Get Ready For A Psychedelic Trip Through Whimsical Dungeons On Temple Of The Fractured Light’s ‘The Groovopolis’

Talk about intriguing, Temple Of Fractured Light’s latest album, ‘The Groovopolis’ is a mesmerizing blend of genres, sounds, emotions, and fanatical experiences all wrapped up in one. This twenty eight minute long exploit is a deep dive into the psyche with psychedelic and tranquility overtones that are reinforced with bold but minimalistic compositions set to take the listener into a brave new world.

This kaleidoscopic journey begins with the audacious “Discard Your Earthly Body To Enter The Kingdom Of Light”. Commencing with an organ-like drone, we are soon greeting with tolling of the bells and an abrupt, distorted keyboard chop. Synth leads are introduced as a synchronous melody slowly comes together. As an introductory piece, this track sets a jubilant tone for the overall theme of the album. “Welcome To The Groovopolis” is a short track that continues the momentum and vibrantly adds a steady percussive beat, as if marching into unknown territories is inevitable. Discordant keys expand the boundaries, creating an uneasy atmosphere for those that dare to partake in the festivities. “Shamans Of The Great Prism Forest” is one of the most melodic achievements on the album, as multiple keyboard effects fuse together to establish a memorable audial encounter. The droning organ-like keys in the background really hold all of these sounds together, allowing for harmonized perfection. Battle-rhythm beats play an effective role as well, building an intricate song full of elaborate detail. “Fractal manner Of The Deep Forest” is a psychedelic dirge that assembles on simplicity and calming effects. The tones are soothing and otherworldly, and succeed at achieving a dreamy environment for an alternate state of mind. “Princess Of The Hallucinogenic Mushroom Dunes” brings out the whimsical effects and is one of the most upbeat tracks on the album. Combining steady percussive elements and layers of eccentric synths & keys, this song forges on a buoyant path while maintaining an incongruous arrangement. “Gargoyles Flying Free” is the shortest track amongst these gems, but bridges the gap between ethereal intonations and cinematic clarity. This brief experience is moody and provides a refreshing outlook on the estranged sound manipulations of the previous tracks. “Past The Vision Fields” is another amusing offering that is light and sincere. The piercing synth leads exhibits the most melodically structured stanza’s on the whole album and combined with the rhythmic synths and sporadic percussion section, this is definitely a standout track. The final track is the outlandish “Coronation At The Rainbow Temple”. This is surely the strangest endeavor but fits in perfectly with the rest of the album. The consistent use of barraging synth effects works well with this composition as it’s more of a dreamy piece with a somber appeal. As this album comes to a close, so does the psychedelic vibe, as this track brings us back to reality, more refreshed than ever.

Throughout its short history, Temple Of Fractured Light has made a valiant effort to include a nifty blend of synth groove, psychedelic flavor and unconventional themes to create an essence that stands out amongst its peers. ‘The Groovopolis’ is a stellar achievement that will stand the test of time and garner multiple listens in order to embrace its awesomeness. Even though this album came out at the first of the year, it’s never too late to embrace the culture of all things groovy and psychedelic. Please show your support by downloading this one-of -a-kind album!

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Links:

https://templeofthefracturedlight.bandcamp.com/album/the-groovopolis

Psyclopean, Visions Of Ulnahar & Noctilucant Congregate For A Cinematic Lovecraftian Offering With ‘Libris Arcanum’

What happens when three idealistic artists come together on a collaborative effort with a single theme in mind? An absolutely brilliant album is born and an unparalleled blend of Dark Ambient and Dungeon Synth intonations tell a Lovecraftian story of horror and lore. ‘Libris Arcanum’ presents six epic tracks of sonic adventure with Psyclopean, Noctilucant and Visions Of Ulnahar contributing two fanatical adventures each. These dark compositions combine droning ambience with the essential sounds of riveting Dungeon Synth, providing an eerie exploration into the world of One of our favorite fantasy authors.

