Top 10 Favorite Dungeon Synth / Synth Releases Of 2022

Dungeon Synth music just gets better and better each and every year. For 2022, it seems like a million Dungeon Synth albums were released and unfortunately, I didn’t get to listen to most of them. However, I did listen to A LOT of albums and some of my favorite artists created their best works to date, while many new artists brought their A game to this ever growing community. I hope you enjoy reading my Top 10 favorite Dungeon Synth / Synth releases of 2022 and hope some of these made your lists as well.

10. Meadow Grove – A Shattered Heritage

https://meadowgrove.bandcamp.com/album/a-shattered-heritage

Meadow Grove has released a handful of impressive albums this year but ‘A Shattered Heritage’ is the one that I keep going back to the most. There is a dynamic quality about these songs that ranges from battle-like hymns to soundtrack-ready anthems. Shifting from cinematic and grandiose to simplistic and alluring, ‘A Shattered Heritage’ has a variety of music that is bound to appeal to a broad range of electronic enthusiasts looking for a further dive into the Dungeon Synth realm.

9. Pukel’E – SaqalE

https://pukele.bandcamp.com/album/saqale

Talking about a surprise, from out of nowhere comes Pukel’E with a short nineteen minute offering of the most impressive synth music I’ve heard in a while. From my favorite Dungeon Synth label – Voices Of The Ainur – ‘SaqalE’ blends Medieval Synth anthems with Winter Synth themes, producing a mesmerizing sound that I’ve not heard since ‘Silence’ by Inoriand (2019). My only complaint is that there should be forty tracks instead of four with about two hours of playing time. Jokes aside, this is an outstanding release and I can’t wait for this project to produce more music of this caliber.

8. Sunken Basilica – Sunken Basilica

https://sunkenbasilicamca.bandcamp.com/album/sunken-basilica

Blasting onto the Dungeon Synth scene with a grizzly debut album, Sunken Basilica is quickly making a name for this bold new project. Composing a collection of Dungeon Synth anthems with a dystopian edge, these songs are raw, gritty and most of all, memorable. The low fidelity production makes these arrangements standout even more as it thematically sets a precedent for Medieval music and the dilapidated quality of times that it represents. I can’t recommend this one enough – especially if you’re into the more obscure aspects of Dungeon Synth.

7. Skuggkonungen – Den Svarta Stjärnans Brödraskap

https://skuggkonungen.bandcamp.com/album/d-r-skuggor-aldrig-bleknar

There is a masterfully-crafted, calming essence that is congruent on all Skuggkonungen releases that continuously draws you in and wanting more. From synthwave to comfy synth and even ambient textures, the tracks on this album epitomize the true characteristics of Dungeon Synth without sounding dry and played out. Songs such as “Stilla” and “Tid Och Rum” have a futurist style but at the same time, are nostalgic in nature. If you’re new to Skuggkonungen, this would be a great place to start your listening endeavors.

6. Jenn Taiga – Siege

https://jenntaiga.bandcamp.com/album/siege

Refusing to be pigeonholed into a single genre, Jenn Taiga bears the sword of impiety for Dungeon Synth and beyond, while slaying those that can’t gauge the synth madness that dwells within. ‘Siege’ contains two tracks of mesmerizing synth Godliness that centers around Berlin School sequences and dark, euphoric tones, ultimately producing an uninterrupted essence of grim energy and cold intensity that is meant to be lost in – within the confines of its quintessential audial enclosure.

5. Elminster x Erythrite Throne – From Tomes Of Stygian Sorcery

https://ithildintapeproduction.bandcamp.com/album/from-tomes-of-stygian-sorcery

So, before this album came out, I had my Top 10 list all figured out, arranged and ALMOST ready to publish. However, two of Dungeon Synth’s most majestic warriors – Erythrite Throne and Elminster – decided to grace the Iron Keep with a stalwart of an album known as ‘From Tomes Of Stygian Sorcery’. Although it’s only been out for a few weeks, there was no way I was publishing a Top 10 list without this recording on it. Three epic tracks from both artists find them at the top of their game and producing the best music of their careers (so far). “Bal-Garond Ascending” from Elminster and “As Depraved Warlocks Gather At My Tomb” by Erythrite Throne are the top tracks on this vivacious and transcending album.

4. Vandalorum – Black Mold

https://vandalorum.bandcamp.com/album/black-mold

Although Vandalorum isn’t quite as active as other Dungeon Synth artists, the music he does produce is made of gold and considered the best of the best – well, at least to these ears. Last years flagship release, ‘Maewyn’, blew me away with its psychedelic incantations about the life and times of Saint Patrick. This year, we have the RPG soundtrack called ‘Black Mold’ and it’s my favorite release by Vandalorum thus far. Psychedelic orchestrations are fused with whimsical melodies and an assortment of chip tune styled synth leads. Most of all, the compositions are stylish and groovy with lots of surprises thrown in. This is totally an addictive album and it’s also the perfect listen for a late night (or early morning) drive.

3. Heldentenor – Blood Moons & Black Lakes: Chapter Two

https://sumatranblack.bandcamp.com/album/blood-moons-and-black-lakes-chapter-two

The artist behind one of my favorite Dark Ambient projects – Sumatran Black – decided to release not one, but two Dungeon Synth albums simultaneously in January and without hesitation (and much ease), I can report that these albums are pretty killer. ‘Blood Moons And Black Lakes (Chapters One & Two)’ depict a new spin on the genre, but the premise and outcome are abrasive, nostalgic and a great interpretation of this wonderful genre. However, it’s Chapter Two that stands out between the pair and each song is a ten out of ten on the awesomeness scale. The standout track is the near twelve minute long, “The End?”, a seemingly endless foray into the melancholic abyss with ominous guitar strums and bleak ambience. Doesn’t get much better than that.

2. Thalmar – Pried From Winter’s Frost Laden Grip

https://ithildintapeproduction.bandcamp.com/album/pried-from-winters-frost-laden-grip

Thalmar is one of the many projects by the conspirator behind the likes of Elminster, The Owl Knight and Moss Keep and although only a single album has been released under this moniker, it’s my absolute favorite. Four tracks of ambient induced dungeon anthems that are dark, erosive and downright terrifying. Layers of coarse madness intertwine to divulge a maniacal blend of organic synth music full of divine impurities and gloomy modulations. I practically listen to this album on a weekly basis and have done so since it’s release back in February. If you prefer your Dungeon Synth on the darker, more ominous side, then definitely give Thalmar a listen.

1. Arcanist – Hyperborea

https://yuggothrecords.bandcamp.com/album/hyperborea

When it comes to variety, this has to be one of the most impressive albums that I’ve heard all year. The Dungeon Synth duo know as Arcanist, has impeccably incorporated Black Metal, Berlin School and doom laden melodies in their arsenal to present the complete package know as ‘Hyperboria’ – my favorite Dungeon Synth album of 2022. With a plethora of sounds and styles at their beckoning call, Arcanist are able to compose these otherworldly tracks in a way that they are memorable, enjoyable and beguiling at the same time. I gladly offer forty three minutes of my time on a regular basis to this audial entity and in return, I’m able to submerge in a conglomerate world of exceptional synth music.

