Skuggkonungen Showcases The Unique Infusion Of Dungeon Synth And Retro Synthwave On ‘Det Glömda Landet’

This album has been in my review queue for a long time and I’m so excited to finally be able to share my thoughts on this unique and triumphant effort. Many times when Dungeon Synth fuses with aspects of other genres, the traditional essence of the music takes a back seat to a more modern approach of genre melding. However, that’s not quite the case with Skuggkonungen’s mystical offering, ‘Det Glömda Landet’. Eight esoteric offerings of synthwave influenced Dungeon Synth produce a propitious atmosphere that will haunt the various era’s of influential realms

Album opener, “Äventyrarnas Brunn” dabbles in the territory of Dark Ambient before a quaint Dungeon Synth melody bursts through the bleak foundations and extends a harmonic dimension of lush keyboard melodies. Synthwave effects seamlessly enter the fold and takes this track to levels beyond musical imagination. The buildup of synth leads are undeniably refreshing and this is just the beginning of a hauntingly beautiful album. “Adralei” commences with ominous effects and begrudging background hisses while devilish pads seem to infiltrate at will. Somber Medieval leads are introduced and have a retrospective feel to it. This track boasts a strong refrain of good versus evil as dismal tones are crafted to blend transparently with light-hearted harmonies. “Lärkdal” quickly blasts an eloquent synth lead that is airy and peaceful. Comfy Synth styled intonations create a dream-like state and the layers of abating refrain is charming. Next up is the hypnotic, “Gråskägg”. Elongated synth effects are used to produce an environment of retro gaming influences and nostalgic characterizations. As the leads come in massing a grandiose sound, it slowly begins to fade, preparing you for the next suspenseful song. “Riddare Av Hella” begins with a slightly reverberated synth chop that continually loops in a light cadence. Menacing effects establish an eerie setting and vocalized sounds add a touch of cinematic elegance. “Thursagash Grymkäft” contains percussive elements atop a blissful synth lead that is reminiscent of an early morning dawn amplified by fog and drizzling mist. This is definitely a track to get lost into – if it were only a bit longer to enjoy it’s mesmerizing affect. Next up is the ghostly incantation, “Dödsdrömmarens Sista Vila”. The way that the main keyboard loop interacts with the melodic effects is completely enthralling. Psychedelic styled synthwave sounds establish an alluring dirge that is sure to garner repeated listens. The final track on the album is the grimly arousing title track, “Det Glömda Landet”. This spooky offering seems like a mix of random effects and digitized modulations, but is more like a bleak anthem of terror to the point of no return. It’s almost like an unforeseen evil lurks around every corner but predicting when that will be, will create a serious dose of anxiety.

This is another fantastic album for the Dungeon Synth community, especially for those that like an expanded sound with a no holds barred aspect – with regards to styles and influences from other genres. Skuggkonungen has laid a foundation of synthwave influenced Dungeon Synth and ‘Det Glömda Landet’ is the fascinating results. I’m really impressed with this release and I’m most certain that you will be too. Please click on the link below and support this amazing project.

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Links:

https://skuggkonungen.bandcamp.com/album/det-gl-mda-landet

Monstruwacan Transcribes The Struggles Of Agony With The Ritualistic And Ominous ‘Mourn At The Grindstone’

If I asked you to provide one word to describe how you feel about music (in general), I’m sure their would be no wrong answers. No mater what adjectives are used to characterize your perception of music, there is no doubt that it’s a powerful entity. Music is inspirational, emotional, provides comfort, describes other subject matters in a relatable way, and is a reliable source of affection and warmth. Many of these identifiers can be associated with the massive audial offering by Monstruwacan, ‘Mourn At The Grindstone’. Six tracks of haunting modulations that provide a ritualistic listening experience through grim guitar tones and decaying vocalizations. These songs are an amenity for coping with grief and well, life in general as the turmoils we are all faced with on a regular basis seem to never end.

