The Nebula Breviary – A Voyage Through The Black Hole With Strange Mono Records

If your seeking a label that incorporates a menagerie of artists from different backgrounds with a broad sense of musical direction, then look no further than Strange Mono Records. Releasing everything from Dungeon Synth and Ambient to Dream Pop and Extreme Metal, Strange Mono knows no boundaries and has safely provided a home for such artists since 2021. Since I’m always seeking the most obscure forms of music around, it’s no wonder that Strange Mono has resonated with me since the beginning. In order to pay homage to this amazing little label, I decided to write a few summary reviews on ten of their latest releases. These albums are all over the place but equally enjoyable – at least to these ears. Enjoy reading these reviews and please consider listening to and downloading some or all of these fantastic recordings.

1. Forge Of Tears – Softly In This Vale Of Tears

What’s more excruciating than a razor burn filled with rubbing alcohol and sealed with a gob of crazy glue? Probably two long form tracks of chaotic noise terror by way of Forge of Chains. With no compassion for delicate, tender moments, ‘Softly In This Vale Of Tears’ is thirty minutes of intense discord that is as addictive as it is disturbing. With an unrelenting wall of modulated audial pungency, Forge Of Tears produces a mesmerizing soundscape for a pallet of maniacal indulgence, not letting up from start to finish and only adjusting the molecular structure of things between tracks. At first you may be in disarray by the abrupt jolt of power but you’ll soon find yourself drawn into a world of corrupt audial sequences. This is a magnificent release on many levels.

https://strangemono.bandcamp.com/album/softly-in-this-vale-of-tears

2. Grey Windowpane – Ice The World

‘Ice The World’ presents nearly seventy minutes of abstract noise intrusion by way of ambient subtleties, haunting voice recordings and an array of soundscape to catapult this recording to its own unique design. As if being dragged through a vast world of distinct cultures and influences, Grey Windowpane finds a way to gratify all of the senses with a massive kaleidoscope of musical happenings. Presented in four elongated pieces, each track extends a sonic adventure of various themes but ultimate create a fabric of likeness and audial intimacy due to its compelling modulated bonding. This amazing album is the result of obscurity becoming an acceptable criterion of musical bliss.

https://strangemono.bandcamp.com/album/grey-windowpane-ice-the-world

3. Thecia – My Sojourn Among The Torturers

Now on to something more abrasive, as Thecia emits an angered, repugnant blend of distorted guitars, thick drum beats and destructive vocals in their brand of unrelenting Death Metal. ‘My Sojourn Among The Torturers’ presents three tracks of ripping metal that fuses Black and Death Metal with a tinge of classic Heavy Metal riffing. This mixing is both loudly askew and causticly raw – the only way to listen to metal in my opinion. The songwriting is incredible and they are perfectly lengthened to maintain headbanging integrity without becoming dry and sparse. I’m definitely looking forward to hearing more from this prominent act.

https://strangemono.bandcamp.com/album/my-sojourn-among-the-torturers

4. Jonathan Patrick – Open Heart EP

Jonathan Patrick gives us an abridged taste of Americana on his soulful new EP, ‘Open Heart’. Featuring two tracks of heartwarming guitar compositions, I can imagine listening to these out in an early morning Midwest setting, where the Dawn of the sun of slightly obscured by thick fog and towering, natural forestry. These tracks sound new and refreshing while providing a proper callback to acoustic classic rock sounds from the 70’s and 80’s. Two tracks just isn’t enough and my hope is that the next Jonathan Patrick release has at least five hundred tracks on it. All jokes aside, this is simply incredible!

https://strangemono.bandcamp.com/album/open-heart-ep

5. Webb Chapel – Speeding

Webb Chapel presents the unparalleled offering, ‘Speeding’, a lo-fi collection of alternative rock arrangements with obvious influences from synthwave, dark pop and electronica genres. This album sounds as if it could have literally been released in 1984. Even with the gnarled production, this entire albums is an addictive listen with impeccable songwriting and masterful musicianship. I could listen to these tracks over and over again without getting bored and as they say, the louder the better! This is a fantastic release that certainly deserves top tier recognition.

https://strangemono.bandcamp.com/album/speeding

6. Clang Quartet – A Slow Death For The Peacemaker

I’ve only recently crossed paths with the musical endeavors of Clang Quartet, but it’s certainly been a pleasant experience getting to know the output of this artist, the values that he represents and the impactful delivery of the chaotic noise that is consistently presented. On ‘A Slow Death For The Peacemaker’, harsh noises are more conservative and are augmented by spoken word segments and bits of contemporary instrumental parts. That doesn’t mean that there isn’t a sense of pandemonium, because this albums is a breakout achievement for the Noise Ambient genre. In between the more serene parts we can still find a massive wall of industrialized chaos that is hypnotizing as it is war piercing. This is a captivating album that has earned its praise, but demands so much more!

https://strangemono.bandcamp.com/album/a-slow-death-for-the-peacemaker

7. Idiot Mambo – Flamingo In Limbo

‘Flamingo In Limbo’ is a lighthearted soundtrack of summer rock & pop with a passion for shoegaze and low fidelity tones of the late 80’s. With whimsical instrumentation and jocular lyrics, this is a fun album that can be played and enjoyed on just about any occasion. Adding to the dynamics of these tracks are glitchy samples, hissing loops and slightly distorted melodies that all come clashing together in solid harmony. There are eleven tracks on this album and every single one of them portrays a slightly altered style, but at the same time, is very much an Idiot Mambo manifestation. Whether you need a vibe for a steamy summer drive, or some background music on a gloomy, rainy afternoon, ‘Flamingo In Limbo’ is a sure recommendation in order to facilitate an enlightened mood.

https://strangemono.bandcamp.com/album/flamingo-in-limbo

8. Ruah – Ruwa

Strange Mono continues to hit it out of the park with their consistent picks of amazing talent and Ruah is no exception. On ‘Ruwa’, Ruah continues to explore an array of genres to compliment the stellar vocal arrangements contained within. At times, they tread down the Darkwave path with gothic influences and undertones, while on some tracks, they emit a heavy Swans influence with repetitive music play and looping vocal deliveries. No matter what they’ve intended to explore, each track is an alluring endeavor that stands on its own while delivering an arcane composition with ominous intent. This album is totally captivating and it’s hypnotic effects will leave a lasting impression on the listener, while demanding repeated listens. Perfect for fans of The Swans, Vaura or 80’s Darkwave!

