Top 10 Favorite Dungeon Synth / Synth Releases Of 2022

Dungeon Synth music just gets better and better each and every year. For 2022, it seems like a million Dungeon Synth albums were released and unfortunately, I didn’t get to listen to most of them. However, I did listen to A LOT of albums and some of my favorite artists created their best works to date, while many new artists brought their A game to this ever growing community. I hope you enjoy reading my Top 10 favorite Dungeon Synth / Synth releases of 2022 and hope some of these made your lists as well.

10. Meadow Grove – A Shattered Heritage

https://meadowgrove.bandcamp.com/album/a-shattered-heritage

Meadow Grove has released a handful of impressive albums this year but ‘A Shattered Heritage’ is the one that I keep going back to the most. There is a dynamic quality about these songs that ranges from battle-like hymns to soundtrack-ready anthems. Shifting from cinematic and grandiose to simplistic and alluring, ‘A Shattered Heritage’ has a variety of music that is bound to appeal to a broad range of electronic enthusiasts looking for a further dive into the Dungeon Synth realm.

9. Pukel’E – SaqalE

https://pukele.bandcamp.com/album/saqale

Talking about a surprise, from out of nowhere comes Pukel’E with a short nineteen minute offering of the most impressive synth music I’ve heard in a while. From my favorite Dungeon Synth label – Voices Of The Ainur – ‘SaqalE’ blends Medieval Synth anthems with Winter Synth themes, producing a mesmerizing sound that I’ve not heard since ‘Silence’ by Inoriand (2019). My only complaint is that there should be forty tracks instead of four with about two hours of playing time. Jokes aside, this is an outstanding release and I can’t wait for this project to produce more music of this caliber.

8. Sunken Basilica – Sunken Basilica

https://sunkenbasilicamca.bandcamp.com/album/sunken-basilica

Blasting onto the Dungeon Synth scene with a grizzly debut album, Sunken Basilica is quickly making a name for this bold new project. Composing a collection of Dungeon Synth anthems with a dystopian edge, these songs are raw, gritty and most of all, memorable. The low fidelity production makes these arrangements standout even more as it thematically sets a precedent for Medieval music and the dilapidated quality of times that it represents. I can’t recommend this one enough – especially if you’re into the more obscure aspects of Dungeon Synth.

7. Skuggkonungen – Den Svarta Stjärnans Brödraskap

https://skuggkonungen.bandcamp.com/album/d-r-skuggor-aldrig-bleknar

There is a masterfully-crafted, calming essence that is congruent on all Skuggkonungen releases that continuously draws you in and wanting more. From synthwave to comfy synth and even ambient textures, the tracks on this album epitomize the true characteristics of Dungeon Synth without sounding dry and played out. Songs such as “Stilla” and “Tid Och Rum” have a futurist style but at the same time, are nostalgic in nature. If you’re new to Skuggkonungen, this would be a great place to start your listening endeavors.

6. Jenn Taiga – Siege

https://jenntaiga.bandcamp.com/album/siege

Refusing to be pigeonholed into a single genre, Jenn Taiga bears the sword of impiety for Dungeon Synth and beyond, while slaying those that can’t gauge the synth madness that dwells within. ‘Siege’ contains two tracks of mesmerizing synth Godliness that centers around Berlin School sequences and dark, euphoric tones, ultimately producing an uninterrupted essence of grim energy and cold intensity that is meant to be lost in – within the confines of its quintessential audial enclosure.

5. Elminster x Erythrite Throne – From Tomes Of Stygian Sorcery

https://ithildintapeproduction.bandcamp.com/album/from-tomes-of-stygian-sorcery

So, before this album came out, I had my Top 10 list all figured out, arranged and ALMOST ready to publish. However, two of Dungeon Synth’s most majestic warriors – Erythrite Throne and Elminster – decided to grace the Iron Keep with a stalwart of an album known as ‘From Tomes Of Stygian Sorcery’. Although it’s only been out for a few weeks, there was no way I was publishing a Top 10 list without this recording on it. Three epic tracks from both artists find them at the top of their game and producing the best music of their careers (so far). “Bal-Garond Ascending” from Elminster and “As Depraved Warlocks Gather At My Tomb” by Erythrite Throne are the top tracks on this vivacious and transcending album.

4. Vandalorum – Black Mold

https://vandalorum.bandcamp.com/album/black-mold

Although Vandalorum isn’t quite as active as other Dungeon Synth artists, the music he does produce is made of gold and considered the best of the best – well, at least to these ears. Last years flagship release, ‘Maewyn’, blew me away with its psychedelic incantations about the life and times of Saint Patrick. This year, we have the RPG soundtrack called ‘Black Mold’ and it’s my favorite release by Vandalorum thus far. Psychedelic orchestrations are fused with whimsical melodies and an assortment of chip tune styled synth leads. Most of all, the compositions are stylish and groovy with lots of surprises thrown in. This is totally an addictive album and it’s also the perfect listen for a late night (or early morning) drive.

3. Heldentenor – Blood Moons & Black Lakes: Chapter Two

https://sumatranblack.bandcamp.com/album/blood-moons-and-black-lakes-chapter-two

The artist behind one of my favorite Dark Ambient projects – Sumatran Black – decided to release not one, but two Dungeon Synth albums simultaneously in January and without hesitation (and much ease), I can report that these albums are pretty killer. ‘Blood Moons And Black Lakes (Chapters One & Two)’ depict a new spin on the genre, but the premise and outcome are abrasive, nostalgic and a great interpretation of this wonderful genre. However, it’s Chapter Two that stands out between the pair and each song is a ten out of ten on the awesomeness scale. The standout track is the near twelve minute long, “The End?”, a seemingly endless foray into the melancholic abyss with ominous guitar strums and bleak ambience. Doesn’t get much better than that.

2. Thalmar – Pried From Winter’s Frost Laden Grip

https://ithildintapeproduction.bandcamp.com/album/pried-from-winters-frost-laden-grip

Thalmar is one of the many projects by the conspirator behind the likes of Elminster, The Owl Knight and Moss Keep and although only a single album has been released under this moniker, it’s my absolute favorite. Four tracks of ambient induced dungeon anthems that are dark, erosive and downright terrifying. Layers of coarse madness intertwine to divulge a maniacal blend of organic synth music full of divine impurities and gloomy modulations. I practically listen to this album on a weekly basis and have done so since it’s release back in February. If you prefer your Dungeon Synth on the darker, more ominous side, then definitely give Thalmar a listen.

1. Arcanist – Hyperborea

https://yuggothrecords.bandcamp.com/album/hyperborea

When it comes to variety, this has to be one of the most impressive albums that I’ve heard all year. The Dungeon Synth duo know as Arcanist, has impeccably incorporated Black Metal, Berlin School and doom laden melodies in their arsenal to present the complete package know as ‘Hyperboria’ – my favorite Dungeon Synth album of 2022. With a plethora of sounds and styles at their beckoning call, Arcanist are able to compose these otherworldly tracks in a way that they are memorable, enjoyable and beguiling at the same time. I gladly offer forty three minutes of my time on a regular basis to this audial entity and in return, I’m able to submerge in a conglomerate world of exceptional synth music.

