Top 10 Dungeon Synth / Synth Releases Of 2021

The great thing about the Dungeon Synth community is that it’s growing at a staggering rate and it seems like multiple albums by an array of artists are getting released on a daily basis. The downside of that is picking just 10 releases to be featured on my Top 10 Dungeon Synth / Synth albums list of 2021. If I had the time to create and talk about my Top 50 releases, I’d certainly do so. However, since it would take me too long to get that done, you’re stuck with a list of my Top 10 favorites of this year. Please enjoy and show your support for these artists if you don’t already do so.

10. Lamp & Dagger (Various Artists) – This Tape Is Haunted

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted

Although this may be considered by some “a seasonal album”, it’s much more than that. It’s like a soundtrack of dread and horror that provides a terrifying backdrop to your ghoulish nightmares. Lamp & Dagger assimilated an all-star cast of Dungeon Synth artists to step beyond their traditional undertakings for creating a spectacle of anguish and fear. The results are breathtakingly evil and definitely deserves more than a seasonal listen. I’ve not stopped listening to this since it’s release and it’s more than worthy of kicking off my Top 10 Dungeon Synth/Synth albums of 2021 list.

9. Baerdcyn – We Are But Somber Beings

https://baerdcyn.bandcamp.com/album/we-are-but-somber-beings

Baerdcyn is a multi-talented artists that finds his stride with a myriad of acoustic instruments and organic tones. Just off the beaten path of traditional Dungeon Synth, ‘We Are But Somber Beings’ is a masterclass in instrumental compositions with raw emotions as the driving force. These mournful tracks contain some of the most serene arrangements that I’ve heard in a while and it’s been one of my go-to albums when I relinquish myself to a period of relaxation and relief from day-to-day endeavors. Tune in to this peaceful, Medieval offering and enjoy its blissful mystery.

8. Elminster – Mountain Specters

https://elminster.bandcamp.com/album/mountain-specters

Elminster is one of my favorite Dungeon Synth artists that has turn it up a notch or two this year with releasing multiple stellar albums and expanding his arsenal amongst multiple project titles. Although just about everything has been amazing, it’s the ‘Mountain Specters’ album that has consumed the most plays from the ever-growing Elminster catalog. The tunes are very dreamy with an alluring charm that depicts a brief time of light during a rather dark period. If someone were to ask me a good starting point for discovering Elminster, I’d look no further than ‘Mountain Specters’.

7. Vandalorum – Maewyn

https://vandalorum.bandcamp.com/album/maewyn

‘Maewyn’ came out earlier in the year but I still listen to it quite often. The conceptual album based on the legend of Saint Patrick maximizes the sound spectrum with massive layers of synth effects, odd noises and percussive patterns & drum fills that are out of this world. With a fusion of upbeat and gloomy arrangements, this is not only an interesting album to listen to, it’s also one of my favorites of 2021 and it rightfully deserves the space on this list.

6. Jenn Taiga – Lunar Nocturnes & Esoteric Incantations

https://jenntaiga.bandcamp.com/album/lunar-nocturnes-and-esoteric-incantations

Jenn Taiga has hit another home run with ‘Lunar Nocturnes & Esoteric Incantations’. Auspiciously fusing Berlin School, retro synthwave and the underlying elements of Dungeon Synth, Jenn Taiga has created a type of energy that is impressive, addictive to listen to, and at times leaves an anxious feeling of the unknowing with regards to song structure and limitless capability. For me, it’s hard to top 2020’s ‘Plight’, but ‘Lunar Nocturnes & Esoteric Incantations’ expands the horizons of the aforementioned with its awe-inspiring resilience and is just as impressive.

5. Uilos – I: Dark Night Of The Soul

https://socalledhell.bandcamp.com/album/i-dark-night-of-the-soul

Out of all the albums in my Top 10 list, this is the only one that caught me by surprise. This is a pensive recording that exposes a meditative value with each and every listen. The production effort is a predominant factor that maximizes the tranquility of this recording and it’s the wall of sound vibe that makes this such a grand offering. The music ranges from Medieval styled anthems to modern synth harmonies and everything just fits…perfectly! Uilos is an artist that I’ll be following really closely from now on.

4. Wampyric Solitude – The Splendor Of Loneliness

https://wampyricsolitude.bandcamp.com/album/the-splendor-of-loneliness

Wampyric Solitude is the only artist (at least for me), that has an album in both of my Top 10 year end lists (one here and another in my Dark Ambient list). In what I consider to be his defining moment in Dungeon Synth, we are graced with ‘The Splendor Of Loneliness’. This album emits almost ninety minutes worth of abrasive Dungeon Synth that is dark, ominous and portrays the hardship of Medieval confrontations. Every track is a near masterpiece but there are several that stand out. “Enthroned Amongst The Eldritch Shadows” and “A Putrid Stench From The Grave Of Hope” are without a doubt some of the best tracks I’ve heard this year. If caustic Dungeon Synth is your thing, then don’t go another minute without checking out this gem.

3. Landsraad – The Golden Path

https://landsraad.bandcamp.com/album/the-golden-path

Dungeon Synth constructed around the Dune Universe? Yes, absolutely and not only is the concept enthralling but the music is some of the best that was produced all year. Although comfortably seeded in the Dungeon Synth genre, it’s the synthwave aesthetics that propel this album to great heights. Providing a futuristic atmosphere with retrospective effects, this is a true audial translation of the Dune story. This spectacle is sure to stand the test of time and will remain one of my favorites for many years to come.