https://strangemono.bandcamp.com/album/ruah-ruwa

9. Ixian – Collective Indiscipline

What do you get when you combine harsh noise with Grindcore and Black Metal aesthetics? You get what’s known as unruly, dystopian cybergrind. As if just having one extreme genre wasn’t enough, Ixian goes all out on the pummeling new EP, ‘Collective Indiscipline’. As deranged as it may sound, there is actually a sense of atmospheric control amongst these tracks, as they provide an overwhelming sense of ominous disarray. Discordant tones and hyperactive drum beats create an onslaught of droll modulations. Although it’s only nineteen minutes in length, a back-to-back listen of all five tracks will have you perspiring an illusive sudor, while your brain continues to scramble in a desperate exodus of audial release. This is a very intriguing album and I would recommend this to fans of all forms of extreme music.

https://strangemono.bandcamp.com/album/collective-indiscipline

10. Fugue State – Subtlety’s Dead

Fugue State presents an upbeat, grungy depiction of old-school punk rock. With reverberated vocals (reminiscent of early Les Claypool), fuzzy guitar tones and audial hisses all over the place, ‘Subtlety’s Dead’ is a proper call back to a time when music was routinely presented in raw form to represent the most jubilant crowds of fractious souls. Even at just sixteen minutes in length, there is enough output here to satisfy the tortured umbra that resides in all of us. This makes for a great driving album, especially when blasting it at loud volumes. Can’t wait to hear more from Fugue State in the near future.

https://strangemono.bandcamp.com/album/subtletys-dead

Links:

BC: https://strangemono.bandcamp.com

Instagram: https://instagram.com/strange_mono?igshid=MmJiY2I4NDBkZg==

Merch: https://strangemono.bigcartel.com

Twitter: https://twitter.com/strangemono?s=21&t=XJy864ZhViZB0VAW0YrwBw

Interstellar Space – All Hallows’ Eve Extravaganza 2022

For some reason, trees seem to be synonymous with all things spooky and evil. Whether it’s a darkened forest in a horror movie, or the ruffling of leaves in an evening breeze that has us looking over our shoulders for something creepy, trees create a space of frightening imagination with limitless potential for purpose. For Halloween, trees portray a gruesome shadow in the night that causes goosebumps and chills when not expected. Remember the tree in the original Poltergeist film? They also create a blockade for hiding behind so that you can jump out and scare your friends while trick or treating. Whatever the case may be, trees serve more of a purpose than the ecology for their existence. Like trees, music provides the same escape by enticing an imaginative spark for which you can escape from reality. That’s exactly the case for these twelve chilling albums. They are the soundtrack for the season and so much more. Please enjoy these summary reviews and show your support for these artists by downloading their killer albums. Happy Halloween!! 🎃

1. Lamp & Dagger – This Tape Is Haunted Too!

Lamp & Dagger is back with their second spooktacular collaboration, featuring a handful of ominous artists that aim to frighten your very existence. From Sombre Arcane’s psychedelic massacre to a modicum of Dark Ambient soundscapes from The Night Keep that feature morbid field recordings and samples. FVRFVR offers a chip tune spectacle that is part crypt hop and part nostalgic cinema. Whispering Mirror offers a droning canticle full of gruesome modulations, while Halm conjures up some disgusting field recordings to create a gruesome scene of terror. The final track by Spectral Manse proposes a climactic ending with eerie narrations, malevolent haunts and lots of dark melody that penetrates deep in the psyche, proving that the sequel is just as damning as the original offer. I’ll never get enough of these compilations so I’m already looking forward to Halloween 2023.

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted-too

2. Guild Of Lore – Night Of Halloween

Dungeon synth stalwart, Guild Of Lore, steps beyond the realm of Winterstead, leaving behind the Medieval intonations to embrace a world of 80’s-influenced synthwave with elements of cinematic horror. The results are a fascinating blend of B-horror movie anthems full of ghoulish field recordings, theatrical samples and rhythmic patterns that scream the elements of classic horror film soundtracks. “Lurking In The Shadows” is a prime example of ample beats, darkwave undertones, and retrospective synths, while “The Festivities” is done in the style of a skit, with spooky narrations, haunting screams and bleak atmospherics. This is an album that’s not just enjoyable during All Hallows’ Eve, but can provide eerie entertainment throughout the year, and for many years to come.

https://guildoflore.bandcamp.com/album/night-of-halloween

FABLEHAVEN: “None who enter will leave unchanged. Trespassers will be turned to stone.” – Brandon Mull

3. Erythrite Throne – A Shade Of Melancholy In The Shadow Of Death

If your not listening to Erythrite Throne on All Hallows’ Eve, then you’re either very much afraid or have already been bitten by a post-apocalyptic zombie. In the case of the latter, perhaps ‘A Shade Of Melancholy In The Shadows Of Death’ has become the perpetual soundscape for your existence. Expertly fusing classical synth tones and the occasional blasts of tasty percussion, this is another magnum opus from the master of Dungeon Synth music. Just as the title suggests, this album is a bit more lugubrious than other Erythrite Throne albums, but that’s what makes this project so special. Especially on Halloween, this is some classically creepy music to enjoy on this malevolent night.

https://serpentsswordrecords.bandcamp.com/album/a-shade-of-melancholy-in-the-shadow-of-death

4. Aleksis Tristan Shaw – Crooked Teeth

The ever so cleaver Aleksis Tristan Shaw once again keeps us on our toes with a musical endeavor that defies genre categorization but is presented just in time for Halloween. These three tracks showcase beautiful, yet twisted piano melodies with a dreamy, atmospheric production. Just as the album cover suggests, I can only imagine a blurry figure sitting behind the ivories and playing these dirges to conjure up the spirits of ancient past, allowing them to provide frights once again. Although each track is different, they each have a thematic element that maintains a dark but elegant mood. A full album of these ghastly sounds would be awesome as well.

https://aleksistristanshaw.bandcamp.com/album/crooked-teeth

“No one who loves the woods stays on the path.” – Millie Florence

5. Wodenwyrd – The Teutoburg Massacre

Wodenwyrd presents a rather unique recording as a short narrative is read over obscure backing tracks that fusses Dungeon Synth, Dark Ambient and synthwave. Read over a series of Acts (seven in all), the story summarizes the first battle between German forces and the Roman Empire around 9 AD. As compelling as the story is, the music fits perfectly and produces a brooding gray background for a malevolent narrative. There are three stand alone tracks that serve as an intro, intermission and outro and they explore more nostalgic territories such as 80’s cinema and dreamy effects. In all, this is a fantastic album and I wouldn’t mind having a series of recordings in this style.

