Dark Ambient & Dungeon Synth Recordings To Enthrall You During The Global Pandemic Continuation

Back in March, I published a playlist of Dark Ambient & Dungeon Synth recordings to help tide you over during the shelter-in-place order. Well – here we are – almost two months later and not much has changed, with the exception of a lot of great music being released. So, whether or not you’re still stuck at home, or have the ability to venture out, please enjoy this personal playlist of Dark Ambient and Dungeon Synth recordings that have been keeping me entertained lately! This is all great stuff so please support these artist and download an album or two!

Dark Ambient Playlist:

https://melanohelios.bandcamp.com/album/the-psychonaut
https://cryochamber.bandcamp.com/album/eternal-drift
https://blackweald.bandcamp.com/album/leonov-2
https://noctilucant.bandcamp.com/album/the-autumnal-end-2
https://roberteggplant.bandcamp.com/album/earth-sinking-into-water

Dungeon Synth Playlist:

https://varkana.bandcamp.com/album/cosmic-terror
https://lordorots.bandcamp.com/album/latzineko-erresumaren-itzulera
https://namelessking.bandcamp.com/album/downfall-of-drangleic
https://wyrmlodge.bandcamp.com/album/the-short-but-touching-tale-of-slime-golem
https://serpentsswordrecords.bandcamp.com/album/perpetual-cruelty

Execration Chamber Blend Cinematic Quality Score With Lo-Fi Dungeon Synth On The Intrepid ‘Cathedral Of Unbeing’

Is there a more perfect time to listen to Dungeon Synth than now? As we’re faced with the global pandemic known at COVID-19, many people are confined to their own homes in order to prevent the spread of the deadly virus – basically being imprisoned in their dungeon until it’s safe to – once again – interact with society. The mood just seems right to consume some lo-fi Dungeon Synth, to take you back to those Medieval days of malicious captivity. One artist that is an absolute fit during this trying time is Execration Chamber, and on ‘Cathedral Of Unbeing’ the infusion of cinematic composition and lo-fi Dungeon Synth is just what the doctor ordered to cure the ailments of solitude.

Monumental album opener, “The Lesser Felled” begins with the soaked sounds of a heavy rain field recording, followed by dense layers of keys that harmonize in a symphonic way. The sound is gloomy and mournful but played with a sense of hope and reason. As the song comes to a close, the sounds of heavy rainfall can be heard for one final time. “Gaunt, The Night” introduces bombastic percussive elements as if an anticipated Medieval battle is on the dawn of existence. The solo keys really standout as they are crisp and have the perfect tone to augment the background rhythm. “Buried In Time” has a bleak feeling to it, as it’s galloping cadence matches the simple beat that accompanies it throughout. At times, the keys become discordant as the sound becomes more harrowing. “The Great Purging Of Memories” sounds as if it could have been an intro to an early 90’s lo-fi black metal recording with its eerie tone and divergent arrangement. “A Hallowed End Of Passage” would be the perfect track to lead a garrison of warriors into battle. With its fast-paced, rhythmic patterns, this is just the motivation needed to carry out an assault on an enemy invasion. “Imminent Warfare” is a battle-ready anthem that features wondrous organ sounds and precision drum pulses that emit a culture of feudal decadence. “Crawling Tombs” is a dismal track that has components of lush textures and emphatic keys. The continuous pounding of the drum sounds as if the surviving warriors of a brutal battle are in sync, heading back to their kingdom to recover from their wounds. “Wept In Blood” is a dismal canticle with massively layered keyboard tones that are a vivid reminder of the tragedies that preceded times of peace. The final song on the album, “Dimly” is a sorrowful dirge filled with depressive sounding keyboards that perfectly compliment the emotional journey that this album has taken us.

‘Cathedral Of Unbeing’ is an incredible album that has that old-school Dungeon Synth vibe but with and an updated cinematic quality to it. It’s fantastic to see such a broad spectrum of musical sounds collide in an epic adventure with such a prosperous outcome. These tracks flow together so well and just like many other amazing Dungeon Synth recordings, they tell a valiant Medieval story of both victory and tragedy. I’m very much looking forward to hearing more adventurous tales from Execration Chamber, but in the meantime, please support this improbable artist by downloading ‘Cathedral Of Unbeing’ from the link below.