2. Erythrite Throne – Eternal Frost Of The Dark Ages

https://serpentsswordrecords.bandcamp.com/album/eternal-frost-of-the-dark-ages

Whether you’re new to the Dungeon Synth genre or not, Erythrite Throne is most likely one of those artists that will get referred to the most as the “go to” for consistent musical releases. After all, in this modest community of artists and fans, Erythrite Throne would be considered a household name. That being said, there are several amazing facets to his music including Vampyric Blackened Synth and Symphonic intonations. Although every bit is amazing, it’s the symphonic side that I tend to gravitate to the most. ‘Eternal Frost Of The Dark Ages’ is one of those albums and – in my opinion – may be the best album in the discography. Made up of four epic long players, these cinematic anthems deliver a gloomy but melodic style that is supremely written and produced. Every song stands out in this masterclass effort and this has been one of my most played albums of the year.

1. Leander – Sorrow Dwellings

https://leander33.bandcamp.com/album/sorrow-dwellings

There is something extremely special about Leander’s sophomore effort, ‘Sorrow Dwellings’. Not only is the music absolutely incredible, but as a whole, it just feels personal, as if it were exclusively written for me and/or my emotional state. This album was released in January and here in December, it has remained my favorite Synth album of the year. At times it has a traditional Dungeon Synth vibe, other times it has a 70’s prog rock feel to it and above all, these compositions were exquisitely written and are some of the best tunes I’ve ever heard – of any genre. Although only consisting of five tracks, they all stand out in their own way during this thirty seven minute journey. I can’t wait to hear what the future holds for this exciting artist.

Mørk Hest Solidifies A Dark Fantasy Spectacle Of Cinematic Proportions With ‘Conspiracy Of Angels’

I will never seize to be amazed at the amount of energy and focus that Dungeon Synth artist ingrain into their craft. While keeping true to the classic Dungeon Synth sound, acoustic instruments, soundscapes, other genres and dark ambience add layers of transparent value to the genre while keeping it fresh and innovative. Also, the fact that minimalism creates such a massive distinction is fascinating to witness. One artist that is certain to grab the listeners attention with a minimalistic approach to cinematic excellence is Mørk Hest. Solidifying his mainstay in the Dungeon Synth community with the engaging ‘Conspiracy Of Angels’, we find soothing compositions with theatrical build ups and alluring sustainment that is captivating throughout the entire album.

Mørk Hest explores an assortment of musical techniques on this album, but on the tenacious opener, “March Of Iron”, we hear a bombastic percussive segment that as powerful as it is poised. With mild reverberations and a constant rhythm, this is a style that sets the mood for Medieval tales and enchanting anthems. “A Dream Unfinished” commences with soft, chant-like intonations before dreamy synths take over and illicit arrangements alter the emotional stance of the album. “Dead Calling” continues the dive towards darkness as grim synth effects emit a gloomy and subjective vibe. Even though the tone alters several times, there is no question that this is a huge cinematic effort and the power of the ancients is in full effect. “Chatter Of War” starts with an uplifting cadence as illusory synths play a scale of elegant notes that lead into a haunting melody. “Knight’s Last Conquest” is one of the most decadent songs on the album and is of soundtrack-like quality that could easily be heard on a dark fantasy film. “Divinity Of A Night’s Eclipse” takes a turn toward a darkened abyss as a Dark Ambient style drone leads the charge in this ethereal hymn. Ominous vocals are featured as well and provide gothic overtones to this otherwise eerie offering. “Echo Of A Thousand Lost” contains vibrant orchestrations that are intended to calm the soul, especially since the precious few tracks created a sharp descent into a blackened realm. Next up is the tranquil, “Harper’s Ferry”. Including various reverberated soundscapes, this tracks has an underlying melody that is reminiscent of Renaissance-era musical endeavors and contains a trance-like quality that gives it an extra sense of depth. “Perilous Journey” epitomizes the fantasy synth sound with inspiriting keys and a gentle production value that diffuses the minimalistic setting. The title track, “Conspiracy Of Angels” employs a calming synthwave style with looping notes and a gentle harmony that is reminiscent of a daybreak setting, where life begins to take shape at a relevant pace and ataractic appeal. The final track on the album is “Wounded Spear”. Continuing in the same mesmerizing fashion as the previous track, this swan song provides an alleviating sense of ease, as peaceful ventures overtake the dark descent heard previously. This is such a beautiful and emotional way to end this album that you don’t quite want it to end.

Mørk Hest has accomplished an amazing feat of musical proportions by creating the consummate Dungeon Synth album. Although this is more of a orchestral and cinematic endeavor that the traditional sounds of Dungeon Synth, there is no denying the influence of the aforementioned. Utilizing space but dreamy vocal chants, soothing percussion, and an array of synth effects, ‘Conspiracy Of Angels’ is a fantastic album that should be heard to be appreciated. If you’ve not listened to this riveting album yet, please click on the link below and support this impressionable artist.

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Links:

https://morkhest.bandcamp.com/album/conspiracy-of-angels

Celestial Ephemerides: A Collection Of Dungeon Synth Summary Reviews, Part IV

Hello deep dungeon dwellers, I’m back with my last dose of Celestial Ephemerides for the year that covers the Dungeon Synth genre. These albums are simply amazing and I wish I could devote more time doing long form reviews but As a single-human operation, I seem to run out of time quite often. Nevertheless, I hope you enjoy this collection of summary reviews and please support the artists and this community!