https://wodenwyrd.bandcamp.com/album/the-teutoburg-massacre

6. Born From Pain – Begotten (1989)

Just in time for Halloween, Born From Pain delivers another compelling motion picture re-score. This time, 1989’s horror/fantasy film, ‘Begotten’, becomes the object of creativity as the quest for Dark Ambient obscurity reigns supreme. Over seventy two minutes of ethereal order becomes the pallet for rediscovering this film in a more sinister light. The film itself, is supremely bleak and a boldly obscure statement for cinema at the time of its release. If your a fan of cult filmmaker, Maya Deren, then you’ll have a good understanding of this film. As for the music, Born From Pain masterfully captures that essence with gloomy soundscapes and haunting effects that will lead to nightmarish outcomes in itself. Another fascinating adventure that I can’t recommend enough.

https://bornfrompainbm.bandcamp.com/album/begotten-rescore

“When you go into a forest, anything can happen” – David Farr

7. Scott Lawlor – The Livestream Series, Volume V

Scott Lawlor, the king of spatial Drone music and a jack-of-all-trades Ambient musician that never stops working and has enough released material to create the soundtrack to your very existence for years on end. On Halloween of last year, he produced a five hour livestream special that will be digitally released on Halloween this year. Spanning eleven tracks, this colossal of an album, flows like a never ending experiment through celestial voids and dark passages, as enigmatic effects combine with baneful textures to create the realm you’ve always dared to travel through. Each track presents a malefic journey through dark regions of the subconscious, bringing a terrorized reality to the forefront of the mind. Good luck getting through all five hours of this but enjoy the breathtaking adventure along the way.

8. Orcchasm – OrcChasm!

Orcchasm is truly unique experience, as we encounter a variety of musical intonations during this thirty one minute endeavor. From creepy ambience and whimsical synths to bazaar arrangements and nonstop frills, this is a musical adventure that is equally enjoyable and fulfilling. From grandiose, Medieval incantations to light, flute fills, you never know what direction the music is headed. However, hold on to your witches hat and broomsticks because this is a venture that won’t want to miss. Each track flows seamlessly into the next, showcasing a story of dark dungeons and numerous escapades. “Groping For Wild Hogs In The Dark Paphian Abyss” is my favorite track and it truly represents the musical prowess of this album as a whole. Don’t pass up on this warm journey into the wildly unknown.

https://orcchasm.bandcamp.com/album/orcchasm

“The forest was not dark, because darkness has nothing to do with the forest – the forest is made of life, of light – but the trees moved with wind and subtle creatures.” – Lauren Geoff

9. Pumpkin Witch – The Return Of The Pumpkin Witch

It’s been a few years since we’ve heard from Halloween favorite, Pumpkin Witch. However, after finally rising from the Orange tomb of seasonal vegetation, they’ve returned with their most enigmatic spectacle to date, ‘The Return Of The Pumpkin Witch’. Eleven spooky anthems that provide an audial bludgeoning for almost forty four minutes, these progressive haunts are just what the doctor (or vampire or serial killer) has ordered to infiltrate your Halloween playlists. From distorted, doom-laden guitar tones and retrospective drum beats to hair raising electro sequences and synthwave tactics, this is the album that checks all the blocks for horrifying entertainment. Tape hisses and reverberated production efforts create a sinister ambiance that drives the mail in the coffin (no pun intended) for this masterful recording.

https://pumpkinwitch.bandcamp.com/album/the-return-of-the-pumpkin-witch

10. Ammothea – My God Is The Moon

Ammothea, the ambient-infused post metal project by Glacial Anatomy, is truly a riveting encounter that satisfies the pallet of those that enjoy the multi-genre experience. Soft, careening vocals, doom metal riffing and dreamy production yields a hypnotic effect, so that you can sit back, close your eyes and indulge in your own trip. These five tracks disperse almost sixty four minutes of playing time but, it’s over before you know it due to being completely lost in the mix of these alluring intonations. “Depth” and “My God Is The Moon” are standout tracks that incorporate a more upbeat approach without diverting away from the haunting gray that the entire album discharges. This is an extremely impressive release and I’m already looking forward to more from this artist.

https://syrupmooserecords.bandcamp.com/album/my-god-is-the-moon

11. Whöreplay – Whöreplay

A good dark wave tune goes hand in hand with the Halloween season, given its close ties to Gothic romanticism, vampires and grim landscapes. It also has provided bleak, atmospheric backdrops for scenes in classic horror films such as ‘Silence Of The Lambs’. This two track spectacle from newcomer, Whöreplay, fits right in with all of the aforementioned. Although only five minutes long, the artists wastes no time setting the listener on a collision course with haunting electronics, reverberated vocals, and a dreamy production. These tracks slice through like a jagged dagger, leaving a spot of coagulated blood for the creatures of the night to feast on.

https://whoreplay.bandcamp.com/track/misery

12. Unsheathed Glory/Ozeregroth – Nights Shadow Darkening

There is no better time to come together for delivering a darkened dungeon synth experience than Halloween. Unsheathed Glory and Ozeregroth combine their talents of Medieval summonings to render a five track split album, culminating in twenty four minutes of effortless canticles set to the gloomiest night of the year. Not only does each artist produce two tracks of their own, but they collaborate on the daunting self title track. Although each artist delivers contrasting tones, they mesh together very well and and flow transparently with ominous accord. This is one of my favorite Dungeon Synth collaborations of the year and I hope these artist get together again in the future, to produce more music like this.

https://unsheathedglory.bandcamp.com/album/nights-shadow-darkening

Additional forest photos courtesy of Carlton Whittle Photography. Please follow him on IG:

https://instagram.com/a_window_with_a_view?utm_medium=copy_link

The main article image is a unique creation from the WOMBO Dream APP.

The Nebula Breviary – A Voyage Through The Black Hole With Ithildin Tape Production

Welcome to The Nebula Breviary! For starters, I’m not sure if this will be a continuous column or just a one-off publishing. In either case, I wanted to create something where I could spotlight an artist that is involved in a variety of projects, with a steady amount of releases. I couldn’t think of a better entity than Ithildin Tape Production. The home of Dungeon Synth maestro Elminster, Ithildin Tape Production is the mainstay of many other activities that performs in the Dungeon Synth realm and beyond. Enjoy these summary reviews of some of the many projects from Ithildin Tape Production!