Blistering album opener, “Which Side Are You On (w/The Windborne Singers)” just may be my new favorite song! Featuring a sorrow song-style vocalization about old Union worker banters, this jubilant piece supremely incorporates droning soundscapes to give it a cinematic sound that are reminiscent of the musical endeavors of early Zeal & Ardor. The vocals specifically standout, as the quartet harmonizes beautiful with crystal clear annunciation, thwarting the listener back to the days of coal mining and black lung disease along with the perils of that era. “Mourn At The Grindstone” quickly builds into an eerie, minimalist drone that captures the essence of dread. Faint wails of a guitar can be heard in various spots, adding to the mystique of the song. As this tonal creature grows in volume, the sense of misery become obvious while the shrills of ominous soundscapes continue to fluctuate. Suddenly, harsh narrations divulge information of sincere pain. You can hear the agony as the vocals elicit painful cries and every strum of the guitar is like opening an emotional tomb of anger and resentment. I can imagine this is what it would sound like if Sunn O))) and Blood Of The Black Owl we’re to collaborate. Next up is the somber, “Pupils Like The Hole In Space Where It Sings”. Commencing with a melancholic guitar part, things quickly spiral down into a harsh guitar tone with full-on distortion and resonance. This doom laden masterpiece also features deafening screams and harrowing, bleak ambience, as the mood is quickly set for a slow decent to annihilation. The torment continues with “Feast In The Dark”. A perpetual drone is accompanied by low, back end soundscapes that are audible enough to peak your curiosity. Just as this mild endeavor begins to settle in, heavily modulated guitar chords bear down like a speeding freight train while strident vocals evoke a story of bitterness. “Song For The Dead” begins as a spooky Dark Ambient piece that casually infuses bits of guitar effects. The elongated drone provides a demonic backdrop and when the harsh narrations come in, this becomes a complete ritualistic experience. The middle section of this eight minute opus softens to a simple drone that fades to the point of obscurity and then blazing guitar chops ignite a doom laden offering that showcases the climactic ending of angst and fear. The final track, “What Keeps Us In This Wretched Place” begins with a dose of sonic soundscapes that reside more in the background instead of the forefront, as if we can soon expect vociferous leads to play out. A ton of reverb is used in the beginning section, kindling a stark setting of bleak space ambience. As the droning grows louder in volume, it’s apparent that we will soon see the end of this amazing journey. Layers of drones and effects dredge forth until the song faintly comes to an end.

Every once in a while, an album comes along and completely blows me away. ‘Mourn At The Grindstone’ is that album and then some. These songs are well thought out and put together with meticulous detail so that is flows with utter transparency. Caldon Glover, the mastermind behind this project, knew exactly what he was aiming for with this album and the results are in – Monstruwacan are already becoming a heavy hitter in the Drone Metal/Dark Ambient sub-genre. Although this album has been out since May of 2021, it deserves to be heard by a much larger audience than what it already has. Do yourself a favor and listen to this one right away and support this artist by downloading this masterpiece at the link below.

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Links:

https://monstruwacan.bandcamp.com/album/mourn-at-the-grindstone

Caliginous Empire & Natura Carcerem Synthesize For Dungeon Synth Greatness On ‘Shadows Reflected’

Two of Dungeon Synth’s upcoming artists – Caliginous Empire & Natura Carcerem – have joined forces for the monumental offering, ‘Shadows Reflected’. However, this is no simple collaboration; this is two compelling creators showcasing the best side of their craft and extending a long overdue exposure to up and coming artist as they show solidarity in one of the best musical genres around. Caliginous Empire exhibits a soothing blend of symphony tones and melancholic soundscapes, while Natura Carcerem ventures more into aspects of Dark Ambient and ominous atmospherics. However, on this joint venture, they both step out of their comfort zones and expand on their musical creativity resulting in an ethereal experience that flows with haunting transparency.