Psyclopean caters the albums lead off track with “De Vermis Mysteriis”. This majestic undertaking begins with soaring synth leads and subtle soundscapes that set a captivating scene of somber foreboding. The cinematic approach to the first section is a beautiful introduction to this extremely diverse album. However, gloomy elements start to merge in a horrific fashion with moments of layered keys fused with a grim ambience. Elegant keys bring this song to a close, properly preparing the lister for the remaining intonations. The next track is “The Dhol Chants” by Visions Of Ulnahar, setting an aggressive pace with jolting soundscapes and loud, distorted keys. As these tones drone on at full capacity, evidence of evil luring in the background is apparent, as subtle instances of abhorrent effects make their presence known. This one will definitely get the heart racing as the unknown prevails. Next up is “Cthäat Aquadingen” by Noctilucant. The sound of crashing waves start this eight plus minute journey into oblivion and soon, discordant keys set a bleak atmosphere. Inaudible noises dwell in the background as sections of divergent disarray cast a spell on those that continue to listen. About halfway into the track, ominous keys create a sense of melody, casting a shadowy light on this otherwise dark encounter. Psyclopean is up next with their second track of audial ambience in, “The Book Of Dayan”. A beguiling, warm drone casts a melancholic foundation while synth effects churn out a cold arrangement. A mournful vocalization adds a layers of funereal essence before giving way to a drifting thunderstorm field recording. Echoing narrations can be heard in the distance while peculiar percussion valiantly plays an off-kilter beat. The final few minutes of this track is filled with celestial drones, thunderous explosions and ethereal chants. If this doesn’t get you in the mood for Lovecraft-themed Mythos, then I don’t know what will. “Zanthu Tablets” is the next track provided by the magnificent Visions Of Ulnahar. Desolate waves on a gloomy beach front encounter cinematic tones and synth glitches showcasing a mixed emotive state. It’s as if this composition represents the ancient clash of good versus evil. This mesmerizing combination carries on until the end of the track, where the waves suddenly disappear and we’re left with just a soft theatrical melody. The final track on the album is provided by Noctilucant and it’s called “Cultes Des Goules”. Continuing on with a barrage of soundscapes and incandescent tones, this track is like an audible nightmare with haunting ambience, muffled wind sounds and soaring effects that are close to ear-piercing in pitch. A malevolent narrative piece is embedded amongst the ghoulish chaos as this nightmare of a track continues on. Retro synth leads are included in the mix and they provide a sinister tone to the overall sound of this track.

I know that this album has been out for a while now, but it’s never too late to review an epic collection of songs of these proportions. Each of these three artists – Psyclopean, Visions Of Ulnahar and Noctilucant – bring their own perception and taste for Synth excellence to collaborate on this pinnacle recording. Combining the best features of both Dungeon Synth and Dark Ambient music, this theatrical presentation tells an illuminating story of conceptual Lovecraftian manifestations. These are top-notch compositions with a supreme songwriting effort that deliver prestigious music of the highest order. Please support this album and these artists by listening to (and downloading) it from the link below.

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Links:

https://noctilucant.bandcamp.com/album/libris-arcanum

Celestial-Themed Intonations Lead To Visionary Dungeon Melodies On Time Unveiled Masterpiece ‘Lunar Theology’

It’s certainly pleasing to the ear to hear fresh elements in the Dungeon Synth genre. I’m sure we all have our favorite aspects of the music whether it be melancholic, gloomy, quirky or whimsical but what’s so gratifying is when an artist comes along and redefines the listening experience with a combination of the aforementioned styles. Time Unveiled – a fantastic new project from the mastermind behind the psychedelic Dungeon Synth act Temple Of The Fractured Light – gives us a unique perspective on the genre in terms of compositional approach and thematically driven vibes. The result is an eighty plus minute journey down an ethereal path of solar enlightenment and systematic melodies.

Whisked away to a celestial world with minimal distractions, “Into The New Story” is a satisfyingly gloomy piece with a simple (but infectious) melody that sets the mood for a daring adventure into the far reaches of galactic realms. By the time “…And Her Hair Was Made Of Starlight” kicks in, the journey begins to take flight with a simple but combative refrain that exemplifies a battle-like cadence with whimsical synths. “Master Of No Domain” commences with a single keyboard tone that plays a delightful intonation. After a brief introduction, layers of mischievous synth effects combine to create an amusing ride through harrowing landscapes. A short ambient section fuses two eccentric sections as this seven plus minute track provides the foundation for the remainder of the album. “Unrest In The House Of Solar (Prelude To Battle)” is a short somber piece that exudes a completely mournful state with soothing synths and elongated ambient sections. “Battle For The Sky” is a slow builder but showcases a variety of instrumentation and sounds to create an anthem for an upcoming lugubrious campaign. “Goodbye, Green Castle” features psychedelic effects and stringent synth arrangements and overall has a very nostalgic feel to it. “All The Things Which Make Light” is one of my favorite tracks on the album as has a grim tone and modest production. These are just a few key factors that enhance the experience as the trance-like groove is almost meditative. “A Song For Jacky Lynn” has a sensational bass line that thumps at a harmonious pace throughout the track. The layers of synth melodies build from start to finish and preserve the dark noir approach to this catchy track. The albums title track, “Lunar Theology” is a deceptively dark piece that combines calm, flowing synths with memorable leads. It’s minimalistic in nature but contains a haunting melody that makes it supremely grand. “Arabia In Monochrome” is a fun little tune that contains tribal-like beats and Eastern-influenced synth leads. The beat will have the listener bobbing their head with swift fulfillment while the Middle Eastern synth arrangements will catapult you to a dimension of dry desert heat and mischievous adventures. “XI: Sleep (Träd Cover)” is a beautiful rendition of a song by the late, great Geo Romero. Somber melody leads are superbly fused with reverberated synth tones that are crystal clear and down right mesmerizing. “Skyward, Amber Dancer!” contains guitar-like effects with a pitch-shifting ambient background that screams retro! This is such a fitting track to close out this illustrious nocturnal adventure. The final track is the bonus adventure, “Live At Rainbow Bridge (12/19/2020)” and is thirty five minutes of raw, emotional Dungeon Synth that is out of this world. From gloomy field recordings and soundscapes to dreamy synths, this recording is more than meets the eye as even the subtle imperfections blend well to create a riveting experience that must have been amazing to witness live.