1. Elven Sorrow – A Rise And Fall To Be Forgotten

Elven Sorrow brings us a mighty dose of Dungeon Synth in the form of a single, forty plus minute tracks. From impulsive elements of dark dungeons to retro synthwave tones, this track plays through a range of electronic goodness that succeeds in captivating the listeners attention, specially with the epic song length at play. With a dim production and minimalist dynamics, ‘A Rise And Fall To Be Forgotten’ is up close and personal rather than being grandiose in design. Impressive debut album from this artist.

https://elvensorrow.bandcamp.com/album/a-rise-and-fall-to-be-forgotten

2. A Compendium Of Curiosities – The Resting Place Of Dreams

‘The Resting Place Of Dreams’ is a sulky combination of synth wizardry and Renaissance-era atmospherics. These five tracks are a beautiful reminder at just how in depth the Dungeon Synth genre is, as it has a sound all of its own, yet plays right into the traditional Dungeon Synth aesthetics. Another mesmerizing album by A Compendium Of Curiosities and one that instills hope of continued growth in this loyal community of artists and fans.

https://acompendiumofcuriosities.bandcamp.com/album/the-resting-place-of-dreams

3. Borja – Antediluvian

Although a slight departure from Dungeon Synth in the traditional sense, ‘Antediluvian’ is a fresh take on theatric synth music. Soothing in nature, these tunes are memorable and will leave a lasting impression of the dreamy content that it portrays. Tracks such as “Where Dreams Fade To Ashes” and “Under The Eyes Of The Serpent” pack quite a punch with darkened arrangements and minimalistic vibes. This is an exquisite release with high entertainment value and impressive compositions that is sure to please all fans of electronic music.

https://borja375.bandcamp.com/album/antediluvian

4. Lóndrangar – Lóndrangar

Lóndrangar creates menacing Dungeon Synth for the warrior soul. These three expanded tracks produce nearly thirty three minutes of gritty synth tones with compounding melody throughout and a lasting impression for battle-like consequences. Mild orchestrations and gloomy production intensify the music while the epic arrangements set forth a dark path of Medieval influence. Find a cozy place and light a candle to enjoy this massively impressive effort.

https://londrangar.bandcamp.com/album/l-ndrangar

5. Calignosia – Páramos

With a grim assembly, Calignosia emits a musical pallet full of joyous rhythms, acoustic passages and a wondrous sense of melody that is sure to whisk the listener back to ancient times. With a slight reverberated sound and minimalistic approach to recording, the echoes of a Medieval past can be heard throughout this amazing recording. Each track presents a solitary stance that easily come together on an impactful audial journey. Highly recommended for those that welcome modern, world musical influences in their Dungeon Synth recordings.

https://calignosia.bandcamp.com/album/p-ramos

6. Goryō – Kaidan

Ancient Japanese instrumentation and traditional arrangements from the Samurai era prevail on this intense album of archaic tranquility. Deep drones and intensified soundscapes provide the landscape for these alluring compositions of a sinister output. I can imagined traveling in an unforgivable, wintry mountain terrain and being stalked by silent warriors of the night. This is one of the most unique recordings I’ve heard this year and it’s garnered plenty of playing time in my secluded domain. Highly recommended for fans of the orient and Japanese nostalgia.

https://goryokai.bandcamp.com/album/kaidan

7. Diego S. – Border Lands

Diego S. really knows how to set the mood with his brand of atmospheric Dungeon Synth. Beautifully produced, each track has a a crystal clear sense of direction and every instrument sounds exquisitely charming in the overall mix. Tracks such as “Beyond The Mist” and “Remnants Of A Hero” prove their worth with gloomy arrangements and mystifying synth effects that electrify with ethereal consistency. Defiantly an album worth checking out and an artist worth following to keep up with his musical endeavors.

https://diegosofficial.bandcamp.com/album/border-lands

8. Uilos – I: Dark Knight Of The Soul

Uilos presents ‘I: Dark Knight Of The Soul’ and it’s like listening to Dungeon Synth from the future and quite possibly an Album Of The Year contender. Songs like “Hermits Hideaway” has a touch of retro synthwave while “Strength Of Ten” and “The Last Stop” manipulates soothing guitar tones for a mystical adventure. This album has something for everyone and the journey – from start to finish – is absolutely amazing.

9. Shrouded Gate – Ravenlore

‘Ravenlore’ does the stronghold proud by stirring up an aggressive dose of Cinematic Dungeon Synth. The use of multiple synth layers are prominent throughout and the stellar songwriting broadens the scope of its fabled delivery. The dreamy production effort also enables this to cross multiple sub-genres such as comfy synth, forest synth and grandiose, dark Dungeon Synth. Standout tracks include “The Gentle Blossoms” and “Through The Dream Sky” – which has a mesmerizing percussion section. Don’t pass on this excellent album that has so much to offer to the listening ear.

https://shroudedgate.bandcamp.com/album/ravenlore

10. Inexistence – A Journey Through Ancient Times

Inexistence are the masters of variety as the tracks on ‘A Journey Through Ancient Times’ maneuver between sadistic synth intonations, chip tune endeavors and menacing symphonic black metal intro-style synth offerings. You never know what you’re going to be listening to from track to track but rest assure, these intonations are well constructed and hold their own either in a single track listening session or as a full album venture. From bombastic to minimalistic, expect the unexpected and enjoy the deep dive into this magnificent recording.

