Cryo Chamber Label’s Seventh Lovecraftian Collaboration, ‘Yig’, Is The Most Versatile Offering In The Series Yet

Since 2014, the Cryo Chamber label has embarked on an annual endeavor that epitomizes the meaning of artist collaboration. Paying tribute to world renowned author – and creator of the Cthulhu Mythos – H.P. Lovecraft, these musical ventures have proven time and time again to be epically daring and adventurous beyond the realm of typical artistry participation. Consisting of mainly album-length tracks, these Lovecraftian collaborations find the gathering of current Cryo Chamber artists, alumni of the label, and additional artists that are some of the best in the business. As each album culminates an evolution of sound and dynamics, they also improve with more sophistication and a variation of modular potency. The seventh (and latest) album in the series, ‘Yig’, consists of two songs that are around seventy minutes in length each and the transparency of these arrangements make it the most accessible and auditory one yet.

“Yig 1” wastes no time in creating a cinematic ambience, as mystifying soundscapes and fearless drones find a balance between sinister accord and Middle Eastern vibes. Percussive elements of a tribal nature begin to create a ritualistic groove that challenges the senses which results in being caught between darkness and a theatrical emotive state. As the percussion slowly fades, it gives way to deep, peaceful drones that succeed in delegating mental prowess to the subconscious. Various field recordings and effects paint an eerie scene, but this is just the beginning. At the twelve and a half minute mark, electronic beats add a rhythmic cadence that is downright sinister, but it is also a well designed section for this track as it adds an authentic layout to the ominous subject matter. One of my favorite sections of this track starts at around the twenty eight minute mark. Up to this point, the output has been mostly dark and malevolent in nature, but here there is a particular calmness that is a perfect inclusion. Layers of vibrant drones create a spacey vibe while keeping it melancholic at the same time. It’s so easy to get lost in this section as it’s so dreamy and introspective. If you’ve not done so up to this point, you’ll want to close your eyes and soak in the fantasy world that is being created. This section carries on for about seven minutes or so before traversing into darker territories again. At around the forty seven and a half minute mark, another important section of this track is introduced. Commencing with a good mix of field recordings, it is soon joined by West Asian instrumentation and some wicked vocalizations that are barely audible. After a few more very powerful sections of this track, we finally make it to the last few minutes, which ends in the same fashion as it started – unique field recordings and beautiful instrumentations that provide the cinematic finale to this grandiose piece. “Yig 2” is another impressive feat of legendary proportions. Starting with dark, desolate drones and apocalyptic soundscapes, the beginning sets a ravaging pace of systematic annihilation for the next seventy minutes. At around six and a half minutes, spacious drones meander in slow motion while a calming effect pierce through its dense layers. The looping effect creates an arcane sensation and the trance-like results are mind blowing. Another impressive section begins at around nineteen minutes in. As one section transparently fades into the next, this one has soaring guitar and piano leads with almost a dark noir sound. I could listen to a whole album of this stuff. Well played and just enough distortion on the percussive parts to change things up a bit, this is one of my favorite parts on the whole album. Starting at around the thirty two minute mark is probably one of the most essential sections on the album, as it really provides that nostalgic Lovecraftian vibe of horror and fascination for darkness. The bombastic drum beats combines with various drones and soundscapes create a menagerie of sound that is addictive and suggestive of the subject matter. Ominous and explosive black ambience is captured at around fifty two minutes in, as elements of industrialized drones begin to take over. The sound continues to grow darker and more perilous as a sense of anxiety begins to mount. However after a few minutes, that is counteracted by soft, soothing drones that successfully develop into an emotional journey for the final few minutes of this monumental album.

One of the most impressive aspects of the ‘Yig’ collaboration is how over twenty artists from all over the world, supply a version of their craft for this themed story with absolutely no opacity between parts. We’re talking two, seventy plus minutes tracks of some of the best arranged Dark Ambient material that has been produced recently. That extraordinary effort has made ‘Yig’ one of my favorites amongst the Cryo Chamber Lovecraft Collaboration series. If you’ve not heard this yet, I highly recommend checking it out by clicking on the link below.

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Links:

https://cryochamber.bandcamp.com/album/yig

Celestial Ephemerides: A Collection Of Dark Ambient Summary Reviews, Part I

This is my second Celestial Ephemerides posting but the first one that dives into the Dark Ambient genre. Like I mentioned previously, I’m hoping these summary reviews will tide you over while I plow through my endless list of review requests with the hopes of getting caught up one day soon. All of these albums are incredible and it would be awesome if you would show your support for some (or all) of these amazing releases.

