As one of the harbingers of Psychedelic Dungeon Synth music, Psyclopean has developed a passion for producing an ominous blend of nostalgic Dungeon Synth and curious musical obscurities that paints a cinematic landscape of futuristic remembrance. On the projects latest album, โNostalgiamancerโ, Psyclopean reaches deep within the psyche of wistful modulations to deliver an album worth being called a soundtrack for pneumatic endeavors. Over an hours worth of retentive musical excursions (including two epic-sized tracks), this album is one meditate to, as well as to exercise oneโs own thought patterns for eternal cleansing.
The album opener, โHypnosynchromystical Transfigurationโ is nearly sixteen and a half minutes of transcending electronic music that is exactly whatโs needed to commence this hypnotizing journey. Beginning with retrospective synth effects and a short spoken-word narrative, this track quickly sets a tone for magical and enchanting adventures. Hisses, crackles and pops are some familiar production tactics to give this a nostalgic vibe and thoughts of yesteryear primarily consume the listeners thoughts. Soon after, psychedelic sequences take over and thicken the overall sound, inputting a dreamy sense of melody in the process. As one part flows into the next, we are presented with an arrange of instrumentation, such as acoustic guitar and trance-like percussive elements. As the song seamlessly continues, each phase flows perfectly into the next, allowing the listeners to create their own adventures that match the serene harmonies within. From faster cadence sections to whimsical compositions and exerting in between, this track is such a majestic offering. Up next is โThe Uncanny Valleyโ. At just under four minutes in length, this is one of the shorter songs. However, where it falls short in playing time, itโs made up for in the masterful melodies and impressive use of tracking to make the most out of the lead sections. Beginning with a war-like pounding of the drums, this song transparently molds into several influences before closing in a sea of spacey bliss. โA Walk Among The Ruinsโ is probably one of the most beautiful songs in Psyclopeanโs entire discography. A soothing synth melody continuously plays in the background while haunting orchestrations flow higher in the mix. Creating a landscape of melancholic passion, itโs hard not to elicit an emotional response. Toward the end, clean synth leads breathe new life into the song, as if one is in a deep meditative state or whisked away in a territory of astral projection, where distant stars slowly move closer within reach. โNoble Sons Of Celephaisโ is more of a Dungeon Synth track in the traditional synth, relying on bold Medieval incantations rather than vivid visions of the imagination. The mesmerizing synth leads mesh well with the background ambience and occasional percussive spots, as there are some massive theatric moments during this five minute masterpiece. โLife Is A Weird Fiction (Which We Narrate To Ourselves)โ is the ultimate reputation of what this album stands for and is pretty much an adventure within the adventure. With a playing time of nearly twenty six minutes, there is a lot to uncover in this relic of a story. As the tape hisses commence, so do the dreamy synth leads that are reminiscent of classic symthwave effects. Various electronic patterns are synchronized in a way that shouldnโt work, but this song quickly comes together as a unified musical wonder. There are a lot of ambient patterns, as well as Berlin School sequences that are audible throughout, and itโs all arranged so sensationally, that itโs hard to tell when the various sections of this song begin and end. The assorted tones and effects represent an arrangement of colors and shapes that are dominate visuals for this audial escapade. As the shapes and colors bend and shift, the music takes shape in hypnotic fashion, ensuring that nothing else is interfering with this sonic journey. The final song on the album is โCourt Of The Somber Queenโ and it introduces some actual singing, slightly distorted by wavy effects. Another short piece, this is a very appealing way to close out this psychedelic experience. Complete with soothing synths and acoustic guitar passages, I get the sense that this is the song that awakens the soul and brings a sense of reality back to the listener.
Psyclopean continues to outdo previous efforts with something bolder, more creative and enjoyable than the last. As a big fan of Psyclopeanโs back catalog, I can proudly say, this is the strongest effort yet from this project. From epic song lengths to a variety of tones and effects, โNostalgiamancerโ is the ultimate listening experience for those that enjoy a bit of variety in your Dungeon Synth music. Head on over to the link below and down this album and donโt forget to experience the back catalog as well. This year is already starting off with a bang, thanks to enchanted albums like this one.
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The first time I heard Skuggkonungen, it was an instant gratification to these ears. A masterful blend of my favorite musical genres to include Dungeon Synth, Dark Ambient and Berlin School, this kindred fusion of Medieval resolve produces an output of top notch synth music that is really impressive and warming to listen to. I recently had the opportunity to communicate with the entity behind the project and found a humble, yet engaging dude that loves making music. Heres what he had to say:
1. I really appreciate this interview opportunity and Happy New Year to you. Howโs 2023 going so far?
Likewise! Thank you! So far itยดs going pretty good! Me and my wife spent New years eve in a cabin in the countryside with some friends. How was yours?
2. It was time weโll spent with family, thanks for asking. Iโm always interested in learning about an artists beginnings. How did you learn of Dungeon Synth and what made you want to play this style of music?
I was always kind of aware of it. I heard about Mortiis when i was a young ultra-TRVE teenage metalhead, but i was not at all interested in electronic music at that point, it was far later that i “noticed” DS. I got really interested in it in 2019/2020 when i was dming a lot of fantasy ttrpgs, it was the perfect music to have in the background, or just when writing or just chilling out. Iยดve played in punk and metal bands since i was 13 and later “discovered” electronic music, and started making it myself when i was 16-17. I was drawn to the aspect of making music yourself without other people, not needing to compromise which im sure that everyone who has ever been in a band will know all about. I think what drew me to try and make it myself was just experimentation. Thatยดs how i usually learn how to do things, by trying out a specific genre, or technique like: “Hmm i wonder if i could make a techno track, letยดs try”. One of the things that drew me towards it was the sense of DIY, especially the culture of releasing on tapes. I have a unhealthy obsession with cassette tapes haha.
3. Your first album, โDet Glรถmda Landetโ has a lot of Dark Ambient textures. Is that another genre of music that influenced your brand of Dungeon Synth?
