Just the name – Disgusting Cathedral – is charred with contrast and residual meaning that is beyond the scope of initial thought. First, the word disgust means repulsive to the aesthetic taste of ones morals. However, in this day and age of antonymic speaking, disgust could also mean the awesomeness of something. A cathedral is basically a religious sanctuary. So, when we put the two words together, we have an abhorrent room of worship. That being said, it’s only fitting that Disgusting Cathedral (the artist) finds solace in composing angst-filled arrangements in the Dungeon Noise sub-genre of Dungeon Synth. ‘Adventurers Despised And Rejected’ is a forty four minute gritty adventure deep in the halls of a noise-filled castle where dark dungeons and dimly lit corridors pave the way for sick (antonymic-ally speaking) compositions.
The ten tracks presented on this blasphemous affair constitute a dark and grueling concept of restrained reverberations and malevolent soundscapes that tell an abrasive story of true Medieval happenings of a hideous nature. Album opener, “A Crystalline Cavern On The First Level Of The Barrow Of Arcane Secrets” send cosmic signals right away, as every note, every soundscape is riddled with distortion or reverb (or both), and it sends an immediate maniacal impression of the dark past. A few tracks later, the dose of frequency distortion is increased as “A Gatehouse In A Nearby Dwarven Town” tips the noise scale. However, there is a wondrous underlying composition of notes, with a fascinating conglomerate of melodic keys being played. Soon, mass distortion takes over as a full-on static noise pierces the ear canal via deafening audio waves. The random chirps and squeaks that are heard throughout add a uniqueness as well. Forging onward, the fifth track, “Lord And Lady Stone Gnome Are To Expire” is an eight plus minute slow build that finds Disgusting Cathedral dabbling with elongated drones and looping soundscapes. As the volume crescendos, clarity turns into musical deformity while the thick modulations continue to build. On the eighth track, “Per Bend Sinister Or An Azure, A Badger Statant Countercharger”, we find a nice keyboard melody that soon blends with random, industrialized noises that seem to suddenly take on a life of their own. As these obscure tones begin to take over the focus of the track, additional distorted elements come into focus and aimlessly create a wall of sound that becomes more abhorrent as the song comes to a close. Skipping over to the final track on the album – which is also considered a Bonus track – “The Kindness Of Fossilized Plants Pt. II: Part One (Cursed Version)”, we are still presented with the abrasive formula of the previous arrangements. However, there is more of a cinematic song structure going on here that is extremely dismal and haunting and almost depressing. The sinister effects and baneful soundscapes create a dark scene of ill intention but with less modularity as on previous tracks. This is the perfect song to end this inauspicious album.
Disgusting Cathedral summons a new type of darkness – in the form of harsh noises and frequency modulations – to enhance the Dungeon Synth listening experience. If your seeking soft atmospherics and lush keys with harmonic undertones, you’ve come to the wrong castle, as ‘Adventurers Despised And Rejected’ is the polar opposite. Strong, brash sounds with a hateful intent are the primary focus on this outstanding album of unique compositions. I highly recommend this for anyone that is open to an alternate reality in the Dungeon Synth realm. This music is not for the faint at heart though, as it’s an all out audial assault with evil intent. However, if harsh noise and industrialized synth music is your style, then this will be a very rewarding experience.
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