Pafund Expand Upon Minimalist Arrangements For A Theatrical Adventure In ‘Til Rigets Ende’

As the decline of sunlight fades over ancient ruins in a mythical kingdom deep in the woods, the bleak atmosphere of estranged malevolency absorbs the commonwealth. The murky encounters between civilization and the landscape become supernatural and post-twilight harmony ceases to exist. Shaken and anxious, the kingdoms people hide, and wait for dawn; for that it brings peace and tranquility. Pafund’s Dungeon Synth debut effort, ‘Til Rigets Ende’ is the musical direction that synchronizes with these dark and perilous evenings, providing a comfort for where there is discomfort. Consisting of a single track, clocking in at nearly thirty minutes, it’s broken down into two parts to accommodate for a cassette release as well.

“Side A” is a tranquil and brooding track that creates a doleful sound with its layered droning synths and harmonious keyboard melodies that drift amicably as if there isn’t a care in the world. With almost a stringent reverb effect, the keys seem to override each other at times, but the serene arrangement can still be fully heard. At around the five minute twenty second mark, the droning synths disappear and the keys play a catchy, somber melody before fading into a brisk, windy field recording. At this time, theatrical elements become presents and the song takes a darker turn. Spots of dark ambience provide a menacing background as the cinematic keys continue to crystallize into subharmonic patterns. “Side B” begins with an old school dungeon synth vibe as the dense sound commits to a melodic opening section that once again features a low-end background drone. At around the four minute mark, elements of fantasy synth take over as the musical patterns careen throughout the majority of the arrangement from this point. At around the ten minute mark, distorted percussions can be heard, providing a sparse atmospheric tone. The last minute or so is filled with nature-like field recordings that represent the dawn of a new day in the ancient, mythical kingdom.

Pafund’s debut dungeon synth recording is quite an impressive one. With elements of traditional dungeon synth mixed with modern cinematic sounds, ‘Til Rigets End’ easily sparks imaginative tales of fantasy and folklore. I only wish that the sound was mixed a little louder, as I had to listen with my volume all the way up and – at times – it was still hard to hear the music. However, that being said, this is an awesome album and I recommend this for fans of old-school dungeon synth and fantasy synth. Please support Pafund by downloading this album from the link below.

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Links:

https://pafund.bandcamp.com/album/til-rigets-ende

Shelter-In-Place Dark Ambient & Dungeon Synth Playlist

We are living in dark times and whether we like it or not, we are witnessing a historical occasion that is effecting the whole world. Although many people still have to work, legions of the worlds population are under a strict shelter-in-place order. Not to make light of the situation, but what better time is there to check out some awesome artists that you may have never heard of before, or to revisit some newer albums that stand out amongst the others. These are some of my (current) favorite albums to listen to and I’m sharing them with you as a recommendation. Check out and support these amazing artists (and labels).

Recommended in Dark Ambient:

https://hiemalambient.bandcamp.com/album/vacant

https://scottlawlor.bandcamp.com/album/badseed

https://cycliclaw.bandcamp.com/album/the-outside

https://cryochamber.bandcamp.com/album/shortwave-ruins

https://cryochamber.bandcamp.com/album/dystopian-gate

https://cycliclaw.bandcamp.com/album/scenes-from-the-sublime

Recommended In Dungeon Synth (and beyond):

https://borg.bandcamp.com/album/woodland

https://serpentsswordrecords.bandcamp.com/album/the-woods-of-galdura

https://crypthopcompilations.bandcamp.com/releases

https://jenntaiga.bandcamp.com/album/plight

https://coniferousmyst.bandcamp.com/album/queen-of-the-timberline-realms

https://criptadel.bandcamp.com/album/the-goblin-market

Regen Graves Delivers A Synthesis Of Krautrock And Space Ambient On Vintage-Styled Offering ‘Herbstlicht’

I don’t usually start my reviews by discussing my opinion of album art, however, I think artwork is an intricate part of the listening experience, especially for the dark ambient genre. For me, when listening to dark ambient, the emotional experience is just as important as the music itself, because it free’s your mind without limitations and allows you to drift off into experiences that you may not be able to encounter in a lifetime. The cover art is equally important because it gives you a first impression of the experience at hand. When I first saw the artwork for Regen Grave’s latest album, ‘Herbstlicht’, I was mesmerized by the desolation and despondency caught in a single image. The gloomy weather, old buildings and empty streets paint a harrowing story of something menacing that could have happened during that time period. Although herbstlicht is German for Autumn Light, this cover depicts a particular dismal coldness that could have a reverse meaning. Musically, ‘Herbstlicht’ is chilling dark ambient with a vintage tone that could very be the soundtrack for what is happening in the album art. That’s why the entanglement of artwork and music is so important.