“Before I Depart” is the somber album opener that starts with melodic keys and piano chops that slowly builds into a grand intonation. A short narration constructs an ancient storyline before percussive beats and layers of melody complete this soothing musical affair. The excitement really begins on “Hidden Penumbra”. Commencing with the soft crashes of ocean waves on a desolate, ancient shore, dense keys and pads create a fantastical soundscape of cinematic proportions. Soon, the tonal keys descend into an emotionally-charged passage of atmospheric modulations and alluring patterns. Out of nowhere, the track blasts into a melodic Black Metal section, complete with harmonic guitar chords, blast beats and ominous vokills. It then dwindles down to a quiet symphony of swaying keys that close out the track. The next track is “Reflected Shadows” and it showcases the talents of both musicians as they merge their unique sounds to present this stunning effort. A gentle piano ballad starts this epic adventure then an array of sounds and effects slowly builds a wall of discordance that is hypnotizing to say the least. Toward the end, tasty guitar leads mirror the main melody and establish a theatrical dose of affinity and atmospheric creativity. Natura Carcerem presents the next two tracks, the first being “On The Precipice Of Despair”. This is a beautiful flowing song that is held together by rigorous drum beats and celestial keys. Filled with eerie arrangements and haunting soundscapes, there is also an effervescent crypt hop beat that will have your head bobbing for the last portion of the song. The final track is the ghostly, “These Shadows Know My Name”. The cawing of crows and frightening modulated tones produces ghoulish atmosphere of haunted mansions, graveyards and nocturnal creatures that are bound to scare all those in their path. A soft Berlin School sequence adds a nice touch, as it increases the nostalgic vibe. More narrations and Black Metal vokills close out the track as this exceptional album draws to an end.

It’s never too late to recognize a fantastic album. ‘Shadows Reflected’ was released almost a year ago and it – so far – has stood the test of time, as these songs are unique, impressive and memorable. Caliginous Empire and Natura Carcerem have successfully blended their talents for supreme song writing and arrangements on this album and I can only hope that they will team up again in the near future to present us with another endeavor of this magnitude. If you like your Dungeon Synth meshed with other style of music, do not look past ‘Shadows Reflected’ as this is a one stop shop for your extreme Dungeon Synth needs.

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Links:

https://uncomfyrecords.bandcamp.com/album/shadows-reflected

https://caliginousempire.bandcamp.com

https://naturacarcerem.bandcamp.com

Fugue In Sea Absorbs Mythological Subject Matter For Enthralling Release, ‘Py-A-Saw’

If the thought of legendary creatures don’t get the creative juices flowing, I don’t know what does. The chimerical energy that is produced by such entities is not only astounding, but it creates a boundless spectacle for imaginative tales of nefarious beings and settings. Missouri-based electronic musician, Fugue In Sea, uses these obscure entities to an advantage by creating an unconventional soundtrack for their existence. ‘Py-A-Saw’ is a five track excursion that demonstrates the agility of music and how it can translate to a vicarious world of ingenious resolve. From Dark Ambient tones to hypnotic and industrialized sequences, this is twenty eight minutes of unprecedented and ritualistic storytelling.

“The Bird That Devours Men (Theme)” is the insanely crafted lead off track that commences with obscure sound bits and eclectic drones that drift slowly like frozen air flow over a daunting mountain peak. The bizarre sound effects carry on in a chaotic commotion as if frantically trying to communicate with other entities in an unfamiliar tone. Suddenly, the clamor resends into a particular calmness before fading into oblivion. “Attack Along The Mississippi” begins with a tribal-like cadence, as layers of peculiar effects rapidly ascend with stunning creativity. More communicative reverberations begin their sequence as an industrial screech comes bellowing in with menacing fortitude. Heavily distorted guitar shrills create a trance-like instance as this ritualistic track comes full circle. “Cave Of Bones” begins with a mix of ethereal soundscapes as somber drones quietly come into play. Constant, pulsating beats create an agonizing experience of bleakness while aggressive key’s emphasize an ambiguous setting for unknowingness. “The Return; Ouatoga’s Ambush; Aftermath” introduces and dark, industrial-type aggression with loud frequency screeches, heavy modulations and the sensation of an icy cold wasteland. A durable beat instills a harmonic essence of mechanized allurement for most of the track, but fades into a space ambient offering that is completely meditative. The final track on the album is “The Bird That Devours Men (reprise)”. This frigid offering continues with the space ambient theme by creating a droning void of eclectic sounds and effects that throttle the listener to a desolate demise. This ends the album on a very eerie note (literally) and you’ll immediately want to listen to this mythical experience all over again.