1. The Owl Knight – Chamber Of The Starplotter

One thing I love about this release, is that it covers a lot of ground although being very compositionally minimalistic. This assortment of flavors included winter synth, raw Dungeon Synth and nominal chip tune without the cheerful undertones. The constant tape hiss gives off a nostalgic vibe and the flow from track-to-track is well thought out. You’ll definitely be reminiscing through retrospective Medieval content and this truly sounds like something that could be played in a deep, dingy dungeon. This one is worth checking out and adding it to your collection is a must.

https://ithildintapeproduction.bandcamp.com/album/chamber-of-the-starplotter

2. Elminster – Caern Mist

Elminster, the flagship project of Ithildin Tape Production, sends a mesmerizing reminder as to why this is one of the best, traditional Dungeon Synth projects out right now. ‘Caern Mist’ is an exceptional release that features a range of dynamic orchestrations and light-hearted patterns that are enough to sooth the soul. These lengthy tunes drift in slow motion as if waiting for the seasons to change or the lapse in light as day fades to nocturnal bliss. Beautifully produced and elegantly composed, this album is a true testament of the mature path traveled for Elminster.

https://ithildintapeproduction.bandcamp.com/album/caern-mist

3. Muzgash – Hymn Of Hithlum

This is one of those recordings that you can turn on and then get lost in its vast atmospherics. A soothing ambience starts this twenty one minute long track and then it faintly reforms into a juggernaut of ritualistic beats and hypnotic loops that will keep you sedated for the duration on the track. Hints of Dungeon Synth effects are scattered throughout in a tasteful manner, as to not take away from the complete submersion of this audial spectacle. I would love to hear more from this project, especially if this is the material we have to look forward to.

https://ithildintapeproduction.bandcamp.com/album/hymns-of-hithlum

4. Mahomet Renatus – Ire Of The Crescent Reborn

‘Ire Of the Crescent Reborn’ is an interesting blend of lo-fi Black Metal and sparse Dungeon Synth undertones. Minimalistic in approach, these three tracks complete a 20 minute cycle of trance-inducing wall of noise that is more of a controlled chaos that an all out blitzkrieg. The drums shift between blast beats and industrial thumps that maintains a deafening cadence. Overall a good release but the faster parts definitely stand out and create a whirlwind of noise that’s addictive and refreshing.

https://ithildintapeproduction.bandcamp.com/album/ire-of-the-crescent-reborn

5. In Dusk’s Embrace – Earth End’s Pantheon

Atmospheric, primitive and seductive are a few words that come to mind while spinning ‘Earth End’s Panthron’. This thirty four minute opus is a single-track, tour de force of atmospheric black metal that is a melting pot of twisted & sinister riffs, ambient textures and grainy vocals that redirects the listener to early incantations of icy cold Black Metal. Other than a quaint acoustic intro and outro, this track procures a relentless pace and delivers top quality low fidelity music. I highly recommend this recording for those that love that old school necro sound.

https://ithildintapeproduction.bandcamp.com/album/earth-ends-pantheon

6. Moss Keep – The Curtain Of Time

‘The Curtain Of Time’ exhibits two long-players of primordial Dungeon Synth with the essence of Medieval yearnings. Complete with hisses, cracks & pops of ancient recordings, the music leans on the side of melancholic compositions with somber soundscapes and a passion for mellow, emotive terrain. With both tracks extending beyond the thirteen minute mark, these depressive dirges are best heard on a dark, dreary day where emptiness is of the essence. This is a very entertaining release and amongst my favorites by Moss Keep.

https://ithildintapeproduction.bandcamp.com/album/the-curtain-of-time

7. Howling Mire – Answering The Hidden Summons

‘Answering The Hidden Summons’ is like an album of distraught ellegies, assembled for those mournful souls lost in ancient battles. The keyboard work throughout this album is amazing and truly showcases a sophisticated effort from the Ithildin Tape Production camp. Complete with background hisses to supplement the overall dismal ambience, these four tracks are over before you know it, even though totaling almost thirty minutes worth of music. Save this one for a rainy day and it will fit right in.

https://ithildintapeproduction.bandcamp.com/album/answering-the-hidden-summons

8. Dyvyná – Within The Walls Of The Promised Kingdom

From the music to the art work, this has the Renaissance era written all over it. Crisp synth leads and dreamy effects solidifies a haunting atmosphere of bright, effervescent colors. There is a slight reverb on the instrumentation as well, emitting a powerfully thick sound that aligns perfectly with the production efforts. This Dyvyná project is definitely one to look out for and an extensive catalog of music is already building up.

https://ithildintapeproduction.bandcamp.com/album/within-the-walls-of-the-promised-kingdom

9. Whispers Of Umbar – Hail The Voidlord

Whispers Of Umbar is one of my favorite projects from Ithildin Tape Production. There is just something about that primitive sound that blurs the line between Dungeon Synth and Dark Ambient that brings joy to these ears. ‘Hail The Voidlord’ is a near twenty seven minute experience that is crafted in noise and brutal harmonics that produces visions of bleak landscapes and unfathomable bloodshed. By the time this insane track is over, you’ll need a nap and a chalice of spirits before your next listening experience.

https://ithildintapeproduction.bandcamp.com/album/hail-the-voidlord

10. Üvegszakadás – In The Ashes Of The Fallen Empire

‘In The Ashes Of The Fallen Empire’ is a mammoth of an album, especially in regards to previous releases in the Ithildin Tape Production catalog. Almost an hour and forty minutes of granular Dungeon Synth that feels like a massive compression chamber of ghastly intonations that are sequentially summoning Medieval spirits for an upcoming apparitional raid. Haunting melodies compounded by wobbly effects and battle-ready cadences, this is an imposing outing that is sure to become a fan favorite.

https://ithildintapeproduction.bandcamp.com/album/in-the-ashes-of-a-fallen-empire

11. Sorrow Of The Moon – Hávamál

‘Hávamál’ is one of six Sorrow Of The Moon demo’s released this year (thus far), each containing a single track ranging from twelve to twenty minutes of playing time. This project is a firm mashup of Elminster and Üvegszakadás, with its own production value that is gothic influenced and completely introspective. What I do love is the upbeat nature of this demo and how complete it sounds, with regards to the traditional Dungeon Synth sound. This is one that I can easily play over and over again without getting tired of it.

