Sphäre Sechs Takes Flight On A Celestial Adventure With ‘Beta Pictoris’

Of all the ambient sub-genre’s, Space Ambient is without a doubt my favorite. There is something about the fusion of warm & dark drones and layers of cosmic soundscapes that I find completely captivating. Whenever I’m in the mood for such deeply atmospheric occurrences, there are a few artists that I can always count on for those undeniable sonic excursions and one of them is Sphäre Sechs. On their latest otherworldly offering, ‘Beta Pictoris’, they offer seven tracks of Exoplanet inspired modulations that are more than just a junket through deep space, but a mission through spectacular visuals told by supreme synth arrangements and articulate improvisations.

“Planetesimal Debris” commences with soothing, warm drones, like a space ship drifting through the outer reaches of a familiar solar system just before exploration begins into the realm of deep space. Cosmic soundscapes accent randomly as if vague transmissions become more distant and unclear. An accretion of synth effects begin to produce a thicker sound as the expedition boundaries become broader. I love how the jolting signals continue to play out in the background, increasing in strength but decreasing in clarity. This ten and a half minute opening journey is exactly what’s needed to create a celestial mindset for the remainder of this captivating album. “Doppler Spectroscopy” begins with an alluring drone that has a slight industrial edge to it. The spacious reverb effect really gives that feeling of floating in the depths of pitch black space, almost motionless, while random particles of space dust fly by at a blistering speed. These drones are layered so perfectly that you’ll loose track of time while lapsing into the intensity of its structure. “Seeking The Infinite” starts with a single drone and a variety of peculiar notes being played. A slight crescendo happens at various times, while the keys & pads create a cosmic sound of interstellar adventure. There is mystery and buildup in this track, as if a dark force is lurking around every corner and avoidance is creating an anxiety that continues to build until the end. “Collapsing Cloud” is my favorite track on the album as this is the point where things begin to turn dark and the drones start to sound quite menacing. As if the constant meander through space wasn’t enough, a sinister plot begins to develop as cosmogonal soundscapes establish an eerie sensation of doom and imminent catastrophic failure. The intense use of reverb continues to build an outer realm of darkness and horror and it doesn’t get much better than this. “Infrared Emission” is the longest intonation on the album at almost eleven minutes in length, and it’s an ethereal journey with alluring drones and consoling soundscapes that are extremely hypnotizing from start to finish. The sound of wind blowing is an added surprise, making this another standout performance. “Exosolar” begins with eerie effects that resonate abruptly in a horrific fashion. With piercing drones layered in a way that oscillates through the upper registers of the sound spectrum, this must be a true representation of what unexplored space must be like – creepy and desolate. The final excursion on this deep space adventure is, “Unstable Orbit”. Deranged effects place an incredible spin on the ominous drones as they continue to intensify and increase with electrifying resilience. Slight variations of synth modulations create dismal patterns of haunting fills and abrasive undertones. Whereas the album opened with warm colors, it definitely ends with a bleak performance, that is astounding nonetheless.

Sphäre Sechs continues their streak of masterful Space Ambient performances with ‘Beta Pictoris’. Although one of the most minimalistic sub-genres of the ambient community, this album epitomizes an array of soundscapes and dream-like drones to produce a celestial atmosphere that needs no words for explanation or understanding. This is an amazingly meditative album and I highly recommend it, especially for those that are seeking a hypnotic experience through sonic modulations. Click on the link below and download this fascinating album.

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Links:

https://cryochamber.bandcamp.com/album/beta-pictoris

Inoriand Returns With Another Winter Synth Extravaganza Aptly Titled, ‘Life Frozen’

It’s been nearly sixteen months since we’ve heard any great tunes from the Eldest Gate Records Bandcamp page. Once thriving with life, as multiple projects routinely released one amazing album after another, those monumental occasions have grown scarce as only Inoriand released a single album in 2020. However, now back from the frozen dead (for lack of a better phrase), Inoriand has returned with a Dark Ambient/Winter Synth masterpiece in a single track called, ‘Life Frozen’. Now, I’m not sure if this is a continuation of winter themed albums, like 2020’s, ‘A World Frozen’, or a bleak double-entendre for how the COVID-19 pandemic has plagued the entire world – perhaps both. At any rate, this near thirty one minute long track is exceptionally written and may be one of my favorite releases under the Inoriand brand.