‘Py-A-Saw’ is a well put together, well thought out ambient adventure. Although just an EP, there is a ton of adventure and sonic madness that is typically experienced on a much longer dark ambient album. Fugues In Sea has the dexterity to incorporate many aspects of electronic music to create a symphony of auditory compositions that are unique and captivating. ‘Py-A-Saw’ is just another notch in the belt for hopefully a long career in Dark Ambient creativity for Fugue In Sea. Please check this album out at the link below and support this exceptional artist.

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Links:

https://kalaminerecords.bandcamp.com/album/py-a-saw

https://fugueinsea.bandcamp.com

Colonial Skyway Presents A Compelling Take On Dissonant Clamor With ‘Evening On Earth’

There are many things in life that we take for granted on a daily basis. Even something as simple as subtle noises and sounds becomes less observed as we pick and choose which signals to process for an action or reaction. Of course our minds are programmed to react to daily nuances such as vibrations of a text message coming in on our cellular devices, a car horn as it signifies the moment of possible incident, an alarm clock as it pulls us out of our indulgent, hibernating state or even voice communication by our family, friends and coworkers – sometimes a complete stranger. However, there is another underlying tension, the ambient rumbles of reoccurring instances that we take for granted or don’t even pay attention to all together. There is true significance behind the droning sounds that are often terrifying, annoying and even chaotic that we subconsciously ignore, but they are there for a reason. The sounds are derivative of processes and movement that have a deeper meaning, indirectly executing the underlying fabric of society that nonchalantly pass us by. It’s these very things that are represented on the latest Colonial Skywave album, ‘Evening On Earth’ that are now brought to the forefront of the mind in order for us to understand – and even appreciate – their significance. Eight tracks of masterful droning in its most minimalistic state, yet so full of life, that it truly needs to be heard to be welcomed as a productive part of society.

“Stars On The Ground” slowly crescendo’s into a looping hiss of a mechanical nature, almost as if a gear were stuck in a failed rotation and continued with repeated attempts to proceed with its forward movement. As the nuance perpetuates, a grazing hum comes into focus, easing the tension of the core commotion while inducing a meditative form. Just as the listener eases into this dynamic configuration, these sounds begin to defuse and ultimately fade into oblivion. “Keylapes” proceeds down the dark path of heavy machinery and the purr of high speed cycles, proving the successful syntonization of synthetic equipment. Random bursts of manufacturing effects adds a layer of cyclic activity that may seem random, but is the result of melding productivity and arduous combustions that creates a uniquely resonating sound signature. “Fairway” presents another heavy, arduous drone with looping chugs of industrial strength apparatuses, carrying on with the tedious task of unmistakable agitation. As this motion eternizes, it’s apparent that a malevolent force is strong at work. With no decrease of movement in site, it slowly fades away into obscurity, even though the harshness continues to plagues the airways that it surrounds. Continuing on with the looping essence is, “Off At Dawn”. Industrial dreariness is replaced with digitized intonations with the penchant for coding errors and computerized alarms instead of machinery malfunctions. The sonic apprehension of looping buzzes gives the impression of abnormal functionality, but the abhorrent continuation of the main sounds signify error override, as the collusion of systems advance without a care in the world. “Areas Of Drifting” commences with the synchronizing strum that is very reminiscent of a full scale orchestra coming into unified harmony after much needed adjustment to playing a single tuning note. Instead of everything comes to a halt – at the request of the conductors triple baton tap – the notes are held in alliance, while relaxation overcomes the listeners whim. Next is “Lonely Tolls” and it’s exactly what I’ve envisioned with the given track title. An interstate toll booth worker, laboring through the dreadful night shift, where the constant flow of traffic has been replaced with the languid resonance of emptiness and distant sounds not normally observed. The tolling of cryptic bells declares a mysterious warning of unforeseen events. A steady volume of rain hits the roof of the tool booth like an intrusive static, adding to the ambience of the other sounds. “Forth Selector Stepping” slowly seeps in like daybreak, where aberrant sound of the night seize and give way to an endless vacuum of light despondency. Bridging the gap of the known and unknown, this track acts as the medium for what’s left behind and what’s yet to occur. The final track on the album is “After Dark”, a deep, meditative drone that suggests a particular crepuscule of dead air and distant exertion. Although one doesn’t overpower the other, there is a sense of struggle beyond the threshold of existence. This track summarize the entire album perfectly as this compelling drone embodies the journey of noises and sounds crafted by mankind (and natural occurrences) and wraps them up in a coercive bleakness of axiomatic energy, despite the situation.

