minute mark, when an elegant piano arrangement is introduced and layered with the soothing, yet slightly sinister synth melody. “Ex Oblivione” is another elongated track that features baritone-sounding keys and abstract synth effects. Again, simple but elegant drums provide the perfect balance of synth and avant-garde music. The final track on the album is the title track, “Cosmic Terror”. After a short, stark intro, introspective melodies take over and lead right into a progressive drum beat. The part that ensues has a 70’s progressive/fusion sound to it and it fits in perfectly with the rest of the album.

Varkâna is turning out to be one of the most consistent artists in the dungeon synth genre. Last year, the very impressive ‘Ahrimanic Chambers’, made my list for Top 10 dungeon synth albums of 2019. As of this writing, there is a strong possibility that ‘Cosmic Terror’ will be my top pick for dungeon synth album of 2020. The songwriting is spectacular, the arrangements are unbelievable, and each and every track is extremely memorable and soon you’ll find yourself addicted and playing them over and over again. To have music of this high level paying tribute to the great H.P. Lovecraft, I would say that he would be extremely honored. I can not recommend ‘Cosmic Terror’ enough, so please show your support for this exhilarating artist and download this as soon as possible!

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Links:

https://varkana.bandcamp.com/album/cosmic-terror

Cult Of Terrorism Unify Soothing Ambient Textures And Hypnotic Industrial Samples On ‘Megváltozhatatlanság’

When calmness and chaos collide, it can be an intriguing affair. As two distant-end spectral forces merge at the point of emotional confusion, the outcome is often unexpected – like the age old battle of good versus evil. In music, the aftermath of this emotional merger is a little more advantageous as our mental state is already at a heightened state of awareness with an illusory fixation. ‘Megváltozhatatlanság’ by Cult Of Terrorism portrays that same disconcerting situation with its unique brand of Dark Ambient. At its base, ‘Megváltozhatatlanság’ uses minimal drones and textures to devise a sense of tranquility, while on the other hand, Industrial soundscapes are injected to agitate the mind with frenzied audio terror. However, the combination of the two will escort the listener to a fascinating gray world where nothingness provides a soothing sense of anxious turmoil.

Sensational album opener, “Mitochondria, O Sindrome Di Le Tour (feat. 52-Hearts Whale)” instantly catapults the brainwaves into a hurried state as Industrial frequencies flow from side to side, creating the epicenter for a daring new world. However, ground zero quickly recovers as the menacing sounds give way to enticing drones, field recordings and melodic keys. Occasionally, harsh sounds can be heard in the background, reminding the listener that all is not safe when beauty and bleak collide. The next track is “υπναγωγικών [UNO STUDIO]” and it features synth pads that create a melodic atmosphere. Haunting keys play at intervals in the background while various effects add layers of warmth and stability. The muffled piano notes in “Qualcosa E’ Perduto” are soothing yet disturbing. Barely audible wind effects add a touch of mysticism to this otherwise cold and minimalistic track. “I’ll Sequestro Emozionale Prima Dell ‘Ultimo Gesto” kicks things back into high gear again, as a droning and discordant synth tone plays unadjusted for several minutes before layers of rigid effects and soundscapes take this song to a whole new dimension. By the time the track comes to a close, screeching synths are at the forefront, but somehow remain quite melodic. “La Fortezza Di Spine (feat. Valerio Orlandini)” keeps the Industrial momentum going with its dark, spongy drones. The addition of malevolent narrations and evil sounding textures makes this one of the standout tracks on the album. “Notturno [Il Tuo Cuore E’ Sacro] (feat. Testing Vault)” is another disturbing track that dabbles into Indistrial sampling and perfectly placed random sounds. The maniacal keys in the background maintain a monotone pattern, providing just enough normalcy to offset the controlled chaos that is happening in the foreground. The final track on the album, “Megváltozhatatlanság (feat. Meanwhile In Texas)” is a slow building track that centers around spacey drones and desolate soundscapes. At around the four and a half minute mark, the sound shift to a higher frequency with trance-like qualities. Soon thereafter, this song dissolves into oblivion, going out peacefully – just the opposite of how this album started.