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Links:

https://execrationchamber.bandcamp.com/album/cathedral-of-unbeing

Inoriand Finds A Comforting Balance Between Solitude And Frigid Winter Imagery On ‘A World Frozen’

When it comes to Dungeon/Winter Synth, Inoriand is easily one of my top 3 favorite artists. Their large collection of winter themed albums – almost exclusively on Eldest Gate Records – are as absorbing as they are beautifully written and 2019’s ‘Silence’, was my number one pick for dungeon/winter synth album of the year. That being said, I’m always eager to receive that email notification stating one of my most treasured artist has a new release. Once I learned that Inoriand’s latest effort, ‘A World Frozen’, consisted of just a single track with a playing time of nearly thirty nine minutes, I was beyond excited and could not wait to immerse myself in this new, icy cold musical journey. The results are astonishing and the fact that Inoriand can continued to release albums without repeating previous efforts, is a major accomplishment.

The albums only track, “A World Frozen” is like a massive expedition through the darkest & coldest season of the year in a vast, isolated land only inhabited by the occasion brave hyperborean natives and the natural replenishments they hunt for survival. At times, the conditions are peaceful, yet somewhat challenging and other times the blizzard-like circumstances make the terrain impossible to traverse. “A World Frozen” begins with a peaceful synth introduction as if the haze of the morning perpetual sunrise never existed. Random keys emit a radiance, like melting ice dripping it’s clear liquid onto the surfaces below. All seams peaceful as this scene carries on like a snapshot in time. Incandescent drones sway in and out of audio contention as if it’s in sync with the northern winds. At around the fifteen minute mark, the dripping sounds have all but faded and the droning tones shift to a slightly lower frequency, signifying a shift in temperature and and the possibility of much harsher conditions. At around the seventeen minute mark, an abrupt static sound channels the negative energy in the air, as a winter storm and arctic-like conditions are inbound. Twenty minutes in, and the oblique synth melodies are at their strongest. Multiple layers of keyboard sounds and tones are arranged in a manner that gives this austere atmosphere the soundtrack it deserves. The keyboard section at around the twenty eight minute mark is my favorite part on the album and features a few sounds that reminds me of the impeccable ‘Silence’ album. The final few minutes couldn’t be better, as this immeasurable album draws to a close. The mix of long, drawn out drones and high pitch sounds of single keyboard notes compose a wonderful melody, fading in unison with the winter sunlight.

Inoriand has done it yet again! ‘A World Frozen’ is an exceptional album that – for me – is already in contention for dungeon/winter synth album of the year. It boasts a very bold and mature sound, with excellent production. Additionally, I find that I can easily submerge myself into any world when listening to Inoriand, and for an artist to have that affect, is quite impressive. I highly recommend downloading this album, as well as checking out everything else on the Eldest Gate Records Bandcamp page. You will not be disappointed.

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Links:

https://eldestgaterecords.bandcamp.com/album/a-world-frozen

Dryads Presents A Compelling & Quixotic Odyssey With ‘Those Who The Winter Path Reveals’

In the realm of dungeon synth, musical adventures don’t always have to be dark and intensified, although that seems to be a common topic as noble warriors decussate enemy territories to defend their kingdoms. However, rightfully so, as it makes for an awe-inspiring theme to attach to these tuneful arrangements. There are also other motifs that reveal majestic exploits of various intents that are equally as fulfilling when matches with the sounds of dungeon synth. On the latest release by Dryads, ‘Those Who The Winter Path Reveals’, I get the sense that this a journey about discovery and seasonal enlightenment. With the paths of everyone and everything that is crossed along the way, a new story and beginning unfolds.

The adventure begins as “Grace And Nobility Of A Summoned Snowstorm” swoops in with lavish soundscapes and pleasant keyboard intonations. Like setting out on a daring, arctic campaign this track sets up as a nice introduction for the album with its brisk pace and tonal sequences. “To Cross Ice Bridges With An Iron Horse” continues the sense of a wintery environment, but added discordant keys and darker accents in the melody give the feeling that gloomy times are ahead. “A Palace Of Glacial Dreams And Conquests” is an atmospheric undertaking with its grandiose soundscape presence and harmonized keyboards that provide a melodic structure of listening pleasure. “In Dreams, The Outcome Of Each Contest Unfolds A Part Of Our True Self” is a cold and brooding piece that would easily fit in a horror movie soundtrack. Exuding a ruminating depth that combines low-end drones and a creepy piano arrangement, this track illuminates a fascinating scene of bewilderment. “This Is The Coldest Journey, Yet You Are Not Lone” continues the same sense of dread from the previous track while combining winter-like field recordings that bring out the nature side of things. “Polar Rites” is a cold, winter synth track that slows down this musical journey but maintains the alluring spirit of the album. The dim soundscapes bring out an element of evil as you can feel the track getting more bleak as it nears the end. Next up is the title track, “Those Who The Winter Path Reveals” with it’s chilled & somber vibe, reveals an excellent cinematic sound. “Forest Omens” begins with some bizarre sequences before a harmonious keyboard arrangement fulfills the darkness. The sound of birds chirping in the background reveal the winters clash with daybreak and a sudden warning of evil lurking in the forest. The albums final track, “The Fallen Of Vidhein Castle” is an upbeat song, signaling the near end of the harrowing winter journey. Although there is light at the end of the tunnel, it’s not been an easy adventure. Oppressing soundscapes and orchestral arrangement are the standout elements of this track, ensuring that the album ends on a definite high note.

