Since 2020, Calignosa has been producing a very distinctive brand of cinematic Dungeon Synth. Combining haunting orchestrations and majestic synth tones with ethereal Medieval themes, Calignosia has established a quality that is undeniable. On latest effort, ‘What Has Risen May Sink, And What Has Sunk May Rise’ Calignosia delivers his most gallant offering yet. Forty six minutes of ambient-filled Dungeon Synth, influenced by mighty Lovecraft tales complete this audial saga that transcends boundaries and amplifies spectacular songwriting.
On opening track “An Invocation To Cthulhu”, ominous tones and instrumental variants emit an introductory song riddled with mystery and haunting soundscapes. The percussive elements depict a time of precipitancy and excitement. “Once Upon A Time In Arabia” is a sonic piece with a Middle Eastern vibe and spacious orchestrations that are soundtrack worthy. As the arrangement shifts through volume changes and crescendos, Calignosia skillfully fuses patterns of beautifully constructed parts that produce a stellar orchestration. “Wandering In The Desert Of Rub’ Al Khali” is a light-hearted interpretation of vast melodies and layers of harmonious intonations with a touch of dreamy narrations that – at times – are very brooding. “By Night They Come Alive” is akin to a professionally composed orchestration with the addition of splendid narrations and a touch of traditional Dungeon Synth sounds. “Iram Dhāt Al-‘Imād” is a somber track with elongated synth notes and light ambient impressions with bouts of lead orchestrations and an overall ethereal vibe. Naturalistic field recordings add to the ambiance, creating a a warm world of solace and tranquility. “Spectral Winds Always Blow From The North” begins with an ambient fill that crescendos slowly into a dark soundscape with menacing results. Inaudible narrations with grim effects add a level of darkness that amplifies the gloomy sounds of this track. “Toward A Nameless City” is a buoyant song full of warm emotions and effervescent orchestrations. This track definitely represents a gleeful time in a distant fantasy world. Modulated narrations are a welcomed touch that injects a sense of animation into the overall experience of this track. “Meditations Of A Mad Man I (Within The Nameless City)” presents an obscure darkness that will keep you on the edge of your seat. With the feeling of a certain evil lurking around every corner, the menacing nuances throughout do an amazing job at painting a surreal picture of bleak embrace. “Meditations Of A Mad Man II (De Profundis)” is a continuation of the crepuscular sounds of Part I but in a more ambient way. With layers of elongated notes, angelic vocal effects and the occasional discordant tone, this is a quixotic way to conclude this two part magnum opus. The final track on this breathtaking album is, “Bedouin Song”. A lively song that embellishes peace and harmony, it features stringed instrumentation and a jaunty blend of synths and percussion that is sure to result in a celebratory dance of boundless energy.
Calignosia is an exceptional artist that epitomizes the orchestral sound and goes above and beyond to create an authentic brand of Dungeon Synth that is easily recognizable. Layers of exuberant orchestrations, unerring soundscapes and an ear for memorable melody are the keys to the mighty adventures that Calignosia always sends us on and ‘What Has Risen May Sink, And What Has Sunk May Rise’ is no exception, as it may be his most exploratory album yet. Fans of classical orchestrations and adventurous Dungeon Synth tones shouldn’t pass on this massive undertaking. Click on the link below to check out this astounding album, you’ll be glad you did.
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For some reason, trees seem to be synonymous with all things spooky and evil. Whether it’s a darkened forest in a horror movie, or the ruffling of leaves in an evening breeze that has us looking over our shoulders for something creepy, trees create a space of frightening imagination with limitless potential for purpose. For Halloween, trees portray a gruesome shadow in the night that causes goosebumps and chills when not expected. Remember the tree in the original Poltergeist film? They also create a blockade for hiding behind so that you can jump out and scare your friends while trick or treating. Whatever the case may be, trees serve more of a purpose than the ecology for their existence. Like trees, music provides the same escape by enticing an imaginative spark for which you can escape from reality. That’s exactly the case for these twelve chilling albums. They are the soundtrack for the season and so much more. Please enjoy these summary reviews and show your support for these artists by downloading their killer albums. Happy Halloween!! 🎃