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Interstellar Space – All Hallows’ Eve Extravaganza 2022

For some reason, trees seem to be synonymous with all things spooky and evil. Whether it’s a darkened forest in a horror movie, or the ruffling of leaves in an evening breeze that has us looking over our shoulders for something creepy, trees create a space of frightening imagination with limitless potential for purpose. For Halloween, trees portray a gruesome shadow in the night that causes goosebumps and chills when not expected. Remember the tree in the original Poltergeist film? They also create a blockade for hiding behind so that you can jump out and scare your friends while trick or treating. Whatever the case may be, trees serve more of a purpose than the ecology for their existence. Like trees, music provides the same escape by enticing an imaginative spark for which you can escape from reality. That’s exactly the case for these twelve chilling albums. They are the soundtrack for the season and so much more. Please enjoy these summary reviews and show your support for these artists by downloading their killer albums. Happy Halloween!! 🎃

1. Lamp & Dagger – This Tape Is Haunted Too!

Lamp & Dagger is back with their second spooktacular collaboration, featuring a handful of ominous artists that aim to frighten your very existence. From Sombre Arcane’s psychedelic massacre to a modicum of Dark Ambient soundscapes from The Night Keep that feature morbid field recordings and samples. FVRFVR offers a chip tune spectacle that is part crypt hop and part nostalgic cinema. Whispering Mirror offers a droning canticle full of gruesome modulations, while Halm conjures up some disgusting field recordings to create a gruesome scene of terror. The final track by Spectral Manse proposes a climactic ending with eerie narrations, malevolent haunts and lots of dark melody that penetrates deep in the psyche, proving that the sequel is just as damning as the original offer. I’ll never get enough of these compilations so I’m already looking forward to Halloween 2023.

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted-too

2. Guild Of Lore – Night Of Halloween

Dungeon synth stalwart, Guild Of Lore, steps beyond the realm of Winterstead, leaving behind the Medieval intonations to embrace a world of 80’s-influenced synthwave with elements of cinematic horror. The results are a fascinating blend of B-horror movie anthems full of ghoulish field recordings, theatrical samples and rhythmic patterns that scream the elements of classic horror film soundtracks. “Lurking In The Shadows” is a prime example of ample beats, darkwave undertones, and retrospective synths, while “The Festivities” is done in the style of a skit, with spooky narrations, haunting screams and bleak atmospherics. This is an album that’s not just enjoyable during All Hallows’ Eve, but can provide eerie entertainment throughout the year, and for many years to come.

https://guildoflore.bandcamp.com/album/night-of-halloween

FABLEHAVEN: “None who enter will leave unchanged. Trespassers will be turned to stone.” – Brandon Mull

3. Erythrite Throne – A Shade Of Melancholy In The Shadow Of Death

If your not listening to Erythrite Throne on All Hallows’ Eve, then you’re either very much afraid or have already been bitten by a post-apocalyptic zombie. In the case of the latter, perhaps ‘A Shade Of Melancholy In The Shadows Of Death’ has become the perpetual soundscape for your existence. Expertly fusing classical synth tones and the occasional blasts of tasty percussion, this is another magnum opus from the master of Dungeon Synth music. Just as the title suggests, this album is a bit more lugubrious than other Erythrite Throne albums, but that’s what makes this project so special. Especially on Halloween, this is some classically creepy music to enjoy on this malevolent night.

https://serpentsswordrecords.bandcamp.com/album/a-shade-of-melancholy-in-the-shadow-of-death

4. Aleksis Tristan Shaw – Crooked Teeth

The ever so cleaver Aleksis Tristan Shaw once again keeps us on our toes with a musical endeavor that defies genre categorization but is presented just in time for Halloween. These three tracks showcase beautiful, yet twisted piano melodies with a dreamy, atmospheric production. Just as the album cover suggests, I can only imagine a blurry figure sitting behind the ivories and playing these dirges to conjure up the spirits of ancient past, allowing them to provide frights once again. Although each track is different, they each have a thematic element that maintains a dark but elegant mood. A full album of these ghastly sounds would be awesome as well.

https://aleksistristanshaw.bandcamp.com/album/crooked-teeth

“No one who loves the woods stays on the path.” – Millie Florence

5. Wodenwyrd – The Teutoburg Massacre

Wodenwyrd presents a rather unique recording as a short narrative is read over obscure backing tracks that fusses Dungeon Synth, Dark Ambient and synthwave. Read over a series of Acts (seven in all), the story summarizes the first battle between German forces and the Roman Empire around 9 AD. As compelling as the story is, the music fits perfectly and produces a brooding gray background for a malevolent narrative. There are three stand alone tracks that serve as an intro, intermission and outro and they explore more nostalgic territories such as 80’s cinema and dreamy effects. In all, this is a fantastic album and I wouldn’t mind having a series of recordings in this style.

https://wodenwyrd.bandcamp.com/album/the-teutoburg-massacre

6. Born From Pain – Begotten (1989)

Just in time for Halloween, Born From Pain delivers another compelling motion picture re-score. This time, 1989’s horror/fantasy film, ‘Begotten’, becomes the object of creativity as the quest for Dark Ambient obscurity reigns supreme. Over seventy two minutes of ethereal order becomes the pallet for rediscovering this film in a more sinister light. The film itself, is supremely bleak and a boldly obscure statement for cinema at the time of its release. If your a fan of cult filmmaker, Maya Deren, then you’ll have a good understanding of this film. As for the music, Born From Pain masterfully captures that essence with gloomy soundscapes and haunting effects that will lead to nightmarish outcomes in itself. Another fascinating adventure that I can’t recommend enough.

https://bornfrompainbm.bandcamp.com/album/begotten-rescore

“When you go into a forest, anything can happen” – David Farr

7. Scott Lawlor – The Livestream Series, Volume V

Scott Lawlor, the king of spatial Drone music and a jack-of-all-trades Ambient musician that never stops working and has enough released material to create the soundtrack to your very existence for years on end. On Halloween of last year, he produced a five hour livestream special that will be digitally released on Halloween this year. Spanning eleven tracks, this colossal of an album, flows like a never ending experiment through celestial voids and dark passages, as enigmatic effects combine with baneful textures to create the realm you’ve always dared to travel through. Each track presents a malefic journey through dark regions of the subconscious, bringing a terrorized reality to the forefront of the mind. Good luck getting through all five hours of this but enjoy the breathtaking adventure along the way.