Iยดm a bit ashamed to say that i have ZERO experience with dark ambient haha. Iยดve surely enjoyed some dark ambient artists/bands but I could not tell you like a single band/artist name im afraid! Det glรถmda landet was as you probably know inspired by a ttrpg campaign I ran for my wife and some friends, so I was mostly trying to capture the feeling of that setting (which is so amazing, please check out Forbidden lands) and the vibe of the characters.
4. Where you going for a particular theme with this collection of songs?
The campaign that we played focused a lot on an ancient demon slowly gaining power in the region that the players were in, so I tried to capture that vibe of impennding doom. Two of the players were Orcs belonging to basically a death cult so that was a theme I tried to incorporate as well. I wanted to make a tribute to the campaign and to my players, something that they could listen to and remember those game sessions.
5. On โVรคstmarkenโ, I notice a shift in ethereal soundscapes, was this in an attempt to expand your overall sound?
I actually wrote most of Vรคstmarken before Det glรถmda landet, but I remember trying to make something more ambient and not so melody driven. I have a modular synth that I remember using a lot on those sessions. Im a very lazy musician and I try to be very cautious of just doing the same thing over and over again, so I try and make music in very different ways and I think Vรคstmarken is a perfect example of that, just trying a different approach.
6. I love how dreamy this album sounds and it seems to embody a particular celestial spirit. What is the meaning of this album for you?
I recorded most of Vรคstmarken in the late summer of 2021, and I remember playing a lot of Skyrim and Stardew Valley on my switch at that time and I definetly think that influenced the sound of it! I think it reflects on that period of late summer, autumn is slowly creeping in, in sweden the late summer and early autumn is kind of a very somber, or bittersweet time. It gets very dark and cold, but in the same time itยดs very beautiful. I enjoy that time very much and i wanted to capture that feeling i think.
7. My introduction to this project was the amazing release, โMรฅnens Vidunderliga Kraftโ and again, it shifts toward a very minimalistic vibe. What was the influence for this recording?
Mรฅnens vidunderliga kraft was the first Skuggkonungen music I ever recorded actually! I sent it off to a couple of labels, I was expecting rejection but hopefully someone would give me some constructive feedback so I was kind of amazed when Voices of the Ainur wanted to release it! So I think the minimalism of it was mostly due to me not knowing how to write “Dungeon synth”! The phrase “Mรฅnens vidunderliga kraft” was something that came to me when I was working night shifts at my job. It translates roughly to: “The wondrous power of the moon”, I thought there was something powerful about that sentence. Itยดs like an incantation in a way, or a warning. Beware the wondrous power of the moon. I always like to start with something in that vein when I start a new project, a phrase, word or vibe that will go on throughout all the album.
8. The title track for that album has such enlightening harmonies. What instruments did you use to record that song?
Thank you! Iยดm pretty sure the main melody is a electric piano patch on my Korg volca FM, I also used an access virus TI Snow for the pad, and the Korg Minilogue for other chords and melodies. The Minilogue in particular is one of those synths that Iโve used on all Skuggkonungen releases.
9. As you may know, โDar Skuggor Aldrig Bleknarโ was included in my Top 10 Dungeon Synth albums of 2022. What does the title mean (In English) and what was your focus for these icy cold songs?
And Iโm so thankful for that! I was kind of amazed when I saw it! Dรคr Skuggor aldrig bleknar translates (roughly) to: Where shadows never pales”. The concept was sort of a place where the veil between the living and the dead were very thin, a place where shadows never pales, where no one is ever truly gone or there. The inspiration for that actually came from the Lucio Fulci movie “The Beyond”, I wont spoil it but if youยดve seen it, youยดll know…It also came from negative experiences with my last job. My line of work can be very hard emotionally and I really felt like a lot of the anxiety and dread that I was carrying around went into that album.
10. The title track has a Berlin School influence – which is one of my favorite synth styles. Could you see yourself doing a Berlin School-styled project?
Itยดs one of my favorite styles as well! I think Iโm leaning pretty heavily into Berlin school, sometimes I think to myself that Iโm not even a “Dungeon synth artist” anymore haha. But I love that most people in this scene is actually very cool with artists expanding and experimenting with other genres inside the DS “sphere” if you will.
11. Your latest album, โAnaloga Ritualerโ has a heavy use of Berlin School sequences but the base music form is almost like a return to your earlier albums. How did this album come together?
I think that itยดs a combination of me listening to a lot of tangerine dream and trying to experimenting and trying to refine my own sound. Itยดs hard to define your own voice in a way, and that was something i was definetly aware of when making that album, and that reflects in the name: “Analogue rituals”, Iโm trying to conjure up my own music. I usually write my music in “Manic episodes”. No Skuggkonungen album has taken more than two weeks to write and record. I wanted to capture that in that particular album.
12. Of all the albums youโve released, which is your favorite?
Im very fond of Det glรถmda landet. Mostly because of the memories attached to it. But all of my releases has a sentimental value for me.
13. How has the feedback been from your fans on the output of these albums?
Iโm not sure actually haha. I love getting feedback but I suffer from intense shyness and a pretty bad self-confidence so I get kind of embarrassed when people compliment my music. Dont get me wrong: Iโm very proud of my music and the success Iโve had but i always kind of feel like one of these days people are going to go: “Wait a minute, his music is shit”. This is a very swedish way of seeing things haha. We have something called “Jantelagen” which is a swedish mentality of: “Dont think youยดre better than anyone”. Itยดs kind of hardwired into almost all swedes. A perfect example of this is this: Everytime I send music to a label I think: “They are probably going to reject me and tell me not to quit my day job”. On the flipside it kind of keeps you humble I guess.
14. What are your recording plans for 2023 and are there any additional surprises in store for us?
Iโm becoming a Father in March so Iโm not sure how music I will actually be able to make but I got a lot of music done that Iโm looking to sign! I got a very special release with a “big” label in the pipeline but im not sure how much I can talk about it, so iยดll leave it at that haha. Im very interested in working with some labels Iโve released with in the past so hopefully that will work out! At the moment Iโm gearing up to record a full-on Berlin school EP based upon the concept of Ancient astronauts and Erich Von Dรคnikens interesting (but full of bullshit takes) book “Chariot of the gods”. Iโve also played around a lot with my old gameboy so I have a lot of “chiptune Dungeon synth” that I donโt know what to do with haha. AND as a last surprise..: I recently started working on a follow-up or sequel if you will to Det glรถmda landet, based on the new West marches style Forbidden lands campaign Iโm running!