1. Lamp & Dagger – This Tape Is Haunted Too!
Lamp & Dagger is back with their second spooktacular collaboration, featuring a handful of ominous artists that aim to frighten your very existence. From Sombre Arcane’s psychedelic massacre to a modicum of Dark Ambient soundscapes from The Night Keep that feature morbid field recordings and samples. FVRFVR offers a chip tune spectacle that is part crypt hop and part nostalgic cinema. Whispering Mirror offers a droning canticle full of gruesome modulations, while Halm conjures up some disgusting field recordings to create a gruesome scene of terror. The final track by Spectral Manse proposes a climactic ending with eerie narrations, malevolent haunts and lots of dark melody that penetrates deep in the psyche, proving that the sequel is just as damning as the original offer. I’ll never get enough of these compilations so I’m already looking forward to Halloween 2023.
Dungeon synth stalwart, Guild Of Lore, steps beyond the realm of Winterstead, leaving behind the Medieval intonations to embrace a world of 80’s-influenced synthwave with elements of cinematic horror. The results are a fascinating blend of B-horror movie anthems full of ghoulish field recordings, theatrical samples and rhythmic patterns that scream the elements of classic horror film soundtracks. “Lurking In The Shadows” is a prime example of ample beats, darkwave undertones, and retrospective synths, while “The Festivities” is done in the style of a skit, with spooky narrations, haunting screams and bleak atmospherics. This is an album that’s not just enjoyable during All Hallows’ Eve, but can provide eerie entertainment throughout the year, and for many years to come.
3. Erythrite Throne – A Shade Of Melancholy In The Shadow Of Death
If your not listening to Erythrite Throne on All Hallows’ Eve, then you’re either very much afraid or have already been bitten by a post-apocalyptic zombie. In the case of the latter, perhaps ‘A Shade Of Melancholy In The Shadows Of Death’ has become the perpetual soundscape for your existence. Expertly fusing classical synth tones and the occasional blasts of tasty percussion, this is another magnum opus from the master of Dungeon Synth music. Just as the title suggests, this album is a bit more lugubrious than other Erythrite Throne albums, but that’s what makes this project so special. Especially on Halloween, this is some classically creepy music to enjoy on this malevolent night.
The ever so cleaver Aleksis Tristan Shaw once again keeps us on our toes with a musical endeavor that defies genre categorization but is presented just in time for Halloween. These three tracks showcase beautiful, yet twisted piano melodies with a dreamy, atmospheric production. Just as the album cover suggests, I can only imagine a blurry figure sitting behind the ivories and playing these dirges to conjure up the spirits of ancient past, allowing them to provide frights once again. Although each track is different, they each have a thematic element that maintains a dark but elegant mood. A full album of these ghastly sounds would be awesome as well.
Wodenwyrd presents a rather unique recording as a short narrative is read over obscure backing tracks that fusses Dungeon Synth, Dark Ambient and synthwave. Read over a series of Acts (seven in all), the story summarizes the first battle between German forces and the Roman Empire around 9 AD. As compelling as the story is, the music fits perfectly and produces a brooding gray background for a malevolent narrative. There are three stand alone tracks that serve as an intro, intermission and outro and they explore more nostalgic territories such as 80’s cinema and dreamy effects. In all, this is a fantastic album and I wouldn’t mind having a series of recordings in this style.
Just in time for Halloween, Born From Pain delivers another compelling motion picture re-score. This time, 1989’s horror/fantasy film, ‘Begotten’, becomes the object of creativity as the quest for Dark Ambient obscurity reigns supreme. Over seventy two minutes of ethereal order becomes the pallet for rediscovering this film in a more sinister light. The film itself, is supremely bleak and a boldly obscure statement for cinema at the time of its release. If your a fan of cult filmmaker, Maya Deren, then you’ll have a good understanding of this film. As for the music, Born From Pain masterfully captures that essence with gloomy soundscapes and haunting effects that will lead to nightmarish outcomes in itself. Another fascinating adventure that I can’t recommend enough.
Scott Lawlor, the king of spatial Drone music and a jack-of-all-trades Ambient musician that never stops working and has enough released material to create the soundtrack to your very existence for years on end. On Halloween of last year, he produced a five hour livestream special that will be digitally released on Halloween this year. Spanning eleven tracks, this colossal of an album, flows like a never ending experiment through celestial voids and dark passages, as enigmatic effects combine with baneful textures to create the realm you’ve always dared to travel through. Each track presents a malefic journey through dark regions of the subconscious, bringing a terrorized reality to the forefront of the mind. Good luck getting through all five hours of this but enjoy the breathtaking adventure along the way.
