Five Of The Noblest Dungeon Synth Artists Collaborate On Monumental Disciples Of Sunlight Debut Album Entitled ‘Radiance’

Let’s face it, the Dungeon Synth Community seems a little cutthroat these days. If you follow any of the social media groups, there are quite a few topics that spark debate in a negative way that tends to divide the populace rather than promote unity. That being said, it’s rather refreshing to see artists come together to solicit their craft on a consolidated project so that us – the fans – can come to appreciate a variety of sounds on a single album. We can all thank Disciples Of Sunlight, the collaborative efforts of Vandalorum, Nameless King, Rêvoeil, Amethyst Dagger & Count Shirintsu, for converging to deliver a phenomenal debut album called, ‘Radiance’. These six tracks flow amazingly well together and show the power and resilience of a unified bond between motivated artists.

The first track is “Scent Of Evil” by Vandalorum and it begins with the soft, effervescent movement of layered keyboard tracks that contain a large dose of medieval melody. As more delicate instrumentation is added, I’m reminded of a brisk, wintry dawn as the sunlight breaks over the horizon and overtakes the night sky. As daylight comes to full motion, a synthesized drum beat is added to give the track a more massive sound. The next song is “A Cave Of Crystal” by Nameless King. As one of my favorite dungeon synth artists, Nameless King shines bright on this track with an excellent forest synth vibe that has a multitude of sounds and a superb arrangement. The main keyboard sound is crystal clear and the flute-like harmony is like a mid-day ray of sunshine in a peaceful kingdoms village where everyone seems to prosper. Next up is “So I Stood Below The Stars And Wept” by Rêvoeil. At first the simple arrangement will have you wondering the direction it will take, but soon, a full orchestration of sound kicks in and overwhelms the senses. Although this is the shortest song on the album, it perfectly fits in with the arrangement of the other tracks. Providing a second song on the album, Nameless King is up next with “The Embraced Knight’s Plot”. This is a wonderful, melancholic arrangement that has that signature Nameless King keyboard tone, with – once again – excellent songwriting. There is a trance-like quality about this track, especially as the illustrious melody plays over and over again. Amethyst Dagger provides the first of two long songs with the epic “The Judgement Of The Moon”. At just over eleven and a half minutes, this exquisite piece is mostly an ambient & winter synth track, but does contain a few spots where it breaks off into a dungeon synth tune. However, this is unlike any track I’ve heard in quite some time and it’s quite impressive and possibly my favorite song on the album. The second long song – and final track on the album – is “To Water We’ll Return” by Count Shirintsu. As it begins with a field recording of waves hitting the sands of a beach, a single keyboard track provides a desolate tune that sounds cold and isolated, as if and endless winter is drawing near. This winter synth dirge is the perfect way to end this album as it seems have completed the cycle of radiance, through various seasons.

Disciples Of Sunlight is an alliance that I hope will stick around for a while. If ‘Radiance’ is any indication of the affect of their collaborative efforts, then I’m sure future albums by this group of artist will continue to improve and impress. If you’ve not heard this album already, you’re missing out on something very special. I highly recommend this, so click on the link below and download it right away!

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