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Sunken Basilica Produces a Spell Binding Fusion Of Nostalgic Synthwave & Dungeon Synth On Hypnotizing Self-Titled Debut

When I’m in the mood for gritty, uncompromising intonations with sinister, lo-fi production I often turn to dark dungeon music. Although I have a handful of “go-to” favorites that reside in this category, it’s nice to hear newer, up-and-coming artists that diverge their attention to this more abrasive style of Dungeon Synth. An artist that has certainly captivated my attention as of late is Sunken Basilica. With an intransigent debut album that reeks of caustic melodies and pungent soundscapes throughout, I find myself returning to this album more often than none. Residing on a fine line of raw Dungeon Synth with Black Metal undertones, this thirty one minute magnum opus is as entertaining as it is desirable.

Right from the opening note of the first track, “Interuniversal Osmosis”, we are blasted with nostalgic soundscapes that are reminiscent of classic science fiction soundtrack anthems. The low quality production adds an ominous value, as this creepy, celestial tune bolsters gritty, dungeon-esque qualities. Hints of inaudible Black Metal vocals enhance the ambiguity of this track. “Bestial Ciborium” commences with a modulated synth sound that is firmly relatable to Dark Dungeon Music. However, 80’s style synthwave chops create an ethereal place of vast voids and suggestive winter sceneries. The music is icy cold, as the melodies embody a discordant pattern, producing a haunting canticle. “Profound Bow” is a short piece that immediately goes off the rails with a variety of random tones and stints of ringing bells. Without a doubts, you’ll endure the sensation of anxiety and a belligerent psyche as the harrowing sections loop in vein. However, the synth leads toward the end are hypnotizing and don’t seem to last long enough. Such a superb track to have on repeat, it’s bound to provide much gratification. “Variegated Spheres Of The Throne World” starts with a heavily modulated drone that fluctuates between distant notes, producing just enough melody to anticipate what may follow. However, dismal keys exhausts a deeper drone, reeking havoc on the senses before oscillating to lighter notes once again. As the frequencies continue to shift, Black Metal vocals begin to pierce through like a desperate cry for help. Another amazing tune that deserves multiple listens. “Ascesis” is another track that commences with frantic notes mixed with flexible synth leads. As if being sucked through a massive black hole, an assortment of distant lights pass by at warp speed displaying a melting effect, enduring a hypnotic sense without the ability to move or react. This is certainly a compelling song that fits in well with the rest of these recordings. “Triglyphic Entablature That Rests Upon The Human Soul” is one of the most accessible tracks on the album, well, at first. Initially sounding like a disharmonic orchestra, Black Metal vocals begin to add to the already grim tone. However, a short stint of comforting melodies make their way into the mix before bowing down to a more disruptive harmony. The final track, “Urstaat”, distributes a ritualistic commotion, before a swarm of chaotic notes commence. There is a sensational drone at the outset of this track, but it soon disperses, giving way to an agitation of ghoulish orchestrations. After several minutes, this album ends just as it began, chaotic with angst-filled compositions that are controlled in a fierce and nebulous way.

Sunken Basilica produces my favorite type of Dungeon Synth – raw and chaotic yet nostalgic and alluring. This self-titled album is surely making a bold statement, especially for a debut. Each song is arranged in a dynamic way to tell a story as they build into a tumultuous arrangements and flow seamlessly into the remaining tracks. I highly recommend this album for fans of crude Dungeon Synth that elicit a sense of discomfort. Please click on the link below to download this album and to support this amazing artist.

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Links:

https://sunkenbasilicamca.bandcamp.com/album/sunken-basilica

Interstellar Space – All Hallows’ Eve Extravaganza 2022

For some reason, trees seem to be synonymous with all things spooky and evil. Whether it’s a darkened forest in a horror movie, or the ruffling of leaves in an evening breeze that has us looking over our shoulders for something creepy, trees create a space of frightening imagination with limitless potential for purpose. For Halloween, trees portray a gruesome shadow in the night that causes goosebumps and chills when not expected. Remember the tree in the original Poltergeist film? They also create a blockade for hiding behind so that you can jump out and scare your friends while trick or treating. Whatever the case may be, trees serve more of a purpose than the ecology for their existence. Like trees, music provides the same escape by enticing an imaginative spark for which you can escape from reality. That’s exactly the case for these twelve chilling albums. They are the soundtrack for the season and so much more. Please enjoy these summary reviews and show your support for these artists by downloading their killer albums. Happy Halloween!! 🎃

1. Lamp & Dagger – This Tape Is Haunted Too!

Lamp & Dagger is back with their second spooktacular collaboration, featuring a handful of ominous artists that aim to frighten your very existence. From Sombre Arcane’s psychedelic massacre to a modicum of Dark Ambient soundscapes from The Night Keep that feature morbid field recordings and samples. FVRFVR offers a chip tune spectacle that is part crypt hop and part nostalgic cinema. Whispering Mirror offers a droning canticle full of gruesome modulations, while Halm conjures up some disgusting field recordings to create a gruesome scene of terror. The final track by Spectral Manse proposes a climactic ending with eerie narrations, malevolent haunts and lots of dark melody that penetrates deep in the psyche, proving that the sequel is just as damning as the original offer. I’ll never get enough of these compilations so I’m already looking forward to Halloween 2023.

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted-too

2. Guild Of Lore – Night Of Halloween

Dungeon synth stalwart, Guild Of Lore, steps beyond the realm of Winterstead, leaving behind the Medieval intonations to embrace a world of 80’s-influenced synthwave with elements of cinematic horror. The results are a fascinating blend of B-horror movie anthems full of ghoulish field recordings, theatrical samples and rhythmic patterns that scream the elements of classic horror film soundtracks. “Lurking In The Shadows” is a prime example of ample beats, darkwave undertones, and retrospective synths, while “The Festivities” is done in the style of a skit, with spooky narrations, haunting screams and bleak atmospherics. This is an album that’s not just enjoyable during All Hallows’ Eve, but can provide eerie entertainment throughout the year, and for many years to come.

https://guildoflore.bandcamp.com/album/night-of-halloween

FABLEHAVEN: “None who enter will leave unchanged. Trespassers will be turned to stone.” – Brandon Mull

3. Erythrite Throne – A Shade Of Melancholy In The Shadow Of Death

If your not listening to Erythrite Throne on All Hallows’ Eve, then you’re either very much afraid or have already been bitten by a post-apocalyptic zombie. In the case of the latter, perhaps ‘A Shade Of Melancholy In The Shadows Of Death’ has become the perpetual soundscape for your existence. Expertly fusing classical synth tones and the occasional blasts of tasty percussion, this is another magnum opus from the master of Dungeon Synth music. Just as the title suggests, this album is a bit more lugubrious than other Erythrite Throne albums, but that’s what makes this project so special. Especially on Halloween, this is some classically creepy music to enjoy on this malevolent night.