Although the overall theme for the album is the cold, austere atmospherics of winter, there is a particular warmness that infects this monumental track. It’s as if the harshness of winter is slowly fading and the crystallized water is beginning to thaw, paving the way for a new season. As “Life Frozen” commences with droning keys and a gentle transition between notes, there is an overall vibe of tranquility and quietness that presents the notion of the chilling landscape chronicled in this song, has been a path less traveled for the duration of the winter months. An elegant keyboard melody begins to play at around the three minute mark and remains dominant for the majority of the track. Various soundscapes and effects are also introduced, creating a hypnotizing scene of serenity. At around the ten minute mark, slightly enhanced modulations bring a darker color to the track, representing an extreme isolation from society, as the ice continues to melt at a leisurely pace. At almost the eighteen minute mark, the track shifts gears again, bringing back a version of the original keyboard melody that was so predominant at the beginning. Maintaining a constant drone in the background, this portion of the track is well composed and almost trance-like, as the listener – by this point – will have a great view of an untouched winter landscape that seemingly reaches a utopian state as each second passes. With just six minutes remaining, another slight shift occurs with the addition of haunting effects with the drones becoming a bit louder in the mix. The climax of the track (and winter) has passed and the dawn of a new season is inevitable as the album ends in majestic winter synth fashion.

I’m really pleased that Inoriand has graced us with a new album of exalted, winter synth. One of the great artists of this sub-genre, Inoriand always creates a captivating landscape of musical textures and haunting ambience and it’s so easy to get lost in the compositions that are released. ‘Life Frozen’ is the perfect example of all of these elements working together to form the ultimate platform for a dormant, wintery escape. Eldest Gate Records continues their run of releasing premium music and Inoriand is without a doubt my favorite act from the label. If you’re into winter synth with elements of dark ambience, look no further than ‘Life Frozen’. Continue to support this wonderful label & artist and click on the link below to download this superb album.

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Links:

https://eldestgaterecords.bandcamp.com/album/life-frozen

Gavella Glan Summons Medieval Forebodings On Dungeon Synth Debut, ‘A Silent Vigil For Oncoming Plagues’

One of my favorite sites to monitor for new and upcoming releases is the Noctilucant Bandcamp page. Creating some of my most cherished Dark Ambient and synth-based releases of the past few years, Joseph Mlodik has a knack for cultivating neural sounds through various projects such as Noctilucant, Sonic Oscillations and my personal favorite, House Of The Maker. Although these projects are firmly based in the realm of Dark Ambient, they each explore various audial modulations, broadening the spectrum for his magnificent releases. Earlier this year, the Noctilucant catalog (and sound scope) was aggrandized further with the release of his first-ever Dungeon Synth album, ‘A Silent Vigil For Oncoming Plagues’ under the moniker of Gavella Glan. Containing ten tracks of ambient based fantasy synth music, this album is a magnificent debut in a genre full of unlimited potential.

The ambient influences are apparent on enigmatic album opener, “The Calm Before The Storm”. There are plenty of field recordings and obscure soundscapes to propel the listener back to an ancient time, preparing them for the Medieval campaigns that lay ahead. Every so often, a dreamy synth lead will add a sense of peace and tranquility, as the sound effects continue to carry the story. Calmly leading into “Echoes Of The Past”, we’re greeted with lush vocals and synth harmonies that continue down the path of equanimity. As if that wasn’t serene enough, the soothing sounds of gentle waves crashing on a shoreline are added and maintain repose until the end of the track. The next song, “Beyond Hill And Dale”, is a relaxing, yet whimsical tune with random bits of distant laughter and a variety of instrumental effects. Although just a couple of minutes long, this is a beautiful piece that fits right in with the rest of the album. “The One Atop The Mountain” commences with a cracking fire and a soft ambient tone before fusing into a noble synth melody, suffused with layers of harmony and trance-like modulations. I love how the mild use of discordant notes change the atmosphere of this track and the spirit of this arrangement is one of my favorites on the album. “The Oxenfurt Drunk” begins with a quick narrative clip that is loud and crisp in the mix and if you’re not expecting it, you’ll probably jump at first listen. As the narration firmly belts out, “I’m here to talk about the contract”, you’ll be fully participating in the audial essence of the music that begins right after. From ambitious to whimsical, this track goes through several atmospheric changes and is a strong contender for the most cinematic track on the album. “A Story Night Of Arcane Hexes” starts with softly played synth leads and a hint of a strange commotion in the background. Key leads and haunting vocals are reminiscent of a horror movie soundtrack while a multitude of dangers lay ahead as the song is filled with evil sounds, firing blasts and obscure melodies that paint a bleak scene of destruction. “A Silent Vigil For Oncoming Plagues” dabbles in the synthwave arena while staying firmly planted in the cinematic Medieval Synth genre. Elongated synth leads combined with dark, oppressive soundscapes and field recordings provide an extremely textural composition with the occasional subtlety to keep it pertinent with the rest of the album. “Child Of The Elder Blood” is a dreamy arrangement that combines pastoral synth leads and melancholic drones. It’s as if you’re having an out-of-body experience and this track is maintaining a trajectory to propel you to another plane. This is an amazing piece and another one of my favorites. “The Path Of Warriors” is more on the lines of a traditional Dungeon Synth song with lo-if synth effects, combined with soft, flowing winds and a beautiful backing synth arrangement. From chirping birds, a warrior drawing his sword to an overall peaceful setting, this is another outstanding track and is sure to gain multiple listens. The final track on the album is the epic, “The Lord Of Undvik”. At almost eleven and a half minutes Lin length, it’s the longest track on the album and the most diverse. Beginning with the usual field recordings and soundscapes, an ominous drone carries forth in the background and flows persuasively from side to side, as it fuses into layers of ghastly synth leads and battle-like soundscapes, as if a deranged outcome was suddenly bestowed upon an unlikely kingdom. This haunting track concludes with devilish laughter and dark ambient-like drones and a perplexing end to this fantastical story.