Eerie album opener, “Das Morgengrauen” begins with a low end bass drone that pushes the frequency spectrum with its tonal distortion. Also featuring some space ambient atmospherics, the high pitched synth effects randomly penetrate the atmosphere with discord of sounds and noises. “Leere Straßen” starts with an unearthly presence of layered synth sounds that have a dark, ubiquitous vibe. Horror-like keys play a dim melody, adding a sense of frenzied commotion. “Der Erste Schnee” introduces a narrative recording on top of spacious drones, creating an chilling, yet chaotic atmosphere. With a track length of nearly thirteen minutes long, this epic adventure takes the listener through various stages of obscurity. “Besuch” presents horrifying sound effects with inaudible narrations as if a warning message is broadcasting to an abandoned community after a tragic event has occurred. As the warning continues to play, low end frequencies and field recording mesh together to yield terrible uncertainty. “Zersetzung” features percussive elements and melodic keyboard tones in a short, apocalyptic number that sets the stage for the final track. “Rote Blätter” is an eleven and a half minute long track full of demise and oblivion. The synth effects have an abeyance-like nature to them while intermittent intonations seem more strident as the song continues.

Regen Graves epitomizes excellence when it comes to bizarre tones and spacey drones. The minimal use of field recordings and spacey narrations work perfectly with these tracks as they present a graphic story that may be depicted in the cover art. ‘Herbstlicht’ is a very impressive recording that not only has a vintage sound, but also represents the dark ambient genre with superb integrity. Please support this incredible artist and download the album from the link below.

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Links:

https://regengraves.bandcamp.com/album/herbstlicht

Eternalkeys Forge Classical Piano And Neo-Medieval Inspired Songs On The Precise Release, ‘Eternal Rose’

Classical piano compositions are among the most fascinating sounds around. In modern music, beautiful piano arrangements can fit in with just about any genre there is, giving it that clean sense of melody and diversity. One genre where it really stands out though, is medieval synth music, as it provides a particular grace and elegance to a typically dark and gothic sound. One artist that has taken on this musical venture with renewed passion is Eternalkeys, and with his latest EP ‘Eternal Rose’, the cacophonous sounds display a noble balance between classic piano tones and brooding synth music.

The first song, “Eternal Rose”, begins with a somber yet polished piano arrangement that is complimented by sorrowful string effects and an elusive atmosphere. This track makes me imagine a scene back in the Medieval period, where a couple is tragically separated by death, and the survivor is having a hard time coping with heartbreak and loneliness. This song perfectly captures that essence and provides a sense of despair when dealing with tragedy of this nature. The second (and final) track on this EP is “Dragon’s Gate”. This piece has more dark and lamenting elements that are in line with Medieval synth music. Electric piano tones and heavy synth sounds mesh together to create an accent that alludes to a dungeon-esque vibe during nebulous times. This track takes my imagination in a totally different direction, as I envision a domineering kingdom successfully winning battles and standing strong and victorious throughout the land.

Although the music on ‘Eternal Rose’ is a few years old, it has stood the test of time and easily has the stability of maintaining a presence in modern synth music. The two tracks presented on this EP are versatile in that they sound completely different, yet still they represent the same time period for which the imagination holds the story. I hope this is just the beginning for more music of this nature, as Eternalkeys is a very talented artist that needs to provide us with more Medieval listening pleasure. The ‘Eternal Rose’ EP can be streamed from the link below.

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Links:

https://archive.org/details/Eternalkeys_EternalroseHCR2016

Darkness Descends Upon The ‘Lost Souls Of The River’ By The Cryptic Artist Known As DøD

There are many legends and stories of what happens to a persons soul after they die. In some modern religions, it is said that the soul is judged by God and then it is determined whether the soul will spend an eternity in Heaven or Hell. There is also a tale that the soul will wander the Earth until it finds closure for the untimely demise of its physical counterpart. However, the lore of the soul can sometimes be told by the powerful broadcast of dark ambient music. DøD presents us with a mystifying vision of roaming spirits in ‘Lost Souls Of The River’. This short collection of aberrant drones gives a chilling insight of the afterlife meandering about, searching for answers in the watery mazes that ended their existence.

