Tir Brings A Cinematic Approach To An Ancient Time On ‘Persepolis’

This is not the first trip to The Dungeon In Deep Space for Tir, as I reviewed the spectacular offering, ‘Urd, Skuld & Verdandi’ back in 2019. That album was a quintessential element for the Dungeon Synth genre and one that (I feel) elevated Tir’s status as a driving force in the community. Fast forward to now – and several releases later – and we’re graced with another experience beyond comparison in, ‘Persepolis’. A fifty eight minute epic journey translated through beautifully crafted and cinematic synth music that transcends traditional Dungeon Synth settings. Prepare to be amazed as Tir takes you back in time, centuries before the darkness of the Medieval period and the somber essence that it foretold.

From the very first note of “Daemon Of Desert (Aži)”, an intense cinematic quality fills the air and increases as multiple synth effects and percussive elements provide a somber, yet melodic introduction to this intoxicating album. “Anahid’s Miracle” is a serene, melancholic anthem that plays a sorrowful tone while windy field recordings establish a scene of desolation and solitude. The beautiful choir-like sounds add an addictive resonance that go beyond the reach of any genre. “Summoning Alborz” is a slow starter but the natural soundscapes and enchanting instrumentation begin to take charge and will beckon the listener to dry lands and mystic occurrences. “Righteous Viraz” is a whimsical piece that is supremely memorable and the mix of high and low tones work amazingly well during the intro. Soon after, grandiose keys cry out in pain as somber melodies commence and present an emotional journey until the end of the track. “The Dragon King Raised An Army” completely contradicts the last track, as it’s eerie tone sets a dark path toward desolation. Haunting keys with a small amount of reverb works really well here and then suddenly – for the final minute – a lighter harmonic synth shows a glimmer of hope. “Mēnōg And Gētīg” begins with a bizarre synth effect that ultimately fused into an austere Medieval dirge, complete with rhythmic percussion and trance-like keys. “The Stone Thrown From Činwad Bridge (Extended)” starts as a beautiful ballad with lush instrumentation and a gentle arrangement. As this nine and a half minute track continues to progress, layers of alluring guitar chops fill the air with scenic beauty. A haunting ambience plays in the background, bringing a tinge of darkness to this otherwise charming song. As the guitars slowly fade, we are left with the grumbles of deep winds and enchanting soundscapes. “Sands In The Sky” is a gloomy Dungeon Synth effort with bells, orchestral movements and grainy production. However, half way through, crisp string sounds provide an element of surprise and intricately woven detail. “The Song Of The Cosmos Is Heard From Persepolis” is another Medieval masterpiece as it contains all of the elements that make it a stand out track. From the deep, baritone key arrangement to the ancient soundscapes and vocal effects, this track covers a large range of sounds to present its impressive composition. There is also a touch of synthwave to spice things up a bit. “The Rising Shadow Of Chaos” is one of my favorite tracks as it wastes no time getting to the point with its drum and synth audial attack. Although it’s very minimalistic, there is a dark groove and a terrifying sound that is suddenly amplified by the grotesque vocals at the end. I need to hear more of this! “Blood Red Desert” begins with a warm drone and some snappy instrumentation before settling into a Medieval anthem, worthy of multiple listens. “Welkin” is another beautiful ballad that has layers of well-crafted synth leads and several twists and turns to keep it eccentric and compelling. “Empire Of Stars” is a short, melodic piano piece that morphs into an amusing track with a full ensemble of instruments. Just as you get into the grove of this little jingle, it comes to an unfortunate but abrupt end. “Lost To The Shadows Of Memories” features expanded notes, as if this were being played in memory of a lost soul. I love how (as the song progresses) the elongated notes build in layers, almost creating a symphony of madness as the drums and backing keys play in solidarity. The final track on the album is “Forgotten Prophesy (feat. Varkana)” and it’s such a massive way to close out this spectacle from ancient times. With Tir’s passion for cinematic arrangements and Varkâna’s signature beats and effects, what can go wrong? I would actually love to hear these artists collaborate on a whole album, as this track is one of the pinnacles of ‘Persepolis’.

I continue to be impressed with Tir, as he constantly raises the bar with each release. Never one to settle for “just average”, Tir goes above and beyond to create an extravagant album each and every time and ‘Persepolis’ is no exception. From cinematic to whimsical, battle rhythms to ballads, Tir covers all of the bases in this fabulous expedition set in ancient times. In addition to that, he incorporates elements of synthwave, percussion, and a guest artist to round out this project that makes it such a compelling listen. I highly recommend checking out ‘Persepolis’ from the link below.

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Links:

https://tirofficial.bandcamp.com/album/persepolis

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