Santolo Marotta Crosses Into The Somber Realm Of Obscurity With ‘The Bridge Of Dark Existence’

In life on earth, as we know it, bridges are used to actuate travelers from point A to to point B, by providing a means for them to traverse over an area that is intolerant to a normal commute. Wether it be a body of water, another – perpendicular – roadway, a valley between two high mountains, or another terrain of the path less traveled, bridges are the purgatory of destinations for which we rely on in our daily lives. However, in the spiritual life, a bridge can be the platform that connects Heaven & Hell, good & evil, and right & wrong. In Santolo Marotta’s exceptional new album, ‘The Bridge Of Dark Existence’, his message is that of a spiritual nature, in which the bridge connects the minds of the listener to a relatable darkness in a distinguished, yet eerie reality. With dense drones, moody soundscapes & pads, Santolo creates a calming vibe that is haunting, yet very appeasing to the restless nature of the conscious. The six songs contained on this recording flow into each other effortlessly as one sonic volume, while sounding equally entrancing as individual pieces.

“Kierkegaard” is a nostalgic yet mollifying minimalist thrum that solidifies the boundaries of both sides of the bridge as layers of droning pads creates an ominous and evil presence. No matter which side of the bridge the listener may find themselves on, a sense of apprehension takes over as imminent danger lurks ahead. “Atmosphere” has more of a cinematic feel as the keyboards perpetrate the sounds of stringed instruments, crescendoing and declining in sound and nature. It’s the perfect preface for “Atmosphere – Part II”, as the string sound gives way to a darker tone, while maintaining the same melody. This song represents the change in atmosphere, as listeners have committed to crossings the bridge into territories unknown, into a darkness that awaits their confrontation. “Ghost (Interlude)” is a short track that combines droning deep bass frequencies with a screechy soundscape to afford a sense of wonder, as the final steps across the bridge are probable. “Horror” is a definite stand-out track as it epitomizes a horrific danger that is fast approaching as a bizarre music sample is played over a hasty keyboard arrangement with occasional jazz-like improvised key patterns. The final song on the album, “Anaphase”, serves as the full spiritual crossover into the area of dark existence. Once the adventurer completes the trek across, the bridge disappears forever. Clocking in at over thirteen minutes long, this minimalistic piece encompasses several layers of deep and mid-level bass sounds that provide a vibrant and stimulating sound, continuously reverberating in the mind to create an atmosphere of empathy and enchanting nightmares.

‘The Bridge Of Dark Existence’ is a defining moment for Santolo Marotta, as he has successfully created a soundtrack of psychological terror and peaceful refrain. Depending on your reason for crossing a bridge – whether spiritual in nature or in the human world – a dark ambient medium is the perfect companion for providing the guidance needed for making the final leap of faith. ‘The Bridge Of Dark Existence’ is the perfect guide to assist in making that trip. The minimalist tones creating a calming and relaxing atmosphere to help open the mind, and allow for limitless exploration into dark worlds and uncharted territories. Please support this remarkable artist and download this stunning new album from one of the links below.

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Link:

https://lakelabel.bandcamp.com/album/the-bridge-of-dark-existence

https://santolomarotta.bandcamp.com

CLAVICVLA Ceremoniously Bring The Upheaval Of Evil With ‘Sepulchral Blessing’

As one descends into darkness, I can only imagine what the soundtrack that accompanies them may sound like. For those lost souls that have committed horrible atrocities, the deafening sounds of decaying industrial noise may forever haunt their every move as it guides them to the pits of hell. For those that have brought shame upon themselves in one way or another may experience a past-lifetime of excruciating gothic undertones. For the rest of the blasphemous descendants, they may experience the diabolical, black ambient sounds of the latest CLAVICVLA album, ‘Sepulchral Blessing’. Horrifying drones, despondent bass frequencies and haunting spoken words bring this terrifying album to life and singes the ear drums of those brave enough to listen. The six ritualistic drones presented on this release combine the dreadful soundscapes that will fill your every wakening moment, with intense anxiety and traumatic noise bliss as the great James Plotkin (O.L.D., Khanate, Phantomsmasher) masters the album to a daunting quality like no other.