“Lost Souls Of The River I” is a gradual builder and the eerie soundscapes ascend in slow motion, like distorted figures emerging from a dense fog that drowns the coast line of a dissipated canal. As the mass of souls congregate around the banks of the waterways, darkened drones intensify, while jarring keys provide textures of industrial-like sounds that are the essence of evil. Perpetual drum beats provide the aspect of existence for the souls as their presence is now known and must be dealt with. “Lost Souls Of The River II” begins with guttural synth tones and sinister soundscapes that resemble a horror-like cinematic score. Toward the end, eccentric keys play a deranged arrangement before the guttural sounds kick in again to end the song. “Lost Souls Of The River III” is rooted in warm drones that pulsate through ominous keyboard effects and rain-like field recordings. Erratic tones oscillate from one side to another like a comet racing through the atmosphere. The final track on this distressing recording is “Lost Souls Of The River IV”. With searing orchestrations and bleak keyboard tones, this track is the climactic ending for the spirits that were set adrift, searching for answers of their mortal departure. Minimal electronic pulses exaggerate the expediency of their mission but a sudden inaudible scream puts and end to it all and the song soon fades into oblivion.

‘Lost Souls Of The River’ is a fascinating piece of work and stands out in the Dark Ambient genre. With a great mix of ambient, warm drones, field recordings and sensational keys & pads, DøD delivers a remarkable first look into a new project filled with many surprises and imaginative tales. Although this was a short EP, it was very entertaining and I enjoyed it very much. I’m really looking forward to hearing more dark & disturbing tunes from this artist and I highly recommend checking out this release. Please show your support and download ‘Lost Souls Of The River’ from the link below.

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Links:

https://dod0119.bandcamp.com/album/lost-souls-of-the-river

Execration Chamber Blend Cinematic Quality Score With Lo-Fi Dungeon Synth On The Intrepid ‘Cathedral Of Unbeing’

Is there a more perfect time to listen to Dungeon Synth than now? As we’re faced with the global pandemic known at COVID-19, many people are confined to their own homes in order to prevent the spread of the deadly virus – basically being imprisoned in their dungeon until it’s safe to – once again – interact with society. The mood just seems right to consume some lo-fi Dungeon Synth, to take you back to those Medieval days of malicious captivity. One artist that is an absolute fit during this trying time is Execration Chamber, and on ‘Cathedral Of Unbeing’ the infusion of cinematic composition and lo-fi Dungeon Synth is just what the doctor ordered to cure the ailments of solitude.

Monumental album opener, “The Lesser Felled” begins with the soaked sounds of a heavy rain field recording, followed by dense layers of keys that harmonize in a symphonic way. The sound is gloomy and mournful but played with a sense of hope and reason. As the song comes to a close, the sounds of heavy rainfall can be heard for one final time. “Gaunt, The Night” introduces bombastic percussive elements as if an anticipated Medieval battle is on the dawn of existence. The solo keys really standout as they are crisp and have the perfect tone to augment the background rhythm. “Buried In Time” has a bleak feeling to it, as it’s galloping cadence matches the simple beat that accompanies it throughout. At times, the keys become discordant as the sound becomes more harrowing. “The Great Purging Of Memories” sounds as if it could have been an intro to an early 90’s lo-fi black metal recording with its eerie tone and divergent arrangement. “A Hallowed End Of Passage” would be the perfect track to lead a garrison of warriors into battle. With its fast-paced, rhythmic patterns, this is just the motivation needed to carry out an assault on an enemy invasion. “Imminent Warfare” is a battle-ready anthem that features wondrous organ sounds and precision drum pulses that emit a culture of feudal decadence. “Crawling Tombs” is a dismal track that has components of lush textures and emphatic keys. The continuous pounding of the drum sounds as if the surviving warriors of a brutal battle are in sync, heading back to their kingdom to recover from their wounds. “Wept In Blood” is a dismal canticle with massively layered keyboard tones that are a vivid reminder of the tragedies that preceded times of peace. The final song on the album, “Dimly” is a sorrowful dirge filled with depressive sounding keyboards that perfectly compliment the emotional journey that this album has taken us.