1. Cryo Chamber – Tomb Of Wights

Cryo Chamber Label’s Tomb Series, is one of my favorite collections of Dark Ambient releases. Instead of the typical collaboration effort, the Tomb series brings together many artists and allows them to provide their own cinematic input based on the theme. ‘Tomb Of Wights’ is an exceptional addition to the series and features some of my favorite Dark Ambient artists. The majestic quality of these tracks flow effortlessly, while magnificent drones and soundscapes provide a groundbreaking experience in audial sub-harmonics.

https://cryochamber.bandcamp.com/album/tomb-of-wights

2. Deus Ex Lumina – Summoning

‘Summoning’ is a very unique album and is not typical of the Dark Ambient genre. Monolithic drones and callus soundscapes lay the foundation for vibrant orchestrations and symphonic melodies. Additionally, beautiful female vocals and worldly musical intonations can be heard throughout this recording, adding a delicate layer of harmony and variety. This is one that you can definitely go back and listen to over and over again.

https://deusexlumina.bandcamp.com/album/summoning-full-album-dark-ambient

3. Hiemis – Radix

Hiemis is the real deal when it comes to introspective Dark Ambient. Taking a minimalistic approach, Hiemis builds upon dreamy drones that border warm and dark ambient variances and instead of relying on heavy use of field recordings and sonic soundscapes, rich synth textures creates the dynamic and robust atmosphere. ‘Radix’ epitomizes all of these qualities and delivers an auditory masterpiece that is equally soothing and appealing to the depth perception of a cinematic music imagery.

https://noctivagantcollective.bandcamp.com/album/radix

4. The Oracle – Hypogeum

‘Hypogeum’ is way more than a Dark Ambient album; it’s a visionary conquest in experimental & electronic music in general. Although robust drones are used through this recording, it’s the excellent use of percussion, industrial soundscapes and the variety of synth tones that makes this such an adventurous outing. This is an audial experience that must be heard to be understood and thoroughly appreciated.

https://theoraclema.bandcamp.com/album/hypogeum

5. Harrogat – Ignotvs

When I’m in the mood for indisputable drones of the highest order, I usually look no further than Harrogat. ‘Ignotvs’ is a deep dive into the bare essence of Dark Ambient music and focuses on elongated drones and extremely bleak atmospherics. One advantage of this style is the complete embodiment of mind over matter and the ability of the listener to submerge themselves into a deep state of relaxation and remission from reality.

https://lakelabel.bandcamp.com/album/ignotus-2

6. Sydalesis – Dark Beam

Although not quite Dark Ambient, this is some of the most exhilarating ambient music that I’ve heard in quite a while. I can sense a huge Max Corbacho influence on these tracks as ‘Dark Beam’ has an effervescent quality about its tone and overall seamless flow. The Space Ambient quality that can be heard throughout is like an emotional ride through an euphoric realm. Very high-quality ambient music here.

https://sydalesis.bandcamp.com/album/dark-beam-2

7. Vortex – Helioz

‘Helioz’ is a daring Medieval adventure told through experimental musical and divine vocal narrations that will transport the listener back to ancient times. From whaling guitars, galloping tribal beats and engaging drones to foreboding soundscapes, this albums is the complete journey for the wandering mind. I guarantee that you won’t find many albums of this kind, that are completely enthralling and mesmerizing. Good luck waking up from this mystical expedition once the final song finishes.

https://cycliclaw.bandcamp.com/album/helioz

8. Undirheimar – Heljarrúnar

This album is beyond amazing! Undirheimar sounds like a cross between Wardruna, Phurpa & Ashtoreth and ‘Heljarrúnar’ is a result of that fantastic fusion. This is ritualistic Dark Ambience at its most imposing stance. The overtone singing chants are the sustenance of these tracks, but the deep drones and primal percussive parts play a huge factors in creating an over-the-top cinematic experience. This is a must-listen for fans of ritualistic music.

https://cycliclaw.bandcamp.com/album/heljarr-nar

9. Desiderii Marginis – Departed

The variation of musical compositions on ‘Departed’ is beyond compare. From subdued drones and alluring soundscapes to astonishing vocal effects, this album has quite the mixture of Dark Ambient components to invoke various emotional states. In addition, evidence of synthwave can be spotted in several tracks, broadening the scope of sound to a more satisfying level.