The ultra-low bass frequencies of “Demonic Integration”, sets a steady droning pace, as distorted spoken words provide a sermon of evil. Agonizing soundscapes add a layer of discomfort as the listener is treated to an audio assault equivalent to a medieval exorcism. “Insorcist Will” begins with a low-end keyboard arrangement that begrudgingly provides an auditory nail straight to the brain through the ear. The monotone droning creates an eerie vibe and is reminiscent of an early Sunn O))) recording. “Tiamat Skin” ignites a profound soundscape with evil, droning textures and simple, acoustic bass sounds. The frighting spoken words – although barely audible – probably tells a disturbing story of grotesque crimes that have gone unsolved, with bodies unfound. The monk-like chanting at the beginning of “Angra Mainyu” sounds like a demonic summoning gone wrong. As the isolated pads and distorted spoken words join in, it’s clear that corrupt forces are at work here. Ominous soundscapes throughout provide another layer of agonizing excitement as endless torment is imminent. “Apocryphal Truth” starts quietly – compared to the rest of the tracks – but soon gathers alarming momentum, as creepy sounds penetrate the ears. This tracks relies heavily on long, droning sounds to contribute to the misery. The albums final track, “Sepulchral Blessing” furnishes with a climactic ending to the hate and discontent by creating an infernal mix of depressive drones and twisted, synthesized pads. The spoken words are at their most evil and sound abhorrent compared to the previous tracks.

CLAVICVLA have succeeded in creating one of the most disturbing black ambient albums in recent years. The ghoulish spoken word parts and the constant use of distorted low-end bass frequencies are the primary factors that make ‘Sepulchral Blessing” one of the best in the genre. It also helps that the album cover is equally bothersome. This not only surpasses their 2018 debut album, ‘Sermons’, but is May quickly become a defining moment in the genre as a whole. Show your support for this twisted, but brilliant artist (as well as Cyclic Law and/or Sentinent Ruin Laboratories) and download this sinister album as soon as possible!

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Link:

https://cycliclaw.bandcamp.com/album/sepulchral-blessing

https://sentientruin.bandcamp.com/album/sepulchral-blessing

Interstellar Space – Special Halloween Review #3: Erythrite Throne – ‘Ghost Stories’

Erythrite Throne is one of those amazing bands that has the gift of seamlessly combining multiple genres of music into a singular platform to convey a sound like no other. In this case, the genres of Dungeon Synth and Black Metal are the dominant art forms that take center stage and their merger leaves the sound of Erythrite Throne undeniably, and unmistakably one-of-a-kind. However, on this very special Hallows Eve release called ‘Ghost Stories’, the harsh black metal tones are vacated, in place of symphony sickness that is sure to mesmerize and soothe the angriest of night spirits.

Conjuring up ghostly spirits, “Devil’s Night” seems like a fitting album opener as the soothing keyboard sounds fool the listener into a trance-like state before the somber dirges (of the remainder of the album) take over and evoke the essence of evil that only come out on this particular eve. “Decaying Burial Grounds” is an excellent symphonic piece with catchy melodic hooks and fluid low-end bass keys that provide a stable platform for eliciting frightful pleasures from beyond the grave. The beginning of “The Dhampyre’s Tomb” would be a great intro for a black metal album, but when the lush keyboard kicks in, it’s reminiscent of a song taken from an 80’s horror film soundtrack. Elements of this song are very dark and grim but the standout arrangement make it deceitfully beautiful. “Shriek Of The Witch” exhibit elements of classic dungeon synth in the way the lead off keyboard style and patterns are played. It is combined perfectly with the back end track to create a tasty treat to ward of the ghoulish entities. My favorite track on the album, “A Dance In The Cemetery Fog” combines elements of dungeon synth, symphonic keys, twisted & macabre sounding instrumentation, and simple keyboard arrangements to create a grave worthy track of haunts and frights. The albums final number, “Tale Of The Lonely Ghost” is another exemplary track that incorporates a drum beat and multiple, haunting melody tracks that are sewn together to form contorted dirge that are sure to please all of the ghastly beings of the underworld.

Erythrite Throne definitely have the upper hand when it comes to releasing Dungeon Black Metal. Even though some releases do not contain the sounds of harsh vocals or guitars, they contain the symphonic elements of the lighter side of black metal, thus remaining classified in the same genre of music. ‘Ghost Stories’ is no exception to that, as beautiful keyboard arrangements and lush-type synths take the lead on this special Halloween album release. I recommend listening to this with the lights turned off, under the natural light of a single burning candle and be willing to communicate with the afterlife, as this album can be used as the perfect medium. This superlative album can be downloaded at the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon. While your at it, please check out my friends podcast called “The Opinionated Optimist” at one of the links below, where he reviews anything and everything. He will be releasing a special Halloween Podcast as well.