In conclusion, the sounds we take for granted are a beautiful thing and relative to life on Earth as we know it. Often mistaken as meaningless nuisances, they are simply the collateral return of a productive and mechanized society. Colonial Skyway again produces a magnificent soundscape of representation and blissful moments of droning endeavors. ‘Evening On Earth’ is a societal soundtrack to a world of underground chaos that is often overlooked, yet needed for perpetual existence. This meditative offering is one of my favorites of the year so far and provides me with a pleasing dose of hypnotic artistry on a regular basis. Don’t hesitate to check this one out if you’re into minimalistic drone music. Click on the link below to support this one of a kind experience.

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Links:

https://submarinebroadcastingco.bandcamp.com/album/evening-on-earth

Sylvanum Portrays An Idealized Vision On The Beguiling Offering, ‘A Forest Portal’

Every great kingdom has its mystical forest full of bewilderment and perplexing paths. Enchanting life forms congregate on the forest floor while Medieval strongholds inhabit the space not so far off in the distance. What a time to be alive to experience such allurement and it’s unfortunate that we can’t endure that first hand. Thankfully, artists such as Sylvanum exceed with a particular mythical charm through their music, granting us the opportunity to partake in such monumental pleasures. On ‘A Forest Portal’ we are presented with a musical endeavor that showcases the attraction of ancient times in the most entertaining way. Eleven tracks of whimsical guidance create a galvanizing space of adventure and tranquility for forty gratifying minutes.

“As The Light Fades” begins with a deep rumble and harrowing soundscapes, as if traversing the darkest corridors of the forest. Serene synths and prominent textures signify a bright end for the path less traveled. Soothing leads and ambient fills create a monumental sound as this track is a cinematic adventure and properly starts this amazing album. “(Through The) Faerie Ring” commences with the sounds of nature and the peace that it represents. Chirping birds, clicks and clacks of various insects and an endless flowing stream makes quite an impact before layers of synth leads and ominous effects come into play. The arrangement slowly glides like the stream it overtakes and thrusts the listener on a courageous adventure through the paths of timber. “Midsummer Night” is my favorite track on the album and the arrangement waivers between whimsical leads and somber synth chops. Although there is a contrast of sounds, they fuse perfectly to produce a unique moment that is sure to garner repeated listens. Next is “The Dance Of The Nymphs” and the warping synth intro is reminiscent of that classic synthwave sound. Renaissance era leads erupt with a sense of accord and prosperity. The layers of activity in this track is quite compelling as they seem to be out of sync, yet blend perfectly. “Shrouded In Leaves” has a dreamy ambience that creates an endless depth of space, while reverberated keys play a symphony of eccentric harmonies. At various times, a flute effect, takes the lead and produces a magnificent tone that takes this track to another level. “Take A Darker Path” begins with a field recording of someone walking down a rugged path while crunching leaves and breaking twigs create a temporary diversion for the traveler. While traveling on, the soundscape fades into a melancholic arrangement with elongated keys and unidentifiable sounds. “The Search For The Sun” is a tranquil offering with a standout strings arrangement and the whirling ambient textures in the background portray a dreamlike state. The title track, “A Forest Portal” is a devious introduction with war-like percussion, blaring synth chords, and subtle hints of alluring melody. The combination of these beguiling textures creates an ambience for woodland appreciation and an inspiration for natural serenity. A brief narrative instills life into this otherwise uncharted territory. “A Glimpse Of Light Through The Trees” is filled with gloomy acoustic passages and ethereal keys that harmonizes in luminous beauty. The synth leads are a throwback to classic synthwave tones and are an imperative part of the mix. “By A Moonlit Lake” continues with the same sentiments of the last track and has a retrospective feel that is haunting and colloquial. The final track on the album is the illuminating, “Morningtide”. Complete with background ambience that produces a trance-like space this song is equally consumed with an array of effects and synth leads. Although short and to the point, it provides an uplifting ending to an amazing album.