https://cycliclaw.bandcamp.com/album/departed

10. Cernichov – The Mold Legacy

Pulsating, industrialized noises, distorted modulations and a conglomerate of obscure drones make up the bulk of the landscape on ‘The Mold Legacy’. These trance-like compositions are as crushing as they are mesmerizing. Although every track offers something a bit different, don’t expect smooth soundscapes and translucent textures. This album is a maniacal platform for agony relief, yet at the same time the listener will feel totally enthralled with the spacious vibes of each arrangement. This is not one to be overlooked.

https://cernichov.bandcamp.com/album/the-mold-legacy

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Guan Yin Video Premiere For “Repentance II”

In May of 2020, I reviewed an extremely diverse and unique collaboration album released on Akashic Envoy Records called ‘Apostils Against Hegemony, Vol. I: Transitive Properties’. Although that album contained thirty three extraordinary tracks, I detailed ten of them that stood out the most. Amongst those standout tracks was “Evocation I” by Guan Yin. The ritualistic essence laid a foundation for bleak drones, discordant vocals and black ambience and left me wanting more. The time has finally come for a new track and I’m extremely excited to present the video for “Repentance II”. It’s everything that I expected it to be and so much more. I hope you enjoy this song as much as I do and please visit the links at the bottom of the page.

Information from the artist/label:

Guan Yin: a ritual ambient project from multi-instrumentalist Cicatrix (Nodus Tollens, Chernozem – they/them)) and vocalist Espi Kvlt (Seas of Winter, Apricitas, Nehushtan – they/he).

In much the same way that the duo’s other collaboration Exsanguinated Shade doesn’t fit neatly within the parameters of a single genre, Guan Yin doesn’t approach ritual ambient in the traditional way. For starters, there are no occult themes in the duo’s music – Espi Kvlt is a practicing Buddhist, and all of their lyrics come from Buddhist texts. From a musical perspective, Cicatrix draws as much inspiration from power electronics artists like Prurient and Theologian as they do from the ritualistic sounds of Corona Barathri or Emme Ya.

For the dark and frequently harrowing half of their split with cinematic ambient duo Sun Through Eyelids, Espi Kvlt took their lyrics from the Platform Sutra of the Sixth Patriarch, specifically the section on Repentance. They chose that particular text because they were struggling with a mistake they made around the same time the duo were working on the split, and when dealing with serious life issues, the way they tend to overcome the pain and suffering from said issues is by making music. By focusing on the Repentance section of the Platform Sutra of the Sixth Patriarch, they were able to heal through singing the words and forgive themselves for said mistake. While no amount of repentance can ever truly eliminate the pain caused to another, it can serve to spread good will into the world and bring loving-kindness to any beings we have wronged.

The Sun Through Eyelids/Guan Yin split will be available on cassette from Acepahle Winter Productions on March 19. Limited to 50 copies on metallic silver shells. Preorders launch on March 5.

Links:

https://guanyin.bandcamp.com

https://acephalewinter.bandcamp.com

https://sunthrougheyelids.bandcamp.com

Randal Collier-Ford Ventures Down A Dark, Ritualistic Path on ‘Advent’

If you’re in the market for Dark Ambient that is loaded with substance and distinction, then look no further than Randal Collier-Ford. His unmistakable sound hangs in the balance between desolate drones and ritualistic terror. Somewhere amidst that rudimentary structure, frays of industrial modulations, sonic soundscapes and transcendental field recordings integrate seamlessly to present his signature take on Dark Ambient madness. However, on his latest effort, ‘Advent’, we find a broader approach to the songwriting venture, presenting a more melodic and cinematic sound than ever before. Ranging from effervescent orchestrations to tonal black ambience, ‘Advent’ is the Randal Collier-Ford album I’ve been waiting to hear for a very long time.