8. Orcchasm – OrcChasm!

Orcchasm is truly unique experience, as we encounter a variety of musical intonations during this thirty one minute endeavor. From creepy ambience and whimsical synths to bazaar arrangements and nonstop frills, this is a musical adventure that is equally enjoyable and fulfilling. From grandiose, Medieval incantations to light, flute fills, you never know what direction the music is headed. However, hold on to your witches hat and broomsticks because this is a venture that won’t want to miss. Each track flows seamlessly into the next, showcasing a story of dark dungeons and numerous escapades. “Groping For Wild Hogs In The Dark Paphian Abyss” is my favorite track and it truly represents the musical prowess of this album as a whole. Don’t pass up on this warm journey into the wildly unknown.

https://orcchasm.bandcamp.com/album/orcchasm

“The forest was not dark, because darkness has nothing to do with the forest – the forest is made of life, of light – but the trees moved with wind and subtle creatures.” – Lauren Geoff

9. Pumpkin Witch – The Return Of The Pumpkin Witch

It’s been a few years since we’ve heard from Halloween favorite, Pumpkin Witch. However, after finally rising from the Orange tomb of seasonal vegetation, they’ve returned with their most enigmatic spectacle to date, ‘The Return Of The Pumpkin Witch’. Eleven spooky anthems that provide an audial bludgeoning for almost forty four minutes, these progressive haunts are just what the doctor (or vampire or serial killer) has ordered to infiltrate your Halloween playlists. From distorted, doom-laden guitar tones and retrospective drum beats to hair raising electro sequences and synthwave tactics, this is the album that checks all the blocks for horrifying entertainment. Tape hisses and reverberated production efforts create a sinister ambiance that drives the mail in the coffin (no pun intended) for this masterful recording.

https://pumpkinwitch.bandcamp.com/album/the-return-of-the-pumpkin-witch

10. Ammothea – My God Is The Moon

Ammothea, the ambient-infused post metal project by Glacial Anatomy, is truly a riveting encounter that satisfies the pallet of those that enjoy the multi-genre experience. Soft, careening vocals, doom metal riffing and dreamy production yields a hypnotic effect, so that you can sit back, close your eyes and indulge in your own trip. These five tracks disperse almost sixty four minutes of playing time but, it’s over before you know it due to being completely lost in the mix of these alluring intonations. “Depth” and “My God Is The Moon” are standout tracks that incorporate a more upbeat approach without diverting away from the haunting gray that the entire album discharges. This is an extremely impressive release and I’m already looking forward to more from this artist.

https://syrupmooserecords.bandcamp.com/album/my-god-is-the-moon

11. Whöreplay – Whöreplay

A good dark wave tune goes hand in hand with the Halloween season, given its close ties to Gothic romanticism, vampires and grim landscapes. It also has provided bleak, atmospheric backdrops for scenes in classic horror films such as ‘Silence Of The Lambs’. This two track spectacle from newcomer, Whöreplay, fits right in with all of the aforementioned. Although only five minutes long, the artists wastes no time setting the listener on a collision course with haunting electronics, reverberated vocals, and a dreamy production. These tracks slice through like a jagged dagger, leaving a spot of coagulated blood for the creatures of the night to feast on.

https://whoreplay.bandcamp.com/track/misery

12. Unsheathed Glory/Ozeregroth – Nights Shadow Darkening

There is no better time to come together for delivering a darkened dungeon synth experience than Halloween. Unsheathed Glory and Ozeregroth combine their talents of Medieval summonings to render a five track split album, culminating in twenty four minutes of effortless canticles set to the gloomiest night of the year. Not only does each artist produce two tracks of their own, but they collaborate on the daunting self title track. Although each artist delivers contrasting tones, they mesh together very well and and flow transparently with ominous accord. This is one of my favorite Dungeon Synth collaborations of the year and I hope these artist get together again in the future, to produce more music like this.

https://unsheathedglory.bandcamp.com/album/nights-shadow-darkening

Additional forest photos courtesy of Carlton Whittle Photography. Please follow him on IG:

https://instagram.com/a_window_with_a_view?utm_medium=copy_link

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The Nebula Breviary – A Voyage Through The Black Hole With Ithildin Tape Production

Welcome to The Nebula Breviary! For starters, I’m not sure if this will be a continuous column or just a one-off publishing. In either case, I wanted to create something where I could spotlight an artist that is involved in a variety of projects, with a steady amount of releases. I couldn’t think of a better entity than Ithildin Tape Production. The home of Dungeon Synth maestro Elminster, Ithildin Tape Production is the mainstay of many other activities that performs in the Dungeon Synth realm and beyond. Enjoy these summary reviews of some of the many projects from Ithildin Tape Production!

1. The Owl Knight – Chamber Of The Starplotter

One thing I love about this release, is that it covers a lot of ground although being very compositionally minimalistic. This assortment of flavors included winter synth, raw Dungeon Synth and nominal chip tune without the cheerful undertones. The constant tape hiss gives off a nostalgic vibe and the flow from track-to-track is well thought out. You’ll definitely be reminiscing through retrospective Medieval content and this truly sounds like something that could be played in a deep, dingy dungeon. This one is worth checking out and adding it to your collection is a must.

https://ithildintapeproduction.bandcamp.com/album/chamber-of-the-starplotter

2. Elminster – Caern Mist

Elminster, the flagship project of Ithildin Tape Production, sends a mesmerizing reminder as to why this is one of the best, traditional Dungeon Synth projects out right now. ‘Caern Mist’ is an exceptional release that features a range of dynamic orchestrations and light-hearted patterns that are enough to sooth the soul. These lengthy tunes drift in slow motion as if waiting for the seasons to change or the lapse in light as day fades to nocturnal bliss. Beautifully produced and elegantly composed, this album is a true testament of the mature path traveled for Elminster.

https://ithildintapeproduction.bandcamp.com/album/caern-mist

3. Muzgash – Hymn Of Hithlum

This is one of those recordings that you can turn on and then get lost in its vast atmospherics. A soothing ambience starts this twenty one minute long track and then it faintly reforms into a juggernaut of ritualistic beats and hypnotic loops that will keep you sedated for the duration on the track. Hints of Dungeon Synth effects are scattered throughout in a tasteful manner, as to not take away from the complete submersion of this audial spectacle. I would love to hear more from this project, especially if this is the material we have to look forward to.

https://ithildintapeproduction.bandcamp.com/album/hymns-of-hithlum

4. Mahomet Renatus – Ire Of The Crescent Reborn

‘Ire Of the Crescent Reborn’ is an interesting blend of lo-fi Black Metal and sparse Dungeon Synth undertones. Minimalistic in approach, these three tracks complete a 20 minute cycle of trance-inducing wall of noise that is more of a controlled chaos that an all out blitzkrieg. The drums shift between blast beats and industrial thumps that maintains a deafening cadence. Overall a good release but the faster parts definitely stand out and create a whirlwind of noise that’s addictive and refreshing.

https://ithildintapeproduction.bandcamp.com/album/ire-of-the-crescent-reborn

5. In Dusk’s Embrace – Earth End’s Pantheon

Atmospheric, primitive and seductive are a few words that come to mind while spinning ‘Earth End’s Panthron’. This thirty four minute opus is a single-track, tour de force of atmospheric black metal that is a melting pot of twisted & sinister riffs, ambient textures and grainy vocals that redirects the listener to early incantations of icy cold Black Metal. Other than a quaint acoustic intro and outro, this track procures a relentless pace and delivers top quality low fidelity music. I highly recommend this recording for those that love that old school necro sound.

https://ithildintapeproduction.bandcamp.com/album/earth-ends-pantheon

6. Moss Keep – The Curtain Of Time

‘The Curtain Of Time’ exhibits two long-players of primordial Dungeon Synth with the essence of Medieval yearnings. Complete with hisses, cracks & pops of ancient recordings, the music leans on the side of melancholic compositions with somber soundscapes and a passion for mellow, emotive terrain. With both tracks extending beyond the thirteen minute mark, these depressive dirges are best heard on a dark, dreary day where emptiness is of the essence. This is a very entertaining release and amongst my favorites by Moss Keep.