I absolutely love the variance of melody that is embodied on ‘Lunar Theology’. Time Unveiled represents a new era of Dungeon Synth and sends these colossal transmissions on an interstellar orbit by way of renewed compositions and fantastic thematic approach. I highly recommend this amazing album so please click on the link below and support this project.

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Links:

https://timeunveiled.bandcamp.com/album/lunar-theology

Celestial Ephemerides: A Collection Of Dark Ambient Summary Reviews, Part III

I love how Dark Ambient continues to grow and find ways to expand beyond the typical means of uniformity. While the baseline of stimulating drones and gloomy soundscapes are a permanent fixture in Dark Ambient music, the use of textured field recordings and the fusion of other genres show an increased variety in the music created for this genre and how it is able to expand. Welcome to round three of Celestial Ephemerides for my Dark Ambient summary reviews and I hope you savor these broad spectrum of releases and appreciate them as much as I do.

1. Secant Prime – Wavelets

For starters, this album is a few years old but after have been introduced to it, I knew that I had to write about it in some form or fashion. This isn’t your run-of-the-mill Dark Ambient recording, as it is filled with pulsating modulations, harsh industrialized noises with random samples and soundscapes that make this a horrifying affair. However, these five tracks present an hours worth of entertaining dark electronic music that will keep you on the edge of your seat, and trapped in a dark post-apocalyptic world.

https://secantprime.bandcamp.com/album/wavelets

2. Ulvestad – Fall

On the other end of the spectrum, Ulvestad presents the drone-laden, “Fall”. This minimalistic adventure commits the listener to a world of obscurity through elongated drones that build around cinematic soundscapes and grandiose production. This is as disturbing as it is tranquilizing and these four tracks tell a story through masterful synth and pad arrangements.

https://cycliclaw.bandcamp.com/album/fall

3. Tarme Til Alle – Blood Moon Prophecy

‘Blood Moon Prophecy’ is a unique recording in that it contains all of the elements of a theatrical and climactic Dark Ambient album but in a harsher sense. The tone and volume on the instrumentation is mixed louder than usual, creating a level of acerbity and distortion not normally experienced in this genre. Whereas Dark Ambient (at times) tends to be calm and soothing, this album is more abrasive, presenting more of a realistic approach to post apocalyptic and industrial themed tracks. Fortunately, it blends perfectly and I need to hear more of this!

https://tarmetilalle.bandcamp.com/releases

4. Mindspawn – Daemon

Mindspawn excel at creating a drone masterclass with the ominous ‘Daemon’. Extremely minimalistic droning with the help of some very demonic sounding effects, this may not be the album you want to fall asleep to. However, I do recommend this for those times where you need bleak soundscapes to set a harrowing mood. The modulation variants are very creative and the arrangements couldn’t be any better for a one hour recording of ominous sounds from the underworld. Don’t sleep on this one!

https://mindspawn.bandcamp.com/album/daemon

5. Flowers For Bodysnatchers – Infernal Beyond

Flowers For Bodysnatchers epitomizes the conceptual experience with each of his albums. From start to finish, you can expect an enthralling journey through realms of the obscure. On ‘Infernal Beyond’ the use of bleak soundscapes and field recordings propels this journey beyond expectation and the results are a sinister cluster of tracks that will leave the listener in a maniacal disarray. An absolutely amazing album from one of my favorite artists!