The opening track is the near twenty minute long juggernaut, “Beckoning Absurd Shapes”. It begins as expected – bleak, desolate soundscapes with a calm-before-the-storm approach. The drones ascend like low, howling winds and the sound of horns that resembles an early warning alarm enacts in the distance. Disturbing vibes continue to play out, creating an environment of angst and dread. Prolonged stringed arrangements add a slight gothic presence with a noir sediment. Ritualistic undertones in the form of dark, inaudible chants add a necessary layer of power and sonic presence to this track as it continues to ebb and flow with its audible storyline. The last half of this track is inundated with ghastly drones, beautiful stringed compositions and a variety of field recordings that will keep the listener engaged in this visionary conquest. The next track is “Eyes Of The Temple (feat. Northumbria)”. Northumbria – known for their textured guitar and bass recordings – adds a gripping layer of coldness that embodies the true essence of minimalistic ambience. The musical combination of these artists establishes a dreadful world of chaos and darkness that builds into a massive wall of sound. The star attraction in this track is the grandiose guitar reverb. It creates a sound so hollow and disturbing that it’s bound to create nightmarish effects. The final track on the album is the twelve minute long “The Second Wound”. Commencing with powerful drones of a destructive nature, this song slowly ascends into a world of desolate visions. A sultry piano arrangement leads into a tribal drum line of war-like proportions. Enormous soundscapes and industrialized summonings bring forth a climactic ending as the drones fade between the bombastic percussive parts. The track finally comes to a close, as the drums dissolve, leaving synth pads to create a fulfilling ending.

Randal Collier-Ford never disappoints, and has always delivered amazing results on his previous albums. However, with ‘Advent’, he’s stepped up his game and has conveyed his best performance yet. The epic track lengths make the difference for me, as they allow for the atmospherics to captivate the mind and dominate the emotional state. The Cryo Chamber label continues their effortless run of outstanding releases that continue to pioneer the Dark Ambient genre and ‘Advent’ embodies that streak completely. I highly recommend checking this one out so click on the link below and download this amazing album.

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Links:

https://cryochamber.bandcamp.com/album/advent

Ashtoreth & Chthonia Join Forces To Conjure Ritualistic Ordeals On ‘Throne Of Astrōarchē’

To me, Dark Ambient is much more that a listening experience. It’s also a journey into ones own mind, to the realm where the conscious and subconscious rarely fuse together. Even though the soothing – often grim – elongated drones elevates our psyche to the realms of the unknown and produce a trance-like emotional state, there are other variables to consider as well. In the case of the magnificent collaborative effort of Ashtoreth & Chthonia, the use of ritualistic soundscapes, haunting narrations and chilling black metal-esque shrills can also produce a comparable outcome. On ‘Throne Of Astrōarchē’, four sinister compositions is all that is needed to coalesce the inner oracles of the mind, releasing a feeling of modular discomfort and ethereal tranquility.

To begin the ceremonial happenings, “Asir” boldly combine many of the elements I previously mentioned. Dark, liturgical soundscapes make a menacing introduction as they are combined with insane Black Metal styled vocal effects and sacred narrations that will have the listener fully engaged. Void of any prolonged drones, it is replaced by creepy sound effects that enhance the grim vocal arrangements. “Nehalennia” commences with a consoling drone that captures the essence of spiritual beauty, along with various soundscapes and ringing bells. I love how nothing is rushed, allowing for the mood of the music to take hold of the listener and bring them into this dark, captivating world. At almost seventeen and a half minutes long, there is plenty of time for many additional things to occur that will build this mystical journey to be remembered. At around the four minute mark, the drones begin to assemble in layers, creating a space-like vibe. However, as soon as the vocals come in, this track takes on a whole new meaning. This song has such an esoteric vibe that it’s so easy to get lost in its dark beauty. Even at its epic length, this song just isn’t long enough and is easily my favorite one on the album. “Marmarospilia” begins with a field recording of a rain storm and what sounds like crashing waves. However it is soon joined by warm drones and synthwave-like keys and pads, producing more of an obscure sound than on the previous tracks. The layering of these elements create such a massive atmosphere, even with a minimalistic arrangement. This fascinating combination carries on for the better part of twelve minutes and the time passes much quicker that it seems. The final track on the album, “Baetyl”, opens with ominous, howling winds that – at times – screech at piercing volumes. Soon after, the combination of soft, effervescent vocals and deep, guttural tones of throat singing begin to emerge as if providing the main drone for the near fifteen minute long track. Various spots of soft whispers and devilish shrills continue to tell an eerie story that remains gloomy and mysterious. Several times throughout the track, the vocal intensity increases, but always descends into darkness as to not take away from the ritualistic experience. The malevolent chanting that occurs in the last few minutes are epic and I really wish there was more occurrences of this on the album. However, that doesn’t distract from the fact that this song has a certain purity that is nearly perfect from start to finish.