I’m so glad that the Noctilucant mastermind decided to venture out and try his hand at Dungeon Synth. Not only is it a highly impressive album, but it showcases quite a story as well. There is adventure, cinematic music, a daring mix of genres and an entertainment value that will definitely keep this album in my play list for a long time to come. I highly recommend checking out this amazing album as well as all the other incredible albums on the Noctilucant Bandcamp page. Please click on the link below and download “A Silent Vigil For Oncoming Plagues “ by Gavella Glan.

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Links:

https://noctilucant.bandcamp.com/album/a-silent-vigil-for-oncoming-plagues

Ambitious And Hypnotizing, Dagmar Gertot Conjures An Enrapturing Improvisational Chronicle Called ‘Os Lacrimale’

I remember my first time experiencing Scott Walker’s ‘The Drift’ album back in 2006. For those that are not familiar, Scott Walker is a singer-songwriter that had a string of avant-garde albums late in his career, which were a heretical change of pace from his pop beginnings. At any rate, ‘The Drift’ (at the time) was one of the most mesmerizing recordings I’ve ever heard, and at times, it was downright terrifying as well. Fast forward to present times, and once again I am feeling the exact emotional state with Dagmar Gertot’s debut album on Cyclic Law, ‘Os Lacrimale’. Eight tracks of vocal and instrumental improvisations that invoke a sentiment of aimless wander and endless nightmares.

The merriment begins with the portentous “Iron Cradle”. Commencing with a single, unbridled note – that seems to be a fusion of a horned and stringed instrument – the vocals suddenly belt out with an inaudible presence, but present heavy Middle Eastern influences with regards to vocal control and technique. This is improvisation at its best, as there is a particular chemistry between the instrumentation and vocalist that will certainly resonate with the audience. Next up is “Non Healing Wound” and although it slowly crescendos out of darkness, a maniacal presence will soon unfold by way of chilling stringed instruments and mesmerizing vocal effects. This one is a slow builder and finds every aspect of the arrangement coming together in a deranged harmonic variance, while the vocal performance creates a segregated instrument that stands out all on its own. “Snake Dance” starts with an operatic-like vocal performance that assembles with layers of odd harmonies. Although just over a minute long, this track packs a powerful punch and truly showcases the talent of Dagmar Gertot. “Delirious” is one of my favorite songs on the album as it is as entertaining as it is mysterious. Vocals are, once again, perfectly layered and in the background, ritualistic instrumentation sets a bleak scene that is soon filled with Oriental influences and haunting soundscapes. “Two-Headed Roe Deer” begins with crackles and hisses of vintage tape loops, while random stringed-instrument screeches and off-key piano notes create a dismal soundtrack for the vocal performance that – at times – wanders off in the distance. “Pyromaniac” emerges as an a cappella track with soft, layered vocals and an underlying track of deep grunts and growls. Without notice, various instruments play in alliance, but with different types arrangements, as if they are out of synchronization and trying to find their way to a unified sound. Toward the end, the vocal patterns become more eccentric, as if anxiously finding a rhythm to latch on to for a continued aural assault. “Nude Metemorph” begins with choir like vocal harmonies being played in a dream state. As the vocals become more eclectic, the dream turns into a nightmare, intensifying the listening experience. The music for this track is down right dreary and the vocals are some of the most chilling to be heard yet. The final track on the album is “Anathema”. Starting with a refreshing vocal harmony of inaudible cadence, random piano keys create an abhorrent atmosphere that is sure to induce a trance-like state (if allowed). At times, it seems as if the vocals and piano are trading off, telling two versions of an intense story that has no words, but one that can be felt through the power of music and emotions.