https://serpentsswordrecords.bandcamp.com/album/a-shade-of-melancholy-in-the-shadow-of-death

4. Aleksis Tristan Shaw – Crooked Teeth

The ever so cleaver Aleksis Tristan Shaw once again keeps us on our toes with a musical endeavor that defies genre categorization but is presented just in time for Halloween. These three tracks showcase beautiful, yet twisted piano melodies with a dreamy, atmospheric production. Just as the album cover suggests, I can only imagine a blurry figure sitting behind the ivories and playing these dirges to conjure up the spirits of ancient past, allowing them to provide frights once again. Although each track is different, they each have a thematic element that maintains a dark but elegant mood. A full album of these ghastly sounds would be awesome as well.

https://aleksistristanshaw.bandcamp.com/album/crooked-teeth

“No one who loves the woods stays on the path.” – Millie Florence

5. Wodenwyrd – The Teutoburg Massacre

Wodenwyrd presents a rather unique recording as a short narrative is read over obscure backing tracks that fusses Dungeon Synth, Dark Ambient and synthwave. Read over a series of Acts (seven in all), the story summarizes the first battle between German forces and the Roman Empire around 9 AD. As compelling as the story is, the music fits perfectly and produces a brooding gray background for a malevolent narrative. There are three stand alone tracks that serve as an intro, intermission and outro and they explore more nostalgic territories such as 80’s cinema and dreamy effects. In all, this is a fantastic album and I wouldn’t mind having a series of recordings in this style.

https://wodenwyrd.bandcamp.com/album/the-teutoburg-massacre

6. Born From Pain – Begotten (1989)

Just in time for Halloween, Born From Pain delivers another compelling motion picture re-score. This time, 1989’s horror/fantasy film, ‘Begotten’, becomes the object of creativity as the quest for Dark Ambient obscurity reigns supreme. Over seventy two minutes of ethereal order becomes the pallet for rediscovering this film in a more sinister light. The film itself, is supremely bleak and a boldly obscure statement for cinema at the time of its release. If your a fan of cult filmmaker, Maya Deren, then you’ll have a good understanding of this film. As for the music, Born From Pain masterfully captures that essence with gloomy soundscapes and haunting effects that will lead to nightmarish outcomes in itself. Another fascinating adventure that I can’t recommend enough.

https://bornfrompainbm.bandcamp.com/album/begotten-rescore

“When you go into a forest, anything can happen” – David Farr

7. Scott Lawlor – The Livestream Series, Volume V

Scott Lawlor, the king of spatial Drone music and a jack-of-all-trades Ambient musician that never stops working and has enough released material to create the soundtrack to your very existence for years on end. On Halloween of last year, he produced a five hour livestream special that will be digitally released on Halloween this year. Spanning eleven tracks, this colossal of an album, flows like a never ending experiment through celestial voids and dark passages, as enigmatic effects combine with baneful textures to create the realm you’ve always dared to travel through. Each track presents a malefic journey through dark regions of the subconscious, bringing a terrorized reality to the forefront of the mind. Good luck getting through all five hours of this but enjoy the breathtaking adventure along the way.

8. Orcchasm – OrcChasm!

Orcchasm is truly unique experience, as we encounter a variety of musical intonations during this thirty one minute endeavor. From creepy ambience and whimsical synths to bazaar arrangements and nonstop frills, this is a musical adventure that is equally enjoyable and fulfilling. From grandiose, Medieval incantations to light, flute fills, you never know what direction the music is headed. However, hold on to your witches hat and broomsticks because this is a venture that won’t want to miss. Each track flows seamlessly into the next, showcasing a story of dark dungeons and numerous escapades. “Groping For Wild Hogs In The Dark Paphian Abyss” is my favorite track and it truly represents the musical prowess of this album as a whole. Don’t pass up on this warm journey into the wildly unknown.

https://orcchasm.bandcamp.com/album/orcchasm

“The forest was not dark, because darkness has nothing to do with the forest – the forest is made of life, of light – but the trees moved with wind and subtle creatures.” – Lauren Geoff

9. Pumpkin Witch – The Return Of The Pumpkin Witch

It’s been a few years since we’ve heard from Halloween favorite, Pumpkin Witch. However, after finally rising from the Orange tomb of seasonal vegetation, they’ve returned with their most enigmatic spectacle to date, ‘The Return Of The Pumpkin Witch’. Eleven spooky anthems that provide an audial bludgeoning for almost forty four minutes, these progressive haunts are just what the doctor (or vampire or serial killer) has ordered to infiltrate your Halloween playlists. From distorted, doom-laden guitar tones and retrospective drum beats to hair raising electro sequences and synthwave tactics, this is the album that checks all the blocks for horrifying entertainment. Tape hisses and reverberated production efforts create a sinister ambiance that drives the mail in the coffin (no pun intended) for this masterful recording.

https://pumpkinwitch.bandcamp.com/album/the-return-of-the-pumpkin-witch

10. Ammothea – My God Is The Moon

Ammothea, the ambient-infused post metal project by Glacial Anatomy, is truly a riveting encounter that satisfies the pallet of those that enjoy the multi-genre experience. Soft, careening vocals, doom metal riffing and dreamy production yields a hypnotic effect, so that you can sit back, close your eyes and indulge in your own trip. These five tracks disperse almost sixty four minutes of playing time but, it’s over before you know it due to being completely lost in the mix of these alluring intonations. “Depth” and “My God Is The Moon” are standout tracks that incorporate a more upbeat approach without diverting away from the haunting gray that the entire album discharges. This is an extremely impressive release and I’m already looking forward to more from this artist.

https://syrupmooserecords.bandcamp.com/album/my-god-is-the-moon

11. Whöreplay – Whöreplay

A good dark wave tune goes hand in hand with the Halloween season, given its close ties to Gothic romanticism, vampires and grim landscapes. It also has provided bleak, atmospheric backdrops for scenes in classic horror films such as ‘Silence Of The Lambs’. This two track spectacle from newcomer, Whöreplay, fits right in with all of the aforementioned. Although only five minutes long, the artists wastes no time setting the listener on a collision course with haunting electronics, reverberated vocals, and a dreamy production. These tracks slice through like a jagged dagger, leaving a spot of coagulated blood for the creatures of the night to feast on.

https://whoreplay.bandcamp.com/track/misery

12. Unsheathed Glory/Ozeregroth – Nights Shadow Darkening

There is no better time to come together for delivering a darkened dungeon synth experience than Halloween. Unsheathed Glory and Ozeregroth combine their talents of Medieval summonings to render a five track split album, culminating in twenty four minutes of effortless canticles set to the gloomiest night of the year. Not only does each artist produce two tracks of their own, but they collaborate on the daunting self title track. Although each artist delivers contrasting tones, they mesh together very well and and flow transparently with ominous accord. This is one of my favorite Dungeon Synth collaborations of the year and I hope these artist get together again in the future, to produce more music like this.

https://unsheathedglory.bandcamp.com/album/nights-shadow-darkening

Additional forest photos courtesy of Carlton Whittle Photography. Please follow him on IG:

https://instagram.com/a_window_with_a_view?utm_medium=copy_link

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Celestial Ephemerides: A Collection Of Dungeon Synth Summary Reviews, Part V

With the ever growing Dungeon Synth community and the endless amounts of review requests that I receive, publishing these Celestial Ephemerides articles is the quickest way for me to keep up, and to also push out content to the community in a timely fashion. For Part V, we find a varied list of exciting Dungeon Synth albums and some that are multi-genre endeavors with just a touch of Dungeon Synth influence. Needless to say, it’s awesome to watch this community grow with everyone’s unique spin on one of the greatest genres around. Keep up the great work, artistry support and most of all, I hope you all enjoy this publishing.