https://ithildintapeproduction.bandcamp.com/album/the-curtain-of-time

7. Howling Mire – Answering The Hidden Summons

‘Answering The Hidden Summons’ is like an album of distraught ellegies, assembled for those mournful souls lost in ancient battles. The keyboard work throughout this album is amazing and truly showcases a sophisticated effort from the Ithildin Tape Production camp. Complete with background hisses to supplement the overall dismal ambience, these four tracks are over before you know it, even though totaling almost thirty minutes worth of music. Save this one for a rainy day and it will fit right in.

https://ithildintapeproduction.bandcamp.com/album/answering-the-hidden-summons

8. Dyvyná – Within The Walls Of The Promised Kingdom

From the music to the art work, this has the Renaissance era written all over it. Crisp synth leads and dreamy effects solidifies a haunting atmosphere of bright, effervescent colors. There is a slight reverb on the instrumentation as well, emitting a powerfully thick sound that aligns perfectly with the production efforts. This Dyvyná project is definitely one to look out for and an extensive catalog of music is already building up.

https://ithildintapeproduction.bandcamp.com/album/within-the-walls-of-the-promised-kingdom

9. Whispers Of Umbar – Hail The Voidlord

Whispers Of Umbar is one of my favorite projects from Ithildin Tape Production. There is just something about that primitive sound that blurs the line between Dungeon Synth and Dark Ambient that brings joy to these ears. ‘Hail The Voidlord’ is a near twenty seven minute experience that is crafted in noise and brutal harmonics that produces visions of bleak landscapes and unfathomable bloodshed. By the time this insane track is over, you’ll need a nap and a chalice of spirits before your next listening experience.

https://ithildintapeproduction.bandcamp.com/album/hail-the-voidlord

10. Üvegszakadás – In The Ashes Of The Fallen Empire

‘In The Ashes Of The Fallen Empire’ is a mammoth of an album, especially in regards to previous releases in the Ithildin Tape Production catalog. Almost an hour and forty minutes of granular Dungeon Synth that feels like a massive compression chamber of ghastly intonations that are sequentially summoning Medieval spirits for an upcoming apparitional raid. Haunting melodies compounded by wobbly effects and battle-ready cadences, this is an imposing outing that is sure to become a fan favorite.

https://ithildintapeproduction.bandcamp.com/album/in-the-ashes-of-a-fallen-empire

11. Sorrow Of The Moon – Hávamál

‘Hávamál’ is one of six Sorrow Of The Moon demo’s released this year (thus far), each containing a single track ranging from twelve to twenty minutes of playing time. This project is a firm mashup of Elminster and Üvegszakadás, with its own production value that is gothic influenced and completely introspective. What I do love is the upbeat nature of this demo and how complete it sounds, with regards to the traditional Dungeon Synth sound. This is one that I can easily play over and over again without getting tired of it.

https://ithildintapeproduction.bandcamp.com/album/h-vam-l

12. Maeglin – Screams Of A Frozen Heart

Unlike the other Black Metal releases on Ithildin Tape Production, Maeglin infuses more distorted guitar chords and focuses on melody and song structure, instead of trance-like atmospherics. The results – at least for ‘Screams Of A Frozen Heart’ – is that it’s more focused, catchy and quite enjoyable. There are definitely some Dungeon Synth undertones, specifically in the intro and various spots throughout the release. However, they are used more of as a background discord than being the focal point of the music. This is another admirable release from ITP!

https://ithildintapeproduction.bandcamp.com/album/screams-of-a-frozen-heart

Cassettes Can Be Purchased Here:

https://ithildintapeproduction.bigcartel.com

Count Von Günter Creates A Medieval Eruption With The Multi-Genre Treasure, ‘A Tomb For Rebirth’

Since I started this blog – almost 3 years ago – I’ve experienced (and enjoyed) a vast array of music from various genres and it’s been the most fulfilling experience one could imagine. However, it’s even better to come across an album that’s simply fun to listen to, no matter the genre. One artist that provides such enjoyment is Count Von Günter and on his latest album, ‘A Tomb For Rebirth’, there is much to take in and the savoring experience is well worth the thirty eight minutes of your time. A splendid blend of Dungeon Synth and Black Metal, this album is like a retreat into ancient times while relishing in the glory of metal mayhem.

Right from first note of “Dawn Awaits Greater Violence”, we are reminded of heroic Black Metal intro’s and ancient Medieval battles, as a barrage of synth leads pummel through harmonious chords of melody and menace. About halfway through, volumes of distorted synths and Black Metal shrills instigate the start of violent beginnings and the dawn of something evil. This is as good of an album opener of any album I’ve heard. “Traversing The Ghostly Void” continues the destructive commotion with war-like percussion and valiant synths, layered with musical unity and vibrant tonal colors. The sound of horn effects catapults this track to grand scales with offerings of royalty and bloodshed. “Failed Pantheon” continues the frantic pace of the previous tracks but introduces lyrical hymns via the stylings of Black Metal vokills. With enough reverb to keep the music necro, it’s the fusing of light synth tones that makes this sound unique and addictive to listen to. “All Is For Naught” is more in the vein of traditional Dungeon Synth, as it’s reminiscent of a more peaceful period with a variety of instrumentation and production techniques. “Hymn Ov The Spectre” commences with a funeral dirge-like cadence before shifting into more of a doom-laden canticle that has a mesmerizing tone with airy synths and bombastic drum rhythms. The harsh vocals blend nicely, especially when the more strident aspects of the track come into play. This song yields a huge sound that could easily become an anthem for Dark Dungeon Music. “Visions Ov Valhalla” begins with a sultry synth chop that hammers away at a mesmerizing melody. Soon after the intro, Black Metal styled narrations reveal a near in-audible storyline but aligned with the solid and steady percussive beat, the realization is that this is a track of inevitable war and destiny. The sudden inclusion of horn effects are always welcomed and the end results is beyond amazing. “Dragging Bones” is a short piece that includes droning keys, modulated synth tones and eerie soundscapes that together, present the beginning of a dark demise. Old school Black Metal riffing are somewhat buried beneath the chaos but are loud enough to appreciate the ominous atmosphere that they bring to this track. The final offering is “A Tomb For Rebirth” and it’s the most grandiose oblation yet. Beginning with a soft, clashing noise and a ticking clamor, the title track runs through a gamut of maniacal changes that cycle through several genres of music. Soon after the introduction, Black Metal vocals and doom styled drumming change the pace, keeping this an interesting endeavor. As the verse finishes, the pounding of double bass drums and additional synth layers create a cinematic tone of blissful arrangements and beautiful atmospherics. Although the momentum shifts focus several times, this beautiful composition continues to find its way back to a creative spot before closing out in a short blast of chaotic noise.

Count Von Günter has created a masterpiece of Black Metal-fueled Dungeon Synth and the proportion of each genre is exquisitely represented. There are many occasions – with multi-genre albums – in which one genre is dominant, but that’s not the case here. Because of the exceptional blend of musical endeavors, this is a very fun album to listen to. Each track is different, exciting and certainly memorable. The cassette release sounds even better, as the classic tape hiss adds another layer of overwhelming power to enhance the listening experience. I highly recommend this album, as well as well as ‘Forced To Wander’, the jubilant debut album. Click on the link below to enjoy this magnum opus and please support this amazing artist.