15. Again, I appreciate the opportunity for this Interview and most of all, the wonderful music. Do you have any final words for those that may be reading this interview?
Thank you for the opportunity to be interviewed and for supporting my music, I really appreciate it alot! Keep buying tapes and if you want to support my music directly be sure to check out my bandcamp. And thank you to all the nice people who are saying nice things about my music!
This has been an amazing year for the Dungeon Synth community as weโve seen (and heard) more releases than ever, been exposed to a plethora of new artists and have witnessed many of the seasoned acts that we know and love release some of their best material to date. Amongst those artists is the newcomer, Ten Of Swords. Although Ten Of Swords has only been around a little over a year, there is already a huge catalog of memorable albums to check out. For my last review of 2022, Iโll be writing about โYou Were Once Far But Now You Are Closeโ. Although not the latest album (as there has been at least nine addition releases since this offering from March), it was my introduction to this project so I thought it would be a good idea to write about my first impression.
Album opener, โNight Of The Worm Moon Festivalโ slowly creeps in with a cavernous effect on the synth leads. As the music comes into focus, a percussive cadence is fused in, creating a battle-like rhythm. There is a tinge of discordance to this track and itโs bound to put the listener into a mood full of Medieval crusades and bloodshed victories. โRaiding The Wizardโs Wine Cellarโ is a festive piece with inimical harmonies and consoling textures. There is a twangy effect with the main keys and the off-kilter soundscapes that happen throughout adds a bit of dark color to this otherwise convivial song. โA Spinning Dance Of Ancient And Forbidden Pagan Rhythmsโ is an upbeat offering that immediately offers a sanguine groove on top of ancient Middle Eastern patterns. Production wise, it sounds very distant and dreamy which adds to its mystique. โWho Would Have Though There Would Be A Dungeon Here?โ, is a seventeen and a half minute affair into a dark atmosphere that features reverberated ambience in the beginning and builds into so much more from there. Staticky keys and dark pulses come into play as this brooding track begins to take shape. There are spots of whimsical synths as well as heavily modulated key tones that sounds downright menacing. As the track continues to unfold, it becomes apparent that the various sections are akin to walking down an ominous path in a dark forest and encountering the unexpected along the way. Even with an extended playing time, this spectacular track is over before you know it. โDen Of The Fallenโ commences with the tolling of bells, that ring out in angst while a dark, dismal groove builds around it. The effects used on the keys here is extremely thick, as if someone is plucking the lower notes of a piano wire. Toward the end, distorted ambience comes into play, adding layers of grim textures, before simplifying into the opening chops of the tracks. This is a really cool song that is probably my favorite on the album. The final song is, โThe Day After The Worm Moon Festivalโ and although the composition is quite jovial, in delivery itโs rather quixotic and portentous. Again, the production ensures a distant tone, allowing for the audial space to be consumed by droning thoughts and mystifying clarity. Another excellent track to close out this isolated year astonishing album.
Ten Of Swords is a pretty unique project with a one-of-a-kind sound that is firmly rooted in the Dungeon Synth genre. With a quickly growing catalog of anomalous albums, this act is definitely one to watch for in the near future. โYou Were Once Far But Now You Are Closeโ is an entertaining album that offers a variety of tones and styles that are quick to grow on. The longer songs allow for a complete meditative experience, as these tracks are somewhat trance-like in transmission. I highly recommend this album if youโre into the more obscure side of Dungeon Synth.
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Dungeon Synth music just gets better and better each and every year. For 2022, it seems like a million Dungeon Synth albums were released and unfortunately, I didnโt get to listen to most of them. However, I did listen to A LOT of albums and some of my favorite artists created their best works to date, while many new artists brought their A game to this ever growing community. I hope you enjoy reading my Top 10 favorite Dungeon Synth / Synth releases of 2022 and hope some of these made your lists as well.
Meadow Grove has released a handful of impressive albums this year but โA Shattered Heritageโ is the one that I keep going back to the most. There is a dynamic quality about these songs that ranges from battle-like hymns to soundtrack-ready anthems. Shifting from cinematic and grandiose to simplistic and alluring, โA Shattered Heritageโ has a variety of music that is bound to appeal to a broad range of electronic enthusiasts looking for a further dive into the Dungeon Synth realm.
Talking about a surprise, from out of nowhere comes PukelโE with a short nineteen minute offering of the most impressive synth music Iโve heard in a while. From my favorite Dungeon Synth label – Voices Of The Ainur – โSaqalEโ blends Medieval Synth anthems with Winter Synth themes, producing a mesmerizing sound that Iโve not heard since โSilenceโ by Inoriand (2019). My only complaint is that there should be forty tracks instead of four with about two hours of playing time. Jokes aside, this is an outstanding release and I canโt wait for this project to produce more music of this caliber.
Blasting onto the Dungeon Synth scene with a grizzly debut album, Sunken Basilica is quickly making a name for this bold new project. Composing a collection of Dungeon Synth anthems with a dystopian edge, these songs are raw, gritty and most of all, memorable. The low fidelity production makes these arrangements standout even more as it thematically sets a precedent for Medieval music and the dilapidated quality of times that it represents. I canโt recommend this one enough – especially if youโre into the more obscure aspects of Dungeon Synth.
7. Skuggkonungen – Den Svarta Stjรคrnans Brรถdraskap
There is a masterfully-crafted, calming essence that is congruent on all Skuggkonungen releases that continuously draws you in and wanting more. From synthwave to comfy synth and even ambient textures, the tracks on this album epitomize the true characteristics of Dungeon Synth without sounding dry and played out. Songs such as โStillaโ and โTid Och Rumโ have a futurist style but at the same time, are nostalgic in nature. If youโre new to Skuggkonungen, this would be a great place to start your listening endeavors.