Link:

https://erythritethrone.bandcamp.com/album/ghost-stories

The Opinionated Optimist:

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Stitcher: https://www.stitcher.com/s?fid=477939&refid=stpr

Halloween Episode: https://anchor.fm/brian-caraviello/episodes/Halloween-Special-e8asia

Interstellar Space – Special Halloween Review #2: Solus Woods – ‘All Hallows’ EP

For my second Halloween review, I’ll be checking out the latest from Solus Woods entitled, ‘All Hallows’. Just released several days ago, Solus Woods dives into the spooky sounds of the scariest night of the year and replenishes our senses with the shrills of horror films from yesteryear; and when I say yesteryear, I’m talking mid to late 80’s slasher flicks. Although these five tracks total at just under ten minutes, they pack quite a punch and would make for the perfect background noise while handing out candy to the trick o’ treaters that think their approach to your front door will scare you.

Lead off track, “A Lonesome Ghoul Rises From The Grave” could have easily been written as the into track for the Day Of The Dead soundtrack, as it conjure up the undead with its haunting ambient tones and mesmerizing keyboard arrangement. “The Death Omen Of A Radiant Boy” drones with the hiss and crackle of an old record, while celestial soundscapes resinate with power. The sounds of an eerie music box provide a sense of dread and torment and the scare factor is real. “In The House, A Sad Ghost Reflects On Life” contains bleak soundscapes, a discordant piano provision, and a grandfather clock that signifies that time is up for the lost souls that are held captive in the afterlife. “Wendigo” is an alluring ambient-style piece with lush soundscapes and contain a touch of special effects at the end to keep the arrangement interesting. The final track, “Beyond The Threshold, The Fiend Lurks” would be the perfect piece to play during the ending credits of a movie that contained a horrific ending. Although minimalistic with scorching synthesized tones, the sound is quite evil and the abrupt ending will leave you wanting more to listen to.

Solus Woods continues to outdo previous albums with each new one that is released. From the quality of writing, construction of the songs and overall product production, Solus Woods is quickly becoming one of my go-to bands for not only dungeon synth, but for dark ambient recordings as well. I highly recommend checking out and supporting this magnificent artist and downloading not only ‘All Hallows’, but the entire back catalog as well.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon. While your at it, please check out my friends podcast called “The Opinionated Optimist” at one of the links below, where he reviews anything and everything. He will be releasing a special Halloween Podcast as well.

Link:

https://soluswoods.bandcamp.com/album/all-hallows-ep

The Opinionated Optimist:

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Stitcher: https://www.stitcher.com/s?fid=477939&refid=stpr

Halloween Episode: https://anchor.fm/brian-caraviello/episodes/Halloween-Special-e8asia

Interstellar Space – Special Halloween Review #1: Rhäzüns – Halloween Manifesto

The time is upon us in which we annually celebrate Allhallowtide – the remembrance of the dead – otherwise known as Halloween. In the modern day, Halloween is celebrated by trick-or-treating, carving pumpkins, visiting haunted houses or attending costume parties. However, some of us prefer to press play on some of the recently released dungeon synth and/or dark ambient releases that pay tribute to this dull and chilling festive day. If you’re seeking something hair raising to listen to that will satisfy your taste of both the DS and DA genre’s, look no further than ‘Halloween Manifesto’ by Rhäzüns. A collection of two previously released EP’s, the first half is more in the dark ambient realm, whereas the second half dives into dungeon synth – the perfect combination for the types of music my website was designed for.