https://ithildintapeproduction.bandcamp.com/album/h-vam-l

12. Maeglin – Screams Of A Frozen Heart

Unlike the other Black Metal releases on Ithildin Tape Production, Maeglin infuses more distorted guitar chords and focuses on melody and song structure, instead of trance-like atmospherics. The results – at least for ‘Screams Of A Frozen Heart’ – is that it’s more focused, catchy and quite enjoyable. There are definitely some Dungeon Synth undertones, specifically in the intro and various spots throughout the release. However, they are used more of as a background discord than being the focal point of the music. This is another admirable release from ITP!

https://ithildintapeproduction.bandcamp.com/album/screams-of-a-frozen-heart

Cassettes Can Be Purchased Here:

https://ithildintapeproduction.bigcartel.com

Caliginous Empire & Natura Carcerem Synthesize For Dungeon Synth Greatness On ‘Shadows Reflected’

Two of Dungeon Synth’s upcoming artists – Caliginous Empire & Natura Carcerem – have joined forces for the monumental offering, ‘Shadows Reflected’. However, this is no simple collaboration; this is two compelling creators showcasing the best side of their craft and extending a long overdue exposure to up and coming artist as they show solidarity in one of the best musical genres around. Caliginous Empire exhibits a soothing blend of symphony tones and melancholic soundscapes, while Natura Carcerem ventures more into aspects of Dark Ambient and ominous atmospherics. However, on this joint venture, they both step out of their comfort zones and expand on their musical creativity resulting in an ethereal experience that flows with haunting transparency.

“Before I Depart” is the somber album opener that starts with melodic keys and piano chops that slowly builds into a grand intonation. A short narration constructs an ancient storyline before percussive beats and layers of melody complete this soothing musical affair. The excitement really begins on “Hidden Penumbra”. Commencing with the soft crashes of ocean waves on a desolate, ancient shore, dense keys and pads create a fantastical soundscape of cinematic proportions. Soon, the tonal keys descend into an emotionally-charged passage of atmospheric modulations and alluring patterns. Out of nowhere, the track blasts into a melodic Black Metal section, complete with harmonic guitar chords, blast beats and ominous vokills. It then dwindles down to a quiet symphony of swaying keys that close out the track. The next track is “Reflected Shadows” and it showcases the talents of both musicians as they merge their unique sounds to present this stunning effort. A gentle piano ballad starts this epic adventure then an array of sounds and effects slowly builds a wall of discordance that is hypnotizing to say the least. Toward the end, tasty guitar leads mirror the main melody and establish a theatrical dose of affinity and atmospheric creativity. Natura Carcerem presents the next two tracks, the first being “On The Precipice Of Despair”. This is a beautiful flowing song that is held together by rigorous drum beats and celestial keys. Filled with eerie arrangements and haunting soundscapes, there is also an effervescent crypt hop beat that will have your head bobbing for the last portion of the song. The final track is the ghostly, “These Shadows Know My Name”. The cawing of crows and frightening modulated tones produces ghoulish atmosphere of haunted mansions, graveyards and nocturnal creatures that are bound to scare all those in their path. A soft Berlin School sequence adds a nice touch, as it increases the nostalgic vibe. More narrations and Black Metal vokills close out the track as this exceptional album draws to an end.

It’s never too late to recognize a fantastic album. ‘Shadows Reflected’ was released almost a year ago and it – so far – has stood the test of time, as these songs are unique, impressive and memorable. Caliginous Empire and Natura Carcerem have successfully blended their talents for supreme song writing and arrangements on this album and I can only hope that they will team up again in the near future to present us with another endeavor of this magnitude. If you like your Dungeon Synth meshed with other style of music, do not look past ‘Shadows Reflected’ as this is a one stop shop for your extreme Dungeon Synth needs.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://uncomfyrecords.bandcamp.com/album/shadows-reflected

https://caliginousempire.bandcamp.com

https://naturacarcerem.bandcamp.com

Not Dungeon Synth Nor Dark Ambient But…Fifteen Albums From 2021 That (for me) Transcended Greatness!!

Although The Dungeon In Deep Space is primarily focused on Dark Ambient and Dungeon Synth, I take great pride in the fact that my love for music has no borders. I’m a life-long metal fanatic but there are so many more genres that I love and respect. Here are some of my favorite albums of 2021 and I hope you enjoy them as much as I have.

1. Spiritbox – Eternal Blue

A lot of hype surrounded the release of Spiritbox’s debut album ‘Eternal Blue’. Prior to its release, quite a few video singles were released that catapulted the band into a much bigger realm. Was the album worth the wait? Absolutely!! With an impeccable blend of djent metal and commercial anthems with a slight pop vibe, the album lived up to the hype and much more. Soaring vocals, masterful instrumentation and top notch songwriting make this one of my favorite albums of 2021. Best of all, there was a cassette release as well!

2. Atomic Skunk – Wisdom Of The Sun

https://atomicskunk.bandcamp.com/album/wisdom-of-the-sun

I’ve been a huge fan of Atomic Skunk since 2009 and it’s the blend of light ambient, World music influences and a plethora of soundscapes & field recordings that make this style so unique. After an 8 year hiatus, Atomic Skunk started releasing consistently great albums in 2019 and has been on a relentless escapade since then. This years ‘Wisdom Of The Sun’ has been one of my favorite electronic album of the year and I hope this pace continues for the foreseeable future.

3. Cannibal Corpse – Violence Unimagined

https://cannibalcorpse.bandcamp.com/album/violence-unimagined

Hands down, ‘Violence Unimagined’ is Cannibal Corpse’s best album since 2006’s ‘Kill’. I’m not sure if it’s the addition of Erik Rutan (who recently replaced Pat O’Brien) or the fact that their songwriting is getting better with age. Either way, this is a banger of an album from start to finish and it reiterates the fact that Old School Death Metal is alive and well…and here to stay.

4. Kowloon Walled City – Piecework

https://kowloonwalledcity.bandcamp.com/album/piecework

Kowloon Walled City excel at creating a lethargic brand of Post Punk. The songs are complacent, not overly aggressive and no other band does it quite like they do. As adroit songwriters, they are able to blend heavy music with scaled back distortion while maintaining a massive sound. ‘Piecework’ is one of their best albums and I still listen to it on a regular basis.

5. Cosmic Abyss – Midnight

https://cosmicabyss.bandcamp.com/album/midnight

Cosmic Abyss is one of the best DIY artists in existence right now. Producing an offshoot brand of Doom Metal with an alluring ambient vibe, this is obscure experimentation at its best. ‘Midnight’ is one of his best offerings thus far and sets a high bar for other artists that dabble in this style of music.

