Encounters With The Oceans’ Unknown Are Honored On Latest Release By Serpent’s Isle Called, ‘Through Oceans Uncharted’

There is something about an oceanic theme that resonates with me so much. I think because it evokes an overwhelming sense of emotions that reside on opposite ends of the spectrum. On one side, there is this calming impression of endless bliss that provides peace and serenity and on the other side, there is a dark, bleak existence of unexplored voids filled with unknown chaos and dread. Then there is the mystique of mythical sea creatures hunting (and haunting) mariners, creating a quest for insanity and sheer aberration. These make up quite the subject matter for all genres of music and I’m here for it. In the realm of Dungeon Synth, no one creates this placid, aquatic atmosphere quite like Serpent’s Isle. The latest adventure is called ‘Through Oceans Uncharted’, and it explores various encounters with amphibious cryptids from centuries past. In true Serpent’s Isle fashion, these tracks are beautifully recorded in a retro-styled fidelity with pensive synths manifesting into grim, yet tranquil soundscapes.

Persuasive album opener, “Ocean Leviathan Of Egede – 1734” sets the mood with its smooth flowing synth leads backed by melancholic tones and a retrospective vibe. I can imagine being on a swaying vessel, lost in the vast void of the ocean and being stalked by an undetected sea creature. This would be the calm before the storm, the pleasures of acceptance before the horrors of total carnage begin. This is followed by the alluring sounds of “Aquatic Horror Of L. Von Ferry – 1746”, a prolonged musical piece that continues the dreamy ambiance with authentic synths and haunting melodies that are bound to unearth whatever malevolence is hiding under the waters surface. Up next is “Water Beast Of Maclean – 1808.” Creating a climate of soft, flowing sounds and low fidelity production, this track sounds like a retrospective voyage through open waters with no end in site, culminating with dreadful beings lurking below the waterline. “Boat Snake Of New England – 1817” possess some pulchritudinous flowing synths with enticing moments of introspective resonance that are completely hypnotizing. Flowing seamlessly into the next track, “Sea Serpent Of Sanford – 1820”, the alluring quality doesn’t let up and the tonal aspect of this track is more upbeat and vigorous. With more elongated keys and deep background modulations, the resiliency of the album as a whole remains consistent. “The Ocean Monster Of Royal Saxon – 1839” is the second longest track and is an endeavor in audial persistence. Listening to this creates a vision of a venerable deployment of vessels as they traverse colossal oceans in search of undiscovered entities and exotic enigmas. “The Impossible Beast Of Ince – 1833” is a short offering that start with a Renaissance style cadence before morphing into a fulfilling intonation that doesn’t waste a second of space, as a hefty electronic performance is packed in superbly for just over a minute and a half. The final track on the album is “Underwater Terror Of Nova Scotia – 1844”, another brief track of reflective sounds and melodic modulations. This is the perfect book end to close out another amazing Serpent’s Isle album.

Serpent’s Isle play the type of Dungeon Synth that is right up my alley. It has that old-school sound without being outdated and the quality of the recording has a fidelity that aligns with the subject matter and mystique of complex realism. If my calculations are correct, ‘Through Oceans Uncharted’ is the nineteenth recording by Serpent’s Isle and each release just gets better and better. If you like your Dungeon Synth in the traditional sense and with a classic recording style, then don’t pass on Serpent’s Isle. This project brings the best in maritime electronic music and with a discography of consistent recordings, one can easily listen to any album as a starting point and sink right into a seafaring excursion that is bound for endless, fantastical stories.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Link:

https://serpentsisle.bandcamp.com/album/through-oceans-uncharted

Interstellar Space – Special Halloween Review #4: Natura Carcerem – ‘C|E|L|L’

Finding the delicate balance between ghoulish dark ambience and twisted dungeon synth, Natura Carcerem produces a spectacular album full of twists and turns that will completely enthrall the listener from start to finish. From dazzling soundscapes and massive orchestrations, this is a fabrication of energetic synth music that should not be bound to a single classification. ‘C|E|L|L’ contains nearly thirty six minutes of majestic music spanning five tracks and at the end will have you playing this on auto-repeat, just to see if there are any intricate details that were missed.