I’ve been a big fan of Ashtoreth for quite some time now and I enjoy the emotional journey he creates through his music. His diverse back catalog crosses several music genres, yet his energy remains the same throughout. This effort, along with Chthonia, is no exception as it takes the listener on a bleak, ritualistic journey that is as haunting as it is cleansing. I highly recommend this album for those of you that like to wander beyond the normal boundaries of Dark Ambient, especially if the addition of harrowing vocals and narrations are your thing. ‘Throne Of Astrōarchē’ is the album for you and it demands to be taken seriously. Please support this outstanding collaboration and download this album from the link below.

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Links:

https://ashtoreth1.bandcamp.com/album/throne-of-astr-arch

Destruktionsanstalt Resurrects A Cluster Of Menacing Tracks From Various Projects To Comprise The Superbly Written ‘Kaelder Mug’

Destruktionsanstalt is no stranger to The Dungeon In Deep Space site, as I reviewed the mighty 2018 offering, ‘Døds-hymner’. Fueled with industrialized anguish and a powerful artillery of noise, this was a pinnacle album of harsh dark ambience. Fast forward to 2020 and we find the compilation release of ‘Kaelder Mug’, an undeniable distribution of sickening atmospherics amongst several projects by Per Najbjerg Odderskov – the mastermind behind Destruktionsanstalt – that are being unearthed and brought to dark light. Destruktionsanstalt, God Cancer, and Lidane Livering set a new standard in breaching critical mass with deep ambient drones, sinister soundscapes and the harshest of noise modulations and combined, formulate a seventy two minute album that will appeal to the minds of malevolence.

The first eight songs come from pitch-shift master, Destruktionsanstalt. Combining jolting frequencies that pierce the inner ear and sustain a constant discontent for easy listening, these tracks are not just a mine field of random noises. They are randomly crafted oscillations that fuse with morbid soundscapes and narrative samples to create a meaningful soundtrack of crafty intonations. Album opener, “Familia” begins with gloomy tones in the form of layered drones with heavy distorted sequences. Voice samples tell an eerie story and it matches the music perfectly. A couple of tracks later, “Mali Spiritus” blasts off with sharp, piercing resonance and alternates between high and low decibels as if an alarm is providing an early warning for an unfamiliar doomsday. Again, a progression of audible narrations play a major role in deciding the anxious outcome of things. “Sanguinem Pressura” is nearly four and a half minutes of agonizing modulations that deliver some rabid drones and horrifying soundscapes. This is one of those tracks that are not for the faint of heart and is best played in a dark, cold place to receive its full affect. The final Destruktionsanstalt track is “Hic Sunt Dracones”. Commencing with a desolate wind field recording, the radiant, penetrating noise accents suddenly desecrate all in its path. As the wind volume picks up, so does the noise intensity. Together these sounds are mesmerizing and easily succeed at putting the listener into a catatonic-like state for its duration. Samples and various effects can be heard throughout, adding an evil value to this already mind-bending tune. The next three tracks come from the God Cancer project. Although there is still a noise intensity about those songs, there is more of a cosmic vibe to them, thrusting the listener into the farther most reaches of the harsh realms of the universe. The first track, “Midnight Distortions” contains a great dose of glitch recordings and immense pads to radiate the intensity that much more. It’s as if being sucked through a black hole and an dodging an oncoming asteroid field at the same time is unavoidable. “The City Is Alive” is like a sonic nightmare, as this seven plus minute track sees multi-layers of modulations glitch and bend endlessly, catapulting the brainwaves into an unexplained dimension. The final two tracks are from the Lidane Livering project and although these two tracks are probably more accessible than the previous, they are far from being insidious. The final track on the album, “Dunwich”, epitomizes the field recording technique and heavy use of soundscapes makes this minimalistic song a cold adventure all in itself. With the soft sways of an ocean vessel the ripple effects of passing currents, the calm-before-the-storm scenario is close at hand. Soothing drones and inaudible whispers howl in the background and without recoil, it all quietly disappears.