6. Dinosaur Jr – Sweep It Into Space

https://dinosaurjr.bandcamp.com/album/sweep-it-into-space

80’s alt-rock masters, Dinosaur Jr., continue to release their brand of pre (and post) grunge rock. Expect plenty of fuzzy guitar tones, laid back vocals and well executed songs that continue to impress from an aging band that doesn’t see an end in sight.

7. Human Figures – After An Ordeal

https://popnihil.bandcamp.com/album/after-an-ordeal

If you grew up in the 80’s and were exposed to the surge of dark wave and post pop and liked it, then look no further than Human Figures. Creating a resurgence of the aforementioned genres, Human Figures excels at recreating that retrospective vibe and the production value alone is the icing on the cake. ‘After An Ordeal’ is an EP’s worth of incredible tracks that are sure to impress the listener with its emotional output and captivating sound. Don’t sleep on this one!

8. Breather 1 – The Noodle Bar

https://breather1.bandcamp.com/album/the-noodle-bar

Breather 1 has the whole cyberpunk and synthwave vibe down pat. ‘The Noodle Bar’ is a massive conceptual album that takes the listener on a retrospective journey in a futuristic setting. Sit back, grab your favorite headphones and enjoy this staggering ride to an enchanted world that you won’t soon forget.

9. Friendly Donut Shop – Childish Footsteps

https://friendlydonutshop.bandcamp.com/album/childish-footprints

There is a reason that Comfy Synth is a thing. It was meant to be a peaceful approach to the easy listening of obscure music. Friendly Donut Shop takes that concept seriously and is one of the best in the business. Latest release, ‘Childish Footsteps’ has a soothing and warm feeling that will take the listener away from their worries and replace it with positive energy. Another amazing effort by Friendly Donut Shop and I hope more albums of this variety are on the way in the near future.

10. Primordial Serpent – The Winter Warrior

https://primordialserpent.bandcamp.com/album/the-winter-warrior

Upon initial listen I was blown away by ‘The Winter Warrior’. Primordial Serpent has a serious knack for writing aggressive tunes that conjure that primitive sound of early 90’s black metal. With a lo-fi production and contentious style, this is exactly what I want to hear when listening to barbaric black metal.

11. Phurpa – Hymns And Rituals Of Gyer

https://modernbon.bandcamp.com/album/hymns-and-rituals-of-gyer

Phurpa takes ceremonial chanting and Tibetan ritualistic vocalizations to the next level. For some, an acquired taste must be obtained before soaking in the deep value of a Phurpa recording or you may not be able to handle it. However, for others that like it, the output is extremely rewarding. ‘Hymns And Rituals Of Gyer’ is nearly three hours of extreme mediation through deep chants and throat singing. Ancient instrumentation are used to give this bleak occasion a setting of ritualistic darkness.

12. Mastodon – Hushed And Grim

https://www.mastodonrocks.com/?frontpage=true

Although Mastodon is not as heavy as they were when they first started out, for what they lack in the “heavy” department, they more than make up with superior songwriting. This mammoth two-album set of songs is some of their best – and most accessible – work to date. There are some heavy tracks on here as well as dark ballads and they are all amazing. What’s more impressive is the three-vocal attack that just keeps getting better.

13. Flotsam And Jetsam – Blood In The Water

https://www.flotstildeath.com/news/flotsam-and-jetsam-releases-title-track-brand-new-video-of-upcoming-album-blood-in-the-water/

80’s Thrash Metal pioneers Flotsam And Jetsam may not have a storied career like that of Metallica, Megadeth or Slayer, but you have to be impressed with their sticktoitiveness approach to releasing music. ‘Blood In The Water’ is their fourteenth full-length album and quite possibly their best to date. Every track is a banger and the vocals, music and production are the best they’ve ever been. Definitely check this one out if you’re into that classic Thrash Metal sound with a slight modern influence.

14. Converge & Chelsea Wolfe – Bloodmoon: I

https://convergecult.bandcamp.com/album/bloodmoon-i

I love collaboration albums and when I heard that Converge and Chelsea Wolfe were releasing an album together, I almost lost my mind. At first, I had no idea what to expect, especially since the styles of both artists are on the opposite end of the spectrum. However, the results is a clean mix of both artist with even distribution of styles and pristine song writing. I wish more artists would follow the lead of Converge and Chelsea Wolfe and push the envelope of fusing styles. This is amazing stuff.

15. Novemthree – Storms Of Memory

https://glassthroatrecordings.bandcamp.com/album/storms-of-memory

I’ve never been disappointed with any release from Glass Throat Recordings. With artists such as Blood Of The Black Owl, Moon Mourning Earth, and Cedar Dreamer, Glass Throat Recordings releases Nature-inspired Folk music with elements of acoustic passages, ambient, and impressive vocalizations. The addition of Novemthree is just a natural progression of the label and ‘Storms Of Memory’ is one of the finest albums to be released this year. Light vocals, dreamy instrumentation and the occasional percussion input are stand-out factors for this highly impressive album.

Mahr G’Didj Composes Dungeon Synth With Unfathomable Twists And Turns On ‘Crane & Crescent Pt. 3: Fate’s Bottomless Well, E’er Churn Her Waters’

Since last year, Mahr G’Didj has been on a roll with the ‘Crane & Crescent’ series of recordings. Divergence seems to be the driving factor that makes these albums stand out amongst the genres’ elite. That particularly holds true on the third outing, ‘Crane & Crescent Pt. 3: Fates Bottomless Well, E’er Churn Her Waters’. From comfy synth and carnival-like anthems to progressive key chops, traditional dungeon synth sounds and obscure black metal intonations, this album branches out like no other. There is a lot to talk about on this effervescent gem, so let’s discuss these contrasting (yet homogeneous) tracks.