1. Psyyps – L’oracle de I’imaginaire et La Porte du Chemin

Psyyps adopts the Dungeon Synth aesthetic to create a magnetic brand of New Age bliss. Permeated with tribal-like beats, alluring ambience and a host of instrumentation, this experience is one of a kind. It’s as if the dungeon lore of Medieval times escaped to a futuristic setting of unfamiliarity and enlightenment. Prepare to be amazed by these eight tracks of cutting edge explorations.

https://psyyps.bandcamp.com/album/l-oracle-de-l-imaginaire-et-la-porte-du-chemin

2. Baerdcyn – Naegling

No other artist has mastered the art of Medieval tranquility quite like Baerdcyn. Blending aspects of folk ambient with his passionate stringed instrumental chops, ‘Naegling’ is a product of majestic beauty and absolution. Tracks such as “The Quest” and “Dragon’s Scale” dig toward the center of the soul with ardent layers of mythical sounds. Haunting reverberations increase the intensity of these tracks, showcasing a likeness for enthralling peace.

https://baerdcyn.bandcamp.com/album/naegling

3. Search For The Navigator – Flight Of The Firmament

‘Flight Of The Firmament’ is an unparalleled sonic adventure. Combining Dungeon Synth, Ambient Music, Comfy Synth and whimsical soundscapes, this album is like an interstellar odyssey; a grand musical, if you will. Containing six tracks of celestial-themed electronics, the incursion of various oddities is endless as you wander through clusters and nebulas, heading toward an otherworldly dungeon. Don’t let this one slip under the radar; it’s too good to pass up and it needs to be heard immediately.

https://searchforthenavigator.bandcamp.com/album/flight-of-the-firmament

4. Ancestral Axe – Dawn Of The New Age

Like a Medieval battle between Christianity and Paganism, ‘Dawn Of The New Age’ is a sacrificial offering of war-time aggression and dark hymnals as bloodshed spills across the land. The samples, field recordings and soundscapes really breathe a spectacular life into this recording, as the music takes us through the trials and tribulations of battle, territorial reign and the fight for ultimate victory. So, sit back and enjoy this marauding journey of superlative tunes.

https://hammerandflailrecordings.bandcamp.com/album/dawn-of-the-new-age

5. Grîmmöld – Heatherfrost

Grîmmöld takes on the coldness of winter with three tracks of mesmerizing ambience that represents the quiet days of snow covered lands and hibernating conditions. Taking a break from the normal blackened dungeon synth offerings, in favor of a modest take on the lighter side of things, Grîmmöld amasses a celestial escapade of bleak proportions. These tracks are soothing, yet desolate in delivery. ‘Heatherfrost’ is another exemplary offering from one of the most respected artists in the business.

https://grimmold.bandcamp.com/album/heatherfrost

6. Ozeregoth – In The Shadow Of Gloomspire

‘In The Shadow Of Gloomspire’ is a chillingly atmospheric album that is more reminiscent of the peaceful settings of the Renaissance era than the battle-heavy times of the Medieval period. These are tranquil tracks that slowly build and include a sensation background ambience, slightly distorted modulations and a dose of synthwave textures as well. This is a great album to sit back and relax too; and reflect on ancient times and how those experiences must have played out.

https://ozeregroth.bandcamp.com/album/in-the-shadow-of-gloomspire

7. Stuffed Crust – Sacrificial Slice Upon The Blackened Stone

Don’t let the playful album cover and hilarious song titles fool you, this weird adventure is done in great taste and the musicianship is surprisingly good. ‘Sacrificial Slice Upon The Blackened Stone’ is like the Primus of Dungeon Synth – only stranger. On this whimsical ride, you’ll hear metal drumming, screaming vocals, eerie synth chops and super lo-fi guitar harmonies – all in the name of delicious fun. I mean, who doesn’t like pizza and music? The moody tracks are borderline comfy synth, then it’s followed up by maniacal black metal parts that seem out of place but are exquisitely relevant in this instance. Sit back and enjoy (a slice) the journey to Margherita(ville)!

https://stuffedcrust.bandcamp.com/album/sacrificial-slice-upon-the-blackened-stone

8. Dungeon Guerrilla – The Prophecy

Dungeon Guerrilla takes us on a mystical journey through the ages with the fantasy synth album, ‘The Prophecy’. This maritime adventure showcases layers of melodic synths that are intricately woven to create a chunky sound, while sparse percussive parts show an innovative side to these tunes. The production is on point while the reverberation creates a grandiose sensation. This thirty seven minute journey is well worth the time and it’s sure to warrant multiple listens.

https://dungeonguerrilla.bandcamp.com/album/the-prophecy

9. Oulfaam – Χορεύοντας στις σκάλες

Talking about impressive, this album is like listening to a live orchestral concerto mixed with dark jazz noir. The dissonant moments are compelling and the mood often changes from estranged elevator music to haunting synth anthems. I love albums that showcase many sides of a musical genre and Oulfaam succeeds in doing so here. Ten tracks of variety lead toward an epic adventure of the unknown and this is the album that will be your guiding hand. A very enjoyable endeavor!

10. Blood Moss – Blood Moss

Who would have ever thought to combining Dungeon Synth with 60’s-era psychedelic rock? Well, Blood Moss thought of it and have latched on to something creative, and you know what? It works extremely well! The lo-if quality makes this sound so amazing and the guitar work – for what it’s intended for – is extremely addicting and it’s something that I could vibe with for days! This album is not only full of jarring compositions, it also has passion and an overall gratification for music in general. If you’ve not heard this yet, you have no idea what you’re missing. I highly recommend this to everyone that is open-minded for new, fresh ideas.

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Top 10 Dungeon Synth / Synth Releases Of 2021

The great thing about the Dungeon Synth community is that it’s growing at a staggering rate and it seems like multiple albums by an array of artists are getting released on a daily basis. The downside of that is picking just 10 releases to be featured on my Top 10 Dungeon Synth / Synth albums list of 2021. If I had the time to create and talk about my Top 50 releases, I’d certainly do so. However, since it would take me too long to get that done, you’re stuck with a list of my Top 10 favorites of this year. Please enjoy and show your support for these artists if you don’t already do so.