Refusing to be pigeonholed into a single genre, Jenn Taiga bears the sword of impiety for Dungeon Synth and beyond, while slaying those that canโt gauge the synth madness that dwells within. โSiegeโ contains two tracks of mesmerizing synth Godliness that centers around Berlin School sequences and dark, euphoric tones, ultimately producing an uninterrupted essence of grim energy and cold intensity that is meant to be lost in – within the confines of its quintessential audial enclosure.
5. Elminster x Erythrite Throne – From Tomes Of Stygian Sorcery
So, before this album came out, I had my Top 10 list all figured out, arranged and ALMOST ready to publish. However, two of Dungeon Synthโs most majestic warriors – Erythrite Throne and Elminster – decided to grace the Iron Keep with a stalwart of an album known as โFrom Tomes Of Stygian Sorceryโ. Although itโs only been out for a few weeks, there was no way I was publishing a Top 10 list without this recording on it. Three epic tracks from both artists find them at the top of their game and producing the best music of their careers (so far). โBal-Garond Ascendingโ from Elminster and โAs Depraved Warlocks Gather At My Tombโ by Erythrite Throne are the top tracks on this vivacious and transcending album.
Although Vandalorum isnโt quite as active as other Dungeon Synth artists, the music he does produce is made of gold and considered the best of the best – well, at least to these ears. Last years flagship release, โMaewynโ, blew me away with its psychedelic incantations about the life and times of Saint Patrick. This year, we have the RPG soundtrack called โBlack Moldโ and itโs my favorite release by Vandalorum thus far. Psychedelic orchestrations are fused with whimsical melodies and an assortment of chip tune styled synth leads. Most of all, the compositions are stylish and groovy with lots of surprises thrown in. This is totally an addictive album and itโs also the perfect listen for a late night (or early morning) drive.
3. Heldentenor – Blood Moons & Black Lakes: Chapter Two
The artist behind one of my favorite Dark Ambient projects – Sumatran Black – decided to release not one, but two Dungeon Synth albums simultaneously in January and without hesitation (and much ease), I can report that these albums are pretty killer. โBlood Moons And Black Lakes (Chapters One & Two)โ depict a new spin on the genre, but the premise and outcome are abrasive, nostalgic and a great interpretation of this wonderful genre. However, itโs Chapter Two that stands out between the pair and each song is a ten out of ten on the awesomeness scale. The standout track is the near twelve minute long, โThe End?โ, a seemingly endless foray into the melancholic abyss with ominous guitar strums and bleak ambience. Doesnโt get much better than that.
2. Thalmar – Pried From Winterโs Frost Laden Grip
Thalmar is one of the many projects by the conspirator behind the likes of Elminster, The Owl Knight and Moss Keep and although only a single album has been released under this moniker, itโs my absolute favorite. Four tracks of ambient induced dungeon anthems that are dark, erosive and downright terrifying. Layers of coarse madness intertwine to divulge a maniacal blend of organic synth music full of divine impurities and gloomy modulations. I practically listen to this album on a weekly basis and have done so since itโs release back in February. If you prefer your Dungeon Synth on the darker, more ominous side, then definitely give Thalmar a listen.
When it comes to variety, this has to be one of the most impressive albums that Iโve heard all year. The Dungeon Synth duo know as Arcanist, has impeccably incorporated Black Metal, Berlin School and doom laden melodies in their arsenal to present the complete package know as โHyperboriaโ – my favorite Dungeon Synth album of 2022. With a plethora of sounds and styles at their beckoning call, Arcanist are able to compose these otherworldly tracks in a way that they are memorable, enjoyable and beguiling at the same time. I gladly offer forty three minutes of my time on a regular basis to this audial entity and in return, Iโm able to submerge in a conglomerate world of exceptional synth music.
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When Iโm in the mood for gritty, uncompromising intonations with sinister, lo-fi production I often turn to dark dungeon music. Although I have a handful of โgo-toโ favorites that reside in this category, itโs nice to hear newer, up-and-coming artists that diverge their attention to this more abrasive style of Dungeon Synth. An artist that has certainly captivated my attention as of late is Sunken Basilica. With an intransigent debut album that reeks of caustic melodies and pungent soundscapes throughout, I find myself returning to this album more often than none. Residing on a fine line of raw Dungeon Synth with Black Metal undertones, this thirty one minute magnum opus is as entertaining as it is desirable.
Right from the opening note of the first track, โInteruniversal Osmosisโ, we are blasted with nostalgic soundscapes that are reminiscent of classic science fiction soundtrack anthems. The low quality production adds an ominous value, as this creepy, celestial tune bolsters gritty, dungeon-esque qualities. Hints of inaudible Black Metal vocals enhance the ambiguity of this track. โBestial Ciboriumโ commences with a modulated synth sound that is firmly relatable to Dark Dungeon Music. However, 80โs style synthwave chops create an ethereal place of vast voids and suggestive winter sceneries. The music is icy cold, as the melodies embody a discordant pattern, producing a haunting canticle. โProfound Bowโ is a short piece that immediately goes off the rails with a variety of random tones and stints of ringing bells. Without a doubts, youโll endure the sensation of anxiety and a belligerent psyche as the harrowing sections loop in vein. However, the synth leads toward the end are hypnotizing and donโt seem to last long enough. Such a superb track to have on repeat, itโs bound to provide much gratification. โVariegated Spheres Of The Throne Worldโ starts with a heavily modulated drone that fluctuates between distant notes, producing just enough melody to anticipate what may follow. However, dismal keys exhausts a deeper drone, reeking havoc on the senses before oscillating to lighter notes once again. As the frequencies continue to shift, Black Metal vocals begin to pierce through like a desperate cry for help. Another amazing tune that deserves multiple listens. โAscesisโ is another track that commences with frantic notes mixed with flexible synth leads. As if being sucked through a massive black hole, an assortment of distant lights pass by at warp speed displaying a melting effect, enduring a hypnotic sense without the ability to move or react. This is certainly a compelling song that fits in well with the rest of these recordings. โTriglyphic Entablature That Rests Upon The Human Soulโ is one of the most accessible tracks on the album, well, at first. Initially sounding like a disharmonic orchestra, Black Metal vocals begin to add to the already grim tone. However, a short stint of comforting melodies make their way into the mix before bowing down to a more disruptive harmony. The final track, โUrstaatโ, distributes a ritualistic commotion, before a swarm of chaotic notes commence. There is a sensational drone at the outset of this track, but it soon disperses, giving way to an agitation of ghoulish orchestrations. After several minutes, this album ends just as it began, chaotic with angst-filled compositions that are controlled in a fierce and nebulous way.