Dagmar Gertot’s bold statement of vocal and instrumental improvisations on her first album, ‘Os Lacrimale’ is a magnificent listen and widely open for interpretation. Although I mentioned a comparison to the great Avant-garde artist, Scott Walker, in my opening remarks, Dagmar Gertot transcends any single genre or classification and doesn’t deserve to be held back by any barriers. Whether you’re into ambient, experimental, ritualistic sounds Or avant-garde, ‘Os Lacrimale’ will definitely appeal to your musical taste. I highly recommend this unique artist, so please head over to the Cyclic Law Bandcamp page, or click on the link below to download this amazing album.

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Links:

https://cycliclaw.bandcamp.com/album/os-lacrimale

Hasufel Spreads Anguish Into The Halls Of Madness With Synth-Spectacular, ‘Exaltation’

‘Exaltation’ has been a highly anticipated release ever since the advertisements and promo packages have been putting out exciting information on the music contained within for the past few months. For me, it provoked a sense of enthusiasm for really wanting to dive in and examine the power of each track. With just four songs and about twenty minutes of playing time, I expected this one to hit hard right from the opening note until the final one. So after have experiencing this album at least five or six times now, do I think it lives up to the hype? Absolutely…and then some! ‘Exaltation’ is a seamless blend of Dungeon Synth, Winter Synth and Dark Ambient with superb vocal narrations and effects, as well as ominous soundscapes and field recordings. This is quite the unique listening experience and definitely a rewarding one.

“School Of The Prophets” begins with eerie drones and sinister, lo-fi soundscapes, depicting a true scenery of dungeon vibes and heinous Medieval existence. Winter synth tones come into the equation and are quite melodic, but as an addition to the darkened tones, it’s presents a grim listening experience. Pastoral narrations add a maniacal and dreadful emotion that may seem overwhelming, but fits in perfectly to maintain the gloomy ambiance. The song closes out with a single – high-pitched – tones that leads right in to, “White Mildew”, another bleak affair that showcases what it would have been like to be committed to a lifetime of Dungeon-dwelling existence. The slight echo on the voice narrations is reminiscent of early 90’s Black Metal ambient sections – desolate and ominous at best. Although keyboards are used in a minimalistic setting, they fuse perfectly with the atmosphere of this track. “Salvación” is a slow builder, almost tribal-like, with more outstanding narrative parts. This time there is a vocal variant that is added, expanding the density of the soundscapes and field recordings. This track is almost in the realm of ritualistic black ambient, and is one of my favorite recordings on the album. However, amongst the chaos, it ends on an austere, but peaceful note. The final song on the album is the title track, “Exaltation”. From the very beginning, it emits very creepy vibes with heavily reverberated piano tracks and almost circus-like anthems, as if a great show was coming to a close. This is a grand meshing of the senses, as it is part whimsical and part malevolent. It’s like chaos with paralysis and a perfect way to end this short but amazing album.

Hasufel fuses the best of both worlds – speaking specifically of Dungeon Synth and Dark Ambient. Although ‘Exaltation’ doesn’t fit firmly in either of these genres, the prodigious tracks contained within takes the best of both genres and expands them to a realm of unimaginable terror and viscous imagery. I’m completely fascinated by this recording and it reminds me of 90’s Black Metal as well, especially with the dissonant ambient interludes that create the horrific scenes between the tracks of hateful riffing. I highly recommend checking out ‘Exaltation’ if any of the above-mentioned descriptives appeal to you. I guarantee that you won’t be disappointed, so click on the link below and download this spectacular album.

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Links:

https://pacificthrenodies.bandcamp.com/album/exaltation

Celestial Ephemerides: A Collection Of Dark Ambient Summary Reviews, Part II

The Dark Ambient community is such a prodigious one, consumed with brilliant artists that release some of the most diverse albums in – what is widely considered – one of the most minimalistic spectrums in music. That being said, I’m proud to present round two of my Dark Ambient summary reviews, that finds many of these artists broadening that spectrum with some of the most divergent tunes I’ve heard in a long time. I hope you enjoy reading these and please support these amazing artists as the continue to progress their musical achievements.