I’m a big fan of Destruktionsanstalt and I really enjoy the intriguing mix of dark ambient and harsh noise that this project provides on a consistent basis. With ‘Kaelder Mug’, we get a fascinating compilation of not only Destruktionsanstalt tracks, but an excellent glimps into two other amazing projects – God Cancer and Lidane Livering. Although the Bandcamp page for this release lists these tracks as part of abandoned projects, I sure hope this is not the last we’ll hear from any of these acts. If you like your Dark Ambient with a touch of harsh noises, look no further than ‘Kaelder Mug’. You can download this awesome piece of work at the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://marbrenegre.bandcamp.com/album/kaelder-mug

https://destruktionsanstalt.bandcamp.com

https://godcancer.bandcamp.com/releases

https://lidanelivering.bandcamp.com

Top 10 Dark Ambient Releases Of 2020

We’ve all felt the impact of the irregularities of 2020, but if there is one thing that’s certain, it’s that the Dark Ambient genre has consistently produced some of the most prolific albums that I’ve heard in a while. Artists have persistently reached beyond the scope of normal atmospherics to bring us listeners the entertainment value that we’ve come to love in this genre of music. From uninhabited drones to stellar collaborations, this has been one of my favorite years for Dark Ambient music. Although I could easily come up with a Top 50 list, I’ve decided to keep this list to my 10 favorite releases of this year. These are the albums that I’ve listened to them most and have embellished in the marvels of their audial beauty. I hope you enjoy!

10. Neraterræ – Scenes From The Sublime

https://cycliclaw.bandcamp.com/album/scenes-from-the-sublime

Neraterræ epitomizes quality and perfection and ‘Scenes From The Sublime’ is a completely enthralling experience. Continuing the tendency to collaborate with the best-of-the-best Dark Ambient artist, Neraterræ writes dismal tracks that demand not only the listeners attention, but a definite spot on my Top 10 list.

9. Alphaxone – Dystopian Gate

https://cryochamber.bandcamp.com/album/dystopian-gate

I’ve been a big fan of Alphaxone for a while now and his minimalistic space ambience always puts me in a zone like no other. However, on Dystopian Gate, there is a much darker tone than on previous releases and from start to finish, this is like the soundtrack to the apocalypse.

8. Colonial Skyway – Landline

https://colonialskyway.bandcamp.com/album/landline

‘Landline’ is a masterclass is extreme minimalistic droning sounds. However, pieced with the elements of the great mid-west, and a supreme album cover, I find myself getting lost in this superb recording very often!

7. Dead Melodies & Zenjungle – Anthropocene

https://cryochamber.bandcamp.com/album/anthropocene

Of all the outstanding collaboration albums that have been produced this year, ‘Anthropocene’ is my absolute favorite. The drones and soundscapes are eerily disturbing but with the brass instrument addition, it’s equally soothing. The combination of these qualities, makes this one of the surprise releases of the year (for me).

6. Beyond The Ghost – Eternal Drift

https://cryochamber.bandcamp.com/album/eternal-drift

‘Eternal Drift’ contains some of the best cinematic Dark Ambient recorded this year. Although Beyond The Ghost has a relatively short career in the genre so far, this is an artist that is a force to be reckoned with and I can’t wait to hear what’s in store next. Until then, ‘Eternal Drift’ will remain a permanent fixture in my mobile music collection.

5. House Of The Maker – The Autumnal End

https://noctilucant.bandcamp.com/album/the-autumnal-end-2

House Of The Maker produces some of the most intangible drone and soundscape recordings I’ve heard. The heavy use of field recordings and natural setting gives this almost a ritualistic vibe and I couldn’t be more pleased. I often turn to this recording when I need help relaxing and winding down and I’m looking forward to many more releases by this revolutionary artist.

4. Scott Lawlor – But Everybody’s Gone, So I Will Never Know

https://scottlawlor.bandcamp.com/album/but-everybodys-gone-so-i-will-never-know

Scott Lawlor NEVER stops producing music and can easily go from haunting piano ballads to deep space drone masterpieces. If I were to have made a Top 50 list, Scott Lawlor would have at least 5 or 6 albums to grace it – this one being my favorite. The ebb and flow of music on this album is masterful and it centers around a realistic theme that makes this album a must listen.

3. Apocryphos – Against Civilization

https://cryochamber.bandcamp.com/album/against-civilization

Of all the albums in my Top 10 list, this one surprised me the most, mainly because of how impeccably good it is. Droning guitar tones never sounded so empyreal, and the whole album is just mesmerizing. In addition, the amazing field recordings create an ambience beyond catastrophe and emptiness. This has been one of my most played albums (of any genre) this year.