‘Cathedral Of Unbeing’ is an incredible album that has that old-school Dungeon Synth vibe but with and an updated cinematic quality to it. It’s fantastic to see such a broad spectrum of musical sounds collide in an epic adventure with such a prosperous outcome. These tracks flow together so well and just like many other amazing Dungeon Synth recordings, they tell a valiant Medieval story of both victory and tragedy. I’m very much looking forward to hearing more adventurous tales from Execration Chamber, but in the meantime, please support this improbable artist by downloading ‘Cathedral Of Unbeing’ from the link below.

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Links:

https://execrationchamber.bandcamp.com/album/cathedral-of-unbeing

Audioalias Fuse Elements Of Downtempo and Drum & Bass To Form Mystifying Electronic Ambience On The Intelligent Offering, ‘Birds Of Prey’ EP

The atmospheric sounds of ambient music is a transcendent phenomenon. Although it doesn’t (normally) contain a rhythmic beat or percussive pattern, this mainly texturally layered music is mixed with soundscapes and the occasional field recording to produced an empowered and emotional music brand that is very addictive. However, due to the open-ended realm of the song compositions, it leaves a lot of room for experimentation and genre mixing. That being said, what do you get when you take the rooted consistency of ambient and combine it with the smooth vibes of downtempo and drum & bass music? You get the supreme recordings of Audioalias, the experimental electronic project from Melbourne, Australia, and on ‘Birds Of Prey’, you get four songs of magnificent electronic culture that combines the dreamy elements of ambient & soundscapes with the upbeat and rhythmic pulses of downtempo music.

To get things started on this EP, “Awkward Serenity” fades in with a looped drum beat and low end bass lines. Simple but effective digital piano arrangements can be heard providing a melodic balance. Additional sounds and keyboard effects augments random spots throughout, creating a spacious groove. The title track, “Birds Of Prey” begins with a haunting keyboard segment that loops, providing a cadence for the harrowing bass and beat to catch up with. Once all in sync, this fluid jam lay ground to additional sounds, tones and catchy vocal lines. Just as your mind and soul start to sink into the music hysteria, it fades out to the end of the track. “Port Park” has moments of darkwave and synthwave, showing versatility and the willingness to cross additional musical paths. Aside from a couple of spots of spoken word samples, there is a lot of looping elements to this track with some beautiful mixing moments. This one is probably my favorite song on the album. The final track, “Waiting For You” contains the most ambience as well as some killer vocal effects. This track is a slow builder, as it layers instrumentations and sounds practically one at a time until there is a conglomerate of musical ideas going on that form a chilling and climactic ending. This really gives me something to look forward to with future releases from Audioalias.

I really like the direction that Audioalias is going with electronic experimentation. Having the ability to combine elements from multiple genres of music takes talent and skill and there is no doubt that Audioalias has both. Audioalias also recently conducted an interview with Emanate Community, where he discussed his inspirations, collaborations and recording gear. I’ve included that interview link below so please check it out as it’s a wonderful read! In the meantime, you can check out ‘Birds Of Prey’ by clicking on the Bandcamp link below.

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Links:

https://audioalias1.bandcamp.com/album/birds-of-prey

Audioalias Interview With Emanate:

View at Medium.com

Gladden Fields Deliver The Sounds Of Forlorn With ‘Menace Of Despair’

I’m sure that if you’re reading this review – and being a fan of Dungeon Synth – you must be familiar with the Battle Of The Gladden Fields in the third age of the Lord Of The Rings universe. This was a very prominent battle, as Isildur and his escorts were ambushed by a group of Orcs and the Ring of Power was subsequently lost in the river Anduin. Gladden Fields is also the name of a UK-based Dungeon Synth artists that paints a harrowing picture of this great battle with his eerily composed music. The five tracks offered up on his latest effort, ‘Menace Of Despair’ uncannily resembles what the scene must have been like just minutes before that viscous attack by the Orcs, as the calm and soothing arrangements are topped with apprehensive orchestrations and somber melodies. Like the silent attack of the Orcs, these tunes are a mere decoy of an evil presence lurking behind the unknown.