Dryads is an excellent dungeon synth artist and with ‘Those Who The Winter Path Reveals’, has sealed them as a new driving force in the winter synth community. There is a lot of adventure and masterful storytelling going on here and the overall beautiful tone of the album will leave a lot of room for interpretation. Show your support for this aspiring artist and download this amazing album at the link below.

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Links:

https://dryads.bandcamp.com/album/those-who-the-winter-path-reveals-2

Eyre Transmissions III: Interview With Ambient/Winter Synth Artist, Winterblood

Every once in a while, an artist comes along and consistently produces albums that immediately grab your attention from the very first note and captivates you until they fade off into the cold silence. For me, Winterblood is one of those artists and from the very first time I heard the album ‘Waldeinsamkeit I-III’, I knew I was listening to something special. After getting my hands on the back catalog and quickly downloading anything that comes out new, it’s apparent that Winterblood is an extraordinary addition to the winter synth/ambient community. I recently had the opportunity for a Q&A session to find out what drives such a momentous force behind the atmosphere. Enjoy!

1. First of all, thank you for taking the time to participate in this interview. Can you tell me how Winterblood came about?

Hello there! To talk about Winterblood, means to looking back at my childhood first of all. I remember a film called Antarctica, where the haunting melodies played by Vangelis left an indelebile sign on me; I was so attracted by that landscapes, dogs, and all that atmosphere. All so hostile and dramatic, but at the same time so comfortable. As the years passing by, searching for that power and feelings, I discovered the distorted guitar, and soon I was involved in metal music. In 1997 I started recording with some pc softwares, under the influence of very great act in Cold Meat Ind. and Burzum ambient style, and I find out that only the synth can bring that ‘not human’ character that I was looking for. Winterblood is something within me since the beginning and recognized through sounds and images.

2. You have a pretty lengthy discography! What are some of the challenges that you face while consistently writing such impressive material?

I put no limits in what I’m doing. Most of the albums are similar? May the other dimension brings me in the same direction! I’m just a kind of medium doing atmospheres, not ‘songs’. I’m still discovering my inner voices.

3. Sometimes I wonder if Winterblood is a dark ambient project or a dungeon synth project, or maybe a mix of both. What genre would you classify it as?

If I had to choose a term, it would be Polar ambient; ‘dungeon synth’ is more fantasy oriented, and my project is focused on spiritual affairs through coldness and blackness.

4. Music wise, many Winterblood albums have a trance-like quality to them, enabling the listener to drift off in a meditative state. Is it your intention to provide this type of introspective state?

All is about intuition. Every note, every drone you hear, is recorded following inner voices (I repeat myself), voices that make me dream, make me sleep, make me relax, and bring my imagination in a no-limit zone, where all is infinite and beautiful at the same time. In Winterblood, all comes from the darkness, and look how all is bright! Purification through listening, through making music. If it works with me, may it can works with others, and is real cool to have positive feedbacks. To quote my page site: ‘… the really ambitious goal is to put the listener – after a reassuring prelude – into a cold state of loss and confusion; this may causes an awakening…’. Intentional? Of course.

5. When you set out to record a Winterblood album, do you have a plan in place for a particular sound or style or do you improvise based on your feelings at the time?

I spend hours doing tests, sounds, and right fx. The visions leads all, as intuition as well. Music flows naturally cold, ripetitive, obsessive, but at the same time melodic, hypnotic… It’s not about technic, but magic and sensibility.

6. Do you play and record with physical equipment, VST’s or a mix of both?

In the past I usually worked with softwares and plug ins, with the time all is went in the analogue direction. With this equipment I can give originality to my works, something unique.