Sunken Basilica produces my favorite type of Dungeon Synth – raw and chaotic yet nostalgic and alluring. This self-titled album is surely making a bold statement, especially for a debut. Each song is arranged in a dynamic way to tell a story as they build into a tumultuous arrangements and flow seamlessly into the remaining tracks. I highly recommend this album for fans of crude Dungeon Synth that elicit a sense of discomfort. Please click on the link below to download this album and to support this amazing artist.
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Since 2020, Calignosa has been producing a very distinctive brand of cinematic Dungeon Synth. Combining haunting orchestrations and majestic synth tones with ethereal Medieval themes, Calignosia has established a quality that is undeniable. On latest effort, โWhat Has Risen May Sink, And What Has Sunk May Riseโ Calignosia delivers his most gallant offering yet. Forty six minutes of ambient-filled Dungeon Synth, influenced by mighty Lovecraft tales complete this audial saga that transcends boundaries and amplifies spectacular songwriting.
On opening track โAn Invocation To Cthulhuโ, ominous tones and instrumental variants emit an introductory song riddled with mystery and haunting soundscapes. The percussive elements depict a time of precipitancy and excitement. โOnce Upon A Time In Arabiaโ is a sonic piece with a Middle Eastern vibe and spacious orchestrations that are soundtrack worthy. As the arrangement shifts through volume changes and crescendos, Calignosia skillfully fuses patterns of beautifully constructed parts that produce a stellar orchestration. โWandering In The Desert Of Rubโ Al Khaliโ is a light-hearted interpretation of vast melodies and layers of harmonious intonations with a touch of dreamy narrations that – at times – are very brooding. โBy Night They Come Aliveโ is akin to a professionally composed orchestration with the addition of splendid narrations and a touch of traditional Dungeon Synth sounds. โIram Dhฤt Al-โImฤdโ is a somber track with elongated synth notes and light ambient impressions with bouts of lead orchestrations and an overall ethereal vibe. Naturalistic field recordings add to the ambiance, creating a a warm world of solace and tranquility. โSpectral Winds Always Blow From The Northโ begins with an ambient fill that crescendos slowly into a dark soundscape with menacing results. Inaudible narrations with grim effects add a level of darkness that amplifies the gloomy sounds of this track. โToward A Nameless Cityโ is a buoyant song full of warm emotions and effervescent orchestrations. This track definitely represents a gleeful time in a distant fantasy world. Modulated narrations are a welcomed touch that injects a sense of animation into the overall experience of this track. โMeditations Of A Mad Man I (Within The Nameless City)โ presents an obscure darkness that will keep you on the edge of your seat. With the feeling of a certain evil lurking around every corner, the menacing nuances throughout do an amazing job at painting a surreal picture of bleak embrace. โMeditations Of A Mad Man II (De Profundis)โ is a continuation of the crepuscular sounds of Part I but in a more ambient way. With layers of elongated notes, angelic vocal effects and the occasional discordant tone, this is a quixotic way to conclude this two part magnum opus. The final track on this breathtaking album is, โBedouin Songโ. A lively song that embellishes peace and harmony, it features stringed instrumentation and a jaunty blend of synths and percussion that is sure to result in a celebratory dance of boundless energy.
Calignosia is an exceptional artist that epitomizes the orchestral sound and goes above and beyond to create an authentic brand of Dungeon Synth that is easily recognizable. Layers of exuberant orchestrations, unerring soundscapes and an ear for memorable melody are the keys to the mighty adventures that Calignosia always sends us on and โWhat Has Risen May Sink, And What Has Sunk May Riseโ is no exception, as it may be his most exploratory album yet. Fans of classical orchestrations and adventurous Dungeon Synth tones shouldnโt pass on this massive undertaking. Click on the link below to check out this astounding album, youโll be glad you did.
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For some reason, trees seem to be synonymous with all things spooky and evil. Whether itโs a darkened forest in a horror movie, or the ruffling of leaves in an evening breeze that has us looking over our shoulders for something creepy, trees create a space of frightening imagination with limitless potential for purpose. For Halloween, trees portray a gruesome shadow in the night that causes goosebumps and chills when not expected. Remember the tree in the original Poltergeist film? They also create a blockade for hiding behind so that you can jump out and scare your friends while trick or treating. Whatever the case may be, trees serve more of a purpose than the ecology for their existence. Like trees, music provides the same escape by enticing an imaginative spark for which you can escape from reality. Thatโs exactly the case for these twelve chilling albums. They are the soundtrack for the season and so much more. Please enjoy these summary reviews and show your support for these artists by downloading their killer albums. Happy Halloween!! ๐
1. Lamp & Dagger – This Tape Is Haunted Too!
Lamp & Dagger is back with their second spooktacular collaboration, featuring a handful of ominous artists that aim to frighten your very existence. From Sombre Arcaneโs psychedelic massacre to a modicum of Dark Ambient soundscapes from The Night Keep that feature morbid field recordings and samples. FVRFVR offers a chip tune spectacle that is part crypt hop and part nostalgic cinema. Whispering Mirror offers a droning canticle full of gruesome modulations, while Halm conjures up some disgusting field recordings to create a gruesome scene of terror. The final track by Spectral Manse proposes a climactic ending with eerie narrations, malevolent haunts and lots of dark melody that penetrates deep in the psyche, proving that the sequel is just as damning as the original offer. Iโll never get enough of these compilations so Iโm already looking forward to Halloween 2023.