10. Lamp & Dagger (Various Artists) – This Tape Is Haunted

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted

Although this may be considered by some “a seasonal album”, it’s much more than that. It’s like a soundtrack of dread and horror that provides a terrifying backdrop to your ghoulish nightmares. Lamp & Dagger assimilated an all-star cast of Dungeon Synth artists to step beyond their traditional undertakings for creating a spectacle of anguish and fear. The results are breathtakingly evil and definitely deserves more than a seasonal listen. I’ve not stopped listening to this since it’s release and it’s more than worthy of kicking off my Top 10 Dungeon Synth/Synth albums of 2021 list.

9. Baerdcyn – We Are But Somber Beings

https://baerdcyn.bandcamp.com/album/we-are-but-somber-beings

Baerdcyn is a multi-talented artists that finds his stride with a myriad of acoustic instruments and organic tones. Just off the beaten path of traditional Dungeon Synth, ‘We Are But Somber Beings’ is a masterclass in instrumental compositions with raw emotions as the driving force. These mournful tracks contain some of the most serene arrangements that I’ve heard in a while and it’s been one of my go-to albums when I relinquish myself to a period of relaxation and relief from day-to-day endeavors. Tune in to this peaceful, Medieval offering and enjoy its blissful mystery.

8. Elminster – Mountain Specters

https://elminster.bandcamp.com/album/mountain-specters

Elminster is one of my favorite Dungeon Synth artists that has turn it up a notch or two this year with releasing multiple stellar albums and expanding his arsenal amongst multiple project titles. Although just about everything has been amazing, it’s the ‘Mountain Specters’ album that has consumed the most plays from the ever-growing Elminster catalog. The tunes are very dreamy with an alluring charm that depicts a brief time of light during a rather dark period. If someone were to ask me a good starting point for discovering Elminster, I’d look no further than ‘Mountain Specters’.

7. Vandalorum – Maewyn

https://vandalorum.bandcamp.com/album/maewyn

‘Maewyn’ came out earlier in the year but I still listen to it quite often. The conceptual album based on the legend of Saint Patrick maximizes the sound spectrum with massive layers of synth effects, odd noises and percussive patterns & drum fills that are out of this world. With a fusion of upbeat and gloomy arrangements, this is not only an interesting album to listen to, it’s also one of my favorites of 2021 and it rightfully deserves the space on this list.

6. Jenn Taiga – Lunar Nocturnes & Esoteric Incantations

https://jenntaiga.bandcamp.com/album/lunar-nocturnes-and-esoteric-incantations

Jenn Taiga has hit another home run with ‘Lunar Nocturnes & Esoteric Incantations’. Auspiciously fusing Berlin School, retro synthwave and the underlying elements of Dungeon Synth, Jenn Taiga has created a type of energy that is impressive, addictive to listen to, and at times leaves an anxious feeling of the unknowing with regards to song structure and limitless capability. For me, it’s hard to top 2020’s ‘Plight’, but ‘Lunar Nocturnes & Esoteric Incantations’ expands the horizons of the aforementioned with its awe-inspiring resilience and is just as impressive.

5. Uilos – I: Dark Night Of The Soul

https://socalledhell.bandcamp.com/album/i-dark-night-of-the-soul

Out of all the albums in my Top 10 list, this is the only one that caught me by surprise. This is a pensive recording that exposes a meditative value with each and every listen. The production effort is a predominant factor that maximizes the tranquility of this recording and it’s the wall of sound vibe that makes this such a grand offering. The music ranges from Medieval styled anthems to modern synth harmonies and everything just fits…perfectly! Uilos is an artist that I’ll be following really closely from now on.

4. Wampyric Solitude – The Splendor Of Loneliness

https://wampyricsolitude.bandcamp.com/album/the-splendor-of-loneliness

Wampyric Solitude is the only artist (at least for me), that has an album in both of my Top 10 year end lists (one here and another in my Dark Ambient list). In what I consider to be his defining moment in Dungeon Synth, we are graced with ‘The Splendor Of Loneliness’. This album emits almost ninety minutes worth of abrasive Dungeon Synth that is dark, ominous and portrays the hardship of Medieval confrontations. Every track is a near masterpiece but there are several that stand out. “Enthroned Amongst The Eldritch Shadows” and “A Putrid Stench From The Grave Of Hope” are without a doubt some of the best tracks I’ve heard this year. If caustic Dungeon Synth is your thing, then don’t go another minute without checking out this gem.

3. Landsraad – The Golden Path

https://landsraad.bandcamp.com/album/the-golden-path

Dungeon Synth constructed around the Dune Universe? Yes, absolutely and not only is the concept enthralling but the music is some of the best that was produced all year. Although comfortably seeded in the Dungeon Synth genre, it’s the synthwave aesthetics that propel this album to great heights. Providing a futuristic atmosphere with retrospective effects, this is a true audial translation of the Dune story. This spectacle is sure to stand the test of time and will remain one of my favorites for many years to come.

2. Erythrite Throne – Eternal Frost Of The Dark Ages

https://serpentsswordrecords.bandcamp.com/album/eternal-frost-of-the-dark-ages

Whether you’re new to the Dungeon Synth genre or not, Erythrite Throne is most likely one of those artists that will get referred to the most as the “go to” for consistent musical releases. After all, in this modest community of artists and fans, Erythrite Throne would be considered a household name. That being said, there are several amazing facets to his music including Vampyric Blackened Synth and Symphonic intonations. Although every bit is amazing, it’s the symphonic side that I tend to gravitate to the most. ‘Eternal Frost Of The Dark Ages’ is one of those albums and – in my opinion – may be the best album in the discography. Made up of four epic long players, these cinematic anthems deliver a gloomy but melodic style that is supremely written and produced. Every song stands out in this masterclass effort and this has been one of my most played albums of the year.

1. Leander – Sorrow Dwellings

https://leander33.bandcamp.com/album/sorrow-dwellings

There is something extremely special about Leander’s sophomore effort, ‘Sorrow Dwellings’. Not only is the music absolutely incredible, but as a whole, it just feels personal, as if it were exclusively written for me and/or my emotional state. This album was released in January and here in December, it has remained my favorite Synth album of the year. At times it has a traditional Dungeon Synth vibe, other times it has a 70’s prog rock feel to it and above all, these compositions were exquisitely written and are some of the best tunes I’ve ever heard – of any genre. Although only consisting of five tracks, they all stand out in their own way during this thirty seven minute journey. I can’t wait to hear what the future holds for this exciting artist.

Celestial Ephemerides: A Collection Of Dungeon Synth Summary Reviews, Part IV

Hello deep dungeon dwellers, I’m back with my last dose of Celestial Ephemerides for the year that covers the Dungeon Synth genre. These albums are simply amazing and I wish I could devote more time doing long form reviews but As a single-human operation, I seem to run out of time quite often. Nevertheless, I hope you enjoy this collection of summary reviews and please support the artists and this community!