https://cryochamber.bandcamp.com/album/infernal-beyond

6. Snake Eggs – The Birdland Chakras

‘The Birdland Chakras’ is a deep dive into the dimension of industrial-tinged experimentation. The variety of sounds and noises, mixed with Dark Ambient undertones creates a frantic output and the outcome is a horrifying collection of intonations that will dismantle your very core. At times whimsical and other times sadistic, this is a well blended assemblage of sounds that is very appeasing and completely entertaining. Can’t wait to hear more from this artist.

https://snakeeggs.bandcamp.com/album/the-birdland-chakras

7. Bocci/Arrighi/Lepore – Anagrammi

Now for something a bit different. Bocci/Arrighi/Lepore combine their compositional talents to create a piano-based album full of darkened arrangements and jazzy undertones. Their masterful piano and synth manipulations present a soothing, yet gloomy take on Dark Ambient and experimental music in general. Consisting of just four tracks, the listener is provided with a forty minute journey of alluring ambience that borders improvisational madness and supremely structured tunes. This one is highly recommended for fans of dark noir themed music.

https://unexplainedsoundsgroup.bandcamp.com/album/anagrammi

8. Melkor – Hall Of Bats

‘Hall Of Bats’ embodies the minimalistic listening experience with dark, depressive drones and occasional layers of grim soundscapes and field recordings. Interestingly, there is a sparse sense of melody used throughout this recording, keeping it from become a completely bleak experience. However, it’s used as an expression of dread and increases the grandeur of this Dark Ambient spectacle. This album must be listened to from start to end to gain an appreciation for the full compositional encounter. At times, it’s like having an out-of-body experience.

https://kalpamantra.bandcamp.com/album/hall-of-bats

9. Kammarheit – Thronal

‘Thronal’ is the perfect Dark Ambient album to listen to if seeking a completely melancholic experience. Agonizing synths accompany deep and slightly distorted drones to produce a deplorable sound that is not only addictive, but mesmerizing to the point of total submission. This album is like a minimalistic soundtrack for misery and sadness and I can’t get enough of it. Highly recommended for those seeking a dark and emotional audial dialog to accompany your own personal experiences.

https://cycliclaw.bandcamp.com/album/thronal

10. J. Donovan Malley – Echoes In A Cage

J. Donovan Malley packs more into this twenty two minute album than a lot of artist in an album twice the length. From warm piano ballads and soothing soundscapes to industrial-based noise fills and vocals (both operatic and harsh), ‘Echoes In A Cage’ is a compelling Dark Ambient album that goes beyond standard drones and synth modulations and explores the psyche of emotional projection. This is another expertly crafted album that I highly recommend checking out immediately!

https://jdonovanmalley.bandcamp.com/album/echoes-in-a-cage

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Løgan McCurter Cultivates A Kaleidoscope Of Synth Madness On The Elusive, ‘Primitive Baptist & The Oldest Time Traveler In The World’

I spent some time perusing Løgan McCurter’s Bandcamp page and was fascinated by the variety of music that he’s generated over the course of several albums and demos. From singer/songwriter and psychedelic to synth pop and retro synthwave, Logan knows no boundaries and has a niche for creating great music. Now, even further expanding his musical forte, Dungeon Synth is added to the audial pallet, and the release of ‘Primitive Baptist & The Oldest Time Traveler In The World’ is bestowed upon us. With a solid foundation in the Dungeon Synth realm, these eight tracks expand beyond multiple genres, creating a fascinating album of melancholic desires.