1. Aldebaran’s Nebulah – Deep Form Of Cosmic Signals

Cosmic, Lo-Fi dark ambience that depicts a cold and callous realm beyond the reach of any civilization. Soothing and minimalistic, each track portrays the bleakest depths of space with hints extraterrestrial effects and soundscapes. Although just two tracks, this is a very enjoyable outing and I’m looking forward to more by this artist.

https://aldebaransnebulah.bandcamp.com/album/deep-form-of-cosmic-signals

2. Veinte 33 Records Compilation – From Perihelion To Aphelion

Veinte 33 Records has quite the impressive lineup of artists and releases, producing stellar ambient and obscure efforts on a consistent basis. For those that are not familiar, can start with this amazing compilation album that showcases some of their most incredible talents. From nominal soundscapes to bizarre discordance, these fourteen tracks provide a massive eighty minutes of impressive music. Some of my favorite artists on here include Colonial Skyway, Trucking To Tokyo, ExistenZ & WhaltHisney. I highly recommend this collection!

https://veinte33records.bandcamp.com/album/from-perihelion-to-aphelion-a-veinte-33-records-compilation

3. Sabled Sun – 2149

When it comes to Sabled Sun, I honestly prefer the ‘Signals’ space ambient series over the ‘21xx’ post-apocalyptic ambient series. However, I still love the ‘21xx’ series and ‘2149’ is the perfect addition to the dystopian storyline. Everything about this album is just perfect – the field recordings, desolate piano chops, soundscapes, and even the tape hisses & vinyl scratches gives it a wonderful nostalgic feeling. One of my favorite Dark Ambient albums of 2021 so far!

https://cryochamber.bandcamp.com/album/2149

4. Taphephobia – Blue Hour

Cyclic Law continues their unfathomable streak of enthralling releases with the captivating sounds of Taphephobia. ‘Blue Hour’ provides a slow-motion listening experience of ethereal proportions and the magnitude of the soundscapes expand beyond the grand sphere of audial bliss. If you close your eyes and really absorb this album, you’ll find yourself having a euphoric out-of-body experience.

https://cycliclaw.bandcamp.com/album/blue-hour

5. Anastasia Vronski – In The Dark

If atmospheric chaos and turmoil is your thing, look no further than ‘In The Dark’ by Anastasia Vronski. With two tracks of industrialized black ambience decimating the inner ear cavity for over thirty one minutes, there is no room for recovery and little chance of survival – if your mind is not prepared for this raw and austere journey. This is a very impressive release and hopefully this sonic creation is just the beginning of a string of amazing albums.

https://kalaminerecords.bandcamp.com/album/in-the-dark

6. MNZKRT – MNZKRT

What’s better than thirty five minutes of heavily distorted drone tunes suffused with deep modulations, glitches and eerie soundscapes? Not much, if this sort of audio terror is your thing. ‘MNZKRT’ is an unusual recording but surprisingly captivating with spacious atmospherics of the highest order. I highly recommend checking this out.

https://mnzkrt.bandcamp.com/album/mnzkrt

7. Material Loss – EP

This is an amazing recording that borders the dimensions of harsh black ambient and minimalistic soundscapes with hints of industrialized madness. These four tracks take the listen to an alternate reality, where escape from apocalyptic terror is imminent but highly unlikely. At times bleak and consoling but the remainder of the aural duration is spent with glitches and disturbing sound resilience. This one is best played with the lights down low and a few lit candles to set the mood.

https://materialloss.bandcamp.com/album/ep

8. BECKAHESTEN – Vattenhålens Dräpare

This album is the result of the fortunate collision of nature and a dystopian future of another dimension. These soundscapes are purely cinematic and chronicle an intriguing story of world hereafter. Chanting vocals, haunting narrations and tribal drumming add to the mystique of this adventure and it is sure to garner many repeat plays.

https://cycliclaw.bandcamp.com/album/vattenh-lens-dr-pare

9. Shedir – Finite Infinity

‘Finite Infinity’ is the perfect blend of dreamy space ambience and cinematic soundscapes, fused with elements of both light and dark ambience. Shedir capitalizes on these strengths and creates a bold style of synth-based music that is inductive of trance-like repercussions as well as a sense of ambiguous emotions. Although I wasn’t previously familiar with this artist, it’s safe to say that these songs will continue to be in heavy playlist rotation.

https://cycliclaw.bandcamp.com/album/finite-infinity

10. Aegri Somnia – Nusquam

If I had to pick at least one artist on the Cryo Chamber Label that consistently gave me a sense of strained settlement with each release, it would be Aegri Somnia. These are some of the most well-crafted dark ambient songs that have been released by the artist and there is a steady flow of cinematic quality that can’t be overlooked. One thing that particularly stands out is the excellent use of field recordings and how they extend the listening experience through various cosmic realms.