1. Elven Sorrow – A Rise And Fall To Be Forgotten

Elven Sorrow brings us a mighty dose of Dungeon Synth in the form of a single, forty plus minute tracks. From impulsive elements of dark dungeons to retro synthwave tones, this track plays through a range of electronic goodness that succeeds in captivating the listeners attention, specially with the epic song length at play. With a dim production and minimalist dynamics, ‘A Rise And Fall To Be Forgotten’ is up close and personal rather than being grandiose in design. Impressive debut album from this artist.

https://elvensorrow.bandcamp.com/album/a-rise-and-fall-to-be-forgotten

2. A Compendium Of Curiosities – The Resting Place Of Dreams

‘The Resting Place Of Dreams’ is a sulky combination of synth wizardry and Renaissance-era atmospherics. These five tracks are a beautiful reminder at just how in depth the Dungeon Synth genre is, as it has a sound all of its own, yet plays right into the traditional Dungeon Synth aesthetics. Another mesmerizing album by A Compendium Of Curiosities and one that instills hope of continued growth in this loyal community of artists and fans.

https://acompendiumofcuriosities.bandcamp.com/album/the-resting-place-of-dreams

3. Borja – Antediluvian

Although a slight departure from Dungeon Synth in the traditional sense, ‘Antediluvian’ is a fresh take on theatric synth music. Soothing in nature, these tunes are memorable and will leave a lasting impression of the dreamy content that it portrays. Tracks such as “Where Dreams Fade To Ashes” and “Under The Eyes Of The Serpent” pack quite a punch with darkened arrangements and minimalistic vibes. This is an exquisite release with high entertainment value and impressive compositions that is sure to please all fans of electronic music.

https://borja375.bandcamp.com/album/antediluvian

4. Lóndrangar – Lóndrangar

Lóndrangar creates menacing Dungeon Synth for the warrior soul. These three expanded tracks produce nearly thirty three minutes of gritty synth tones with compounding melody throughout and a lasting impression for battle-like consequences. Mild orchestrations and gloomy production intensify the music while the epic arrangements set forth a dark path of Medieval influence. Find a cozy place and light a candle to enjoy this massively impressive effort.

https://londrangar.bandcamp.com/album/l-ndrangar

5. Calignosia – Páramos

With a grim assembly, Calignosia emits a musical pallet full of joyous rhythms, acoustic passages and a wondrous sense of melody that is sure to whisk the listener back to ancient times. With a slight reverberated sound and minimalistic approach to recording, the echoes of a Medieval past can be heard throughout this amazing recording. Each track presents a solitary stance that easily come together on an impactful audial journey. Highly recommended for those that welcome modern, world musical influences in their Dungeon Synth recordings.

https://calignosia.bandcamp.com/album/p-ramos

6. Goryō – Kaidan

Ancient Japanese instrumentation and traditional arrangements from the Samurai era prevail on this intense album of archaic tranquility. Deep drones and intensified soundscapes provide the landscape for these alluring compositions of a sinister output. I can imagined traveling in an unforgivable, wintry mountain terrain and being stalked by silent warriors of the night. This is one of the most unique recordings I’ve heard this year and it’s garnered plenty of playing time in my secluded domain. Highly recommended for fans of the orient and Japanese nostalgia.

https://goryokai.bandcamp.com/album/kaidan

7. Diego S. – Border Lands

Diego S. really knows how to set the mood with his brand of atmospheric Dungeon Synth. Beautifully produced, each track has a a crystal clear sense of direction and every instrument sounds exquisitely charming in the overall mix. Tracks such as “Beyond The Mist” and “Remnants Of A Hero” prove their worth with gloomy arrangements and mystifying synth effects that electrify with ethereal consistency. Defiantly an album worth checking out and an artist worth following to keep up with his musical endeavors.

https://diegosofficial.bandcamp.com/album/border-lands

8. Uilos – I: Dark Knight Of The Soul

Uilos presents ‘I: Dark Knight Of The Soul’ and it’s like listening to Dungeon Synth from the future and quite possibly an Album Of The Year contender. Songs like “Hermits Hideaway” has a touch of retro synthwave while “Strength Of Ten” and “The Last Stop” manipulates soothing guitar tones for a mystical adventure. This album has something for everyone and the journey – from start to finish – is absolutely amazing.

9. Shrouded Gate – Ravenlore

‘Ravenlore’ does the stronghold proud by stirring up an aggressive dose of Cinematic Dungeon Synth. The use of multiple synth layers are prominent throughout and the stellar songwriting broadens the scope of its fabled delivery. The dreamy production effort also enables this to cross multiple sub-genres such as comfy synth, forest synth and grandiose, dark Dungeon Synth. Standout tracks include “The Gentle Blossoms” and “Through The Dream Sky” – which has a mesmerizing percussion section. Don’t pass on this excellent album that has so much to offer to the listening ear.

https://shroudedgate.bandcamp.com/album/ravenlore

10. Inexistence – A Journey Through Ancient Times

Inexistence are the masters of variety as the tracks on ‘A Journey Through Ancient Times’ maneuver between sadistic synth intonations, chip tune endeavors and menacing symphonic black metal intro-style synth offerings. You never know what you’re going to be listening to from track to track but rest assure, these intonations are well constructed and hold their own either in a single track listening session or as a full album venture. From bombastic to minimalistic, expect the unexpected and enjoy the deep dive into this magnificent recording.

https://inexistence1.bandcamp.com/album/a-journey-through-ancient-times

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Controlled Discord Meets Hostile Variance On Fen Wraith’s ‘Forgotten Lore One/Two’ EP’s

The positive aspect of my ceaseless search for obscure music is there is plenty of it out there and not enough of it gets discovered at the rate that it should. One of my intentions with this blog is to help propel those artists/albums into a realm of clarity amongst the ambiguous. One such act that fits this description is Fen Wraith – an attentive new artist that creates a nucleus of sludgy metal tunes with the help of Dungeon Synth aesthetics and a love for loud, propulsive distortion. In March of this year, this solitary act released two EP’s of majestic music that should meet the needs of those with a love of tonal variety. ‘Forgotten Lore One: Black Waves Crashing’ and ‘Forgotten Lore Two: The Haunted Mire’ are two snippets of exciting songs that range from doom-laden dirges to acoustic haunts that build with anticipation.

Forgotten Lore One: Black Waves Crashing

‘Forgotten Lore: Black Waves Crashing’ presents ten minutes of murky doom riffs with heavily distorted bass and a rugged mix of clean and harsh guitar riffs that trudge onward for the duration of this recording. “A Cursed Quest, A Miserable Existence” begins with the sound of clashing swords, as a Medieval battle seems to be well underway. After a short narrative sample, a barrage of thunderous bass tones promotes an assaulting sound while a slow drum beat provides a roomy cadence. Guitars strum faintly in the background but add a deep character to the track. “Black Waves Crashing On The Shore Of 1000 Hollowed Graves” continues on with the same groove but this time with a bit more melody. The fusion of clean guitar riffs and harsh bass tones work really well in this track and the end result is a short but effective trance-like dirge that ends quicker than it should. The final track on the EP is, “The Final Thoughts And Breaths, Of A Dying Man” and it features icy cold vokills, compounded by droning guitar riffs. Toward the middle of the track, the harsh riffs subside into a beautiful acoustic passage that brings us to the end of the album.