Dungeon synth stalwart, Guild Of Lore, steps beyond the realm of Winterstead, leaving behind the Medieval intonations to embrace a world of 80โs-influenced synthwave with elements of cinematic horror. The results are a fascinating blend of B-horror movie anthems full of ghoulish field recordings, theatrical samples and rhythmic patterns that scream the elements of classic horror film soundtracks. โLurking In The Shadowsโ is a prime example of ample beats, darkwave undertones, and retrospective synths, while โThe Festivitiesโ is done in the style of a skit, with spooky narrations, haunting screams and bleak atmospherics. This is an album thatโs not just enjoyable during All Hallowsโ Eve, but can provide eerie entertainment throughout the year, and for many years to come.
3. Erythrite Throne – A Shade Of Melancholy In The Shadow Of Death
If your not listening to Erythrite Throne on All Hallowsโ Eve, then youโre either very much afraid or have already been bitten by a post-apocalyptic zombie. In the case of the latter, perhaps โA Shade Of Melancholy In The Shadows Of Deathโ has become the perpetual soundscape for your existence. Expertly fusing classical synth tones and the occasional blasts of tasty percussion, this is another magnum opus from the master of Dungeon Synth music. Just as the title suggests, this album is a bit more lugubrious than other Erythrite Throne albums, but thatโs what makes this project so special. Especially on Halloween, this is some classically creepy music to enjoy on this malevolent night.
The ever so cleaver Aleksis Tristan Shaw once again keeps us on our toes with a musical endeavor that defies genre categorization but is presented just in time for Halloween. These three tracks showcase beautiful, yet twisted piano melodies with a dreamy, atmospheric production. Just as the album cover suggests, I can only imagine a blurry figure sitting behind the ivories and playing these dirges to conjure up the spirits of ancient past, allowing them to provide frights once again. Although each track is different, they each have a thematic element that maintains a dark but elegant mood. A full album of these ghastly sounds would be awesome as well.
Wodenwyrd presents a rather unique recording as a short narrative is read over obscure backing tracks that fusses Dungeon Synth, Dark Ambient and synthwave. Read over a series of Acts (seven in all), the story summarizes the first battle between German forces and the Roman Empire around 9 AD. As compelling as the story is, the music fits perfectly and produces a brooding gray background for a malevolent narrative. There are three stand alone tracks that serve as an intro, intermission and outro and they explore more nostalgic territories such as 80โs cinema and dreamy effects. In all, this is a fantastic album and I wouldnโt mind having a series of recordings in this style.
Just in time for Halloween, Born From Pain delivers another compelling motion picture re-score. This time, 1989โs horror/fantasy film, โBegottenโ, becomes the object of creativity as the quest for Dark Ambient obscurity reigns supreme. Over seventy two minutes of ethereal order becomes the pallet for rediscovering this film in a more sinister light. The film itself, is supremely bleak and a boldly obscure statement for cinema at the time of its release. If your a fan of cult filmmaker, Maya Deren, then youโll have a good understanding of this film. As for the music, Born From Pain masterfully captures that essence with gloomy soundscapes and haunting effects that will lead to nightmarish outcomes in itself. Another fascinating adventure that I canโt recommend enough.
Scott Lawlor, the king of spatial Drone music and a jack-of-all-trades Ambient musician that never stops working and has enough released material to create the soundtrack to your very existence for years on end. On Halloween of last year, he produced a five hour livestream special that will be digitally released on Halloween this year. Spanning eleven tracks, this colossal of an album, flows like a never ending experiment through celestial voids and dark passages, as enigmatic effects combine with baneful textures to create the realm youโve always dared to travel through. Each track presents a malefic journey through dark regions of the subconscious, bringing a terrorized reality to the forefront of the mind. Good luck getting through all five hours of this but enjoy the breathtaking adventure along the way.
8. Orcchasm – OrcChasm!
Orcchasm is truly unique experience, as we encounter a variety of musical intonations during this thirty one minute endeavor. From creepy ambience and whimsical synths to bazaar arrangements and nonstop frills, this is a musical adventure that is equally enjoyable and fulfilling. From grandiose, Medieval incantations to light, flute fills, you never know what direction the music is headed. However, hold on to your witches hat and broomsticks because this is a venture that wonโt want to miss. Each track flows seamlessly into the next, showcasing a story of dark dungeons and numerous escapades. โGroping For Wild Hogs In The Dark Paphian Abyssโ is my favorite track and it truly represents the musical prowess of this album as a whole. Donโt pass up on this warm journey into the wildly unknown.
https://orcchasm.bandcamp.com/album/orcchasmโThe forest was not dark, because darkness has nothing to do with the forest โ the forest is made of life, of light โ but the trees moved with wind and subtle creatures.โ – Lauren Geoff
9. Pumpkin Witch – The Return Of The Pumpkin Witch
Itโs been a few years since weโve heard from Halloween favorite, Pumpkin Witch. However, after finally rising from the Orange tomb of seasonal vegetation, theyโve returned with their most enigmatic spectacle to date, โThe Return Of The Pumpkin Witchโ. Eleven spooky anthems that provide an audial bludgeoning for almost forty four minutes, these progressive haunts are just what the doctor (or vampire or serial killer) has ordered to infiltrate your Halloween playlists. From distorted, doom-laden guitar tones and retrospective drum beats to hair raising electro sequences and synthwave tactics, this is the album that checks all the blocks for horrifying entertainment. Tape hisses and reverberated production efforts create a sinister ambiance that drives the mail in the coffin (no pun intended) for this masterful recording.
Ammothea, the ambient-infused post metal project by Glacial Anatomy, is truly a riveting encounter that satisfies the pallet of those that enjoy the multi-genre experience. Soft, careening vocals, doom metal riffing and dreamy production yields a hypnotic effect, so that you can sit back, close your eyes and indulge in your own trip. These five tracks disperse almost sixty four minutes of playing time but, itโs over before you know it due to being completely lost in the mix of these alluring intonations. โDepthโ and โMy God Is The Moonโ are standout tracks that incorporate a more upbeat approach without diverting away from the haunting gray that the entire album discharges. This is an extremely impressive release and Iโm already looking forward to more from this artist.