The albums lead off track, “Elegy Reprise”, is a cozy little piece that would make anyone feel right at home, snuggled up in front of a warm winter fire. However, the intimate setting doesn’t last long as ”Infiltration, Ruined Arkell” takes this album in a completely different direction. The coziness is replaced with a symphony of keys, synth effects and looming drum pads that hammer away at a fast pace. There is a sense of hurried aggression to this piece as it suddenly comes to a halt and immediately leads into “Three Altars (Kminthi, Lilliah, Piellen Gi)”. An odd sequence begins the track and then a diabolical melody provides another twist in this album of a menagerie of sounds. This track almost sounds like a looping house soundtrack that you would hear while playing winless games at a carnival. However there are enough bizarre sequences to keep the experience fun and refreshing. “Russo’s Ambition” commences with a clean – almost jazz-like – approach with mild percussion keeping a solid cadence in the background. The composition is less whimsical than on previous tracks and contains progressive elements that makes it one of the most engaging efforts on the album. The next song, “Bombs Over Argin” starts with a flashy keyboard loop that is soon backed by a haunting synth effect and bombastic drum pads. The drums are more enlightening than on previous tracks and are hopefully a good indication of broader elements to come. “Embraced By Shadow, Kissed By Venom (Lutecia’s Theme)” is my favorite track on the album and it’s also the point where the dynamics shift yet again. This time, massive guitars (with tremolo picking) and blast beats become the primary focus. There is a synthwave style bridge in the middle of the track that is equally compelling but the song finishes the same way it started – with seismic guitars and rushing drum sequences. “Grado’s Rest (Fate’s Bottomless Well)” is another fantastic track of variables. There are several layers of key effects, progressive drum beats and guitar strums that fuse together in majestic harmony. “The Defiled (Miranda’s Theme)” takes us back to the whimsical side but with a sense of apprehension, as climactic elements are on full display. The drum track also stands out in several spots and are programmed in perfect fashion. Toward the middle of the song, doomed guitar riffs add a touch of heaviness and nostalgic vision. “Elicia Ascendant” begins with barely audible narrations and then melds into a delightful comfy synth arrangement. This is a light-hearted tracks with melancholic undertones and serene layers of synth bliss. The final track on the album is simply titled “Epilogue”. Beginning with a fantasy synth style, it soon breaks into a Disney-esque composition that could be used as a jingle for one of the theme park’s attractions. Such a tranquil and pliable way to end this remarkable album.

Mahr G’Didj has made quite an impression on me with his unique way of composing unconventional songs while remaining true to the Dungeon Synth genre. From Comfy Synth to Carnival-themed songs and Black Metal blasts, this album is totally entertaining from start to finish and will ultimately please fans that love a variety of nuances on a single album. Be sure to download this album – as well as the previous albums in the ‘Crane & Crescent’ series – from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://oedsvyrtstower.bandcamp.com/album/crane-crescent-pt-3-fates-bottomless-well-eer-churn-her-waters

Mocking The Overuse Of Sub-genres, Moss Golem Defies Style Classification With The Perverse ‘The Woods Of Galdura’ Release

Dungeon Synth sure has come a long way, especially over the last few years. Not only has it grown immensely in popularity but it has garnered a slew of new sub-genres in which artists can hone their craft to a setting more suitable for them. After all, the harsh tones of Medieval-themed synth music – typically meant to motivate and inspire bloodshed and battle as war rages on between ancient kingdoms or mythical creatures – is quite different from the tranquility of music that makes you feel all warm and snuggly inside. Now enter Moss Golem, the insidious new-ish project by Davey Sasahara created to be the antipode to one of Dungeon Synth’s most popular (and ever growing) sub-genre’s, Comfy Synth. Although releasing a debut EP in February called ‘The House That Granda Built’, the March release of ‘The Woods Of Galdura’ sees a full release of idiosyncratic Dungeon Synth tunes with menacing black metal vocals that are sure to turn heads and provide plenty of discomfort. Well, if that’s the case, then mission accomplished!

The perfect example of all of the aforementioned, is the lead off track, “I”. Beginning with the soothing textures of layered synths in an intimate setting to provide the feeling of relaxation and comfort, Moss Golem reels the listener in to a false world. After a few minutes, this cushy setting fades out into a moment of silence. Slowly, bizarre and jovial synths emerge with harsh, black metal vocals, defying the cozy setting depicted in the first half of the track. “II” continues the menacing escapade as a brief ambient moment is met with evil vocals and turbulent horn effects. Pounding bass pulses contribute to the heinous intonations as Moss Golem continue to push the boundaries of synth music. On “III”, grim synths pave the way to enlightenment, just to be decimated once again by bitter vocals. This time, the music is almost dirge-like, while the vocals are like a cry out of pain and suffering. The fantasy synth sounds of “IV” are abruptly cut short, as the bewildering vocals once again shine a darkening light and prove the mordancy of Moss Golem’s existence. The grandiose elements of “V” are persistent with the classic aspects of a cinematic black metal interlude that has stood the test of time. However, instead of leading into a blazing black metal riff, Moss Golem leads the listener down a path of mortifying Dungeon Synth like no other. The melodic keys on “VI” are memorable and picturesque of a harmonious time, however when the vocals start, oblivion sets in and a dark reality is soon realized. “VII” begins with a retro, synth wave vibe and is soon joined with elements of forest synth effects and of course, the harsh vocals. Rich piano textures and rigid cries begin the contingent track, “VIII”. Beautiful orchestrations are added about halfway through for a more euphonious effect. Track “IX” has to be my favorite on this album for several reason. First, I appreciate the industrial soundscapes in the beginning to show a different side of the Moss Golem sound. The synths are arranged in a canorous pattern that also makes this an enjoyable listen. Lastly, the Crypt Hop elements toward the end are insane! Not just in the beats, but also with the fact that the heavily distorted black metal rap, just feels so right. “X” is an excellent track as well, as it’s ironically fitting. It closes the album just as it started, calm and soothing, even after listening to nine tracks of exasperating Dungeon Synth.

Moss Golem have released two outstanding albums this year and both have succeeded in confronting the culture of desiring to have a title to fit into a certain category. ‘The Woods Of Galdura’ kills any trends previous built upon the Dungeon Synth genre and dares to be categorized in a single style. If you’re a fan of Dungeon Synth and Black Metal and are curious about the meshing of genres, then look no further than Moss Golem and the latest effort, ‘The Woods Of Galdura’. Click on the link below and download this exceptional album and support this innovative artist!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://serpentsswordrecords.bandcamp.com/album/the-woods-of-galdura

Abhasa Amalgamate Ritualistic Dark Ambient And Bewildering Black Metal On ‘१’

Ritualistic forms of art have been around for centuries, providing people with an outlet for conveying their ceremonious rites. In music, it’s an all-out free form, and emotional channel that allows artists to express their craft freely and without restraint. Abhasa epitomizes this condition by combining metal, ambient textures and liturgical sentiment on the massively impressive album titled ‘१’. Showing huge amounts of restraint, Abhasa lets the music and atmosphere set the pace by creating the beautiful, emotional tone that will catapult the listener to an ethereal location – for at least the fifty minute duration of this album.