Album opener, “Brume” quickly manifests into a haunting soundscape as if you are floating seamlessly in the vacuum of space and then are suddenly thrusted through a dark nebula and sucked in a voracious black hole. The grim echoes of the keyboards ring from ear to ear as background noises cause a panic throughout the track. “Mire” contains classic instrument sounds as if they were peeled from an Alfred Hitchcock movie soundtrack. the ambient tones provide the perfect backdrop to combine all of the arrangements happening in this track and it makes for one creepy dirge. “Gale” contains more of an industrial ambient sound as harsh textural undertones contribute to the eerie expression of multiple droning sounds, which results in a terrifying elegy. “I” is the first dungeon synth track on the album and has both grim and upbeat parts, as well as constant drum rolls to make for a very entertaining piece. “II” contains some bizarre voice-like sounds, mixed with some off-kilter keyboard arrangements to provide more of a variety of tunes on the second half of the album. “III” is a simple keyboard arrangement played over and over again with various soundscapes and drum beats playing in the background. However, this is very affective, as it’s one of the most melodic and accessible tracks on the album. “IV” has an awesome cathedral-style keyboard part in the beginning that is complimented by a dungeon synth keyboard melody. Although it’s one of the shorter songs on the album, it’s one of my favorites and I find myself playing this one over and over again. “V” is very well written and could easily be used in a fantasy or science fiction movie soundtrack. From the steady drum beats to the various keyboard arrangements and the low-end bass pattern, there is a lot happening in this song and may take multiple listens for the listener to comprehend what all is going on. “VI” is another masterfully written piece as it contains a flute-like sound and a simple drum beat with a soft sounding guitar melody that can barely be heard. This is another stand-out track for me, as groove and riff in this song make it seem like something being played at a war dance or a festival before a great battle is about to take place.

Rhäzüns have released something very special in ‘Halloween Manifesto’ as it covers several genres of music that I love and is dedicated to on of my favorite holidays of the year. Wether you’re a fan of dark ambient or dungeon synth, I’m pretty sure that you’ll love this album as it meshes the two genres near perfectly. Show your support for this excellent artist and album and download it from the link below.

I would also like to give a special shout out to Waclaw Traier and Droned Artworks for designing and painting this wonderful album artwork. He is also the mastermind behind the artwork of The Dungeon In Deep Space and I cannot recommend his art enough. Not only are his paintings fantastic, but he is a true professional to deal with and I’m also happy to call him my friend! Check out his work at the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon. While your at it, please check out my friends podcast called “The Opinionated Optimist” at one of the links below, where he reviews anything and everything. He will be releasing a special Halloween Podcast as well.

Link:

https://handwerkmusic.bandcamp.com/album/halloween-manifesto-2

Droned Artwork:

http://www.droned.eu

The Opinionated Optimist:

FB Group: https://www.facebook.com/groups/402374343773766/?ref=share

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Stitcher: https://www.stitcher.com/s?fid=477939&refid=stpr

Halloween Episode: https://anchor.fm/brian-caraviello/episodes/Halloween-Special-e8asia

Chaos And Torture Prevail On Industrial-Heavy ‘Døds-Hymner’ By Destruktionsanstalt

The feeling of being trapped in an industrial wasteland brings the sense of claustrophobia, terror, and chaos and surround your every intention. It’s hard to separate reality from a vicious nightmare in the ghastly ordeal that you’ve been forced to deal with. All around are the agonizing voices of those who weren’t fortunate enough to escape the brutality of this living hell. This is the scene painted by the latest effort by Destruktionsanstalt called ‘Døds-Hymner’. Pairing hate filled death-industrial with dreadful dark ambient has culminated into a release that will give you horrific nightmares and send chills down your spine.

Album opener “Morbidus Atractio”, waste no time originating the onset of inner destruction with its deafening noise inclusion and barely-audible voice samples. It’s almost as if a demon is reeking havoc on a small community and we’re all forced to listen to the barbarous outcome. “Contangiosis” continues down the same destructive path and gives the listener a sense of confinement and dread. News samples about a deadly, contagious virus can be heard in the background, adding an extra layer of fright, as the listening pleasure becomes more intense. “Infectio” changes the pace of the album but in sound only. Although this track is more in lines of a dark ambient piece with eerie field recordings, it still provides a gruesome picture of chaos & torture that is happening all around. “Pax En Morte” is another dark ambient track that yields some heinous monotone soundscapes that can easily describe the aftermath of a diabolical killing spree. Following in the footsteps of this savage event comes the ominous track, “Psychopomp”. More cruel intentions are at play here, as ghastly voices can barely be heard throughout this calm, but gloomy track. “Nigrum Caelum” is another solid ambient track with bleak undertones and field recordings throughout. This signifies there are no survivors in the aftermath of the torturous events that have brought us to this point and a full-on apocalyptic outcome is imminent. The final track on the album, “Vale Patri Meo”, brings back the industrial edge as if the vicious cycle is starting all over again. The low-end reverberating tone is counterbalanced by a futuristic keyboard arrangement – which fits perfectly in the song – and signifies the start of somber times. As the track winds down to an end, more voice samples can be heard. It almost sounds like an end-of-days sermon but is barely audible, fitting perfectly in the mix.