Sylvanum is definitely an artist to keep an eye out on and if future sojourns are like ‘A Forest Portal’, then sign me up for the journey. From whimsical to melodic and a plethora of emotional sections, this is an album you won’t soon forget. The stellar production is an added bonus, creating a spectacle of theatric beauty. Although this album has been out for a while, I can’t recommend this enough. Please show your support for this fascinating artist and download ‘A Forest Portal’ from the link below.

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Links:

https://sylvanum.bandcamp.com/album/a-forest-portal

Cementation Anxiety Discharges Industrialized Dynamism On The Austere ‘Prospects Of Dissolution’

By design, Dark Ambient represents a sort of frigid, ominous variance of meditative music. A genre that soothes the mind and haunts the soul, dismal drones and soundscapes empowers the listener to drift in (mostly) apocalyptic settings and advance on portentous endeavors in – what seems like – slow motion. However, not all sub-genres of Dark Ambient follow that narrative as industrialized ambience presents a bleak side of this obscurity, producing more of an angst-like approach to audible reasoning. One such artist that excels at this approach is Cementation Anxiety. On latest album, ‘Prospects Of Dissolution’, three long tracks create a particular madness that corrupts the soul with harsh tones and a maddening approach to perilous drones. Meant to be heard as a single instance of mayhem, this is nearly twenty four minutes of rigid ambience with an outcome of severe proportions.

Opening track, simply titled “I”, commences with a malevolent commotion, as if saying Welcome to the industrial wasteland, where pollution-heavy skies and abandoned factories set a desolate scene. Looping drone of mechanized strength don’t let up for over ten minutes, while viscous soundscapes bear down on the listener at full force. Random tones and samples create a menacing plot full of negativity and resilient evil. This song is like an endless maze of torment, creating suffrage through apprehension and dread. As the track increases its modulating output, it morphs into the second track “II” rather than drifting off into obscurity. Pressurized drones reek havoc on the senses as the unknown lurks around every corner. Not knowing what to expect, tensions increase while assorted soundscapes and tones seem slightly buried in the mix before slowly ascending into audial darkness. The main drone accelerates with unabridged rancor, dragging the lister further into the abyss of uncharted terror. Just as the maniacal endeavor seems to be at its peak, it partly abolishes some of the harshness before leading into the third and final track, “III”. This final plight of audial terror presents over eight minutes of minimalistic modulations that act as a rigid recovery of the previous tracks as the deafening chaos suggests that there is no escape from the impending doom that awaits. The final few minutes dies down into a less modulated drone with reverberated soundscapes that drift in the background. This shows the collapse of civilization and ruins the chance of any return to a stable environment.

Cementation Anxiety produces top notch industrialized ambience and excels at telling a darkened stories of futuristic worlds and unexplored settings of demise. Although ‘Prospects Of Dissolution’ is an entertaining and important recording for the genre, I truly wish that this album was about an hour long. It’s so easy to get lost in the discord, but as soon as you do it seems like it’s over not soon after it begins. I highly recommend checking out this album, especially if the harsher side of Dark Ambient is your thing. Please click on the link below and support this exceptional artist.

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Links:

https://cementationanxiety.bandcamp.com/album/prospects-of-dissolution

Consilium Lupum Affords A Traditional Dungeon Synth Offering With ‘The Return Of The Unholy In the Cloak’

First off, I’d like to apologize for my lack of content lately. It’s always been my intention to publish one or two reviews a week. Unfortunately, “day job” commitments as of late have created a hinderance toward that goal. Nevertheless, I continue to drown my ears with excellent music so when the opportunity presents itself, I’m always ready to discuss. That being said, one album that has been circulating in my playlist lately is ‘The Return Of The Unholy In The Cloak’ by Consilium Lupum. Leaning more toward a traditional Dungeon Synth sound, this album takes me back to amicable Medieval times where music was joyous and the ambiance was constructed around harmonious times.