https://inexistence1.bandcamp.com/album/a-journey-through-ancient-times

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Video Premiere Of Dmigor’s “Pathways Beyond The Hallowed Rift”

Malibu Psychic Laboratories presents the daunting short film of Dmigor’s “Pathways Beyond The Hallowed Rift”. Nearly nineteen minutes of ominous dungeon synth with the visuals to match. The lo-fi tones of this musical journey are set against a minimalistic environment of forestry, dark images, ritualistic manner and perilous characters that succeed at telling a voiceless story. Director Vilus Rilus did an excellent job at capturing the spirit of the music and conceptualizing the necessary visuals that do it justice. Check out the video below and enjoy!

Directed by Vilus Rilus. He had this to say about the Dmigor endeavor:

“The voyage with Dmigor has been a great one, indeed, both harrowing and marvelous. Upon my first listen, the vision for the film unfolded effortlessly and the portal to the Realm of One Million Veils had been opened, spewing forth the sights we share with you now.”

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://linktr.ee/malibupsychiclaboratories

https://dmigor.bandcamp.com/releases

Marsyas Zskin Produces An Explosive Combination Of Tranquillity And Nostalgia On ‘Flight Of Icarus’

Now this is a release that I’ve been very excited about reviewing for a while now. Combining Dungeon Synth with a theatrical sense of delivery, ‘Flight Of Icarus’ is a special album for electronic music in general. Marsyas Zskin knows no boundaries as musical thresholds are pushed to the limits in this spectacular collection of musical tales that exudes a soundtrack-like quality. From aggressive impulses to comfy intonations, this album uses a diversified range of sounds to portray a story that is only limited to the listeners imagination.

Opening track, “Visions Of Bright Aether”, exudes layers of ominous modulations creating a bleak atmosphere while droning synths provide a foundation of unimaginable depth. Throughout this seven and a half minute track, an array of effects are manipulated to create a commotion that is as accessible as it is enthralling. Pounding drums find a place to embed amongst the keys, adding a tasty rhythmic tone. Toward the end of the track, symphonic keys pay homage to early renditions of progressive synth wave. Skipping over a few tracks, we find “Memories Of Minoan Winters” where haunting atmospherics meet sinister and discordant synth chops. There is a beautiful underlying melody that screams in anxious disarray, but retro synth tones keep everything in synchronized perfection in the most bizarre of ways. Next is the beautiful dirge, “Dreams Of Foreign Skies”. The keyboard work is simply amazing here as the wizardry of the music continues to impress. However, the last portion of this track turns into a dreamy soundscape that fades out like a soothing, endless drone. A few tracks later, we hear the whimsical, “As A Boy, He Stared At The Sun”. Nearly nine and a half minutes of epic sounds and textures that take the listener on an audacious adventure filled with twists and turns. From the drum-laden intro to the subtle breaks of various instrumental solos, this song hauls a major influence for Medieval journeys of good verses evil. A few tracks later we find “Rise Of A Mysterious Dawn”. Although this is one of the shorter tracks on the album, the fantastic details present an early morning dawn, where all the creatures begin their days’ adventure while evil crawls back to the depths of Middle Earth, awaiting the next heinous encounter with the evening eclipse. The fourteenth track, “Carried By Light, Back To The Sea” is a serene Ambient piece with semi distorted pads and modular loops, that bridges the various sounds found in this recording. Skipping over to the eighteenth and final song on the album, “Weeping Apollo”, we find a more daring intro with harsh drum pulses and doomy synth tones. At almost eight minutes in length, this song covers a lot of ground musically and sees several transitions from engaging Dungeon Synth to Ambient sounds and hints of industrialized noise. Additionally, the overall sound sways between eccentric keys and maniacal impulses, ultimately representing a mischievous excursion of days long forgotten.

Marsyas Zskin has created an amazing album that has no boundaries and isn’t afraid to explore territories normally out of reach in the Dungeon Synth genre. Also, this is a mammoth of a release with eighteen tracks totaling about ninety minutes of playing time. Even with an album that long, there are enough wreathes to keep the listener engaged from start to finish. That’s a huge accomplishment, especially for a genre that sees a ton of releases. If you’ve not checked out ‘Flight Of Icarus’, I highly recommend doing so. Please click on the link below and download this mesmerizing release.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://realmandritual.bandcamp.com/album/flight-of-icarus

Interstellar Space – All Hallows’ Eve Extravaganza

It’s time for everyone’s favorite celebration day, Halloween! Although believed to be rooted in Medieval Christian beliefs, Halloween – Also known as All Hallows’ Eve – is the beginning (or vigil) of Allhallowstide, which is followed by All Hallows’ Day on November 1st and All Souls’ Day on November 2nd. This celebration was once used to honor Saints of the Church, both known and unknown. However, in modern times, Halloween has been heavily influenced by Gaelic folklore and traditions with Pagan roots to hold it together. This has ultimately lead to guising, trick o’ treating, haunted houses, movies that pay homage and more importantly, music that is influenced by the aforementioned festivities. No matter the genre, there are a slew of artists that use this heavily celebrated day to create haunted-infused dirges. For this article, I have conjured ten artists that have summoned ghoulish vibes to create excellent albums that are perfect for this morbid season.

