There is a reason why Cryo Chamber is the premiere label for cinematic, dark ambient music, as they consistently release stellar albums on a continual basis. Even artists such as Hilyard – that release other albums independently – seem to put out his best work under the leading label in the genre. ‘Division Cycle’ is no exception and it’s slowly becoming one of my favorite Dark Ambient releases of they year. Not only does it excel in drone modulations, but the cinematic quality is stellar and creates an addictive combination of mesmerizing tunes and emotional concepts, that demands multiple listens. Whereas 2018’s ‘Furthermore’ was a masterclass in Space Ambience, ‘Division Cycle’ is an exploration into an anatomical realm of grand design.
Lead off track, “Division Cycle” is heavy on the soundscapes in the beginning while a sustainable drone slowly builds. Synth effects provide a bit of melody while the trance-like forces maintain a powerful timbre. After several minutes, the track quietly (and slowly) descends into darkness, providing a dynamic introduction to the remainder of the album. Next up is the mesmerizing, “Equal Segments”. Not only is this my favorite song on the album, it is probably my favorite Dark Ambient song of the year so far. The layers of drones are extremely thick and they are positioned in such a way that emotions can be felt from their reverberations. A couple of minutes in, synth pads create a beautiful melody that is not only captivating, but equally serene. Although this track is just over six minutes long, I wish it were about fifteen or twenty minutes in length, in order to sustain that mindless state. “Of Hatred And Wrath” is an excellent follow on track as it continues the calming nature of the previous track, but adds a bit of depth and darkness to it as well. The flow of this song is so smooth and haunting, you’ll not want it to end, as it’s inductive of an out-of-body experience. Subtle soundscapes portray an ominous escape, but the over arching theme is relaxation of the mind and spirit. “Altars Of Warflesh” commences with a malevolent drone and theme-worthy soundscapes, as mischievous activity seems perpetual. The drones grow louder and closer as if destruction is imminent, but consoling synths & pads play dismal melodies that add to this daring adventure. “Feed The Earth” is another track of consoling drones but this time complimented by ghostly vocals. There is something eerie about this track that will leave the listener in total awe and unnerved at the same time. This is probably my second favorite track on the album and I could listen to this one over and over again and feel several types of ways with each listen. “Roots And Bones” begins with maniacal field recordings and minimalistic soundscapes over quiet albeit drifting drones. It’s as if you’re floating in a field of nothingness but headed slowly to a destination of importance, however as you get closer to the end, it seems to drift further away. The power of this music speaks in volumes with the variances of emotions that are created and observed with each listen. “Heartwood Reverie” contains bleak drones that leisurely builds in layers, while providing a stable platform to transform the mental state to another dimension. This is one of the most minimalistic tracks on the album, but it’s extremely alluring and conforms to the rest of the album perfectly. “Abandoned The Ramparts” initiates with ghastly soundscapes that fade into a spacey drone with a soft water-like field recording in the background. As the field recording dissipates, the drones become more existent and remain consistently hypnotizing until the completion of the track. The final song on the album is “To The Warmth Of Pyres (feat Dronny Darko & ProtoU)” and it’s an immaculate way to close out this impeccable album. Beginning with soothing field recordings and soundscapes, layers of synths & pads start to release audial tension as an audible dreamscape begins to unfold. The superb collaboration of these artists can be felt in each elongated note as a quest for solace and darkness unravels. So adventurous, yet remaining calm and pretentious, this is such an amazing track to close out the album as it properly summarizes the approach of all of the previous tracks.
Hilyard’s second album on the Cryo Chamber label is much different from his initial offering, but it speaks in volumes of the type of artist he is. Whether it’s lighter ambient (that is mostly presented on his own Bandcamp page), Space Ambient, or the haunting drones of ‘Division Cycle’, Hilyard is a seasoned ambient artist that has the skills needed to release countless cinematic adventures. Not only is the cover of ‘Division Cycle’ a proper representation of the album, but the music contained within is some of the best Dark Ambient/Drone music released this year so far. I highly recommend checking out this album so please click on the link below and support Cryo Chamber and ‘Division Cycle’ by Hilyard.
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