https://cryochamber.bandcamp.com/album/nusquam

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Askiburgion Mists Invades Dead Air Space With Lo-Fi Dark Ambient Monument, ‘Rübezahl’s Kingdom’

Sometimes DIY musical projects create the biggest impact due to the personal nature of the compositions and how they captivate their audience. Sure, we love over-the-top production quality – especially when it comes to Dark Ambient music – but the rawness of self-production seems to hit home when the music is on point. Askiburgion Mists is a prime example of this scenario and with ‘Rübezahl’s Kingdom’, gritty, minimalistic dark ambience paints a bleak picture of nature’s malevolent ways. Although consisting of only three short tracks (in terms of Dark Ambient songs), they could have easily come from a past dimension, where early-90’s Black Metal albums relied on haunting ambience to manifest terroristic visions.

“Morning” slowly fades in, just as a gloomy sunrise would try to appear through a thick fog at daybreak. Production hisses add a grim fidelity that’s not normally prevalent on Dark Ambient recordings. As this minimalistic rush rises and falls with ambiguity, a sense of esoteric desires complicates the mood but doesn’t distract from the trance-like patterns that remain intact. Before the track ends, there is actually a nice melodic arrangement that fits in rather well before it abruptly comes to a halt. Next up is the field recording heavy, “Kingdom”. Commencing with a dense rain sound, hypnotizing drones begin to materialize, creating a baseline for desolate refrain. Scarce embellishments of soundscapes are used throughout, creating a callous atmosphere of darkly arranged instrumentation that are thought provoking. The final track, “Dream Of Giants”, is the most exploratory composition on the album and it (hopefully) sets the stage for more exciting adventures from Askiburgion Mists. Utilizing an array of field recordings and soundscapes, they are masterfully fused with dismal drones setting an enchanting environment of dark times, where hopes of a peaceful future has fallen victim to dystopian accord. This is my favorite track on the album and I’m hoping that more music of this nature is released soon.

Askiburgion Mists is an astonishing up-and-coming Dark Ambient artist that demands to be heard. Although only an EP and a single has been released on the artists’ Bandcamp page, they are both excellent musical endeavors and would be a great addition to anyones Dark Ambient collection. The grungy, lo-fi production is a standout quality for this album and it also provides a unique spin on the typical Dark Ambient sound. Please click on the link below and support this amazing album and artist.

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Links:

https://askiburgionmists.bandcamp.com/album/r-bezahls-kingdom-demo

Infinexhuma Amasses A Large-Scale Aural Attack With Intense Soundscapes On ‘Frontier’

When it comes to ominous soundscapes and adventurous Dark Ambient compositions that are filled with terror-induced tones and agonizing drones, Infinexhuma has to be one of the front runners that consistently supplies this huge undertaking. One thing you can always count on with an Infinexhuma album is a grim experience that clinches like a slowly tightening vice grip. On the latest deafening effort, ‘Frontier’, the tones are colder, soundscapes more chilling, and an overall dominating audial ordeal that is more dismal than ever. Also, enlisting the help of other Dark Ambient elite artists such as Blood Box, Neraterræ, and Common Eider, King Eider, together they catapult this deviant journey into multiple realms of chaos. At almost one hour and forty minutes long, this bleak expedition has enough creepy twists and turns to create and angst-filled environment.