2. Mombi Yuleman – A Shaman’s Warning: Further Tales Of The Wi’Tiko

https://mombiyuleman.bandcamp.com/album/a-shamans-warning-further-tales-of-witiko

Over the past few years, Mombi Yuleman has been on a remarkable path toward Dark Ambient greatness. His keen attention to detail, coupled with his willingness to venture outside the realm of the Dark Ambient genre for creating the perfect aesthetic, has enabled him to consistently create albums of a perfectionists touch. Of the many projects that he worked on this year, this album has been my most played. I’m so excited to see what the year 2021 has in store for this marvelous musician.

1. Xerxes The Dark – Final Crisis

https://xerxesthedark.bandcamp.com/album/final-crisis-24bit

Xerxes The Dark creates a sonic sound like no other, and perhaps it comes from his wide array of side projects that cross many musical boundaries. Otherworldly drones are complimented by industrial soundscapes and impressive field recording to give the listener an uneasy feeling. ‘Final Crisis’ is a chilling display of no-holds-bared ambience and listening to this album is not for the faint of heart. This release is so captivating and explosive, that I can’t think of anything else that matches its intensity. ‘Final Crisis’ by Xerxes The Dark is my Dark Ambient album of the year!

Sombre Arcane Release Enthralling New Video For “Ancestral Seat Of The Barovian Scourge”

The dungeon keeper duo from Massachusetts, otherwise known as Sombre Arcane, have recently premiered a breathtaking video of their ritualistic performance of “Ancestral Seat Of The Barovian Scourge”, originally released on the Wrought Records compilation, ‘The Reliquary Of Terror’. The ceremonial ambiance and medieval appeal is awe-inspiring and the musical creativity is dark, moody, and downright genius. Check out the video below and also download the Wrought Records compilation (link below) as well.

https://wroughtrecords.bandcamp.com/album/the-reliquary-of-terror

Link:

https://sombrearcane.bandcamp.com

https://www.youtube.com/channel/UCrrQxo5jsCMFXaJ4Xott5WA

Artists Of The Obscure Realm Conjoin To Finalize The Overture Militia Compilation Known As, ‘The Plan’

Label compilation albums are the perfect introduction for not only finding new and electrifying bands and artists, but to also dig deep and explore in a vast array of genres that we – for the most part – tend to generally only skim the surface. Earlier this year, Overture Militia Inc., a small label that spotlights artists of the post-industrial and dark ambient domain, released a valiant, eighteen track collection known as ‘The Plan’. Examining genres such as dungeon synth, dark ambient, drone, harsh noise & industrial, ‘The Plan’ is an hour and forty six minute journey into the oblique side of esoteric music. Although this is an amazing, yet bleak outing, I will further examine a few of my favorite tracks below.

“Ruination, The New Dawn Cometh” by Old Tower is the second song on the album and one of my standouts overall. Although most of the album consists of harsh, industrialized noise and dark ambient, this dungeon synth track fits in perfectly, with its austere sound, doomy tempo, and thick synth tones. There is a great bit of melody on this song, which is hauntingly beautiful. However, don’t get use to it because that vibe stops almost completely after this song. “Nursery” by Aseptic Void is the fourth song and it contains some of the creepiest dark ambient emotions I’ve heard in a while. The sound bit in the beginning – of children playing on a playground – adds an extra sinister awareness to all of the malevolent soundscapes that continuously possess the audio waves. Low-end drones and the occasional guttural narration is enough to give consistent nightmares. “Unhallowed” by Ursuper is the fifth track on the album and it continues in the dark ambient arena with a brooding, minimalistic approach in the beginning. It’s one of those tracks that slowly grows and builds to a climactic ending but you never know what’s going to happen in between until it actually does. At around the four minute mark, industrial affects increase in volume as if total annihilation is soon to happen. Over the next couple of minutes, this mechanized sound crescendos before slowly fading into oblivion. “The Horsemen Ride Out On Foaming Steeds” by Nordvargr is the ninth track on the album and probably one of my favorites. Nordvargr is such an amazing artist that consistently delivers appetizing music that borders post-industrial, black ambient, and death metal (specifically with the vocals). This track is a standout masterpiece on the album and the guttural vocals are what make this so appealing and unique. I could listen to this style of music all day. “White Sun Over Our Children – Exhale 22” by Miracle Of Love is the tenth track on the album and is just over ten minutes long, making it one of the longest songs on the album. Beginning with a short blast of harsh noise, it soon settles into a rhythmic drum & bass loop with minimal synth effects and soundscapes. Every so often, the drum beat alternates rhythms and the occasional harsh noise sample is thrown in for good measure and in good taste. For the last three or four minutes, the drum beats are replaced with drones and maniacal sound effects. “Hackfleisch” by Rubber Nurse is the eleventh and most evil sounding track on the album. It’s a near three and a half minute grueling drop into the abysmal hole of blackened industrial ambience, with a fair share of barely audible voice samples. Never the less, this sounds killer and I want to hear more by this artist! “Euer Hunger” by Todesritual, is the twelfth track on the album and is like listening to a scene from a horror movie. There are layered whispers, obscure field recordings, industrial soundscapes, and mild keyboard sounds, but they all come together in a frightening way and the final minute is an excellent throwback to the retro synthwave sound of the 80’s.