Album opener, “A Medieval Saga (The Beginning)” erupts after transitioning from a subtle ambient tone. Decadent, rhythmic patterns gallop blithely with a slight distortion while drawing the listener into a Middle Aged world with alluring melodies. Trance-like percussive beats boost the feeling of being secluded in hazy memories of darker, yet peaceful time. “Return Of The Wanderer” commences with the crashes of thunderous sound effects while distorted modulations create a pattern of essential tones. Their are excellent synth works in this tune that flows in a continuous, transparent stream from beginning to end. “The Crying From The Old Man’s Cave” features valiant horn effects as if a mysterious introduction of important figures were abound for an imminent presentation. Layers of horns and synths emit noble sounds of content heritage and vast prosperity for all. “The Magic Journey Across The Mountains” has more of a minimalist approach. With sparse use of soundscapes, this tune relies heavily on lush, alluring synths that produce a gratifying melody and the sense of mystical journeys. “The Sorcerer From The Past” commences with a short drone before introducing another round of horn effects. Wonderfully layered in a coat of distortion, this track crescendos into a rapid pattern of synth bliss before decreasing into a minimal lull. The sounds of rain and thunder begin the ominous “The Song From The Dead Forest” and tiered synths play various harmonies that fuse together in unison. At various times, the soothing rain returns and abruptly concludes but never takes away from the beauty of this gloomy arrangement. “The Seeker” begins with a psychedelic vibe and the looping keys almost produce a hypnotic-like state. Several synth patterns begin and are a bit loud in the mix but this discordant approach works well for this track. It’s as if blurred vision slowly becomes into focus and then becomes increasingly sharp, before returning to the normalcy of a focused state. “Trapped In Time” is a short track that has a slight synthwave sound, as sharp keys focus on elongated chops and a reverberated rhythm plays a peculiar pattern. “The Joy Train Through The Hidden Village” continues with joyous melodies and rhythmic drums beats that are reminiscent of a peaceful town where goods are sold and celebrations are held throughout. The final track on the album is, “A Graveled Time Of Our Lives”. Beginning with a round of celestial sound effects, droning keys and esoteric fills lead to a dismal incantation, bringing this otherwise uplifting album to a grim ending.

For a debut Dungeon Synth album, Consilium Lupum offers an impressive collection of Medieval tracks. From blaring horn effects to distorted synths, this album really creates an atmosphere of peaceful endeavors of feudal, Medieval times. This is an album that warrants multiple listens, especially if in the mood for knights, castles and foreshadowing relics of ancient lands. Please check out this excellent release by clicking on the link below. Most of all, enjoy the daring adventure that ensues.

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Links:

https://saluterecords.bandcamp.com/album/the-return-of-the-unholy-in-the-cloak

Throne Of Knowledge Explores Mournful & Isolated Timbres On The Profound Offering, ‘The Return To Unity’

World renowned author and playwright – Leo Tolstoy – once stated, “Music is the shorthand of emotion.” I couldn’t agree more, as we often listen to music that matches our feeling and/or emotional state. At times, music frequently instigates a particular feeling that allows the listener to drift into an ardent state of explicit emotions or imaginative foundations. One such compelling artist that provokes those very sentiments is Throne Of Knowledge, a Dark Ambient/Winter Synth project that presents an impactful sense of mystical feelings through cold and somber drones. On the latest album, ‘The Return To Unity’, three extended tracks of space ambient and winter synth tones fuse wonderfully to create a hypnotizing atmosphere of otherworldly experiences.

The haunting opening track, “The Return To Unity”, showcases a sequence of looping melodies, perpetual drones and celestial atmospherics that promulgates an alluring sense of bliss across twenty seven minutes of playing time. This is an extraordinary track that implicitly serves as a soundtrack for meditative sequences. If you’re expecting a lot of change ups, soundscapes and explosive moments, you’ll need to seek that type of music expression elsewhere. However, if a relaxing, and introspective experience is what you’re vying for, then look no future than this beautiful track as it sincerely provides that moment of reflection that is much desired. Next up is the sixteen minute long endeavor, “Aura”. Even more minimalistic than the first track, this will invoke a period of mental solitude through bleak drones and the occasional soundscape that depicts instances of awareness and contemplation. If the first track is the one that takes the listener to an altered state, then “Aura” is the track that locks the listener in for the duration of this pensive experience. The winter synth tones are prevalent throughout this track as the atmosphere is cold, dry and full of gray colors and sounds. The final song on the album is “The Observer Effect”. Although considered a bonus track, this is the third and final installment of the meditation experience as it’s the one that slowly pulls the listener back to reality. This near sixteen minute long track contains more key rhythms and is presented in a quicker pace than the previous songs. Although the gloomy drone is still ubiquitous, it’s used more in the background than in the forefront, allowing for the harmonies to take over and draw the listener in to a refreshed perspective of life and happenstance. Having this bonus track on the album makes perfect sense as it completes a sonic adventure of mindfulness and prospective gain.