The intoxicating album opener, “Converter”, is an all-out onslaught of malevolent sounds, designed to overwhelm the senses and bring forth nightmarish reactions. The haunting drones are propelled to a grueling depth with the help of industrialized soundscapes and a flock of crows, circling in agitation. This ten minutes endeavor does not let up and thoroughly prepares the listener for the next hour and a half. “Orbital (feat. Blood Box)” creeps along at a gradual pace, refining the audial invasion of the first track, and subduing the listener into a catatonic state. Terror-filled screeches and modulations grow louder as the weight of this track becomes even heavier. The next track, “Sword” summons ancient, dark vibes as the mildly distorted drone appends itself to the listeners subconscious. More like a malicious space ambient outing, there are intense ritualistic moments throughout that is reminiscent of a doomed celestial society. Fabricated screams elicit moments of terror as this haunting track beckons the darkest of times. “Sweeper” keeps the nightmare sequence alive with alluring drones and field recordings. As if surviving another dimension, grim manifestations are on full display in eerie fashion. “Heaven March (feat. Neraterræ)” displays signs of solitude and emptiness, as these superior drones have an echo effect, creating a wall of sound that embodies desolation. Sonic soundscapes present a trance-like significance that is addictive to listen too. This is probably one of my favorite tracks on the album. “Position In Flames” is a slow builder but well worth the wait. Light drones and incredulous synths seem far off and blurry at first, but slowly form into a dynamic track full of distorted frequencies and angst. As they start to fade into a warm drone sound, breathing becomes normal and an escape back to reality is in close focus. “Catharsis Of Goodbye is nearly thirteen minutes long and runs the gamut of emotional brain patterns. Beginning with a short, foreign narrative, it fuses into an assembly of sound that takes its time to decimate those that listen. From hollow drones and mechanized soundscapes to retro synthwave distortions, this track contains the elements and checks the blocks for a true dark ambient excursion. Next up is “Deep Runnel (feat. Common Eider, King Eider)” and it’s fascinating resistance of grueling, harsh moments make this one of the most effective tracks on the album. Maintaining a low compulsion for gradual effects, this one builds in anticipation without breaking its lethargic flow. “In The End” is a supernatural spectacle of sound and voice, as they fuse together in a dreamlike state. An interesting addition of EDM synths and monstrous backing tones are a welcomed surprise and I’m sure many listeners will appreciate this branching out to additional genres and will succumb to multiple listenings in one sitting. “Forged” begins as a minimalistic piece but grows into a fierce synthwave crossover song that features beautiful synth leads and darkened drones. There are other obscure sequences that add to this amazing sound, creating a monumental track that easily stands out amongst the others. “Every Door” is discordant offering that is full of twists and turns, including heavily distorted & sequenced vocalizations. Although it starts off semi-peaceful, it morphs into a noise-filled composition that becomes one of the harshest tracks on the album. The final track on the album is “Stormless”. Another stellar feat in space ambience, this enticing arrangement will have the listener drifting off to the far reaches of the bleak, uncharted universe. Although all is safe, you never know what’s lurking around every corner, as this song will have the listener calmly anticipating what the future holds. Such a captivating way to end this preeminent Dark Ambient experience.

I can always count on Infinexhuma to provide the ultimate Dark Ambient experience. Whether it’s cinematic soundscapes, ritualistic tones, harsh noise or space ambience, each album provides a unique platform for transparency with all of these musical forms. ‘Frontier’ is no different, as it challenges the listener to open the mind to fully embrace all of these magnificent compositions. If you’ve not heard this colossal recording yet, please visit the link below and experience one of the best Dark Ambient recordings out right now.

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Links:

https://infinexhuma.bandcamp.com/album/frontier

Eighth Tower Records unveils companion book for ‘The Black Stone – Music For Lovecraftian Summonings’

The Black Stone – Stories For Lovecraftian Summonings

In January of this year, Eighth Tower records released another groundbreaking album of Dark Ambient resonance that featured the best-of-the-best artist of the genre. Some of them are amongst my favorite and include Mombi Yuleman, Alphaxone, Ashtoreth, NEW RISEN THRONE and Moloch Conspiracy to name a few. All of these artist successfully constructed Lovecraftian-themed tracks of fascinating darkness and a sonic exploratory of unmatched mythical subject matter. Fast forward a few months and we find another innovative event for Eighth Tower Records in the form of their first-ever book release. A companion to ‘The Black Stone’ album, it is entitled, ‘The Black Stone – Stories For Lovecraftian Summonings’ and features twenty seven tales of horror inspired by H.P. Lovecraft and his Cthulhu Mythos.

Here is some additional information about the book and writers, as found on the Eighth Tower Records Bandcamp page:

Featuring: Ramsey Campbell, Brian M Sammons, Glynn Owen Barrass, Lucy A. Snyder, E.A. Black, Chris Kelso, Andrew Coulthard, Stephen Mark Rainey, Kevin Lewis, Richard A. Scott, Russell Smeaton, John Buja, Made in DNA, David Agranoff, Pete Rawlik, Brian C. Short, Michael Housel, John Chadwick, David Voyles, Konstantine Paradias, Edward Morris, Parry Milton, Phil Breach, Garrett Cook, Andrew Freudenberg, Love Kolle, Sarah Walker.