“A Tragic Path To Take” launches down a dark, forbidden trail with haunting environmental field recordings and brisk footsteps leading toward a destination of misfortune. Droning keyboards and light melodies ring through on “A History Of Hallucinations”, as this amusing track takes shape like an effervescent glow. Suddenly, keys begin to play out of tune while the background drones seem to become more desolate. Industrial-like shrills forcefully take over and provide a new, darker path for this near ten and a half minute journey. Bludgeoning screams of pain integrate with the bleak instrumentation to represent pure mental suffering. After a brief interlude filled with wind and rain field recordings, slightly distorted keyboards create a malevolent orchestration, which provides the perfect backdrop for a few minutes of Dungeon Synth arrangements. “A Deathmarch Through The Virid Halls” is a majestic Medieval dirge filled with layers of somber melody provided by various keyboard effects that are on a grand scale. Wonderfully produced, this song not only showcases a huge sound, but also a great mix whereas all of the instrumentation can be heard equally without losing any luster. The albums title track, “C|E|L|L” could easily be a theme song for a horror movie (or ones’ nightmares). The dissonant, monotone-like keyboard chop is simple, yet effective in producing a frightful emotion. The mid-song narrations are a great addition as well, as it adds to the fantasy that is being told through these songs. The black metal vocals complete the cycle of tragedy by increasing the penitence being produced by the constant melody. The final track, “A Necessary Act Of Autocannibalism (feat. Lord Grim)”, is another ten plus minute odyssey that represents acts of the heinous. Heavy winds and discordant drones begin this track as peculiar sounds are added in randomness. As that fades away, clean keyboard melodies mixed with a small dose of retro-synth pervade with effective measures. Things take a turn toward the darkness with a brutal overtake of blackened metal, complete with blast beats and terrifying vocal screams and shrills. This bombastic influence continues on for a few minutes and then dissolves into a eerie keyboard pattern that closes out this masterpiece of an album.

I’m really impressed with this album and Natura Carcerem does a great job a including a lot of details that cross multiple genres. This keeps it very interesting and makes these epic song (lengths) seem a lot shorter than what they really are. If you’re like me and are a fan of Dungeon Synth, Dark Ambient and other more extreme music genres that they help influence, then check out ‘C|E|L|L’ and embed yourself in the dark, twisted world conceived by Natura Carcerem. The album can be downloaded from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. While your at it, please check out my friends podcast called “The Opinionated Optimist” at the other link below, where he reviews anything and everything. He will be releasing a set of special Halloween Podcasts as well. Thanks for visiting the Dungeon!!

Links:

https://naturacarcerem.bandcamp.com/album/c-e-l-l

The Opinionated Optimist:

https://podcasts.apple.com/us/podcast/the-opinionated-optimist-podcast/id1485260250?i=1000494658460

Interstellar Space – Special Halloween Review #3: Lurk – ‘From The Depths Of Y’ha-nthlei’

After releasing a few EP’s, a Demo, and participating on both Crypt Hop Compilation releases, Dungeon Synth vanguard, Lurk, has finally issued its dynamic, Lovcraftian album entitled, ‘From The Depths Of Y’ha-nthlei’. Upon initial listen, it took me only about a minute or two to realize that this album is extraordinary to the point that it belongs on my Dungeon Synth Album Of The Year list. Let’s dig in to this distinguished offering.

“From The Depths Of Y’th-nthlei” initiates like the opening theme song to a Hollywood movie with it massive sound and bombastic orchestrations. Hints of Middle-Eastern tones add a multi-cultural influence, while haunting narrations pave a dark path for this nostalgic Lovecraftian story. “Tenebris Et Spiritus” starts with a bold keyboard melody, played in a rhythmic pattern. Layers of effects build on to this colossal sound and it’s makes for a perfect transition into a sick Crypt Hop beat toward the last minute of the track. It’s dark and groovy and you’ll want to throw up your sword in an offensive stance and bop your head at the same time. “A Mountain Walked” begins with eerie soundscapes and ghostly narrations, continuing the storyline of the album. Wonderfully produced percussion play a tribal-like, rhythmic pattern while supernatural keyboard effects provide a ritualistic ambience. As this is settling in, tribal chanting from a group of warriors begin their mantra. “Vast Plains Of Madness” commences with a retro sound of hissing tapes and various soundscapes before a piano arrangement eerily plays a melody on top of the continuous battle-like effects. “700 Steps To The Gates Of Deeper Slumber” has a haunting ambient track in the background while slow footsteps can be heard. Soundscapes and field recordings are embedded in spots as another Crypt Hop beat is slipped in perfectly to keep everything in sync. Another Middle-Eastern orchestra effect is fused in with the main melody and it absolutely works perfectly. As the song fades out, the footsteps can still be heard walking off in the distance. “Moon Wine In The Phosphorescent Wood” begins with sounds from the wilderness and a pounding drone that slowly fades into the mix. A warm percussion part is added, as well as additional layers of effects. This is all brought together eventually with a louder mix and is absolutely beautiful – and almost has a chill out vibe too it, as it is very mesmerizing to listen to. I almost wish this track was ten or twelve minutes long! “Ascending The Steps To Unknown Kadath” has a very nice symphonic feel to it and toward the middle of the track contains some very nice retro-wave keyboard work. Everything in this song harmonizes beautifully and the addition of the Crypt Hop beat in the last minute is very unforgettable. The final song on the album is “Behold The Great Onyx Temple”. It begins with the sound of a distant thunderstorm and a deep drone and after a some additional field recordings, a thudding bass drum infiltrates the mix, along with harrowing keyboard effects. All of these tones slowly begin to muffle and fade out as this spectacular album comes to a close.