A good dark wave tune goes hand in hand with the Halloween season, given its close ties to Gothic romanticism, vampires and grim landscapes. It also has provided bleak, atmospheric backdrops for scenes in classic horror films such as โSilence Of The Lambsโ. This two track spectacle from newcomer, Whรถreplay, fits right in with all of the aforementioned. Although only five minutes long, the artists wastes no time setting the listener on a collision course with haunting electronics, reverberated vocals, and a dreamy production. These tracks slice through like a jagged dagger, leaving a spot of coagulated blood for the creatures of the night to feast on.
There is no better time to come together for delivering a darkened dungeon synth experience than Halloween. Unsheathed Glory and Ozeregroth combine their talents of Medieval summonings to render a five track split album, culminating in twenty four minutes of effortless canticles set to the gloomiest night of the year. Not only does each artist produce two tracks of their own, but they collaborate on the daunting self title track. Although each artist delivers contrasting tones, they mesh together very well and and flow transparently with ominous accord. This is one of my favorite Dungeon Synth collaborations of the year and I hope these artist get together again in the future, to produce more music like this.
Sombre Arcane is a collective that needs no introduction. Going above and beyond to produce an electrifying amalgam of Dungeon Synth music, they are quickly becoming a premier element in the genre and have amassed a favorable following. Combining an exceptional mix of electronic and traditional instruments, they successfully craft masterful pieces that become more than just songs, but an unparalleled sonic adventure. โRealmsongโ finds the duo in top form as they weave their spell through twelve finely crafted canticles with sheer brilliance.
Taking a wistful approach on the album opener, โThe Time-Space Conundrumโ, somber melodies are met with galloping instrumentals that present a classic synthwave vibe. However, before the completion of the track, Medieval harmonies and drum beats turn this atmospheric offering into a Dungeon Synth anthem. Following up with โRhythm Of The Saintlessโ, a harrowing drone commences, as we wait for whatever intonation comes about. With almost a jubilant delivery, dreamy keys belt out a traditional Dungeon Synth chop. Before too long, additional chord transform this track to a battle-ready opus that elicits the fighting spirit in all of us. โA Dayโs March Through The Ancient Elven Forestโ brings back eloquent effects and fills the empty space with chirping birds and brisk ambient tones. A quixotic synth melody penetrates the darkened soul and loops in a much wanted pattern before percussive elements enter the mix. Keeping a serene resonance throughout, this is one for the dreamers and forest wanderers that disengage from the sense of time. โMoon Sphere Of The Dancing Courtโ commences with the inaudible banter of a crowded tavern and then glossy instrumentals pave the way for a peaceful transition into vast landscapes and tranquil haunts. โDinomaceโ takes us back to the battlefield with a velvety cadence that instills a sense of pride and victory with each and every note. The drums are very progressive and the lush textures are a warm welcome as well. โKelthas The Dreadโ follows, with a meditative sound and pensive production that constructs an abysmal scenario with a massively rich tone. There is a nice dose of distortion on some of the keys that beefs up the modulation and the overall output is that of angst and betrayal. The distressing โDread Certainty Of Our Chosen Pathโ is an ominous gouge at the psyche and the emotional output that pours from within. The arioso of the main riff is not only tasty, but one that can be enjoyed over and over again. A darkened cadence is introduces and provides the feeling of a sudden loss and the ensuing dirge that is needed for comfort. This is one of my favorite tracks on the album and Iโm sure many other will feel the same way about it. โDevilry Of Inertiaโ is a beautiful follow up to such a deep track, that itโs easy to get lost in all thatโs going on. Wondrous layers of celestial ambience creates a comforting sensation. Suddenly, this transforms into a Crypt Hop masterclass with thunderous beats and whimsical melodies. Truly unexpected but also extremely enjoyable. โLansharraโs Leavetakingโ is another masterful tune, as this piece aquatints the listener to a sonic vocal that layers folk sounds with noble storytelling. I can imagine drunken commoners at a local pub in a far away ancient kingdom, paying homage to their ancestry and love ones with this amazing vocal effort. โFinleyโs Restโ is another placid effort of precise instrumentation and soothing background ambience that depicts an early morning dawn of halcyon times. Layers of magical instrumentation builds throughout the track and it eloquently leads into the next track, โJebrinโs Ride Homeโ. Starting with some comfy textures and a synth effects thatโs buried deep in the mix, this is a luscious guitar piece that renders pastoral vibes in a jubilant countryside setting. The final track on this magnum opus is the hypnotic โReturn From Dragonspearโ. Mixing dark undertones with warm instrumentation, this track sets a dynamic and climactic ending to the โRealmsongโ story. With an alluring orchestration mixed deep in the background, everything suddenly surges to a roaring grind, as the multitude of effects clash in unison. However, it comes to a halt and is calmly replaced with a suspended piano melody that will succeed in melting hearts. The pace begins to grow again and powerful guitar and drums synchronize in a heavy but melodic ending.
Sombre Arcane first struck Medieval gold with their 2018 self-titled demo. Gaining a huge momentum (and fan base) from that effort, it help paved a path of immeasurable opportunity to excel in the wondrous Dungeon Synth community. Now, with the release of โRealmsongโ, theyโve cemented their place alongside the genres best. This is an album of beautiful orchestrations, galloping instruments, spacey ambience and a conglomeration of other effects that results in one of the best, most diverse Dungeon Synth albums in a while. Although this album has been out since last year, I canโt recommend this one enough. Check out the link below and support this amazing artist and their craft.
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Although only having a short endeavor in the realm of Dungeon Synth, Arbadax has already produced five captivating albums that dive into the mythos of ancient ventures and Medieval lore. On the latest outing โYithianโ, Arbadax submerges into a Lovecraftian world of horror and intrigue over ten astonishing tracks that become the outlet for fantasy and chicanery.
