Who says time machines don’t exist? They don’t necessarily have to be a physical matter but can exist in an emotional state as well. Take for example ‘The Ruins In The Forest’ by Osmord. These two extended tracks (around thirty six minutes long total), heave the listener deep into enchanted times where Kings and Castles were at the forefront of every commoners conversation. As one dons a pair of headphones and presses play on this obscure little album, an immediate surrender to ancient medieval times becomes inevitable.
“The Ruins In The Forest I” is a sixteen and a half minute perilous journey through the archaic lands of the middle-ages. Rhythmic, percussive beats and layered keys set the backbone of this imposing dirge. Since time is not an issue, the inclusion of lead keyboard chops are mixed in at random intervals, in an appealing fashion. Nothing is rushed and the continuous buildup to a sonic conclusion is quite impressive. Even around the nine minute mark, where the track slows down to more of an ambient piece, it never looses its grace and continues to appeal to the time period of the ancient ones. The final few minutes conclude with grand orchestrations as if providing the soundtrack to a battle scene. “The Ruins In The Forest II” is nineteen minutes of sheer Medieval greatness! Starting with a deep, tonal sound, the inclusion of haunting synths increasingly begin to steal the show. The melody that is built within the lead parts are mesmerizing and completely captivating. This track is like feeling lost in the profound landscape surrounding a hidden castle. As a troop of skilled warriors scale the loose terrain quietly – with the hopes of not giving away their location – they continue their preparations for an endless battle with the King’s guard. The music slowly crescendos to climactic parts throughout and anticipation increasingly builds for the forest warriors. At around the ten minute mark, nostalgic keyboard harmonies continue to lay the groundwork for the overall theme for this dramatic, yet monumental track. The final few minutes find somber melodies combined with balanced percussion and soothing, droning keys that forge on in the background.
With ‘The Ruins In The Forest’, Osmord succeeds at luring the listener back to a time that we usually only dream about. Lush, haunting melodies that are well balanced over minimal percussive parts with beautiful orchestral arrangements are some of the key factors that help take us all down the enchanted path of true Dungeon Synth. This is a really impressive album and I highly recommend it for those that enjoy a more retro sound to their synth music. Please click on the link below and support this incredible artist.
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