The first full-length album by Lurk was well worth the wait. After enjoying the amazing music thats been released on a few EP’s and compilation albums, the compositions on ‘From The Depths Of Y’ha-nthlei’ have amazed me beyond expectation and this album may also end up on my Dungeon Synth album of the year list as well. From the story, cover artwork, and the incredible music, this album blends everything perfectly to deliver an amazing release. Please show your support for Lurk by downloading this album at the link below.

Links:

https://lurkmusick.bandcamp.com

The Opinionated Optimist:

https://podcasts.apple.com/us/podcast/the-opinionated-optimist-podcast/id1485260250?i=1000491868998

Interstellar Space – Special Halloween Review #1: Erythrite Throne – ‘Witch Tales’

If you’ve been listening to Dungeon Synth longer than five seconds, then you should be familiar with one of the most consistently active artist in the genre, Erythrite Throne. Delivering a unique brand of vampyric Dungeon Synth that is not only unmatched, but irrefutably the work of one of the most talented synth musicians in the business. Here with another dose of Hallows Eve inspired tunes called ‘Witch Tales’, Erythrite Throne continues to stay at the pinnacle of the genre with another persistent release.

“Blood Of The Black Goat” is a beautiful album opener, with somber synth melodies, radiant background tones that help stabilize the sincerity of the track, and retro-synth leads that are as luminous as they are gloomy. “Consumed By Eternal Night” continues the magical synth arrangements that we’ve come to love from Erythrite Throne, and every layer wondrously fuses together to produce an amazing moment. “Essence Of The Pale Moon” commences with a single, opaque keyboard intro and then tiers of ambience begin to build around it and eventually take over as the main melody. “Carved Upon Holy Skin” begins with distant, high-pitched keyboard modulations and from there, the song slowly builds into a masterpiece, adding layers of keyboards with various effects, fusing them all together in a ghoulish arrangement. At about the halfway mark, a cleaver drum beat is introduced to take this track to all new evil heights. “Bathing In The Blood Of Innocence” creeps in like a mythical fairy tale and even includes a whimsical keyboard chop that is fascinating and memorable. In perfect Erythrite Throne fashion, layers of keyboards build, creating a dynamic wall-of-sound, and then it fades out as if it were just a prelude to something greater to come. The final track on the album is the epic, “Into The Ritualistic Chambers Of Night”. This song epitomizes the vampyric Dungeon Synth sound and include haunting keyboard melodies, massive drum beats and malevolent, blackened vocals. What a perfect track to represent this season and to also close out this amazing album.

It’s no secret that Erythrite Throne is one of my favorite Dungeon Synth artist and I’ll admit that I am probably a little biased, but it’s hard not to be, especially when these albums are absolute gems and are consistently being released when you least expect it. ‘Witch Tales’ is no exception, as it contains all of the elements that make Erythrite Throne the artist that we’ve all come to love. Although this is a shorter, twenty minute long release, the material is still amazing and will be on my playlist rotation for quite sometime. Please continue the support for Erythrite Throne and download this amazing album at the link below.

Links:

https://erythritethrone.bandcamp.com/album/witch-tales

The Opinionated Optimist:

https://podcasts.apple.com/us/podcast/the-opinionated-optimist-podcast/id1485260250?i=1000494541339