Forgotten Lore Two: The Haunted Mire

‘Forgotten Lore Two: The Haunted Mire’, contains two tracks of hypnotic sounds that are slightly less aggressive than the tracks on the first EP, and are a little more epic with regards to the compositional side. Lead off track, “O’Keeper, O’Defiler” commences with a steady drum beat that is backed up with layers of looping guitar riffs that allow the listener to to drift off into an imaginative world of angst and ancient scenery. The last few minutes of the track contains a haunting narrative piece that combines with a clean guitar strums to produce a calming effect. Suddenly the track blasts off into a loud climactic ending that is reminiscent of early Blood Of The Black Owl releases. The second (and final) track is the ominous “Haunted And Hunted”. Chock full of soundscapes and samples, it’s as if battle-ready warriors are sharpening their weapons in preparation for a grueling bloodshed. Massive guitar drones add a sinister character to the track, as a plethora of additional instrumentation slowly build into a highly anticipated musical capstone. A muffled drum beat maintains a durable pace and all at once, the noise come to a screeching halt, minus an acoustic passage and random industrial-like effects.

If these two EP’s are a consistent introduction for albums to come, then we are safe with delivering accolades to the bright young path of Fen Wraith. Although these are brief outings, the production of unique and inspiring music has been achieved. For the sake of getting lost in the music, I wish these tracks were longer but I kindly accept them for what they are, which is an entertaining mix of noise, metal and Dungeon Synth undertones. Please support Fen Wraith and these albums by clicking on the link below.

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Links:

https://fenwraith.bandcamp.com

Disgusting Cathedral Injects A Harsh But Symphonic Form Of Controlled Chaos In ‘Adventurers Despised And Rejected’

Just the name – Disgusting Cathedral – is charred with contrast and residual meaning that is beyond the scope of initial thought. First, the word disgust means repulsive to the aesthetic taste of ones morals. However, in this day and age of antonymic speaking, disgust could also mean the awesomeness of something. A cathedral is basically a religious sanctuary. So, when we put the two words together, we have an abhorrent room of worship. That being said, it’s only fitting that Disgusting Cathedral (the artist) finds solace in composing angst-filled arrangements in the Dungeon Noise sub-genre of Dungeon Synth. ‘Adventurers Despised And Rejected’ is a forty four minute gritty adventure deep in the halls of a noise-filled castle where dark dungeons and dimly lit corridors pave the way for sick (antonymic-ally speaking) compositions.

The ten tracks presented on this blasphemous affair constitute a dark and grueling concept of restrained reverberations and malevolent soundscapes that tell an abrasive story of true Medieval happenings of a hideous nature. Album opener, “A Crystalline Cavern On The First Level Of The Barrow Of Arcane Secrets” send cosmic signals right away, as every note, every soundscape is riddled with distortion or reverb (or both), and it sends an immediate maniacal impression of the dark past. A few tracks later, the dose of frequency distortion is increased as “A Gatehouse In A Nearby Dwarven Town” tips the noise scale. However, there is a wondrous underlying composition of notes, with a fascinating conglomerate of melodic keys being played. Soon, mass distortion takes over as a full-on static noise pierces the ear canal via deafening audio waves. The random chirps and squeaks that are heard throughout add a uniqueness as well. Forging onward, the fifth track, “Lord And Lady Stone Gnome Are To Expire” is an eight plus minute slow build that finds Disgusting Cathedral dabbling with elongated drones and looping soundscapes. As the volume crescendos, clarity turns into musical deformity while the thick modulations continue to build. On the eighth track, “Per Bend Sinister Or An Azure, A Badger Statant Countercharger”, we find a nice keyboard melody that soon blends with random, industrialized noises that seem to suddenly take on a life of their own. As these obscure tones begin to take over the focus of the track, additional distorted elements come into focus and aimlessly create a wall of sound that becomes more abhorrent as the song comes to a close. Skipping over to the final track on the album – which is also considered a Bonus track – “The Kindness Of Fossilized Plants Pt. II: Part One (Cursed Version)”, we are still presented with the abrasive formula of the previous arrangements. However, there is more of a cinematic song structure going on here that is extremely dismal and haunting and almost depressing. The sinister effects and baneful soundscapes create a dark scene of ill intention but with less modularity as on previous tracks. This is the perfect song to end this inauspicious album.

Disgusting Cathedral summons a new type of darkness – in the form of harsh noises and frequency modulations – to enhance the Dungeon Synth listening experience. If your seeking soft atmospherics and lush keys with harmonic undertones, you’ve come to the wrong castle, as ‘Adventurers Despised And Rejected’ is the polar opposite. Strong, brash sounds with a hateful intent are the primary focus on this outstanding album of unique compositions. I highly recommend this for anyone that is open to an alternate reality in the Dungeon Synth realm. This music is not for the faint at heart though, as it’s an all out audial assault with evil intent. However, if harsh noise and industrialized synth music is your style, then this will be a very rewarding experience.

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Links:

https://disgustingcathedral.bandcamp.com/album/adventurers-despised-and-rejected

Top 10 Dungeon Synth / Synth Releases Of 2020

What an amazing year for Dungeon Synth (and other underground synth-based genres). This year has exploded with some of the most absorbing musical ventures my ears have been privileged to hearing. Whether it’s the grimness of Vampyric Dungeon Synth, the obscurity of Comfy Synth or the enlightenment of Berlin School dark synthwave, I embrace all of these sub-genres with the hopes of finding the most amazing music possible. Although there were hundred (possibly thousands) of Synth-based releases over the past twelve months, this is a list of my 10 favorite albums of the aforementioned sub-genres. I hope you enjoy…what I’ve been enjoying!

10. Moss Golem – Of Witches Blood And Angel Tears

https://serpentsswordrecords.bandcamp.com/album/of-witches-blood-and-angel-tears

What better way to get things started than with a dose of Uncomfy Synth! Moss Golem may be categorized by some as Comfy Synth but this is light years from it. It’s more like a menagerie of darkened dungeon synth arrangements with colossal black metal screams and I absolutely love it. Of the small handful of releases by Moss Golem this year, ‘Of Witches Blood And Angel Tears’ is my favorite.

9. Wooded Memory – My Secret Horror

https://woodedmemory.bandcamp.com/album/my-secret-horror

‘My Secret Horror’ caught me by surprise this year, as I wasn’t expecting it to be so amazing. Don’t get me wrong, 2019’s ‘The Lost Stories’ was great, but this one is so much better. From the illustrious arrangements to the phenomenal production, I’ve really enjoyed this album and it, accordingly, deserves a spot on my Top 10 list.