Holistic album opener, “१“, sets the spiritual tone as the hum of Tibetan bowls and ringing bells provide meaning and direction for this ceremonious journey. Field recordings of a natural setting amplify the experience. This vibe continues and seamlessly leads into “२”, which features more Tibetan bowl sounds, and the introduction of more modern instrumentation. Droning guitar riffs slowly crescendo their way into the mix, becoming louder and at their apex, the strums of distorted guitars make their presence known. After a few strums, it stops and after a short break, a beautiful acoustic passage begins, taking this track to new heights. As this track fades into “३”, the ambience slowly fades and gives way to a harsher, post-black metal sound. Interestingly, it has a very dreamy sound thanks to the ghostly production efforts. The next track, “४” starts with an acoustic riff that is quickly abandoned for a louder, more depressive tone. As this being one of the longer tracks, it gives the listener time to soak in the alluring guitar tone that’s equivalent to polarizing dark ambience. “५” begins with malevolent soundscapes and obscure field recordings that provide a sense of dread. The hiss of a guitar creates additional atmospheric tones as well. As the ambiguity fades, the sudden violent rush of distorted guitars introduce the next track, “६”. At just over twelve minutes, this saga runs through harsh metal parts, acoustic passages and ambient atmospheres while maintaining an even keel of emotional moments. The final track on the album, “७” blazes with discordant and blackened riffs, while the drums blast through like an assault weapon at a firing range. At around the half way mark, enticing keys create an exuberant atmosphere before the harsh tones pick up again. After a few minutes, the song finally fades to the sounds of the strums of an acoustic guitar.

The ritualistic sounds of Abhasa are undeniable, as they penetrate the ears and soul with emotional atmospheric music that border the genres of black metal and dark ambient. Now with the backing of the incredible Mystic Timbre label for a cassette release, this prodigious effort can be heard and enjoyed across multiple platforms. Click on the link below to download this ceremonious release!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://abhasa.bandcamp.com/

Moon And Azure Shadow Instill The Sounds Of Dungeon & Medieval Synth On Masterful Black Metal Overture.

Synthesized orchestrations have been infused with black metal for decades now, creating a sub-genre of technical and theatrical metal known as symphonic black metal. Now, I’ll be the first to admit that with the exception of a few bands, this sub-genre hasn’t really been my thing. However, after a renewed interest in dungeon synth and winter synth, I’ve come to appreciate the genre more than ever. That brings me to Moon And Azure Shadow, a one-man Black Metal project that mightily imbues the dungeon, winter, and medieval synth style into his unique brand of gothic infused black metal. The result is an incredible album of epic song lengths and robust symphonic pleasure known as ‘Age Of Darkness And Frost’. Consisting of three lengthy tracks that contain a hefty dose of black metal with a wide variety of other sounds, and four tracks of classical synth-style compositions, ‘Age Of Darkness And Frost’ is a surprisingly exceptional album that is sure to make a few “Top 10” list for 2019.

The breathtaking album opener, “Across Dark Landscapes” makes it grand entrance with an enormous symphonic auditory effect. There are so many imposing sounds on this track, it almost as if it could be used for an expeditious sequence in a movie. The cinematic quality is incredible and hearing this, I imagine a group of nomadic travelers, traversing a snowy mountain summit in search of a new place to secure as their home. As the climax of the music winds down, a beautiful piano melody can be heard, taking us to the end of this triumphant song. The next track – and first long track on the album – is the title track, “Age Of Darkness And Frost”. At almost nine minutes long, this wondrous endeavor features elements of medieval synth, gothic sounds, and very impressive symphonic black metal. Starting with another cinematic opening, it soon embraces the sound of a slow-tempo gothic anthem. The black metal-style vocals kick in and take this track to new heights. After a short melodic interlude, heavier & faster black metal rhythms take center stage and even include a section of blast beats over a canorous guitar and keyboard riff. The following track, “Black Winged Gates Of Destiny Descend” is another short respite between longer tracks but it’s no filler by any means. Theatrically, this song is monstrous and contains some chilling keyboard tones that are equally catchy. “Abyssic Lunar Tower” is the longest track on the album at seventeen and a half minutes long. The opening keyboard riff is like an addictive dirge that has a considerable sound and is soon joined by a sequenced drum beat that really sounds incredible. After a few minutes, an acoustic guitar plays a simple riff before an early-era Emperor-style Black metal riff unloads in the audial senses and makes this track even more pummeling. The riff at the six minute and twenty second mark is one of the best I’ve heard in many years and is one of the most brutal sounds on the album. At around the eleven minute mark, the song winds down to an eerie winter synth sound with a thunderstorm soundscape augmenting the ambient space in the background. A slower black metal riff soon takes over and plays out to the end of this majestic track. Next is “Through The Channelling Of Souls”, and with its medieval synth sound, provides a powerful statement with regards to the elements of nature and the darkness that conceives it. At almost eleven minutes long, “Unholy Vanquishing” begins with a ceremonious keyboard track, as if a group of warriors are preparing for a long battle in the icy cold north. Soon after, a gothic-like Black metal riff takes over and has a wonderful – but sorrowful – sound, like early Hecate Enthroned songs. This track also features some mighty voice narrations, adding yet another great element to this album. The last couple of minutes of this song is a great mix of slow-tempo black metal and dungeon synth and the vocals once again shine throughout. The final track, “Passage Through Time And Cold” features an excellent piano arrangement with some symphonic keys to add additional layers. The tone throughout this track is very melancholic and ghostly and is the perfect way to end such an amazing album. The last couple of minutes turns into an ambient soundscape with a scene of a snowy ridge and a traveler making his way to a nearby destination.

Listening to ‘Age Of Darkness And Frost’ has turned out to be such a pleasurable experience. Within a few months, I’ve gone from never hearing of Moon And Azure Shadow to including this album on my Top 10 metal albums of 2019. Even though this is a black metal album, there is enough medieval and dungeon/winter synth elements on it to be featured on The Dungeon In Deep Space site. Beside, there is a high possibility that if you’re even reading this, you’re a fan of both genres anyway. That being said, I highly recommend checking out ‘Age Of Darkness And Frost’ by clicking on the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://moonandazureshadow.bandcamp.com/album/age-of-darkness-and-frost