Curated by Raffaele Pezzella
Cover illustration by John Chadwick
Editing by Parry Milton

https://eighthtowerrecords.bandcamp.com/merch/the-black-stone-stories-for-lovecraftian-summonings-book-cd
https://eighthtowerrecords.bandcamp.com/album/the-black-stone-music-for-lovecraftian-summonings

Grab a copy of this book before it’s sold out and if you’ve not heard the amazing album that was released back in January, do yourself a favor a download that one right away for a stunning audial experience.

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Links:

https://eighthtowerrecords.bandcamp.com/music

https://unexplainedsoundsgroup.bandcamp.com

Cryo Chamber Label’s Seventh Lovecraftian Collaboration, ‘Yig’, Is The Most Versatile Offering In The Series Yet

Since 2014, the Cryo Chamber label has embarked on an annual endeavor that epitomizes the meaning of artist collaboration. Paying tribute to world renowned author – and creator of the Cthulhu Mythos – H.P. Lovecraft, these musical ventures have proven time and time again to be epically daring and adventurous beyond the realm of typical artistry participation. Consisting of mainly album-length tracks, these Lovecraftian collaborations find the gathering of current Cryo Chamber artists, alumni of the label, and additional artists that are some of the best in the business. As each album culminates an evolution of sound and dynamics, they also improve with more sophistication and a variation of modular potency. The seventh (and latest) album in the series, ‘Yig’, consists of two songs that are around seventy minutes in length each and the transparency of these arrangements make it the most accessible and auditory one yet.

“Yig 1” wastes no time in creating a cinematic ambience, as mystifying soundscapes and fearless drones find a balance between sinister accord and Middle Eastern vibes. Percussive elements of a tribal nature begin to create a ritualistic groove that challenges the senses which results in being caught between darkness and a theatrical emotive state. As the percussion slowly fades, it gives way to deep, peaceful drones that succeed in delegating mental prowess to the subconscious. Various field recordings and effects paint an eerie scene, but this is just the beginning. At the twelve and a half minute mark, electronic beats add a rhythmic cadence that is downright sinister, but it is also a well designed section for this track as it adds an authentic layout to the ominous subject matter. One of my favorite sections of this track starts at around the twenty eight minute mark. Up to this point, the output has been mostly dark and malevolent in nature, but here there is a particular calmness that is a perfect inclusion. Layers of vibrant drones create a spacey vibe while keeping it melancholic at the same time. It’s so easy to get lost in this section as it’s so dreamy and introspective. If you’ve not done so up to this point, you’ll want to close your eyes and soak in the fantasy world that is being created. This section carries on for about seven minutes or so before traversing into darker territories again. At around the forty seven and a half minute mark, another important section of this track is introduced. Commencing with a good mix of field recordings, it is soon joined by West Asian instrumentation and some wicked vocalizations that are barely audible. After a few more very powerful sections of this track, we finally make it to the last few minutes, which ends in the same fashion as it started – unique field recordings and beautiful instrumentations that provide the cinematic finale to this grandiose piece. “Yig 2” is another impressive feat of legendary proportions. Starting with dark, desolate drones and apocalyptic soundscapes, the beginning sets a ravaging pace of systematic annihilation for the next seventy minutes. At around six and a half minutes, spacious drones meander in slow motion while a calming effect pierce through its dense layers. The looping effect creates an arcane sensation and the trance-like results are mind blowing. Another impressive section begins at around nineteen minutes in. As one section transparently fades into the next, this one has soaring guitar and piano leads with almost a dark noir sound. I could listen to a whole album of this stuff. Well played and just enough distortion on the percussive parts to change things up a bit, this is one of my favorite parts on the whole album. Starting at around the thirty two minute mark is probably one of the most essential sections on the album, as it really provides that nostalgic Lovecraftian vibe of horror and fascination for darkness. The bombastic drum beats combines with various drones and soundscapes create a menagerie of sound that is addictive and suggestive of the subject matter. Ominous and explosive black ambience is captured at around fifty two minutes in, as elements of industrialized drones begin to take over. The sound continues to grow darker and more perilous as a sense of anxiety begins to mount. However after a few minutes, that is counteracted by soft, soothing drones that successfully develop into an emotional journey for the final few minutes of this monumental album.

One of the most impressive aspects of the ‘Yig’ collaboration is how over twenty artists from all over the world, supply a version of their craft for this themed story with absolutely no opacity between parts. We’re talking two, seventy plus minutes tracks of some of the best arranged Dark Ambient material that has been produced recently. That extraordinary effort has made ‘Yig’ one of my favorites amongst the Cryo Chamber Lovecraft Collaboration series. If you’ve not heard this yet, I highly recommend checking it out by clicking on the link below.

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Links:

https://cryochamber.bandcamp.com/album/yig