7. Do you draw inspiration from any particular bands or other genres of music? If so, what/who are they?

As said before, the Cold Meat ind. scene has a great impact on Winterblood. Act like Aghast, first Ordo Equilibrio, Mz412, Sephiroth, Raison d’Être… But also Eliane Radigue, Burzum ambient-era, Apoptose…

8. One of my favorite Winterblood albums is ‘Waldeinsamkeit I-III’. Is there a distinct theme for that album that makes it so special?

Waldeinsamkeit is an album the literally ‘break the borders’. Why? Still don’t know. All is strange behind this album, from the beginning to the end. What make it so special? The total alchemy between artwork and music. It is so nocturnal, mysterious, magic, really describes as well the title itself. Thanx goes again to Canto Críptico label for the first tape press and artwork, and Kunsthall prod. for the massive Lp release that is unbelievable.

9. You recently released ‘Hiraeth’ which was an impressive 3 hour plus long recording. What inspired you to write such a mammoth of an album?

The purpose is to inaugurate a series of releases focused on meditation, Hiraeth as first. I was looking for something very extreme, something that can makes you dream up, sleep, and floating without an end, something eternal. Of course length is fundamental in this. Hiraeth, as other Winterblood opus, is inspired by my obsession for the grey color, dark woods, old vintage illustrations, and the melancholy for something lost, that is nothing but the lost the original perfection.

10. Can you tell me a little more about your side project called Macchine Per Comunicazioni Spiritiche?

MPCS is just a container for bizarre experiments. Let’s see…

11. Are you involved with any other projects (that you care to discuss)?

Absolutely not. Winterblood is my only project.

12. I really appreciate you taking the time to answer these questions. Do you have any final words or thoughts for the Winterblood fans that will be reading this?

First of all thank you for let me open a window to my music, and thanx to all the supporters around the world! A lot is on the making…

Links:

https://winterblood78.bandcamp.com

https://www.facebook.com/WinterbloodOfficial

Hints of 80’s Retro Synth Illuminate On Winter Synth EP By Castle Zagyx Called ‘The Frozen Moor Of Your Memories’

The mind is a fascinating thing. Full of thought, emotions, intelligence, and memory, we have the power to control more that we can fathom. Unfortunately, there are time where we can decline to a darkened state without a means or a will to escape. In these times, obscurity overshadows our thought process and keeps us in a trance-like state until we are powerful enough to make the return to commonness on our own. The music displayed by Castle Zagyx on ‘The Frozen Moor Of Your Memories’ would be the perfect companion piece to listen to while contemplating a rebound from your own mental asylum. Filled with 80’s style retro synth, this is a soothing EP filled with many magical moments that you’ll not want to end.

Dreamy album opener, “Overture: End Of Summer Season” pulls the listener in with its classical keyboard arrangement and saddened tones before descending down the dark and gloomy path set forth by the rest of the album. “Remembrance I: Carter’s Antarctic Twilight” begins with an introspective sound as if you’re waking up from a cold dream, into an unknown world. As a single keyboard key drones, cold winter synth melodies expand the obscurity of your mind allowing you to meditate beyond the imagination. “Remembrance II: Katabatic Winds” maintains the same dark desires but introduces 80’s synth wave patterns that give the song a chilling sound. Sparse field recordings are compounded in spots for added gloomy textures. While this track successfully preserves its hyperborean effect, it’s easy to drift off to another dimension so that your mind can deal with clearing of the consciousness and lull memories. “Remembrance III: Ittakka” leans heavily on discrepant notes and eccentric harmonies, while light percussion sounds set the pace for something wicked yet to come. The EP’s final track “Remembrance IV: Poulsen Arc/Ice Hole” provides a ghastly conclusion to this overarching story of the hopeless decline of individual thoughts. Inaudible field recordings are a stark reminder of being institutionalized in our own mind, as we deal with our darkness. The keyboard arrangements are melancholic and somber, but seem to end too soon. However, this is the perfect way to rap up such an amazing story.

‘The Frozen Moor Of Your Memories’ is an exceptional EP and it pushes the boundaries of crossover music, diving into winter synth and retro 80’s style synth wave. The overall feel is gloomy and cold and you can easily get mentally lost in each track. My only wish is that this was a full length album, as this is has been an extremely enjoyable experience. I highly recommend this album, especially if you need something to relax and meditate to. Show your support for Castle Zagyx and download this EP from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://castlezagyx.bandcamp.com/album/the-frozen-moor-of-your-memories-ep

Top 10 Dungeon Synth Releases of 2019 by The Dungeon In Deep Space

This has been a fantastic year for dungeon synth! More artists, more releases, and a more diversified range of sounds being infused to keep things as interesting as ever. Even with the successful DIY approach of many artist, more micro-labels have surfaced with physical releases/distribution and even merchandise. That all being said, coming up with a top 10 list out of what seemed like a million dungeon synth releases this year was extremely difficult. However, I decided to keep it simple and resorted to the albums that I continue to listen to on a daily or weekly basis. Whether you agree or not, I hope you enjoy my top 10 dungeon synth releases of 2019!