Overture Militia did an excellent job putting together this compilation of artist from varied backgrounds and genres. For those that are into obscure music and for those that don’t mind venturing into territories of the unknown, then ‘The Plan’ is for you. This album is sure to contain some artist or tracks that will get your blood pumping (or boiling), allowing you to continue following their artistic endeavors outside of this compilation. That being said, do yourself a favor and support the underground by downloading this album from the link below.

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Links:

https://overturemilitia.bandcamp.com/album/the-plan

Common Eider, King Eider, And Cober Ord Collaborate On Mind-Blowing, Ritualistic Soundscape Called, ‘Palimpseste’

If you think that it doesn’t get any more desolate than the sounds of brooding drones and the menacing soundscapes of dark ambient, then think again. Add in the natural textures of ritualistic ambience and horrific field recordings and the nightmares that you can only imagine will come to life. This is the haunting sensation the listener will undergo while listening to the jolting collaboration between Common Eider, King Eider & Cober Ord called, ‘Palimpseste’. With these five tracks clocking in at around forty seven minutes long, the listener should be prepared for a darkened, ritualized experience filled with essential tones, frightening whispers and bleak drones that are not only mesmerizing but intensely thought-provoking as well.

“Tombs – Earth’s Sacred Womb” begins with a deep, rumbling drone with the sound of soft, dripping rain. There is a slight commotion going on in the foreground and as it stops, ritualistic tones commence. Distant screams can be heard in the background as Tibetan-like chanting start a ritualistic process. Solid instrumentation assists the ritual, like the rumblings of an older model propelled aircraft. Additional instruments are introduced as well, as malevolent sounding whispers signify that the ritual is well in progress. After some harsher tones, the final few minutes consists of a heavy rainfall field recording and the dissipating sounds of wretched vocals and various drones. “Reclamation Of Water” is another ceremonial process that features layered chanting and nightmarish whispers. The assorted tones and field recording heard in the background add to the viscous tone of this recording and it draws the listener in as if they are participating in the reverent events. “Offerings A Wound” contains more of a normal styled vocalization than the chanting heard on the previous tracks. The thumping bass track adds a layer of random assault sounds to the mix, creating a dark and tribal-like offering. The use of assorted ceremonial instruments maintains the integrity of the spiritual aspect of the overall recording. “Calling To The Feral Ones” uses acoustic instruments to create a liturgical vibe, as if ancient cultures were calling upon their deities for guidance. The use of hollow whispers makes this a really creepy track and I can honestly say there probably aren’t many other recordings quite like this out today. The final track on the album, “As The Spirits Watch Over Us, We Reciprocate”, is one final ceremonial experience that combines all of the strengths from the previous tracks. From the deafening whispers, emotional drones, diversified ritualistic instruments, and acoustic sounds, this track is the perfect grand finale for this spectacular recording.

‘Palimpseste’ is not your typical dark ambient recording, it’s a ceremonial experience that demands the listeners time and attention in order to fully appreciate the magnitude of what all is going on. It’s easy to tell that Common Eider, King Eider and Cober Ord dedicated a lot of time and effort to make this a solid listening experience. I highly recommend this for fans of ritualistic dark ambient and heavy use of field recordings. Please support this incredible release by downloading it from the link below.

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Links:

https://cycliclaw.bandcamp.com/album/palimpseste