1. Erythrite Throne – Vampyric Fables

https://serpentsswordrecords.bandcamp.com/album/vampyric-fables

What better way to start Allhallowtide than with a festive dose of Erythrite Throne. Here with an annual creation of dark enchantments, ‘Vampyric Fables’ presents six tracks of ominous dungeon synth that showcases all aspects of the Erythrite Throne sound. From the mournful melodies of “The Cruelty Of Immortality” to the blackened intonation, “A Great Castle Just Beyond The Forest”, these tracks epitomize the Erythrite Throne standard and set a precedent for dark dungeon music. “Somber Incantations From The Blood Soaked Scrolls” is a eerie concoction of haunting synths, scathing sound effects and a cadence that conjures the dead for a sinister manifestation. ‘Vampyric Fables’ is another spectacular release and makes for a perfect listen during All Hallows’ Eve!

2. Sanctum Umbra – Through The Last Known Veil

https://sanctumumbra.bandcamp.com/releases

Robes Of Snow creator shifts focus on new project, Sanctum Umbra, replacing the usual Post Black Metal mayhem with an ultra-focused dark ambient experience laced with retrospective effects and sonic disturbances. The albums title track, “Through The Last Known Veil” is the perfect example of harrowing drones that are fused with nostalgic keyboard chops and the cracks & hisses of tape loops. “Banished Empyrean” commences with infused modulations that find a melodic hum while soft keys are structured malevolently in the background. These five tracks create a stellar ambience that is most fitting for the night of the dead. This Halloween, light a green candles and embrace the power of this stunning release.

3. Lamp & Dagger – This Tape Is Haunted

Lamp & Dagger has put together one of the most unique collaboration efforts that I’ve experienced. Tailored specifically for the Halloween season, these artists have assimilated to present a ghoulishly haunting encounter that is sure to frighten the faint of heart. These eight grisly tracks portray scenes of darkness and death with macabre ambience and synth effects that will send chills down your spine. Over an hour of terrorizing, sonic adventures, this recording will make for a perfect soundtrack while handing out treats to the ghouls in disguise – if they dare come close enough to ring the door bell. Production wise, this is an extremely well put together effort with every track seamlessly flowing into the next. There is also a ton of morbid detail in each track to ensure that this spooky album will provide an ultimate dark adventure for all of your lurid needs. Don’t pass up on this masterclass in horror sounds!

4. Pvmkyn Mage – Fvn Sixe Bits

https://highmage.bandcamp.com/album/fvn-size-bits

Pvkmyn Mage brings the Dungeon Noise in this terrifying blast of eerie soundscapes that are meant as an all-out audial assault. At only nineteen minutes of playing time, these five tracks present a barrage of lo-fi modulations that are equally creepy as they are alluring. There are enough bits of charred sound effects to keep one in suspense as these tracks will easily grown on the listener with intense pleasure. There are plenty of frequency fabrications and reverb to set this album sonically apart from others of its kind. In addition, playing this in the dark at increased volumes are sure to give the Trick ‘O Treaters a bout of hesitation before approaching the abyssal door of doom (and candy). Highly recommended if creepy intensity is your thing.

5. Andeddomeiji – Biohazard 2

https://highmage.bandcamp.com/album/biohazard-2

This Biohazard-themed treat is perfect for the Halloween season and offers a different flare than some of the other recordings in this article. Adding a touch of comfy synth as well as 8-bit effects, ‘Biohazard 2’ generates quite a buzz when it comes to the grim interpretations of All Hallows’ Eve. Providing a soothing and structured soundscape across eight tracks, there are subtle hints of malevolence and dark creativity while maintaining an ethereal stance throughout. Several tracks contain the harsh vibes of Dungeon Noise, while others are saturated in serene benevolence. This is a very unique album but at the same time, intriguing enough even for the moderate listener.

6. Born From Pain – Night Of The Living Dead

https://bornfrompainbm.bandcamp.com/album/night-of-the-living-dead-rescore

‘Night Of The Living Dead’ is a reinterpretation of the film score for one of the movies that started it all. Born From Pain provides a solid translation of the zombie-infested film with droning guitars, subtle keys and luminous improvisations, thus yielding an alternate audial perspective. Listening to these tracks individually may not offer the clarity needed for visualizing a common theme, however a complete listen through – while imagining the original film of the same name – will offer a grim aesthetic for this nightmarish excursion. A bold mix of Dungeon Synth, Ambient and various guitar tones, this album portrays a stark foundation for a lo-fi, bleak experience.

7. Marishiten – Scott Creek Communion EP

https://hiakukumizu.bandcamp.com/album/marishiten-scott-creek-communion-ep

‘Scott Creek Communion’ is a minimalistic drone ordeal that falls somewhere between industrialized madness and harsh noise exploitations. Deafening modulations provide a haunting, atmospheric setting that is sinister enough to frighten the souls of those that dare to listen while producing a menacing backdrop for evil incantations. Although only three tracks with a seventeen minute playing time, the angst one will feel while listening is enough to engage the dreadful displeasures of the emotional state of mind. The chilling sound effects fused with the endless reverberations are quite unsettling but is the perfect soundtrack for the season of the dead and haunted spirits – especially if trapped in a haunted building or remote location. Listen at your own risk!