Impressive album opener, “Primitive Baptist” commences with a steady dose of tape hisses followed by the consoling sounds of retro synth chops that paint an effervescent scene of jubilant mystery. Celestial soundscapes and percussive pops create a harmonious tone, setting a wondrous theme for the remainder of the album. “Uniform Resource Locator” begins with some creepy sound effects before melding into a whimsical fantasy synth groove. This soon comes to an end, giving way to a warm ambient tone and a variety of sonic textures, as if providing a soundscape to a fanatical adventure. Toward the end, a barrage of synth leads come into play, bringing this track to a climactic ending. “Chapel Dweller” is a lugubrious effort with dreamy keys and cosmic effects. There is a beautiful sense of melody on this track that makes it an infectious listen. “Spoken Into Existence” begins with an alluring piano melody before shifting into a retro synthwave affair. It’s so easy to get lost in the ambient space that is created by the solar atmospherics, that you’ll almost feel as if you’re on a celestial journey through unknown realms. This leads right into the lush, “The Meaning Of Life Is That It Ends”. With tape hisses and fantasy synth tones, the melody is beautifully arranged to create a stark world of beauty and darkness. Hints of percussion and layers of synth leads add to the mystique of this song, making it one of my favorites on the album. “The Oldest Time Traveler” continues with the tape hisses and austere soundscapes, sending the listener on a psychedelic excursion. As the elongated synths begin to take shape, every element of this track becomes more predominant. The obscure effects really do this track justice, as it keeps the listener drawn into a world of fantasy and arcane details. The eerie “Tomb Sleeper” begins with haunting field recordings and maniacal effects before settling into a heavy bass-driven dirge that sounds like a synthwave ballad from the 80’s. The inclusion of steady rainfall provides a very soothing effect as this emotionally arranged anthem continues with various elements of surprise that succeeds in captivating the listener effortlessly. The final memorable achievement on this fantastic album is the mesmerizing “You Were The Spell”. After a brief, dismal array of grim sound effects, the track settles into an austere arrangement of harmonized synths that are simply breathtaking. The expanded notes overlay each other in an integrated fashion, providing a soothing and somber experience. The trance-like quality that builds with each interval pulls the listener further into a world of darkness and uncertainty. What an amazing way to end this extraordinary album.

Løgan McCurter’s Dungeon Synth journey – although a youthful one – is surely paying off with the bold and captivating release, ‘Primitive Baptist & The Oldest Time Traveler In The World’. He masterfully blends multiple synth styles to create his own unique signature within the Dungeon Synth realm. This is an extremely entertaining album with lots of twists and turns and I can’t recommend this one enough. Please click on the link below and support this prodigious artist by downloading this tremendous piece of work.

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Links:

https://loganmccurter.bandcamp.com/album/primitive-baptist-the-oldest-time-traveler-in-the-world

Dark Ambient, Synthwave And Noise Collide on Trajedesaliva’s Intelligent Offering, ‘Ultratumbra’

Sometimes, the best albums out there are the ones that haven’t been heard yet. There are many gems hidden away on bandcamp and often it’s like a diamond in the rough, searching for the one that offers pure cosmic bliss. Fortunately, Bandcamp is one of the best platforms for music these days – especially for obscure genres – so finding an album as impressive as ‘Ultratumbra’ by Trajedesaliva is certainly appeasing to these ears. Combining all of the elements that I love about esoteric music, ‘Ultratumbra’ delivers forty two minutes of musical euphoria that fuses Dark Ambient, noise, spoken word and retrospective synthwave. The modulations that prowl behind every corner are unexpected but are eagerly welcomed, as this album is supremely put together and most of all, enjoyable on multiple levels.

Sonic album opener, “Todo Era Blanco”, sounds like an immediate drift back into time when retro analog synths ruled the airways and the break of dawn demanded its own sound signature. This track builds in grand layers with a lot of reverberation to thicken the sound. The synths are clean without being crisp, like a morning fog clearing before a beautiful day. Spots of percussion can be heard throughout without going overboard and this is such a grand way to start this amazing album. “A Casa Por Las Vías” continues on the strengths of the first tracks with massive, elongated synths that are slightly muffled but concise in the mix. We also get our first listen of a spoken word bit (spoken in Spanish) and it sounds so bleak with the terrifying layer of noises and percussive elements happening in the background. Upon the completion of the spoken word element, there is a climatic shift in music as it builds up in devious fashion before collapsing into a beautiful and melodic synthwave track. “Familia Ferro” commences with a loud, constant tone, followed by a short spoken word piece. It immediately unfolds into harsh noise modulations that shake the foundation with its strident industrial intonations. Next up is the multi-faceted, “Arenas Calientes”. Beginning with a single keyboard chop and then quickly expanding into multiple layers before suddenly unfolding into a mechanized tone, this track goes through several pitch shifts and succeeds at altering ones mood from dark to anxious to downright maniacal. Toward the end, sharp whispers can be heard throughout, adding some mysticism to this already terrifying song. “Mamá Es Un Animal Morado” starts with a jolting tone, like a large turboprop airplane already in mid flight. However, other sound effects are introduced, creating a spacious melody and then spoken words take over. The track deviates from the harshness and turns into a somber affair and the spoken words continue to complete the calming nature of everything that is fused together up to this point. “Mammillaria Sempervivi” is another melodic affair with dreamy keyboard harmonies and a compelling bass line that’s adds a great bit of depth. The spoken words continue to tell their tale and then 80’s style keys and beats commence, adding yet another aspect to this incredibly diverse album. “Queremos Verte” maintains the keyboard harmonies of the last track but adds an extra layer of emotion with superior song writing and haunting production. Even the spoken words sound different in this track, as the narrator seems to be at ease or in a more comforting situation than previously. The final track on the album is “Ultratumbra” and it immediately begins with a line of spoken word before fusing into a harmonic keyboard composition that sounds straight out of the 80’s. This track is magnificently arranged and contains all of the elements that I love about Trajedesaliva. Although it starts out smooth and alluring, there is a middle section that begins to fill out with harsh noises and drum rhythms that’s simply infectious to listen to. This song is so wonderfully arranged, I just wish it would never end.