8. Orcchasm – OrcChasm!
Orcchasm is truly unique experience, as we encounter a variety of musical intonations during this thirty one minute endeavor. From creepy ambience and whimsical synths to bazaar arrangements and nonstop frills, this is a musical adventure that is equally enjoyable and fulfilling. From grandiose, Medieval incantations to light, flute fills, you never know what direction the music is headed. However, hold on to your witches hat and broomsticks because this is a venture that won’t want to miss. Each track flows seamlessly into the next, showcasing a story of dark dungeons and numerous escapades. “Groping For Wild Hogs In The Dark Paphian Abyss” is my favorite track and it truly represents the musical prowess of this album as a whole. Don’t pass up on this warm journey into the wildly unknown.
https://orcchasm.bandcamp.com/album/orcchasm“The forest was not dark, because darkness has nothing to do with the forest – the forest is made of life, of light – but the trees moved with wind and subtle creatures.” – Lauren Geoff
9. Pumpkin Witch – The Return Of The Pumpkin Witch
It’s been a few years since we’ve heard from Halloween favorite, Pumpkin Witch. However, after finally rising from the Orange tomb of seasonal vegetation, they’ve returned with their most enigmatic spectacle to date, ‘The Return Of The Pumpkin Witch’. Eleven spooky anthems that provide an audial bludgeoning for almost forty four minutes, these progressive haunts are just what the doctor (or vampire or serial killer) has ordered to infiltrate your Halloween playlists. From distorted, doom-laden guitar tones and retrospective drum beats to hair raising electro sequences and synthwave tactics, this is the album that checks all the blocks for horrifying entertainment. Tape hisses and reverberated production efforts create a sinister ambiance that drives the mail in the coffin (no pun intended) for this masterful recording.
Ammothea, the ambient-infused post metal project by Glacial Anatomy, is truly a riveting encounter that satisfies the pallet of those that enjoy the multi-genre experience. Soft, careening vocals, doom metal riffing and dreamy production yields a hypnotic effect, so that you can sit back, close your eyes and indulge in your own trip. These five tracks disperse almost sixty four minutes of playing time but, it’s over before you know it due to being completely lost in the mix of these alluring intonations. “Depth” and “My God Is The Moon” are standout tracks that incorporate a more upbeat approach without diverting away from the haunting gray that the entire album discharges. This is an extremely impressive release and I’m already looking forward to more from this artist.
A good dark wave tune goes hand in hand with the Halloween season, given its close ties to Gothic romanticism, vampires and grim landscapes. It also has provided bleak, atmospheric backdrops for scenes in classic horror films such as ‘Silence Of The Lambs’. This two track spectacle from newcomer, Whöreplay, fits right in with all of the aforementioned. Although only five minutes long, the artists wastes no time setting the listener on a collision course with haunting electronics, reverberated vocals, and a dreamy production. These tracks slice through like a jagged dagger, leaving a spot of coagulated blood for the creatures of the night to feast on.
There is no better time to come together for delivering a darkened dungeon synth experience than Halloween. Unsheathed Glory and Ozeregroth combine their talents of Medieval summonings to render a five track split album, culminating in twenty four minutes of effortless canticles set to the gloomiest night of the year. Not only does each artist produce two tracks of their own, but they collaborate on the daunting self title track. Although each artist delivers contrasting tones, they mesh together very well and and flow transparently with ominous accord. This is one of my favorite Dungeon Synth collaborations of the year and I hope these artist get together again in the future, to produce more music like this.
Sombre Arcane is a collective that needs no introduction. Going above and beyond to produce an electrifying amalgam of Dungeon Synth music, they are quickly becoming a premier element in the genre and have amassed a favorable following. Combining an exceptional mix of electronic and traditional instruments, they successfully craft masterful pieces that become more than just songs, but an unparalleled sonic adventure. ‘Realmsong’ finds the duo in top form as they weave their spell through twelve finely crafted canticles with sheer brilliance.