Although Cult Of Terrorism has a frightening name, the music says otherwise. Even with spots of Industrial-tinged madness, this album – for the most part – is a a peaceful yet dark affair. ‘Megváltozhatatlanság’ is a very mesmerizing album, and with a great song foundation and seamless transitions between tracks, is also extremely enjoyable. It can be streamed in its entirety at the link below, so head on over to the site and check out this great work.

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Links:

https://totenschwan.bandcamp.com/album/tsr-111-megv-ltozhatatlans-g

Empty Chalice Ignite Cold And Repressed Auditory Visions On ‘Mother Destruction’

One of the missions of Dark Ambient is to instill otherworldly emotions and senses in order to expand the horizons of the conscious mind. If you allow your psyche to open up to the music, the reward can often be rewarding. Whether the listener is seeking solitude, darkness, horror, a deep space adventure, or just an escape from reality, no other genre of music will capture that experience quite like Dark Ambient. Empty Chalice excels are doing just that, as their brand of Dark Ambient is a culmination of ritualistic ambience, terrifying field recordings, grim sequences and sampling, as well as vocal narrations. All of these combined create the malevolent recording known as ‘Mother Destruction’. At just over fifty one minutes long, these five tracks of neural dread, will anesthetize the senses and draw the listener into a hollow realm of consternation as they try to find the exit back to a normal reality.

Prominent album opener, “Unholy Light”, penetrates the ear canals with jarring synth pads and frequent cymbal crashes as a bombinate drone sound breaks through and add a depressive dynamic to the track. Moments of eerie near-silence pull the listener down even further before more deep drones start to rumble again. Various instruments add brief moments of angst, but this track halts on a grim & long silent ending. “Treblinka’s Snow” begins with a calming drone with dreamy instrumentation heard in the distance. Soon, beautiful female narrations add to the story, and it creates a numbing effect with its soothing structure and pacing. Scattered samples are amply placed throughout the narration, followed by a harsher droning sequence. “Qva Resvrget Ex Favilla” is a downright sinister track, as it features black metal vocal style narrations, as well as clean, operatic singing. At around the seven minute mark, the track begins to morph into more of an industrial ambient piece, with screechy drones and piercing synth pads. The near fourteen minute long “Rest In Pain” begins with inaudible narrations that have a echo effect on them. Combined with some high-pitched drones, and melodic sequences playing in the background, this track is a slow builder but very rewarding in the ends. At around the three and a half minute mark, a mid-paced drum beat enters the picture as the melody of this song becomes more prevalent. Even after the drums fade away, the melody continues to play on for a few minutes and then too it fades into the hisses of the synth sequences. The final track on the album, “Mother Destruction” begins with haunting tape loops, obscure samples and alluring synths slowly fade in. As the drones grow louder and harsher, the tone of the track becomes more evil sounding and bleak samples can be heard throughout. The final couple minutes of this song is a slow burn into obscurity as all of the noises gradually seize to exist.

Empty Chalice takes the listener to a cold and empty world, where escaping becomes the nightmare. Over the course of fifty one minutes, ‘Mother Destruction’ creates atmospheres that are both serene and nefarious. Featuring various vocal and narration styles, as well as elements of percussion and sampling, this is a very diverse and musically versatile album. I highly recommend this if you’re into the more obscure styled Dark Ambient recordings. Show your support for this amazing artist by clicking on the link below.