Right from the opening looming soundscapes, the lead off the track, “Menace Of Despair” sets the stage for enemies lurking in vast terrain, as the tranquilizing synths crescendo ever so slightly while crossing into enemy territory is eminent. The slight use of percussion adds a frightening aspect as well. “Winter Sun” has a melancholic tone played throughout, with spots of despondent yet harmonic keys to add the slightest twist of darkness to the mix. “Through Poisoned Waters” has a deep, manic sound and shows restraint in its delivery. As the superbly timed percussive elements play in the background, I imagine an aphotic scene, just before the chaos occurs. The orchestrations in this track are simple, yet written amazingly well. “Helcaraxë” has a very old school, organic dungeon synth feel to it. The key arrangements are layered well and continue to build as the song progresses to the end. The albums final track, “Wall Of Night” begins with a very impending, dark ambient vibe and adds malevolent soundscapes throughout as this is the finale leading to up to the attack of the Orcs. This track represents full-on chaotic darkness with no chance of turning back.

Gladden Field is an extremely impressive Dungeon Synth artist that meticulously tells a story with his music. Although named after one of the great battles in one of the best and most famous stories ever written, Gladden Fields does the name justice by creating a soundtrack-like atmosphere with ‘Menace Of Despair’. If this album doesn’t put you in the mood for a great middle earth adventure, then I don’t know what will. Please support this fascinating artist and downing ‘Menace Of Despair’ from the link below.

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Links:

https://gladdenfields.bandcamp.com/album/menace-of-despair

Harrogat Takes A Bold And Restrained Approach With Supremely Minimalistic Drones On ‘Pandemonium’

The term Pandemonium has several distinct meanings. The first definition that may come to mind is sheer and utter chaos, to the point where anarchy and uncivilized disorder can no longer be maintained or controlled. However, there is another meaning that is equally, if not more horrifying than the aforementioned. It is the habitat of a gathering of demons, simply known as hell. The characteristic for this definition is that the word Pandemonium is typically spelled out in all caps, is in the latest offering by Harrogat. ‘Pandemonium’ is a deep space, minimalistic narrative that will haunt you with its extended drones and creepy vibes. With a playing time of an hour and forty six minutes, this journey to hell will be a slow, agonizing descent, as Harrogat is determined to test sanity of all who are doomed

“Morning Star” is like the calm before the storm as the warm drones take you from a serene and peaceful existence into a realm of uncertainty. Like the dawn of a hazy sun on the distant horizon, this song gets brighter and continues to add more texture as it ebb and flows with soft velocity. The warmth ends there, however, as “Caronte” starts down the dark and grim path toward the evil destination. With field recordings that resemble the swaying and rocking of an old, wooden vessel, the drones in this track continue to build in layers, as if it is crossing the river Styx to deliver lost souls to the gate to the underworld. “Dite” continues to play on the psyche with eccentric pad effects on top of buried, rhythmic drones. During this twelve and a half minute bludgeoning affair, the tone stays constant for the most part but every so often, a frequency shift in the back end drones – which are barely audible at times – breath both life and death into this morbid manifestation. “Your Shadow, Your Name” features some towering soundscapes that provide an eerie depth to the overall theme for this album. Just like the deliverance of souls to the gates of Hades, this track signifies that there is no turning back and that the entrapped souls now belong to eternal abyss. “God’s Hypocrisy” uses broad soundscapes to set a true feeling of emptiness. It’s like a bleak space ambient tune set in a blackened void, where there is no sense of time or speed. “Evocation Of Lucifer” begins quiet and reserved but soon crescendos into an accelerated drone as if there is no inevitable way of escaping an anxiety-filled battle with faith. Random soundscapes in the background bridge the monotonous apex reached by the massively layered low-end noises. “The Death Of God” is a near twelve minute track of harrowing polar ambient sounds, set out to soothe the subconscious as the darkness prevails all around. There are several spots of inaudible spoken word recordings that are a cause for concern and angst. “The Shape” is a soundtrack-worthy ambient tune that provides a dark and emotional prelude to the massive ending for which is about to happen. The final track on the album, “Pandemonium” isn’t just the final stretch of the journey to hell, it is a colossal forty four and a half minute epidemic of dark ambient wizardry that sets the bar for long-play ambient tracks. Combining elements of dark, space and polar ambient, “Pandemonium” is a high-caliber dirge that is relentless from start to finish. The massive drone sounds escalate in volume, only to decrease – at times – to make way for other insanely penetrable commotions. At around the eight minute mark, the cacophonous space drones give way to a singular, grim polar ambient tone, deviating from an interstellar theme and bringing it back to and icy cold vibe. Incidental soundscapes push the boundaries of this section and give it a rather frightening foundation. At around the eighteen and a half minute mark, a barely audible deep frequency plagues the airwaves in a sense that it gives off an almost warping effect. It’s soon followed by added synthesizers, making it an absolutely gloomy section to fathom. At around the twenty nine minute mark, the reluctant droning tone is not as dark as usual but is in a subdued state, as if preparing the listener for a climactic ending. That’s exactly what the final four minutes of this track are, as luminous synths provide a final touch of melody and volume, like the souls finally reaching their gruesome destination of ‘Pandemonium’.