Destruktionsanstalt have found a happy medium between death-industrial and dark ambient. Even though these two genres have similarities and intertwine quite often, rarely are they done in a fashion where it stands the test of time and remains relevant to both genres. ‘Døds-Hymner’ is the album that breaks those barriers and remains entertaining throughout. As a listener, I really enjoy an album when I can sit back and play the whole thing through, and visualize a story based on the music alone. This album easily contributes to all of those senses and then some. Please support this incredible artist and download this album from the link below!

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Link:

https://destruktionsanstalt.bandcamp.com/album/d-ds-hymner

Harrogat Prepare Cold And Confined Works Through The Besieged Portal Known As ‘Sigillum’

In the world of Dark Ambient music, listeners are taken on a whirlwind of imaginative journeys through the mind, where most of the action takes place in post-apocalyptic worlds, where humans are living off of the land and fighting for survival. The long droning soundscapes match the harrowing travels across desolate lands, looking for other survivors in order to make peaceful communities that will flourish in numbers. Although not always meant to have a positive outcome, Dark Ambient music gives the listener a means to cope with these situations in a seemingly virtual environment. However, for Harrogat’s latest release, ‘Sigillum’, I find myself drifting to a futuristic world, once ran by rabid machines, but suddenly abandoned, yet feared for an imminent return for a final invasion. Humans now seek shelter anywhere they can find before this total devastation occurs. The world is a cold, dark and quiet place. A small group of survivors stumble upon a cathedral with a mesmerizing seal (Sigillum) on the door and enter with the hopes to find solace. However, once they enter, they sense a demise of another kind.

‘Sigillum’ is quite short for a Dark Ambient album, clocking in at just thirty three minutes over six parts. However, these parts flow as a single track and provide a complete soundtrack for any chilling story the imagination can come up with. “I” begins with haunting keyboards that flow between deep sounds and lush drones, as if the worlds horizon is constantly colliding between daybreak and darkness. However, it’s apparent that darkness wins this encounter, as by the end of the track, the lush tones give way to destructive soundscapes. “II” is a short track, filled with beautiful keyboard tones that find the protagonist, peacefully walking the halls of the seemingly abandoned cathedral, in search of life, or at least a place to call home temporarily. However, as “II” fades into “III”, it is apparent that something is wrong and the group of survivors are not alone. There is another entity inside the cathedral, stalking them, without making the slightest sound. The music drones quietly and deeply at first and then adds layers of deep sounds, giving it an evil tone. As the sound thickens and grows deeper, the group of survivors come to a door with the same seal as on the outer door of the cathedral. As they inspect the seal, they realize, it’s an ancient artifact of calamity that represents malicious intent. “IV” has an eerie vibe and the drones dissolve in bizarre fashion as high-pitched soundscapes counteract the deep bass tones. As the group continues to inspect the seal, the door suddenly opens. It’s pitch black on the other side. Do they dare enter? As the distant drones of “V” make their way to the forefront, the group of survivors enter the dark room slowly and quietly. This ghostly track provides a path of sheer terror, as it contains a supernatural vibe and a horrific structure for the consistent flow of ethereal keyboard patterns. The door shuts behind the group of survivors and the room becomes pitch black. They crowd close together in agonizing terror as their final doom awaits them. The final track on the album, “VI” bestows a bleak, radiant sound that resonates from side to side, as the group of survivors suddenly sees a quick flash of light and then they all fall to the floor. The rabid machine had stalked and preyed upon them, and annihilated them all with a single shot. The time for the machines to reclaim their land is now.

Harrogat has provided a wonderful platform for the listener to let loose with their imagination. “Sigillum’ not only excels as a masterful Dark Ambient album, it does so while relying more on minimalism than including a lot of external soundscapes and field recordings. Albums like this make listening to Dark Ambient music such an enjoyable experience. If you want to lose your mind and soul in another world and be rewarded with an excellent musical journey, then download Sigillum from the link below and support this inspiring artist!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Link:

https://lakelabel.bandcamp.com/album/sigillum