The album boldly commences with โVortex Of Timeโ, a synth dirge that intricately weaves peculiar harmonies and momentous ambient tones. Complemented with a tribal-like beat, the overall obscure melody loops infinitely while soundscapes develop random clusters of sonic sound structures. This is just the arcane lead off track that this album needs to push through this collection of arsenic hymns. Following that amazing introduction is โDisembodied Consciousnessโ, a merger of enigmatic synth chops and sinister acoustic guitar riff that spreads its proverbial angst for the duration of this haunting track. โProjectionโ begins with a soothing radiance that is more inline with traditional Dungeon Synth, and contains a melodic ambience that resonates deep within the soul. Thumping percussion bits adds a mournful characteristic of impenetrable battles. Esoteric sound effects complete the odyssey of this track, creating a bleak adventure like no other. โA Strange Existenceโ starts with thick and obtrusive keyboard effects before a cleaner synth emerges, adding a cryptic layer of effulgence to the overall sound. Moments of synthwave excellence can be heard throughout, as this track continues a sonic build until itโs conclusion. โDisturbed Visionsโ initiates a dreamy synth sound that suffocates the listener with a thick, brooding lead that emulates a tone that can be heard from underwater or a far off distance. Various synth leads compete for auditory space as they weave amongst themselves with assorted flare and cadence. โUpon The Horrorโ is an edgy piece that contains whimsical keys and tense buildup, as this faster-than-normal paced journey develops into a haunting forest synth monument. โAeon-Dead Black Gulfโ is like a nighmarish scene as random pulses of energy create a series of cosmic pulses that rage out of control before suddenly shifting into a classic synthwave anthem. Sounding more like a track from an 80โs horror movie soundtrack, this is probably my favorite track on the album. โDown From The Starsโ showcases an industrial ambient beginning before settling into a malevolent drone, and then ultimately fusing into a consoling synth piece that is more in line with Forest synth (with a touch of comfy synth as well). โScattered Echoesโ is a light-hearted song with modulated sound effects and a light drone in the background. Delicate guitar melodies add a sense of ease, as this is one of the lighter (and warmer) tracks in this collection. The final track is also the longest one on the album. โAbyss Of Sleepโ is nearly eight and a half minutes long and borders on the edge of strangeness and synth wizardry. Mostly consisting of minimalistic keyboard chops, there is a looping bass sound that is quite amusing and works well in conjunction with the various synth manipulations that take place throughout. This is definitely an interesting piece of music and fits right in as the closing element of this bizarrely astonishing album.
With five albums released in just a year and a half of time, Arbadax is quite the busy artist and has done an excellent job of producing material that is memorable and that successfully translates awesome stories into masterful Dungeon Synth songs. On latest effort, โYithianโ, Arbadax summons the spirit of Lovecraft and renders a fascinating tale into a spectacular audial escapade that eclipses the Dungeon Synth genre and ventures into other musical territories. This is a wonderful album that I recommend to fans of both Dungeon Synth and the Lovecraftian universe. Please check it out at the link below and show your support for this enigmatic artist.
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Itโs a tranquil Sunday afternoon and Iโve decided to take a little time to catch up on some reading, as well as to focus on my next Dungeon Synth review. Since I love to listen to music while I read, I put on โThe Eternal Travelerโ by Nachtjรคger. It was the perfect arrangement, as the somber vibes emitted from this album played in to the harrowing novel that I was reading. This near seventy minute opus consists of eleven tracks that range in a myriad of synth varieties, albeit remaining steadfast in the realm of Dungeon Synth. The result is an amazing adventure through bleak – but alluring – domains, with minimalistic modulations and calming synth leads.
โMy Watchtower In The Darknessโ commences with a darkened intonation that would be fitting for a Medieval crusade. Slightly grim, yet composed in a way that exudes strife and victory. With a dirge-like cadence, this is such an emotional song to kick things off. โCrystalline Cavernsโ is one of my favorite songs on the album with its eerie vibe and haunting ambience that is detailed throughout. Limpid synth leads establishes a transparent connection with the layers of bleak atmospherics, causing a ritualistic effect. โTraveling On Spectral Vesselsโ once again changes the vibe of the album, giving off a lighthearted appeal that is enough to sooth a savage beast. Well written, there is a plethora of melodic parts and they are woven together seamlessly in an orchestral fashion. โWoodland Sanctuaryโ is a chilling abode with minimalistic drones and sparse synth leads. However, this approach is extremely effective, especially with creating an emotional sound of theatrical proportions. โInsights Born From Ashesโ again alters the audial course and gives forth a Renaissance-era anthem with gothic undertones and slightly reverberated keys. โLost Scripts Of Oldโ is an enticing piece that includes a psychedelic vibe and clean synth leads that are reminiscent of the Comfy Synth sub-genre. There are several layers of keys that create a delicate harmony and the outcome is quite mesmerizing. โAncestral Homelandsโ takes us back to a darker sound, almost emitting a Black Metal-style song introduction. However, whimsical effects elicit a funereal vibe and concludes with a buildup of synth leads that has a massive sound. โWinds Tell Of A Dying Ageโ is constructed like a saddened symphony, with a reluctant pace and a passionate arrangement that is redolent of somber times and post-war struggles. Without a doubt, this is the most elegant track on the album and another of my personal favorites. โAstral Signs In The Northskyโ is a besieging song that combines many elements of ambient music and Dungeon Synth variants. The slow climb and descent of the musical scale is fused with eccentric synth effects, producing a slightly lurid sound that ends rather abruptly. โHeralds Of The New Dawnโ is a dreamy little dirge with retrospective effects and a heartfelt arrangement that combines rhythmic tones and atmospheric expression. The final track on the album is a majestic masterpiece. โTranscendental Relicsโ is a twenty three and a half minute long treasure that integrates soothing ambience and elongated synth tones is an epic symphonic composition. There are bits of synthwave, orchestral arrangements, and obscure melodies throughout that definitely keep this long player interesting and most of all, relevant to the theme of the rest of the album. With a substantial amount of reverb, this song sounds really thick and quixotic, demanding multiple listens with itโs addictive appeal. This is my favorite song on โThe Eternal Travellerโ and such a beautiful way to finalize this exhilarating album.
Nachtjรคger has successfully produced an amazing Dungeon Synth experience with โThe Eternal Travellerโ. With tracks that transfer the lister to majestic dimensions of castles, Medieval setting and mystical elegance, this album is a spectacle of synth amazement that resists genre tags and symbolizes musical growth in the community. If youโve not heard this album, I highly recommend checking it out and please support the artist by downloading it from the link below.
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Dungeon Synth & Dark Ambient Reviews!! 