8. Vaeyen – Liminality

https://vaeyen88.bandcamp.com/album/liminality

‘Liminality’ is an obscure little recording that uses a plethora of soundscapes and samples to maximize the depth of dread that is imposed on the psyche. The conglomerate of effects are systematically fused to create a suspenseful state, allowing the listener to harvest whatever self condition is vulnerable. Although there are thirteen individual tracks, this twenty six minute minute outing is meant to be listened to in a continuous state. As your mind drifts off from the opening sounds of elevator music, you will quickly be subjected to a sinister realm of maniacal proportions. The more I listen, the more I can identify with the terrifying sounds that are appropriated from every day life. This is the perfect recording to meet all of your spooky endeavors.

9. Moonrise Of Dead Masses – 10/31/1978

https://deadmasses.bandcamp.com/album/10-31-1978

This album is a chilling homage to one of the greatest horror movie franchises of all-time, Halloween. How more appropriate than to release this tribute than during the season of All Saints’ Eve. This album has it all, spine-tingling keyboard chops, retro soundscapes, drum pad beats from the 70’s & 80’s, as well as haunting atmospherics that will thrust the listener back to the greatest time period of horror cinema. The layers of keyboard madness create a culture of sonic malevolence that is completely addictive to listen to and frightening enough to to make you want to sleep with a nightlight on. This is another excellent album to get you in the mood for Allhallowtide and should be played at loud volumes to cause apprehension in the kiddies that want to solicit for a tasty treat!

10. Wrought Records Presents – Reliquary Of Terror Vol. 2

https://wroughtrecords.bandcamp.com/album/reliquary-of-terror-vol-2

Leave it up to Wrought Records to come through with the goods – especially for the Halloween season. ‘Reliquary Of Terror Vol. 2’ is a superb compilation of spooky intonations, compliments of some of the most distinguished artist in the Dungeon Synth genre. Featuring over an hours worth of frightening endeavors, this anthology of awe makes for a perfect companion while celebrating the dark festivities. Featuring menacing soundscapes, seasonal field recordings, and a deluge of synths and effects, each artist brings their own special “It Factor” to these recordings, showing their unique individuality, while jamming in unity in the spirit of long forgotten Saints! Finally, that album cover is nothing short of amazing and sets a bleak but festive mood for the audial invasion that will soon occur.

Special Thanks To Droned Artworks!!

Huge shoutout to Droned Artworks for being so kind to let me use some of their artwork for this article. Waclaw Traier does an amazing job at creating some of the most obscure and unique paintings around. Even the artwork for my site was commissioned by him and it sets the perfect tone for what I’m trying to convey in my publishing’s. His artwork has also been commissioned by numerous bands and artists across multiple genres to create some of the most unmistakable album covers ever. Please find his amazing artwork at the site below:

http://www.droned.eu

If you’re into ominous, single player card games, look no further than Warclaw Games. Still an up-and-coming game developer, there are already several fascinating games available for digital release. Check out the website for more details:

https://www.warclawgames.com

Metempsychosis Physical Release:

https://www.thegamecrafter.com/games/metempsychosis:-abyss-of-horrors

The Opinionated Optimist Podcast Halloween Reviews!!

Episode 49 The Movie Malignant Is Quite Benign

https://pod.fo/e/e8293

Episode 50 – Halloween Horror Nights 30: The Good, The Bad, The Plexiglass

https://pod.fo/e/eb416

Episode 51 – Howl-O-Scream Orlando

https://pod.fo/e/edfd0

Additional cemetery photos courtesy of Carlton Whittle Photography. Please follow him on IG:

https://instagram.com/a_window_with_a_view?utm_medium=copy_link

Mahr G’Didj Composes Dungeon Synth With Unfathomable Twists And Turns On ‘Crane & Crescent Pt. 3: Fate’s Bottomless Well, E’er Churn Her Waters’

Since last year, Mahr G’Didj has been on a roll with the ‘Crane & Crescent’ series of recordings. Divergence seems to be the driving factor that makes these albums stand out amongst the genres’ elite. That particularly holds true on the third outing, ‘Crane & Crescent Pt. 3: Fates Bottomless Well, E’er Churn Her Waters’. From comfy synth and carnival-like anthems to progressive key chops, traditional dungeon synth sounds and obscure black metal intonations, this album branches out like no other. There is a lot to talk about on this effervescent gem, so let’s discuss these contrasting (yet homogeneous) tracks.