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Links:

https://emptychalice.bandcamp.com/album/mother-destruction

Two Obscure – Yet Groundbreaking – Genres Collide On The Unfathomable ‘Crypt Hop Compilations I’

Who would have ever thought that two musical genres at the farthest ends of the sonic spectrum could provide so much listening pleasure when combined? Well, quite a few obviously, because it’s definitely a thing. Crypt Hop was born out of the enigma known as Dungeon Synth and the ambiguities of Memphis style hip hop from the early 90’s. If you’ve not heard artist from that genre such as Manson Family, Gangsta Pat and Three 6 Mafia (among others), you’re missing out on some of the early, most innovative artists from the Memphis Horrorcore genre. If you strip away the gangsta rap, hip hop beats and underlying samples, you’ll actually hear an early 90’s rendition of Dungeon Synth, that typically features lo-fi production and the structural hissing of vinyl and cassette tapes. Fast forward to 2020 and we have the Dungeon Synth-led ‘Crypt Hop Compilations I’, which features thirteen daring tracks from various artist that intend to leave their mark not only in the Dungeon, but also in the Crypt!

The track that begins this morose phenomenon is “Poltergeist Manifestation At Midnight Cemetery” by Kravtun. Ghastly lo-fi synths compete against background static before a stunning hip hop beat immerses to synchronize everything. A swift breakdown in the middle with layered synths before the massive beats and bass tone reignites to finish out the track. “Astrals” by Leneaux has the warm sounds of fantasy synth that is soon accompanied by smooth drum & bass with a constant clap track. The background organ tones throughout add a nice texture to the track. “The Horla” by The Spirit Of Luvenium begins with a traditional Dungeon Synth sound then is bombastically merged with a mid-paced trap beat that is right on point. “Unterwelt Pt. 1” by Orcaluv is more of a hip hop track, as it features some grime style rap but the music is undeniably cemented in Dungeon Synth. “Tenebris Et Spiritus” by Lurk starts with droning synth notes that tip the creepiness scale. Barbaric percussions are interlaced to give a big, theatrical sound as layers of instrumentation continue to build. As soon as it reaches that “wait for it” moment, narrative samples take over, leading the anticipation, then it happens – slow, doom-like hip hop beats explode onto the track for the final minute. “Towers Of Time” by Moon Druid is truly unique in that it features an early 80’s style hip hop beat and clean sounding synth tone. Soon in, it changes to a more modern sound with a lush atmosphere. The track then morphs back into its original beat to close out the track. “On The Darkest Occurrence That Has Ever Happened By Right Of My Own Hand” by Pharanick is a straight up horrorcore rap track with eerie backing music and with medieval rapping about wizards and daggers, what can go wrong? “Windy Night (Crypt Hop Remix)” by Francis Robert is another superb fantasy/forest synth-based track with manic hip hop beats and throbbing bass lines. “From The Ashes Of Bael’s Kingdom” by Erythrite Throne is my favorite on this compilation. The multi-layered synth work is amazing and the quality Of Dungeon Synth in this one track is unmatched. Not only is the production spot-on, but the beats are amazing as they consistently ebb and flow with the tempo change of the music. “His Crimes Against The Realm” by Poodle Knight is another amazing track as it has multiple genre influences. Not only hip hop and Dungeon Synth, but I also hear influences of early synthwave on this track and it fits in perfectly. “Skull Bong” by Resinator begins with ambient undertones, Tibetan bowl sounds, and narrative samples before introducing a dark dub beat and discordant sound effects that are reminiscent of early-90’s pioneering electronic experimental artist, Scorn. “Noblesnatch” by Were-Panther is one of the most unique tracks on this compilation as it features medieval times centered rapping, 8-bit sound effects, chorus breakdowns, and a whirlwind of strange instruments. However, as weird as it is, it’s also a highly addictive listen and probably my second favorite track on the album. The final track, “Belabored With Mysteries” by DJ 行者, is a three and a half minute trip hop, psychedelic adventure that properly closes out this astonishing compilation.

What more is there to say? This compilation album is pure fire! The artists selected for this project have a gift for fusing two seemingly incompatible genres of music and making it sound like a band of gangsta’s should be raiding a castle with 9mm’s instead of swords. At any rate, this compilation is an incredible body of work in which these artists should all be proud to be a part of. If this is any indication of what’s to come, then I can’t wait for what the future has in store for Crypt Hop! Show your support for these artists and download this album from the link below.

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Links:

https://crypthopcompilations.bandcamp.com/releases