Although Trajedesaliva is a new artist for me, they’ve been around for over twenty years. It’s a travesty that I’m just now getting to know their craft but I couldn’t be more pleased with what I’ve been exposed to so far. From the retro compositions, nostalgic arrangements, well placed spoken word bits and great use of industrialized noise, ‘Ultratumbra’ contains everything I could ever ask for in an album. I highly recommend checking this one out so please click on the link below and support this amazing artist.

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Links:

https://trajedesaliva.bandcamp.com/album/ultratumba

Multi-Genre Synth Extraordinaire, Jenn Taiga, Cultivates A Nostalgic Collection Of Deft Anthems On ‘Lunar Nocturnes And Esoteric Incantations’

If you’ve listened to Dungeon Synth, Berlin School or any style of Synth music in the past few years, then Jenn Taiga needs no introduction. For all others, well, you’ve been missing out on one of the most talented musicians across a broad spectrum of genres. Last years ‘Plight’, was in my Top Ten list for synth album of the year and remains one of my favorite synth albums of recent years. As time and space progress, I find myself anticipating new releases by my favorite artists – Jenn Taiga included. Earlier this month saw the release of ‘Lunar Nocturnes And Esoteric Incantations’, a collection of six exquisite synth songs that embrace a world of retro darkness and euphoric bliss.

Album opener, “Six Of Swords” first appeared on last years ‘Apostles Against Hegemony, Vol. I: Transitive Properties’ compilation and it was one of my favorite songs from that huge assortment of impressive tunes. Beginning with a dreamy arrangement that slowly builds with haunting leads and cosmic sound effects, this track will surely generate a hypnotic state for the listener and prepare them for the mesmerizing characteristics that gracefully infiltrate the remainder of the album. “Strength” has a beautiful (but mild) Berlin School backing arrangement that is completely lenitive and soothing, while layers of concordant synths provide a rollercoaster of emotive vibes that are unmatched in their scope of memorable influence. Although this track is five minutes in length, I wish that it lasted another ten minutes or so. After a short nostalgic intro on “King Of Swords”, we are treated with a hefty dose of conventional, Berlin School patterns that are soon combined with an ominous arrangement of swaying synth leads and celestial soundscapes that are otherworldly and reminiscent of 70’s retro Space Rock/Synth music that popularized the genre several decades ago. “Justice” is the shortest track on the album at just under three and a half minutes long. However, it’s a monstrous synth piece filled with melody and tasty backing arrangements, making this compact offering a delightful listen. “Braziers Are Burning” commences with a grueling sound, like a distorted warning alarm terrifying an unsuspected community. After that startling lead in, majestic synth offerings come into being and provide a mystical journey of harrowing cadence, cinematic effects and layers of sonic resonance that reveals one of Jenn’s most complete compositions to date. The final symphonic piece on this mesmerizing album is “…As Our Offerings Rise To The Heavens”. At just under nine and a half minutes, it’s the longest track on the album and is an epic ending to this modern-day trip down memory lane. It’s starts with a somber synth fill that sways of lush movements. At just over two minute in, Berlin School melodies permeate the audial channels and we find ourselves falling deep into another legendary excursion. The retro synth patterns are simply amazing and this track is like a continuous build-up to a never ending story. There are several layers of harmony that can be heard in a couple of spots that are hypnotic and could be considered the transcendent soundtrack to a trance-like state of mind. As you continue to ingest the enchanting rhythms of this track, it suddenly fades into the black, leaving you wanting more.

For me, Jenn Taiga is one of the ultimate musicians in the world of synth compositions. Never afraid to venture out beyond a single genre, Jenn Taiga pulls from a wide array of musical aspects to create a sound of her own. Although there is a huge amount of influence from retro synth styles, it’s the polished, modern take on electronic song writing that makes this (and other Jenn Taiga albums) stand out. Whereas ‘Plight’ was in my Top Ten synth album of 2020, there is no doubt that ‘Lunar Nocturnes And Esoteric Incantations’ will be in my Top Ten list for 2021. If you’ve not heard this mind-blowing album yet, please click on the link below and relish in the greatness.