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Links:

https://countvongunter.bandcamp.com/album/a-tomb-for-rebirth

Top 10 Dungeon Synth / Synth Releases Of 2021

The great thing about the Dungeon Synth community is that it’s growing at a staggering rate and it seems like multiple albums by an array of artists are getting released on a daily basis. The downside of that is picking just 10 releases to be featured on my Top 10 Dungeon Synth / Synth albums list of 2021. If I had the time to create and talk about my Top 50 releases, I’d certainly do so. However, since it would take me too long to get that done, you’re stuck with a list of my Top 10 favorites of this year. Please enjoy and show your support for these artists if you don’t already do so.

10. Lamp & Dagger (Various Artists) – This Tape Is Haunted

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted

Although this may be considered by some “a seasonal album”, it’s much more than that. It’s like a soundtrack of dread and horror that provides a terrifying backdrop to your ghoulish nightmares. Lamp & Dagger assimilated an all-star cast of Dungeon Synth artists to step beyond their traditional undertakings for creating a spectacle of anguish and fear. The results are breathtakingly evil and definitely deserves more than a seasonal listen. I’ve not stopped listening to this since it’s release and it’s more than worthy of kicking off my Top 10 Dungeon Synth/Synth albums of 2021 list.

9. Baerdcyn – We Are But Somber Beings

https://baerdcyn.bandcamp.com/album/we-are-but-somber-beings

Baerdcyn is a multi-talented artists that finds his stride with a myriad of acoustic instruments and organic tones. Just off the beaten path of traditional Dungeon Synth, ‘We Are But Somber Beings’ is a masterclass in instrumental compositions with raw emotions as the driving force. These mournful tracks contain some of the most serene arrangements that I’ve heard in a while and it’s been one of my go-to albums when I relinquish myself to a period of relaxation and relief from day-to-day endeavors. Tune in to this peaceful, Medieval offering and enjoy its blissful mystery.

8. Elminster – Mountain Specters

https://elminster.bandcamp.com/album/mountain-specters

Elminster is one of my favorite Dungeon Synth artists that has turn it up a notch or two this year with releasing multiple stellar albums and expanding his arsenal amongst multiple project titles. Although just about everything has been amazing, it’s the ‘Mountain Specters’ album that has consumed the most plays from the ever-growing Elminster catalog. The tunes are very dreamy with an alluring charm that depicts a brief time of light during a rather dark period. If someone were to ask me a good starting point for discovering Elminster, I’d look no further than ‘Mountain Specters’.

7. Vandalorum – Maewyn

https://vandalorum.bandcamp.com/album/maewyn

‘Maewyn’ came out earlier in the year but I still listen to it quite often. The conceptual album based on the legend of Saint Patrick maximizes the sound spectrum with massive layers of synth effects, odd noises and percussive patterns & drum fills that are out of this world. With a fusion of upbeat and gloomy arrangements, this is not only an interesting album to listen to, it’s also one of my favorites of 2021 and it rightfully deserves the space on this list.

6. Jenn Taiga – Lunar Nocturnes & Esoteric Incantations

https://jenntaiga.bandcamp.com/album/lunar-nocturnes-and-esoteric-incantations

Jenn Taiga has hit another home run with ‘Lunar Nocturnes & Esoteric Incantations’. Auspiciously fusing Berlin School, retro synthwave and the underlying elements of Dungeon Synth, Jenn Taiga has created a type of energy that is impressive, addictive to listen to, and at times leaves an anxious feeling of the unknowing with regards to song structure and limitless capability. For me, it’s hard to top 2020’s ‘Plight’, but ‘Lunar Nocturnes & Esoteric Incantations’ expands the horizons of the aforementioned with its awe-inspiring resilience and is just as impressive.

5. Uilos – I: Dark Night Of The Soul

https://socalledhell.bandcamp.com/album/i-dark-night-of-the-soul

Out of all the albums in my Top 10 list, this is the only one that caught me by surprise. This is a pensive recording that exposes a meditative value with each and every listen. The production effort is a predominant factor that maximizes the tranquility of this recording and it’s the wall of sound vibe that makes this such a grand offering. The music ranges from Medieval styled anthems to modern synth harmonies and everything just fits…perfectly! Uilos is an artist that I’ll be following really closely from now on.

4. Wampyric Solitude – The Splendor Of Loneliness

https://wampyricsolitude.bandcamp.com/album/the-splendor-of-loneliness

Wampyric Solitude is the only artist (at least for me), that has an album in both of my Top 10 year end lists (one here and another in my Dark Ambient list). In what I consider to be his defining moment in Dungeon Synth, we are graced with ‘The Splendor Of Loneliness’. This album emits almost ninety minutes worth of abrasive Dungeon Synth that is dark, ominous and portrays the hardship of Medieval confrontations. Every track is a near masterpiece but there are several that stand out. “Enthroned Amongst The Eldritch Shadows” and “A Putrid Stench From The Grave Of Hope” are without a doubt some of the best tracks I’ve heard this year. If caustic Dungeon Synth is your thing, then don’t go another minute without checking out this gem.

3. Landsraad – The Golden Path

https://landsraad.bandcamp.com/album/the-golden-path

Dungeon Synth constructed around the Dune Universe? Yes, absolutely and not only is the concept enthralling but the music is some of the best that was produced all year. Although comfortably seeded in the Dungeon Synth genre, it’s the synthwave aesthetics that propel this album to great heights. Providing a futuristic atmosphere with retrospective effects, this is a true audial translation of the Dune story. This spectacle is sure to stand the test of time and will remain one of my favorites for many years to come.

2. Erythrite Throne – Eternal Frost Of The Dark Ages

https://serpentsswordrecords.bandcamp.com/album/eternal-frost-of-the-dark-ages

Whether you’re new to the Dungeon Synth genre or not, Erythrite Throne is most likely one of those artists that will get referred to the most as the “go to” for consistent musical releases. After all, in this modest community of artists and fans, Erythrite Throne would be considered a household name. That being said, there are several amazing facets to his music including Vampyric Blackened Synth and Symphonic intonations. Although every bit is amazing, it’s the symphonic side that I tend to gravitate to the most. ‘Eternal Frost Of The Dark Ages’ is one of those albums and – in my opinion – may be the best album in the discography. Made up of four epic long players, these cinematic anthems deliver a gloomy but melodic style that is supremely written and produced. Every song stands out in this masterclass effort and this has been one of my most played albums of the year.

1. Leander – Sorrow Dwellings

https://leander33.bandcamp.com/album/sorrow-dwellings

There is something extremely special about Leander’s sophomore effort, ‘Sorrow Dwellings’. Not only is the music absolutely incredible, but as a whole, it just feels personal, as if it were exclusively written for me and/or my emotional state. This album was released in January and here in December, it has remained my favorite Synth album of the year. At times it has a traditional Dungeon Synth vibe, other times it has a 70’s prog rock feel to it and above all, these compositions were exquisitely written and are some of the best tunes I’ve ever heard – of any genre. Although only consisting of five tracks, they all stand out in their own way during this thirty seven minute journey. I can’t wait to hear what the future holds for this exciting artist.