Harrogat has conceived quite an impressive album with ‘Pandemonium’. Not only does it take you on a spiritual, ritualistic and emotional journey, but there is enough depth to each track to provide a sense of realistic vision for the quest that is intended for the album. With each new album that is released, Harrogat’s exposure to the dark ambient elements become more impressive. This album is mind-blowing in the sense that it is nearly two hours long and the detail throughout doesn’t seem to repeat itself. Show your support for this exemplary artist and download ‘Pandemonium’ from the link below.

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Links:

https://lakelabel.bandcamp.com/album/pandemonium

The Gloomy Intonations On ‘Archana’s Tales’ By Archana, Forges An Ominous Feudal Presence

Imagine an endless journey where the spectacles of nature inhabit the majority of your adrenaline-filled stimulation. As you cross boundless and threatening topography, your preparedness for battle is like no other, but fortunately the paths of the unknown have brought little to no campaign, limiting the possibility for senseless bloodshed. However, along the way, the dim and gloomy passage has brought on a variety of other undiscovered aspects. Welcome to ‘Archana’s Tales’, the somber yet soothing soundtrack for an unknown expedition filled with the unexpected and unexplained.

Like a pack of travelers hiking gallantly through a field of dreams, “Archana’s Tales” bold keyboard arrangements are the perfect opening sounds to this album. As if the morning dawn has signaled for the time to press forward with this harrowing journey, the lush key tones play a Medieval pattern that remain promising and victorious. Although the overall vibe is calming, there are a lot of layers and elements to give it a broad, ethereal sound. “Decorated Blade” is a great forest synth track that is very dreamy and distant. However, don’t let that fool you from the plethora of synth activity that is happening, as there is a lot of melodies combining to make this a great track. “Wayward In The Brume” is a mournful piece, as the main keyboard arrangement sounds like a dirge played at an ancient funeral. “Fray” begins like an anthem played at a kingdoms’ gate upon the arrival of the king after being away for battle. Not straying from the main cords, it’s meant to signal the return of the ruler, and this short piece succeeds in fulfilling that objective. “Mother Moon” is full of harmony and melody right from the start and provides a sense of warmth while envisioning a journey that crosses over into darkness, slowly fading from dusk as the sun sets off in the distance. “Boreal Kingdom” is one of my favorite tracks on the album due to the discordant key arrangement and the droning synth tones in the background. The final track on the album, is the near fourteen minute long “The Hyetal Shore”. Starting with some simple keyboard tones and rain field recordings, this is just a simple precursor to this well-rounded and excellent track. At around the six minute mark, the pace picks up a bit and more key arrangements are added to give a symphonic sound. There is still that Medieval element to the overall feel to this recording but this track is wonderfully composed in several sections to give it that grandiose appeal. The final few minutes of the song closes out with the continuance of the rain and occasional thunder sound, with a nice keyboard texture that signifies that the end is near.

Archana has composed and produced a rather unique dungeon synth offering with ‘Archana’s Tales’. This is somber forest synth at its best. There is nothing fancy or extravagant on this release, as it’s not needed. Simple keyboard arrangements and minimal use of field recordings are all it takes to draw the listener in and keep them captivated for the duration of the recording. When the songwriting is that powerful, that is all that is needed. Show your support for this amazing artist and download ‘Archana’s Tales’ from the link below.

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Links:

https://archana.bandcamp.com/album/archanas-tales-3