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Links:

https://jenntaiga.bandcamp.com/album/lunar-nocturnes-and-esoteric-incantations

Humanfobia Fuse Dark Electronic, Dungeon Synth And Avant-Garde On The Impressive ‘Vampiresa’

As I continue my deep dive into music of the obscure, I often find myself enthralled by artists that know limitless boundaries for presenting their craft. Although there have been many instances of genre-bending throughout the years, there are still elements that I find new (and intriguing) that stops me dead in my tracks, enough to warrant my undivided attention. Humanfobia is one of those artists that combines elements of dark electronic, avant-garde, and even Dungeon Synth to create a unique universe of audial sophistication and elegance. On last year’s ‘Vampiresa’ release, six tracks of ambiguous compositions solicit an enigmatic approach to synth music that is powerful and mesmerizing.

Right from the start, “Enchanted Castle” imposes a barrage of symphonic sounds from multiple genres, combining them to form an impressive opening track. Haunting vocals are layered over hefty beats and distorted tones and as a slight tonal shift occurs, the vocals continue to tell its story almost until the final note is played. “Ataúd Solitario” begins with the tolling of a bell and a slight build up of the music. Synths play up and down a scale of notes while a rhythmic drum beat provides a polyrhythmic groove. At the same time, dreamy vocals build and contain various effects to give it a thick, layered sound. Hints of gothic undertones can be heard throughout, as this obscure piece goes through a rotational pattern with the music. “Vampiresa” is a creepy little track that contains some nice Dungeon Synth elements and haunting narrations. There is also a monstrous vocal effect in the background that is downright sinister. The drum beats in this track are pretty cool and show a modest Crypt Hop influence. “Ajos y Cruces” is another Dungeon Synth-heavy track with spacey vocals and an overall Renaissance era vibe to it. “Vampiric Ancient Transmutation” commences with heavy distortion and echo effects that get absorbed into a dark drone, while eccentric vocals begin to make their way into the mix. At the same time, backward narration samples add an alluring feel to this track that is completely devoured by a grim ambiance. The final track on the album is “Ataúd Solitario (Burial Version)”. It begins much like the original version but the drum beats and keys have been replaced with melancholic synths and eerie soundscapes. The vocal performance is still the same, which stands out in both versions of the track.

Humanfobia is a unique and talented entity that has a vision for arcane compositions and seems to feel comfortable at fusing any genre they can to produce quality synth music. ‘Vampiresa’ is a fascinating EP in quite an impressive catalog of releases that I’m still diving into from this artist. If you’re into esoteric music and albums that fuse various genres of music, then I recommend checking out ‘Vampiresa’. Click on the link below and support this artist and check out the large catalog of albums available on their bandcamp page.

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Links:

https://humanfobia-official.bandcamp.com/album/vampiresa-ep-2020

Ambitious And Hypnotizing, Dagmar Gertot Conjures An Enrapturing Improvisational Chronicle Called ‘Os Lacrimale’

I remember my first time experiencing Scott Walker’s ‘The Drift’ album back in 2006. For those that are not familiar, Scott Walker is a singer-songwriter that had a string of avant-garde albums late in his career, which were a heretical change of pace from his pop beginnings. At any rate, ‘The Drift’ (at the time) was one of the most mesmerizing recordings I’ve ever heard, and at times, it was downright terrifying as well. Fast forward to present times, and once again I am feeling the exact emotional state with Dagmar Gertot’s debut album on Cyclic Law, ‘Os Lacrimale’. Eight tracks of vocal and instrumental improvisations that invoke a sentiment of aimless wander and endless nightmares.

