Elminster’s Musical Vision Of The Forgotten Realms Novel Series Is Boldly Interpreted On ‘The Making Of A Mage: I – V’ EP’s

The more Dungeon Synth becomes a prominent music genre, the more we see countless artist hone their crafts’ and release material of a Medieval vibe with hopes of escalating a fan base and continuing their endeavors in this darkened, underground community. One way to stand out amongst the musical suitors is to swiftly release honorable music that continues an epic, primitive storyline. That’s where Elminster comes in with his ‘The Making Of A Mage’ series, consisting of five astounding albums of compelling and diverse tunes that interprets events from the Forgotten Realms novel by Ed Greenwood. The albums are ‘Part I: Brigand’, ‘Part II: Burglar’, ‘Part III: Priest’, ‘Part IV: Magus’, and ‘Part V: King’. Although they can be enjoyed as individual recordings, when played in succession they build into a wondrous tale of a bold musical adventure.

‘Part I: Brigand’ consists of four uplifting tracks that are minimalistic in sound dynamics but huge in composition. “Heldon Burns” commences with a somber synth arrangement accompanied by a feisty percussive element. Haunting orchestrations are definitely of the middle-ages time period and generally speaking, this is a great introduction to this project. By the time we get to the third track, “Heed The Words Of Helm Stoneblade, The Last True Knight Of Athalantar”, were introduced to clean but slightly discordant guitar strums and thunderous key pads that provide a diverse bass sound. Toward the end of the track, the instruments descend a musical scale with some dissonant keys thrown in for good measure.

‘Part II: Burglar’ consist of three tracks and has a playing time of around eleven minutes. Leading off this endeavor, “Eladar The Rogue’s Theme” has an awesome comedic value but also represents the album title perfectly as there is a lot of mystery and suspense that surrounds this three minute track. Skipping over to the final song, “To Chain A Mage”, there is an obvious sense of growth in the musical direction and this one takes on a more serious role in the series. From mystical keyboard arrangements, massive brass instrument effects, and a pounding rhythm section, this track has such a major composition maturity that will leave you wanting more.

‘Part III: Priest” begins with the dark and heroic, “Mystra’s Query”. From pounding drums, audacious synth arrangements, and even a flute lead that stands out impeccably, Elminster takes this series into darker territories of Medieval grandeur. “Once Elminster, Now Elmara” almost sounds as if the intro is being played on a child’s instrument. However, after light drones are introduced and beautifully played melodies – that layer in synchronized harmony – come about, this melancholic tune is probably one of the most memorable tracks from all of the EP’s.

‘Part IV: Magus’ consists of just two tracks but lead off song, “Ondil’s Floating Tower” clocks in at almost twelve minutes long. Beginning with a desolate droning keyboard tone, an ambiguous keyboard melody sets in to change the ambience and direction of this long player. Every so often, another layer of instrumentation is added, setting a particular mood and specifying the tone for something miraculous to soon follow. After layers of musical building, the instruments slowly fade and the track descents into a depth, just as it started.

‘Part V: King’ is the final EP in this amazing saga and it consists of three tracks of about fifteen minutes of playing time. The first song, “The Eve Of Battle” is an obscure piece that firmly assembles into a magnificent orchestration full of deep, guttural sounds and magnificent melodies. The orchestrations are cinematic in nature and this is one of the most mature compositions of all the EP’s. Skipping to the final track, “Fit For The Throne”, we find more colossal dynamics in the composition department and the stringed melody that is incorporated from the beginning is so majestic that it just reeks of Medieval quality. Big horns and background synth drones make this a grandiose finale as any King couldn’t be more proud to accept their throne under these conditions.

Elminster has done an amazing job capturing the essence of the Forgotten Realms story and translating it to a marvelous Dungeon Synth musical adventure spread out across five EP’s. It’s hard to pick a favorite amongst these, especially since they are all so different and represent various themes in an overarching story. Every one of these albums are worth listening to and downloading, so please visit the link below and support this amazing up and coming Dungeon Synth artist.

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Links:

https://elminster.bandcamp.com

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