Edging Both Dungeon Synth & Dark Ambient, Morgoth’s Ring Deliver Two Sinister Hymns On ‘Where Stars Are As Feral As The Prowling Wolf Upon The Hyperboreal Heath Of The Cosmos’

If I were to take a guess, I’d say that if you’re reading this, you’re probably also a fan of J.R.R. Tolkien’s “Lord Of The Rings” books (and/or movies) and everything else that falls within that universe. You’re probably also familiar with Morgoth – the black enemy of the world and the one who thwarted his power unto Arda, making middle-earth (as a whole) become known as Morgoth’s Ring. That malicious intent has crossed over to another Morgoth’s Ring, this time in the form of an ambient driven dungeon synth project. With two ominous tracks totaling over thirty four minutes of playing time, there is captivating songwriting on display here that is equal parts malevolence and cinematic glory. The album, ‘Where Stars Are As Feral As The Prowling Wolf Upon The Hyperboreal Heath Of The Cosmos’, is a daring fantasy adventure in which there is peace & bloodshed, as well as good and evil.

The first track is a sixteen minute, three-sectional opus called “Mystic Flamberge | Tempestuous Witching Inferno | Shadow Garland”. Beginning with a beautiful orchestrations, as if the opening credits of a fantasy movie explores the vast snow-capped mountains and deep wintry valleys of a mystical kingdom as it’s people enjoy peace and tranquility on any given day. However, a great storm rages on in the distance – unheard of by many – but will cause great devastation for those that are unprepared for battle. As the second part of the song enters, field recordings of remote storms signal the beginning of danger, and the kingdom prepares to launch an offensive while the commoners seek shelter. Long, droning (but symphonic) keys play melodic tones while eerie sound effects are sequenced in the mix to change the vibe to a more gloomy impression. Deep, meditative, spoken words begin to infiltrate the speakers, although they are barely audible. The adventure is at its maximum frightful level right now. However, the last three minutes of the track morph into a wonderful fantasy synth orchestration with a cinematic-worthy arrangement. The second and final track on the album is the eighteen plus minute long thriller, “Master Of Countless Terrible Legions | -.. .. . .- .-.. —- -. .”. Starting with a harrowing adventure-like tune that would sound right at home on a fantasy/adventure movie soundtrack, the grim, somber sounds work impartially to calm the savage reign of terror that may be imminent as well as provide a sense of agitated aggression due to its deep, droning echoing frequencies from the abyss. At around the six minute mark, the song proceeds down a malevolent path as supernatural sounds protrude as if you’re making your way through a haunted realm filled with evil, enchanted spirits. The last seven minutes of this song change direction once again into a more fantasy/forest synth arrangement. Although peaceful in tone, it has a bleak and dark sound too it. Even though this portion of the song title is written in Morse Code, it stands for Die Alone, and the emotion I get from the music is very reminiscent of loneliness and despair. What a beautiful way to end such a caliginous album.

Morgoth’s Ring is an exceptional up-and-coming dungeon synth artist that takes the cinematic structure to a new level. Mixing a variety of genres to create a legendary adventure – not only musically but for the imagination – this is one album that I plan to have on repeat for a long time. It meets my personal criteria for a great recording and the entertainment value is through the roof. I cannot wait to hear more from Morgoth’s Ring, but in the meantime, I highly recommend adding this one to your collection by downloading it from the link below. You will not be disappointed!

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Links:

https://morgothsring.bandcamp.com/releases

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