Celestial Ephemerides: A Collection Of Dungeon Synth Summary Reviews, Part IV

Hello deep dungeon dwellers, I’m back with my last dose of Celestial Ephemerides for the year that covers the Dungeon Synth genre. These albums are simply amazing and I wish I could devote more time doing long form reviews but As a single-human operation, I seem to run out of time quite often. Nevertheless, I hope you enjoy this collection of summary reviews and please support the artists and this community!

1. Elven Sorrow – A Rise And Fall To Be Forgotten

Elven Sorrow brings us a mighty dose of Dungeon Synth in the form of a single, forty plus minute tracks. From impulsive elements of dark dungeons to retro synthwave tones, this track plays through a range of electronic goodness that succeeds in captivating the listeners attention, specially with the epic song length at play. With a dim production and minimalist dynamics, ‘A Rise And Fall To Be Forgotten’ is up close and personal rather than being grandiose in design. Impressive debut album from this artist.

https://elvensorrow.bandcamp.com/album/a-rise-and-fall-to-be-forgotten

2. A Compendium Of Curiosities – The Resting Place Of Dreams

‘The Resting Place Of Dreams’ is a sulky combination of synth wizardry and Renaissance-era atmospherics. These five tracks are a beautiful reminder at just how in depth the Dungeon Synth genre is, as it has a sound all of its own, yet plays right into the traditional Dungeon Synth aesthetics. Another mesmerizing album by A Compendium Of Curiosities and one that instills hope of continued growth in this loyal community of artists and fans.

https://acompendiumofcuriosities.bandcamp.com/album/the-resting-place-of-dreams

3. Borja – Antediluvian

Although a slight departure from Dungeon Synth in the traditional sense, ‘Antediluvian’ is a fresh take on theatric synth music. Soothing in nature, these tunes are memorable and will leave a lasting impression of the dreamy content that it portrays. Tracks such as “Where Dreams Fade To Ashes” and “Under The Eyes Of The Serpent” pack quite a punch with darkened arrangements and minimalistic vibes. This is an exquisite release with high entertainment value and impressive compositions that is sure to please all fans of electronic music.

https://borja375.bandcamp.com/album/antediluvian

4. Lóndrangar – Lóndrangar

Lóndrangar creates menacing Dungeon Synth for the warrior soul. These three expanded tracks produce nearly thirty three minutes of gritty synth tones with compounding melody throughout and a lasting impression for battle-like consequences. Mild orchestrations and gloomy production intensify the music while the epic arrangements set forth a dark path of Medieval influence. Find a cozy place and light a candle to enjoy this massively impressive effort.

https://londrangar.bandcamp.com/album/l-ndrangar

5. Calignosia – Páramos

With a grim assembly, Calignosia emits a musical pallet full of joyous rhythms, acoustic passages and a wondrous sense of melody that is sure to whisk the listener back to ancient times. With a slight reverberated sound and minimalistic approach to recording, the echoes of a Medieval past can be heard throughout this amazing recording. Each track presents a solitary stance that easily come together on an impactful audial journey. Highly recommended for those that welcome modern, world musical influences in their Dungeon Synth recordings.

https://calignosia.bandcamp.com/album/p-ramos

6. Goryō – Kaidan

Ancient Japanese instrumentation and traditional arrangements from the Samurai era prevail on this intense album of archaic tranquility. Deep drones and intensified soundscapes provide the landscape for these alluring compositions of a sinister output. I can imagined traveling in an unforgivable, wintry mountain terrain and being stalked by silent warriors of the night. This is one of the most unique recordings I’ve heard this year and it’s garnered plenty of playing time in my secluded domain. Highly recommended for fans of the orient and Japanese nostalgia.

https://goryokai.bandcamp.com/album/kaidan

7. Diego S. – Border Lands

Diego S. really knows how to set the mood with his brand of atmospheric Dungeon Synth. Beautifully produced, each track has a a crystal clear sense of direction and every instrument sounds exquisitely charming in the overall mix. Tracks such as “Beyond The Mist” and “Remnants Of A Hero” prove their worth with gloomy arrangements and mystifying synth effects that electrify with ethereal consistency. Defiantly an album worth checking out and an artist worth following to keep up with his musical endeavors.

https://diegosofficial.bandcamp.com/album/border-lands

8. Uilos – I: Dark Knight Of The Soul

Uilos presents ‘I: Dark Knight Of The Soul’ and it’s like listening to Dungeon Synth from the future and quite possibly an Album Of The Year contender. Songs like “Hermits Hideaway” has a touch of retro synthwave while “Strength Of Ten” and “The Last Stop” manipulates soothing guitar tones for a mystical adventure. This album has something for everyone and the journey – from start to finish – is absolutely amazing.

9. Shrouded Gate – Ravenlore

‘Ravenlore’ does the stronghold proud by stirring up an aggressive dose of Cinematic Dungeon Synth. The use of multiple synth layers are prominent throughout and the stellar songwriting broadens the scope of its fabled delivery. The dreamy production effort also enables this to cross multiple sub-genres such as comfy synth, forest synth and grandiose, dark Dungeon Synth. Standout tracks include “The Gentle Blossoms” and “Through The Dream Sky” – which has a mesmerizing percussion section. Don’t pass on this excellent album that has so much to offer to the listening ear.

https://shroudedgate.bandcamp.com/album/ravenlore

10. Inexistence – A Journey Through Ancient Times

Inexistence are the masters of variety as the tracks on ‘A Journey Through Ancient Times’ maneuver between sadistic synth intonations, chip tune endeavors and menacing symphonic black metal intro-style synth offerings. You never know what you’re going to be listening to from track to track but rest assure, these intonations are well constructed and hold their own either in a single track listening session or as a full album venture. From bombastic to minimalistic, expect the unexpected and enjoy the deep dive into this magnificent recording.

https://inexistence1.bandcamp.com/album/a-journey-through-ancient-times

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Controlled Discord Meets Hostile Variance On Fen Wraith’s ‘Forgotten Lore One/Two’ EP’s

The positive aspect of my ceaseless search for obscure music is there is plenty of it out there and not enough of it gets discovered at the rate that it should. One of my intentions with this blog is to help propel those artists/albums into a realm of clarity amongst the ambiguous. One such act that fits this description is Fen Wraith – an attentive new artist that creates a nucleus of sludgy metal tunes with the help of Dungeon Synth aesthetics and a love for loud, propulsive distortion. In March of this year, this solitary act released two EP’s of majestic music that should meet the needs of those with a love of tonal variety. ‘Forgotten Lore One: Black Waves Crashing’ and ‘Forgotten Lore Two: The Haunted Mire’ are two snippets of exciting songs that range from doom-laden dirges to acoustic haunts that build with anticipation.