The albums lead off track, “Elegy Reprise”, is a cozy little piece that would make anyone feel right at home, snuggled up in front of a warm winter fire. However, the intimate setting doesn’t last long as ”Infiltration, Ruined Arkell” takes this album in a completely different direction. The coziness is replaced with a symphony of keys, synth effects and looming drum pads that hammer away at a fast pace. There is a sense of hurried aggression to this piece as it suddenly comes to a halt and immediately leads into “Three Altars (Kminthi, Lilliah, Piellen Gi)”. An odd sequence begins the track and then a diabolical melody provides another twist in this album of a menagerie of sounds. This track almost sounds like a looping house soundtrack that you would hear while playing winless games at a carnival. However there are enough bizarre sequences to keep the experience fun and refreshing. “Russo’s Ambition” commences with a clean – almost jazz-like – approach with mild percussion keeping a solid cadence in the background. The composition is less whimsical than on previous tracks and contains progressive elements that makes it one of the most engaging efforts on the album. The next song, “Bombs Over Argin” starts with a flashy keyboard loop that is soon backed by a haunting synth effect and bombastic drum pads. The drums are more enlightening than on previous tracks and are hopefully a good indication of broader elements to come. “Embraced By Shadow, Kissed By Venom (Lutecia’s Theme)” is my favorite track on the album and it’s also the point where the dynamics shift yet again. This time, massive guitars (with tremolo picking) and blast beats become the primary focus. There is a synthwave style bridge in the middle of the track that is equally compelling but the song finishes the same way it started – with seismic guitars and rushing drum sequences. “Grado’s Rest (Fate’s Bottomless Well)” is another fantastic track of variables. There are several layers of key effects, progressive drum beats and guitar strums that fuse together in majestic harmony. “The Defiled (Miranda’s Theme)” takes us back to the whimsical side but with a sense of apprehension, as climactic elements are on full display. The drum track also stands out in several spots and are programmed in perfect fashion. Toward the middle of the song, doomed guitar riffs add a touch of heaviness and nostalgic vision. “Elicia Ascendant” begins with barely audible narrations and then melds into a delightful comfy synth arrangement. This is a light-hearted tracks with melancholic undertones and serene layers of synth bliss. The final track on the album is simply titled “Epilogue”. Beginning with a fantasy synth style, it soon breaks into a Disney-esque composition that could be used as a jingle for one of the theme park’s attractions. Such a tranquil and pliable way to end this remarkable album.

Mahr G’Didj has made quite an impression on me with his unique way of composing unconventional songs while remaining true to the Dungeon Synth genre. From Comfy Synth to Carnival-themed songs and Black Metal blasts, this album is totally entertaining from start to finish and will ultimately please fans that love a variety of nuances on a single album. Be sure to download this album – as well as the previous albums in the ‘Crane & Crescent’ series – from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://oedsvyrtstower.bandcamp.com/album/crane-crescent-pt-3-fates-bottomless-well-eer-churn-her-waters

‘Music For Mental Health’ Brings Much Needed Awareness For World Mental Health Day

Today, October 10th, is the observation of World Mental Health Day. First celebrated in 1994, this International Day has grown into a global event that expands beyond 150 countries. On this day, supporters celebrate the education, knowledge and advancement against social stigma. What makes this day even more special is when artist across multiple genres of obscure music come together in a collaborative effort and release an album dedicated to this cause. ‘Music For Mental Health’ is that album and Hreám Recordings did a fascinating job curating this collection of fantastic tunes, especially since they have a deeper meaning for many of the artists that contributed. The outcome is over three hours of raw, honest, emotion-filled songs that excel at raising awareness for this special day. In addition, all proceeds from this album will go to Mind UK (link below). Please show your support for this cause and head over to the bandcamp link below and download this amazing album.

From the curator of this project:

The artists involved in this project are all more or less of the No Audience Underground:
8 Track Dogma, A Beautiful Idea, Audio Obscura, Bolivian Fireships, boycalledcrow, D^mselfly, Distant Animals, DJ盲目, Dogs Versus Shadows, Drew Mulholland, EXPOSE YOUR EYES, fencepost, Henrik Meierkord, Lednik Frontier, Malady of Knots, Quiet Clapping, Rauppwar, relay station, Sound Effects Of Death And Horror, The Creeping Man, The New Emphatic, The Owl, The Wyndham Research Institute, there are no birds here, Vanessa Pettendorfer, V’Gernull, Wonderful Beasts and Xqui.

The compilation covers genres as: experimental, drone, ambient, soundscape, electronic and improv. There are 27 tracks all in all and over 3 hours of music waiting for the listener. Most of the tracks are specially written for this project, with a few handpicked. Many pieces reflect over the creators own struggles with mental health issues and there are even some that chosen to leave a written message to read while listening to their creation. We have all worked very hard for this and are very proud of the result. It will be a true joy to be able to share this one with the world.

All proceeds will go to Mind UK:

https://www.mind.org.uk/

Hreám Recordings:

https://hream.bandcamp.com

Controlled Discord Meets Hostile Variance On Fen Wraith’s ‘Forgotten Lore One/Two’ EP’s

The positive aspect of my ceaseless search for obscure music is there is plenty of it out there and not enough of it gets discovered at the rate that it should. One of my intentions with this blog is to help propel those artists/albums into a realm of clarity amongst the ambiguous. One such act that fits this description is Fen Wraith – an attentive new artist that creates a nucleus of sludgy metal tunes with the help of Dungeon Synth aesthetics and a love for loud, propulsive distortion. In March of this year, this solitary act released two EP’s of majestic music that should meet the needs of those with a love of tonal variety. ‘Forgotten Lore One: Black Waves Crashing’ and ‘Forgotten Lore Two: The Haunted Mire’ are two snippets of exciting songs that range from doom-laden dirges to acoustic haunts that build with anticipation.