8. Erang – Imagination Never Fails

https://erang.bandcamp.com/album/imagination-never-fails

Erang takes us on a mythical journey like no other! From brooding musical-like tracks and symphonic marvels, to traditional dungeon synth and synthwave, Erang leaves no stone unturned and is one of the most ingenious synth artists out today. ‘Imagination Never Fails’ is an addictive listen and I revisit this one quite often.

7. Borg – Woodland

https://borg.bandcamp.com/album/woodland

Borg is as quirky as they are talented and this modern day Medieval-style music with analog instruments (and numerous unconventional undertones) is to be taken seriously. ‘Woodland’ is a fantastic album and showcases their capability for idiosyncratic arrangements, as well as more serious sounding tunes that may have well fit in on some cult spaghetti western films. Absolutely amazing!

6. Guild Of Lore – Autumn Bohollow

https://guildoflore.bandcamp.com/album/autumn-bohollow

Guild Of Lore is the real deal! The hybrid combination of cinematic elements and dungeon synth makes this one of the most unique albums of the year. The production and arrangements are perfect and the writing will leave listeners (and possibly other artists) in awe of the amazing talents that spew from within. If you’ve not heard this album, you’re definitely missing out!

5. Abholos – Whispers From The Dark Sea

https://serpentsswordrecords.bandcamp.com/album/whispers-from-the-dark-sea

Abholos is one of my favorite Dungeon Synth projects and I look forward to these release than perhaps most other artists. The fusion of retro-style synth arrangements and maritime soundscapes is exactly what I love to listen to and not many others excel at it more than Abholos. ‘Whispers From The Dark Sea” is my most listened to Abholos album and one of my favorite releases of 2020.

4. Lurk – From The Depths Of Y’ha-nthlei

https://lurkmusick.bandcamp.com/album/from-the-depths-of-yha-nthlei

I knew after being just two minutes in to this album that it was going to end up on my Dungeon Synth AOTY Top 10. The crystal clear production makes it possible to enjoy the outstanding music, soundscapes and samples that grace this behemoth of an album. From start to finish, this album rips and I cannot wait for the next dose of Lurk to come about!

3. Jenn Taiga – Plight

https://jenntaiga.bandcamp.com/album/plight

I listen to this album at least once a week. I mean it’s that good and just puts me in a zone that almost no other album can do. Consisting of two tracks that are nearly forty three minutes long, there is definitely enough time to drift off into another world that depicts a scene of sonic beauty. Heavily influenced by Berlin School and progressive space rock, this enchantment of a recording should be on everyone’s playlist by now!

2. Mystica Visio – Mystica Visio

https://mysticavisio.bandcamp.com/album/mystica-visio

‘Mystica Visio’ is probably one of the best albums (of any genre) that I’ve heard this year. Gustavo Jobim is an award-winning musician that decided to try his hand at Dungeon Synth this year and I couldn’t be happier about that decision. Not only is this an amazing album, but the track “Spell Of Entrapment” is probably my song of the year for this genre. This album is an absolute must for your collection!

1. Varkâna – Cosmic Terror

https://varkana.bandcamp.com/album/cosmic-terror

Varkâna’s ‘Cosmic Terror’ was released in May of this year and its still one of my most played albums. This Lovecraftian-themed endeavor features some of the most meaningful tracks I’ve ever heard, and the emotional output is only topped by the amazing musicianship, pristine song arrangements and writing. All of these elements combined have made this my Dungeon Synth / Synth album of the year for 2020.

Mocking The Overuse Of Sub-genres, Moss Golem Defies Style Classification With The Perverse ‘The Woods Of Galdura’ Release

Dungeon Synth sure has come a long way, especially over the last few years. Not only has it grown immensely in popularity but it has garnered a slew of new sub-genres in which artists can hone their craft to a setting more suitable for them. After all, the harsh tones of Medieval-themed synth music – typically meant to motivate and inspire bloodshed and battle as war rages on between ancient kingdoms or mythical creatures – is quite different from the tranquility of music that makes you feel all warm and snuggly inside. Now enter Moss Golem, the insidious new-ish project by Davey Sasahara created to be the antipode to one of Dungeon Synth’s most popular (and ever growing) sub-genre’s, Comfy Synth. Although releasing a debut EP in February called ‘The House That Granda Built’, the March release of ‘The Woods Of Galdura’ sees a full release of idiosyncratic Dungeon Synth tunes with menacing black metal vocals that are sure to turn heads and provide plenty of discomfort. Well, if that’s the case, then mission accomplished!

The perfect example of all of the aforementioned, is the lead off track, “I”. Beginning with the soothing textures of layered synths in an intimate setting to provide the feeling of relaxation and comfort, Moss Golem reels the listener in to a false world. After a few minutes, this cushy setting fades out into a moment of silence. Slowly, bizarre and jovial synths emerge with harsh, black metal vocals, defying the cozy setting depicted in the first half of the track. “II” continues the menacing escapade as a brief ambient moment is met with evil vocals and turbulent horn effects. Pounding bass pulses contribute to the heinous intonations as Moss Golem continue to push the boundaries of synth music. On “III”, grim synths pave the way to enlightenment, just to be decimated once again by bitter vocals. This time, the music is almost dirge-like, while the vocals are like a cry out of pain and suffering. The fantasy synth sounds of “IV” are abruptly cut short, as the bewildering vocals once again shine a darkening light and prove the mordancy of Moss Golem’s existence. The grandiose elements of “V” are persistent with the classic aspects of a cinematic black metal interlude that has stood the test of time. However, instead of leading into a blazing black metal riff, Moss Golem leads the listener down a path of mortifying Dungeon Synth like no other. The melodic keys on “VI” are memorable and picturesque of a harmonious time, however when the vocals start, oblivion sets in and a dark reality is soon realized. “VII” begins with a retro, synth wave vibe and is soon joined with elements of forest synth effects and of course, the harsh vocals. Rich piano textures and rigid cries begin the contingent track, “VIII”. Beautiful orchestrations are added about halfway through for a more euphonious effect. Track “IX” has to be my favorite on this album for several reason. First, I appreciate the industrial soundscapes in the beginning to show a different side of the Moss Golem sound. The synths are arranged in a canorous pattern that also makes this an enjoyable listen. Lastly, the Crypt Hop elements toward the end are insane! Not just in the beats, but also with the fact that the heavily distorted black metal rap, just feels so right. “X” is an excellent track as well, as it’s ironically fitting. It closes the album just as it started, calm and soothing, even after listening to nine tracks of exasperating Dungeon Synth.

Moss Golem have released two outstanding albums this year and both have succeeded in confronting the culture of desiring to have a title to fit into a certain category. ‘The Woods Of Galdura’ kills any trends previous built upon the Dungeon Synth genre and dares to be categorized in a single style. If you’re a fan of Dungeon Synth and Black Metal and are curious about the meshing of genres, then look no further than Moss Golem and the latest effort, ‘The Woods Of Galdura’. Click on the link below and download this exceptional album and support this innovative artist!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://serpentsswordrecords.bandcamp.com/album/the-woods-of-galdura