This third chapter of the Throne Of Knowledge collection is an exceptional work of art that tells a wordless story of nature and peaceful existence. Although firmly rooted in Dark Ambient, there are underlying tones and themes that give this adventurous piece endless meaning and also a home in other genres such as Winter Synth and – in a way – Atmospheric Dungeon Synth. I highly recommend this album for a relaxing experience, so please check it out at the link below and enjoy this highly effective masterpiece.

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Links:

https://throneofknowledge.bandcamp.com/album/the-return-to-unity

Maronian Athenaeum Transcribes An Epic Adventure Into Sonic Excellence On ‘The Fall Of Svælinørg’

Logically speaking, big things come in small packages. That’s the first thing that comes to mind after listening to Maronian Athenaeum’s fascinating album, ‘The Fall Of Svælinørg’. Two tracks of uncompromising Dungeon Synth with a playing time of nearly thirty two minutes. Going in to this without knowing what to expect, it’s easy to assume that there may be a lot of build up between active moments, as well as a lot of backing ambience to set a particular mood. However, upon the initial listen, I was quite impressed – blown away actually – at the variety of music and how the various parts fuse together seamlessly to express a fascinating Medieval story.

The first track, “The Great Stand Of King Svænim”, proceeds in a dreamy, theatrical way as the opening sequence showcases an inspiring Synth melody that emits a tone of melancholic unease and sadness. The heavy reverb gives it a grande sound while soothing melodies compliment it with graceful harmony. Bits of percussion are slowly induced to form an ebullient cadence around the heart of the track. After a brief moment of field recordings, the track blasts into overdrive with a soundtrack-like refrain that is sure to get the blood pumping. Staying true to traditional Dungeon Synth characteristics, a mournful synth effect creates an atmosphere of anguish and dreariness. As this sixteen minute track continues, other facets of electronic music are interpolated, further expanding upon the normal traditions of a track of this magnitude. From whimsical to bombastic tones, this song provides an extremely magnified listening experience. Thinking that I’ve heard the best of what this album has to offer, the second (and final) track is what really blew me away. “Min-Min’s Reign” is a mesmerizing sixteen minute escapade through an assortment of synth genres that are merged in a magnificent sequence of meticulous song writing. Commencing with the soothing sounds of rain and polarizing sequences, patterns of retrospective synthwave begin to take shape. With a mild tempo and addictive arrangement, it doesn’t take long for the lister to be fully engaged with this masterpiece. Soon after, a complex arrangement of hasty rhythms shows a change in pace and an algorithm of futuristic vibes. I sense a mild Berlin School influence as the keys affix in a looping pattern while the song builds around it. Industrialized effects continue the element of malevolence that are sure to cause moments of anxiety or discomfort. This pattern slowly ascends into an ambient tone, creating a dark space for the remainder of the track. Celestial keys contribute to the bleak, spacious atmosphere with haunting relevance as this daunting song comes to an end.

I am more than impressed with Maronian Athenaeum and the variety of music that is included on ‘The Fall Of Svælinørg’. Using Dungeon Synth elements as the base for these tracks, a multitude of other electronic sounds forge an impressive blend of music that is sure to resonate with fans of a variety of synth genres. These tracks certainly do tell a compelling, mythological story that has no boundaries for self-interpretation. I highly recommend this album to everyone that loves synth music and I can’t wait to hear what this artist has in store for us in the future.

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Links:

https://themaronianathenaeum.bandcamp.com/album/the-fall-of-sv-lin-rg