Forgotten Lore One: Black Waves Crashing

‘Forgotten Lore: Black Waves Crashing’ presents ten minutes of murky doom riffs with heavily distorted bass and a rugged mix of clean and harsh guitar riffs that trudge onward for the duration of this recording. “A Cursed Quest, A Miserable Existence” begins with the sound of clashing swords, as a Medieval battle seems to be well underway. After a short narrative sample, a barrage of thunderous bass tones promotes an assaulting sound while a slow drum beat provides a roomy cadence. Guitars strum faintly in the background but add a deep character to the track. “Black Waves Crashing On The Shore Of 1000 Hollowed Graves” continues on with the same groove but this time with a bit more melody. The fusion of clean guitar riffs and harsh bass tones work really well in this track and the end result is a short but effective trance-like dirge that ends quicker than it should. The final track on the EP is, “The Final Thoughts And Breaths, Of A Dying Man” and it features icy cold vokills, compounded by droning guitar riffs. Toward the middle of the track, the harsh riffs subside into a beautiful acoustic passage that brings us to the end of the album.

Forgotten Lore Two: The Haunted Mire

‘Forgotten Lore Two: The Haunted Mire’, contains two tracks of hypnotic sounds that are slightly less aggressive than the tracks on the first EP, and are a little more epic with regards to the compositional side. Lead off track, “O’Keeper, O’Defiler” commences with a steady drum beat that is backed up with layers of looping guitar riffs that allow the listener to to drift off into an imaginative world of angst and ancient scenery. The last few minutes of the track contains a haunting narrative piece that combines with a clean guitar strums to produce a calming effect. Suddenly the track blasts off into a loud climactic ending that is reminiscent of early Blood Of The Black Owl releases. The second (and final) track is the ominous “Haunted And Hunted”. Chock full of soundscapes and samples, it’s as if battle-ready warriors are sharpening their weapons in preparation for a grueling bloodshed. Massive guitar drones add a sinister character to the track, as a plethora of additional instrumentation slowly build into a highly anticipated musical capstone. A muffled drum beat maintains a durable pace and all at once, the noise come to a screeching halt, minus an acoustic passage and random industrial-like effects.

If these two EP’s are a consistent introduction for albums to come, then we are safe with delivering accolades to the bright young path of Fen Wraith. Although these are brief outings, the production of unique and inspiring music has been achieved. For the sake of getting lost in the music, I wish these tracks were longer but I kindly accept them for what they are, which is an entertaining mix of noise, metal and Dungeon Synth undertones. Please support Fen Wraith and these albums by clicking on the link below.

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Links:

https://fenwraith.bandcamp.com

Hasufel Spreads Anguish Into The Halls Of Madness With Synth-Spectacular, ‘Exaltation’

‘Exaltation’ has been a highly anticipated release ever since the advertisements and promo packages have been putting out exciting information on the music contained within for the past few months. For me, it provoked a sense of enthusiasm for really wanting to dive in and examine the power of each track. With just four songs and about twenty minutes of playing time, I expected this one to hit hard right from the opening note until the final one. So after have experiencing this album at least five or six times now, do I think it lives up to the hype? Absolutely…and then some! ‘Exaltation’ is a seamless blend of Dungeon Synth, Winter Synth and Dark Ambient with superb vocal narrations and effects, as well as ominous soundscapes and field recordings. This is quite the unique listening experience and definitely a rewarding one.

“School Of The Prophets” begins with eerie drones and sinister, lo-fi soundscapes, depicting a true scenery of dungeon vibes and heinous Medieval existence. Winter synth tones come into the equation and are quite melodic, but as an addition to the darkened tones, it’s presents a grim listening experience. Pastoral narrations add a maniacal and dreadful emotion that may seem overwhelming, but fits in perfectly to maintain the gloomy ambiance. The song closes out with a single – high-pitched – tones that leads right in to, “White Mildew”, another bleak affair that showcases what it would have been like to be committed to a lifetime of Dungeon-dwelling existence. The slight echo on the voice narrations is reminiscent of early 90’s Black Metal ambient sections – desolate and ominous at best. Although keyboards are used in a minimalistic setting, they fuse perfectly with the atmosphere of this track. “Salvación” is a slow builder, almost tribal-like, with more outstanding narrative parts. This time there is a vocal variant that is added, expanding the density of the soundscapes and field recordings. This track is almost in the realm of ritualistic black ambient, and is one of my favorite recordings on the album. However, amongst the chaos, it ends on an austere, but peaceful note. The final song on the album is the title track, “Exaltation”. From the very beginning, it emits very creepy vibes with heavily reverberated piano tracks and almost circus-like anthems, as if a great show was coming to a close. This is a grand meshing of the senses, as it is part whimsical and part malevolent. It’s like chaos with paralysis and a perfect way to end this short but amazing album.

Hasufel fuses the best of both worlds – speaking specifically of Dungeon Synth and Dark Ambient. Although ‘Exaltation’ doesn’t fit firmly in either of these genres, the prodigious tracks contained within takes the best of both genres and expands them to a realm of unimaginable terror and viscous imagery. I’m completely fascinated by this recording and it reminds me of 90’s Black Metal as well, especially with the dissonant ambient interludes that create the horrific scenes between the tracks of hateful riffing. I highly recommend checking out ‘Exaltation’ if any of the above-mentioned descriptives appeal to you. I guarantee that you won’t be disappointed, so click on the link below and download this spectacular album.

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Links:

https://pacificthrenodies.bandcamp.com/album/exaltation

Vandalorum Surpasses All Expectations On The Extremely Diverse ‘Maewyn’

Vandalorum is an artist that needs no introduction, especially if you’ve followed the Dungeon Synth genre for the past couple of years. Quickly establishing himself as one of the premier acts in the community, Vandalorum has persistently released a number of exceptional albums, garnering a huge following amongst musicians and fans alike. Vandalorum is also no stranger to The Dungeon In Deep Space either, as I reviewed the 2019 album, ‘Flagellum Dei’. That album erupted with enormous Medieval anthems and made me an instant supporter. Although I didn’t get the chance to review the massive follow-up release, ‘Mesopotamian Death Cult’, it was also a work of art that surpassed its predecessor. That leads us to the latest release called ‘Maewyn’, the gallant story of the life of St. Patrick; from the trials and tribulations of his actions with bringing Christianity to Ireland to his lasting impression on history and story telling throughout the ages.