Forgotten Lore One: Black Waves Crashing

‘Forgotten Lore: Black Waves Crashing’ presents ten minutes of murky doom riffs with heavily distorted bass and a rugged mix of clean and harsh guitar riffs that trudge onward for the duration of this recording. “A Cursed Quest, A Miserable Existence” begins with the sound of clashing swords, as a Medieval battle seems to be well underway. After a short narrative sample, a barrage of thunderous bass tones promotes an assaulting sound while a slow drum beat provides a roomy cadence. Guitars strum faintly in the background but add a deep character to the track. “Black Waves Crashing On The Shore Of 1000 Hollowed Graves” continues on with the same groove but this time with a bit more melody. The fusion of clean guitar riffs and harsh bass tones work really well in this track and the end result is a short but effective trance-like dirge that ends quicker than it should. The final track on the EP is, “The Final Thoughts And Breaths, Of A Dying Man” and it features icy cold vokills, compounded by droning guitar riffs. Toward the middle of the track, the harsh riffs subside into a beautiful acoustic passage that brings us to the end of the album.

Forgotten Lore Two: The Haunted Mire

‘Forgotten Lore Two: The Haunted Mire’, contains two tracks of hypnotic sounds that are slightly less aggressive than the tracks on the first EP, and are a little more epic with regards to the compositional side. Lead off track, “O’Keeper, O’Defiler” commences with a steady drum beat that is backed up with layers of looping guitar riffs that allow the listener to to drift off into an imaginative world of angst and ancient scenery. The last few minutes of the track contains a haunting narrative piece that combines with a clean guitar strums to produce a calming effect. Suddenly the track blasts off into a loud climactic ending that is reminiscent of early Blood Of The Black Owl releases. The second (and final) track is the ominous “Haunted And Hunted”. Chock full of soundscapes and samples, it’s as if battle-ready warriors are sharpening their weapons in preparation for a grueling bloodshed. Massive guitar drones add a sinister character to the track, as a plethora of additional instrumentation slowly build into a highly anticipated musical capstone. A muffled drum beat maintains a durable pace and all at once, the noise come to a screeching halt, minus an acoustic passage and random industrial-like effects.

If these two EP’s are a consistent introduction for albums to come, then we are safe with delivering accolades to the bright young path of Fen Wraith. Although these are brief outings, the production of unique and inspiring music has been achieved. For the sake of getting lost in the music, I wish these tracks were longer but I kindly accept them for what they are, which is an entertaining mix of noise, metal and Dungeon Synth undertones. Please support Fen Wraith and these albums by clicking on the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://fenwraith.bandcamp.com

Get Ready For A Psychedelic Trip Through Whimsical Dungeons On Temple Of The Fractured Light’s ‘The Groovopolis’

Talk about intriguing, Temple Of Fractured Light’s latest album, ‘The Groovopolis’ is a mesmerizing blend of genres, sounds, emotions, and fanatical experiences all wrapped up in one. This twenty eight minute long exploit is a deep dive into the psyche with psychedelic and tranquility overtones that are reinforced with bold but minimalistic compositions set to take the listener into a brave new world.

This kaleidoscopic journey begins with the audacious “Discard Your Earthly Body To Enter The Kingdom Of Light”. Commencing with an organ-like drone, we are soon greeting with tolling of the bells and an abrupt, distorted keyboard chop. Synth leads are introduced as a synchronous melody slowly comes together. As an introductory piece, this track sets a jubilant tone for the overall theme of the album. “Welcome To The Groovopolis” is a short track that continues the momentum and vibrantly adds a steady percussive beat, as if marching into unknown territories is inevitable. Discordant keys expand the boundaries, creating an uneasy atmosphere for those that dare to partake in the festivities. “Shamans Of The Great Prism Forest” is one of the most melodic achievements on the album, as multiple keyboard effects fuse together to establish a memorable audial encounter. The droning organ-like keys in the background really hold all of these sounds together, allowing for harmonized perfection. Battle-rhythm beats play an effective role as well, building an intricate song full of elaborate detail. “Fractal manner Of The Deep Forest” is a psychedelic dirge that assembles on simplicity and calming effects. The tones are soothing and otherworldly, and succeed at achieving a dreamy environment for an alternate state of mind. “Princess Of The Hallucinogenic Mushroom Dunes” brings out the whimsical effects and is one of the most upbeat tracks on the album. Combining steady percussive elements and layers of eccentric synths & keys, this song forges on a buoyant path while maintaining an incongruous arrangement. “Gargoyles Flying Free” is the shortest track amongst these gems, but bridges the gap between ethereal intonations and cinematic clarity. This brief experience is moody and provides a refreshing outlook on the estranged sound manipulations of the previous tracks. “Past The Vision Fields” is another amusing offering that is light and sincere. The piercing synth leads exhibits the most melodically structured stanza’s on the whole album and combined with the rhythmic synths and sporadic percussion section, this is definitely a standout track. The final track is the outlandish “Coronation At The Rainbow Temple”. This is surely the strangest endeavor but fits in perfectly with the rest of the album. The consistent use of barraging synth effects works well with this composition as it’s more of a dreamy piece with a somber appeal. As this album comes to a close, so does the psychedelic vibe, as this track brings us back to reality, more refreshed than ever.

Throughout its short history, Temple Of Fractured Light has made a valiant effort to include a nifty blend of synth groove, psychedelic flavor and unconventional themes to create an essence that stands out amongst its peers. ‘The Groovopolis’ is a stellar achievement that will stand the test of time and garner multiple listens in order to embrace its awesomeness. Even though this album came out at the first of the year, it’s never too late to embrace the culture of all things groovy and psychedelic. Please show your support by downloading this one-of -a-kind album!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://templeofthefracturedlight.bandcamp.com/album/the-groovopolis