10. Varkâna – Ahrimanic Chambers

https://varkana.bandcamp.com/album/ahrimanic-chambers

Varkâna’s conceptual album based on the death spirit known as Angra Mainyu, is extremely dark and has a chilling mix of droning dungeon synth keys, live drums on several tracks and ambient undertones throughout. Top quality work on this excellent album and a well deserved entry in my top 10 list.

9. Borg – The Triumph Of Spring

https://dungeonsdeeprecords.bandcamp.com/album/the-triumph-of-spring

Borg’s ‘The Triumph Of Spring’ is probably the black sheep of my list. It’s strange, quirky, unique and full of harmonized (what sounds like) kazoo solo’s, but I find myself returning to this album quite often. The entertainment value is extremely high and the music is as close as you’ll get to comedic, medieval music. It may not be for everyone but I absolutely love this!

8. Wayfarer – Ata Amutar

https://eldestgaterecords.bandcamp.com/album/ata-amutar

Wayfarer create a very unique brand of dungeon synth. The songs are very long, constructed as if they could be part of a fantasy movie soundtrack, and yet they are all very different and flow together so well. Although there are a few uplifting parts, most of the vibe on this recording is bleak in nature. For those that like background music while you’re working, studying, sleeping, etc., then this superb album may be right up your alley.

7. Solus Woods – The Wanderer

https://soluswoods.bandcamp.com/album/the-wanderer

Solus Ritual is so much more that your average dungeon synth artist. Leaning less on medieval aesthetics and more on ritualistic ambience, Solus Ritual is in a class of its own. Although I reviewed two other amazing albums by this artist earlier this year, “The Wanderer” is the album that stands out as the shining gem in the discography for me.

6. Dungeontroll – Labyrinth Of The Golden Princess

https://dungeontroll.bandcamp.com/album/labyrinth-of-the-golden-princess

Dungeontroll have released four albums this year and “Labyrinth Of The Golden Princess” is hands down the best offering of the four. The music is amazing fantasy synth, with a touch of melancholy and somber expressions . Additionally, the untold story behind the concept is one that manifested with me from the very beginning.

5. Aufhocker – False Confessions

https://aufhocker.bandcamp.com/album/false-confessions

This could very well be the soundtrack to your worst nightmare! Although, not a nightmare filled with bludgeoning horror, but one filled with eerie visions and mystic, abandoned places! This is very well crafted and is surprisingly not as one dimensional as you would expect from an album containing eighty minutes worth of music! Of the ten Aufhocker albums that were released in 2019, this magnum opus is my absolute favorite!

4. Blue-Ghost – Coral Sea

https://ussblueghost.bandcamp.com/

Although the musical components are true to dungeon synth, the story is based around Naval battles in the Pacific that occurred during WWII. The music is depressive and somber and probably accurately represents the emotional state of the sailors back in those times. Absolutely genius!!

3. Nameless King – Sovereignless Souls

https://namelessking.bandcamp.com/album/sovereignless-souls

This was the third release of the year by Nameless King and its an outright monster! The crystal clear production allows the multiple layers of keys & synths to take the spotlight and the result is one of the most majestic sounding DS releases of the year. The songwriting is spectacular and I can easily imagine a life in medieval times every time I listen to this magnificent recording!

2. Immateriæ – Leere

https://immateriae.bandcamp.com/album/leere

Immateriæ successfully uses dungeon synth fundamentals to an advantage by creating a retro-style space exploration ambient album. This is something new, fresh and unlike anything else I’ve ever heard in this genre. Four tracks and nearly thirty minutes of spacey dungeon synth is exactly what I needed to hear at the time of its release and I’ve not stopped listening to it since.

1. Inoriand – Silence

https://eldestgaterecords.bandcamp.com/album/silence

Inoriand’s ‘Silence’ was released in May of this year and I’ve not stopped bragging about it since then. Ethereal and dreamy, this cold, winter synth masterpiece evokes the feeling of dread and isolation but not necessarily in a negative way. With ‘Silence’ I imagine being stuck alone in a fire-lit cabin on a winters mountainside with no contact to the outside world. Such an incredible & amazing album and my top pick for dungeon synth album of the year!