Jubilant album opener, “A Saint Lays Claim To The Souls Of The Irish” is light and vibrant and immediately presents colorful layers of energetic electronic music that transcends Dungeon Synth. The warm drum patterns and vigorous synth leads catapult this track down a genre-less path and exposes it to boundless sources of musical universal acclaim. From the very first note of “Rise Of The Fomorians”, I realized that this album was going to be special and once again eclipse its predecessors. After a short keyboard intro, a drum beat fuses with expansive synths and showcases a groove that is completely mesmerizing. Traditional Dungeon Synth keyboard effects have a few spots that are commendable and gives it a bit of flare and variety, but the real winner is the choir-like vocals and the bombastic drum fills. I can’t get enough of this track and it may be my favorite one on the album. Next up is the short, symphonic piece,“Moraltach”. Although at just under a minute and a half long, it plays an important role by continuing this voiceless story and shows just how powerful good music really is. “Children Of Lir” continues the passion set forth in the previous tracks and offers even more melody as layers of synth effects meld together to form a memorable composition. However, once the drum beats are engaged, this Crypt Hop track soars to chilling new heights. Retro synthwave vibes with a touch of reverb keeps it old-school while maintaining a modern appeal. “Enslaved By Celtic Raiders” takes us back to a more traditional Dungeon Synth style, but powerful percussive parts and soaring guitar leads makes this one of the most ambitious compositions yet. The synth break in the middle – complimented with natural sounding field recordings – is beyond extraordinary and it completely exudes tons of emotions. “Exodus Of The Tuatha De Danann” commences with an immaculate piano lead that builds up to a serene duet with a soaring synth. As other instruments are betrothed, you can sense a maniacal presence taking over as this early-dawn, synthwave track soars beyond the stratosphere. “Cu Chullain” is another musically diverse piece, as it begins with a peaceful and somber intonation. As various instruments assemble to form a harmonious arrangement, the track ascends to new heights as black metal vocals are introduced at the same time the drum beats come in to play. “The Nymph Of The Forest Of Neri” is an elegant cantata that has some of the best melodic moments on the album and the brisk drum beats are a welcomed treat. “The Cave Where He Saw Hell” takes us back to a more traditional Dungeon Synth sound, specifically in the layered synth effects. However, this one would easily classify as a Crypt Hop track as well, especially when the smooth beats start up at various times. There is a velvety shine throughout this emotional song and it serves as a spiritual uplifting guide, as this magnificent album comes to a close. The final track on the album is the near ten minute long, “A Prayer In The Fields, and God Answered”. Not rushing a single thing, it begins with a simplistic synth drone, with layered leads filling in with some lush details that sound very emotional. This structure remains throughout the track, although the synth effects change style a few times to maintain a curious introspective. This song is so mellow & beautiful and provides the perfect ending to this amazing album that has provided so much variety.

This is one of those albums that can be listened to from start to finish without ever skipping over any tracks. I can’t think of a single song on ‘Maewyn’ that I would skip during a play through. Since it contains so much diversity on every track, I wouldn’t want to miss any of the intricate details contained within because at any given time, any of these tracks could easily become my favorite song on the album. The vast improvements in musicianship and songwriting over the past three albums or so is just unreal and Vandalorum should be proud of such an amazing accomplishment. Please show your support for one of the genre’s best and download ‘Maewyn’ from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://vandalorum.bandcamp.com/album/maewyn

Top 10 Dungeon Synth / Synth Releases Of 2020

What an amazing year for Dungeon Synth (and other underground synth-based genres). This year has exploded with some of the most absorbing musical ventures my ears have been privileged to hearing. Whether it’s the grimness of Vampyric Dungeon Synth, the obscurity of Comfy Synth or the enlightenment of Berlin School dark synthwave, I embrace all of these sub-genres with the hopes of finding the most amazing music possible. Although there were hundred (possibly thousands) of Synth-based releases over the past twelve months, this is a list of my 10 favorite albums of the aforementioned sub-genres. I hope you enjoy…what I’ve been enjoying!

10. Moss Golem – Of Witches Blood And Angel Tears

https://serpentsswordrecords.bandcamp.com/album/of-witches-blood-and-angel-tears

What better way to get things started than with a dose of Uncomfy Synth! Moss Golem may be categorized by some as Comfy Synth but this is light years from it. It’s more like a menagerie of darkened dungeon synth arrangements with colossal black metal screams and I absolutely love it. Of the small handful of releases by Moss Golem this year, ‘Of Witches Blood And Angel Tears’ is my favorite.

9. Wooded Memory – My Secret Horror

https://woodedmemory.bandcamp.com/album/my-secret-horror

‘My Secret Horror’ caught me by surprise this year, as I wasn’t expecting it to be so amazing. Don’t get me wrong, 2019’s ‘The Lost Stories’ was great, but this one is so much better. From the illustrious arrangements to the phenomenal production, I’ve really enjoyed this album and it, accordingly, deserves a spot on my Top 10 list.

8. Erang – Imagination Never Fails

https://erang.bandcamp.com/album/imagination-never-fails

Erang takes us on a mythical journey like no other! From brooding musical-like tracks and symphonic marvels, to traditional dungeon synth and synthwave, Erang leaves no stone unturned and is one of the most ingenious synth artists out today. ‘Imagination Never Fails’ is an addictive listen and I revisit this one quite often.

7. Borg – Woodland

https://borg.bandcamp.com/album/woodland

Borg is as quirky as they are talented and this modern day Medieval-style music with analog instruments (and numerous unconventional undertones) is to be taken seriously. ‘Woodland’ is a fantastic album and showcases their capability for idiosyncratic arrangements, as well as more serious sounding tunes that may have well fit in on some cult spaghetti western films. Absolutely amazing!

6. Guild Of Lore – Autumn Bohollow

https://guildoflore.bandcamp.com/album/autumn-bohollow

Guild Of Lore is the real deal! The hybrid combination of cinematic elements and dungeon synth makes this one of the most unique albums of the year. The production and arrangements are perfect and the writing will leave listeners (and possibly other artists) in awe of the amazing talents that spew from within. If you’ve not heard this album, you’re definitely missing out!

5. Abholos – Whispers From The Dark Sea

https://serpentsswordrecords.bandcamp.com/album/whispers-from-the-dark-sea

Abholos is one of my favorite Dungeon Synth projects and I look forward to these release than perhaps most other artists. The fusion of retro-style synth arrangements and maritime soundscapes is exactly what I love to listen to and not many others excel at it more than Abholos. ‘Whispers From The Dark Sea” is my most listened to Abholos album and one of my favorite releases of 2020.

4. Lurk – From The Depths Of Y’ha-nthlei

https://lurkmusick.bandcamp.com/album/from-the-depths-of-yha-nthlei

I knew after being just two minutes in to this album that it was going to end up on my Dungeon Synth AOTY Top 10. The crystal clear production makes it possible to enjoy the outstanding music, soundscapes and samples that grace this behemoth of an album. From start to finish, this album rips and I cannot wait for the next dose of Lurk to come about!

3. Jenn Taiga – Plight

https://jenntaiga.bandcamp.com/album/plight

I listen to this album at least once a week. I mean it’s that good and just puts me in a zone that almost no other album can do. Consisting of two tracks that are nearly forty three minutes long, there is definitely enough time to drift off into another world that depicts a scene of sonic beauty. Heavily influenced by Berlin School and progressive space rock, this enchantment of a recording should be on everyone’s playlist by now!

2. Mystica Visio – Mystica Visio

https://mysticavisio.bandcamp.com/album/mystica-visio

‘Mystica Visio’ is probably one of the best albums (of any genre) that I’ve heard this year. Gustavo Jobim is an award-winning musician that decided to try his hand at Dungeon Synth this year and I couldn’t be happier about that decision. Not only is this an amazing album, but the track “Spell Of Entrapment” is probably my song of the year for this genre. This album is an absolute must for your collection!

1. Varkâna – Cosmic Terror

https://varkana.bandcamp.com/album/cosmic-terror

Varkâna’s ‘Cosmic Terror’ was released in May of this year and its still one of my most played albums. This Lovecraftian-themed endeavor features some of the most meaningful tracks I’ve ever heard, and the emotional output is only topped by the amazing musicianship, pristine song arrangements and writing. All of these elements combined have made this my Dungeon Synth / Synth album of the year for 2020.