The merriment begins with the portentous “Iron Cradle”. Commencing with a single, unbridled note – that seems to be a fusion of a horned and stringed instrument – the vocals suddenly belt out with an inaudible presence, but present heavy Middle Eastern influences with regards to vocal control and technique. This is improvisation at its best, as there is a particular chemistry between the instrumentation and vocalist that will certainly resonate with the audience. Next up is “Non Healing Wound” and although it slowly crescendos out of darkness, a maniacal presence will soon unfold by way of chilling stringed instruments and mesmerizing vocal effects. This one is a slow builder and finds every aspect of the arrangement coming together in a deranged harmonic variance, while the vocal performance creates a segregated instrument that stands out all on its own. “Snake Dance” starts with an operatic-like vocal performance that assembles with layers of odd harmonies. Although just over a minute long, this track packs a powerful punch and truly showcases the talent of Dagmar Gertot. “Delirious” is one of my favorite songs on the album as it is as entertaining as it is mysterious. Vocals are, once again, perfectly layered and in the background, ritualistic instrumentation sets a bleak scene that is soon filled with Oriental influences and haunting soundscapes. “Two-Headed Roe Deer” begins with crackles and hisses of vintage tape loops, while random stringed-instrument screeches and off-key piano notes create a dismal soundtrack for the vocal performance that – at times – wanders off in the distance. “Pyromaniac” emerges as an a cappella track with soft, layered vocals and an underlying track of deep grunts and growls. Without notice, various instruments play in alliance, but with different types arrangements, as if they are out of synchronization and trying to find their way to a unified sound. Toward the end, the vocal patterns become more eccentric, as if anxiously finding a rhythm to latch on to for a continued aural assault. “Nude Metemorph” begins with choir like vocal harmonies being played in a dream state. As the vocals become more eclectic, the dream turns into a nightmare, intensifying the listening experience. The music for this track is down right dreary and the vocals are some of the most chilling to be heard yet. The final track on the album is “Anathema”. Starting with a refreshing vocal harmony of inaudible cadence, random piano keys create an abhorrent atmosphere that is sure to induce a trance-like state (if allowed). At times, it seems as if the vocals and piano are trading off, telling two versions of an intense story that has no words, but one that can be felt through the power of music and emotions.

Dagmar Gertot’s bold statement of vocal and instrumental improvisations on her first album, ‘Os Lacrimale’ is a magnificent listen and widely open for interpretation. Although I mentioned a comparison to the great Avant-garde artist, Scott Walker, in my opening remarks, Dagmar Gertot transcends any single genre or classification and doesn’t deserve to be held back by any barriers. Whether you’re into ambient, experimental, ritualistic sounds Or avant-garde, ‘Os Lacrimale’ will definitely appeal to your musical taste. I highly recommend this unique artist, so please head over to the Cyclic Law Bandcamp page, or click on the link below to download this amazing album.

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Links:

https://cycliclaw.bandcamp.com/album/os-lacrimale

Eighth Tower Records unveils companion book for ‘The Black Stone – Music For Lovecraftian Summonings’

The Black Stone – Stories For Lovecraftian Summonings

In January of this year, Eighth Tower records released another groundbreaking album of Dark Ambient resonance that featured the best-of-the-best artist of the genre. Some of them are amongst my favorite and include Mombi Yuleman, Alphaxone, Ashtoreth, NEW RISEN THRONE and Moloch Conspiracy to name a few. All of these artist successfully constructed Lovecraftian-themed tracks of fascinating darkness and a sonic exploratory of unmatched mythical subject matter. Fast forward a few months and we find another innovative event for Eighth Tower Records in the form of their first-ever book release. A companion to ‘The Black Stone’ album, it is entitled, ‘The Black Stone – Stories For Lovecraftian Summonings’ and features twenty seven tales of horror inspired by H.P. Lovecraft and his Cthulhu Mythos.

Here is some additional information about the book and writers, as found on the Eighth Tower Records Bandcamp page:

Featuring: Ramsey Campbell, Brian M Sammons, Glynn Owen Barrass, Lucy A. Snyder, E.A. Black, Chris Kelso, Andrew Coulthard, Stephen Mark Rainey, Kevin Lewis, Richard A. Scott, Russell Smeaton, John Buja, Made in DNA, David Agranoff, Pete Rawlik, Brian C. Short, Michael Housel, John Chadwick, David Voyles, Konstantine Paradias, Edward Morris, Parry Milton, Phil Breach, Garrett Cook, Andrew Freudenberg, Love Kolle, Sarah Walker.

Curated by Raffaele Pezzella
Cover illustration by John Chadwick
Editing by Parry Milton

https://eighthtowerrecords.bandcamp.com/merch/the-black-stone-stories-for-lovecraftian-summonings-book-cd
https://eighthtowerrecords.bandcamp.com/album/the-black-stone-music-for-lovecraftian-summonings

Grab a copy of this book before it’s sold out and if you’ve not heard the amazing album that was released back in January, do yourself a favor a download that one right away for a stunning audial experience.

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Links:

https://eighthtowerrecords.bandcamp.com/music

https://unexplainedsoundsgroup.bandcamp.com