Taking a wistful approach on the album opener, “The Time-Space Conundrum”, somber melodies are met with galloping instrumentals that present a classic synthwave vibe. However, before the completion of the track, Medieval harmonies and drum beats turn this atmospheric offering into a Dungeon Synth anthem. Following up with “Rhythm Of The Saintless”, a harrowing drone commences, as we wait for whatever intonation comes about. With almost a jubilant delivery, dreamy keys belt out a traditional Dungeon Synth chop. Before too long, additional chord transform this track to a battle-ready opus that elicits the fighting spirit in all of us. “A Day’s March Through The Ancient Elven Forest” brings back eloquent effects and fills the empty space with chirping birds and brisk ambient tones. A quixotic synth melody penetrates the darkened soul and loops in a much wanted pattern before percussive elements enter the mix. Keeping a serene resonance throughout, this is one for the dreamers and forest wanderers that disengage from the sense of time. “Moon Sphere Of The Dancing Court” commences with the inaudible banter of a crowded tavern and then glossy instrumentals pave the way for a peaceful transition into vast landscapes and tranquil haunts. “Dinomace” takes us back to the battlefield with a velvety cadence that instills a sense of pride and victory with each and every note. The drums are very progressive and the lush textures are a warm welcome as well. “Kelthas The Dread” follows, with a meditative sound and pensive production that constructs an abysmal scenario with a massively rich tone. There is a nice dose of distortion on some of the keys that beefs up the modulation and the overall output is that of angst and betrayal. The distressing “Dread Certainty Of Our Chosen Path” is an ominous gouge at the psyche and the emotional output that pours from within. The arioso of the main riff is not only tasty, but one that can be enjoyed over and over again. A darkened cadence is introduces and provides the feeling of a sudden loss and the ensuing dirge that is needed for comfort. This is one of my favorite tracks on the album and I’m sure many other will feel the same way about it. “Devilry Of Inertia” is a beautiful follow up to such a deep track, that it’s easy to get lost in all that’s going on. Wondrous layers of celestial ambience creates a comforting sensation. Suddenly, this transforms into a Crypt Hop masterclass with thunderous beats and whimsical melodies. Truly unexpected but also extremely enjoyable. “Lansharra’s Leavetaking” is another masterful tune, as this piece aquatints the listener to a sonic vocal that layers folk sounds with noble storytelling. I can imagine drunken commoners at a local pub in a far away ancient kingdom, paying homage to their ancestry and love ones with this amazing vocal effort. “Finley’s Rest” is another placid effort of precise instrumentation and soothing background ambience that depicts an early morning dawn of halcyon times. Layers of magical instrumentation builds throughout the track and it eloquently leads into the next track, “Jebrin’s Ride Home”. Starting with some comfy textures and a synth effects that’s buried deep in the mix, this is a luscious guitar piece that renders pastoral vibes in a jubilant countryside setting. The final track on this magnum opus is the hypnotic “Return From Dragonspear”. Mixing dark undertones with warm instrumentation, this track sets a dynamic and climactic ending to the ‘Realmsong’ story. With an alluring orchestration mixed deep in the background, everything suddenly surges to a roaring grind, as the multitude of effects clash in unison. However, it comes to a halt and is calmly replaced with a suspended piano melody that will succeed in melting hearts. The pace begins to grow again and powerful guitar and drums synchronize in a heavy but melodic ending.
Sombre Arcane first struck Medieval gold with their 2018 self-titled demo. Gaining a huge momentum (and fan base) from that effort, it help paved a path of immeasurable opportunity to excel in the wondrous Dungeon Synth community. Now, with the release of ‘Realmsong’, they’ve cemented their place alongside the genres best. This is an album of beautiful orchestrations, galloping instruments, spacey ambience and a conglomeration of other effects that results in one of the best, most diverse Dungeon Synth albums in a while. Although this album has been out since last year, I can’t recommend this one enough. Check out the link below and support this amazing artist and their craft.
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Although only having a short endeavor in the realm of Dungeon Synth, Arbadax has already produced five captivating albums that dive into the mythos of ancient ventures and Medieval lore. On the latest outing ‘Yithian’, Arbadax submerges into a Lovecraftian world of horror and intrigue over ten astonishing tracks that become the outlet for fantasy and chicanery.
The album boldly commences with “Vortex Of Time”, a synth dirge that intricately weaves peculiar harmonies and momentous ambient tones. Complemented with a tribal-like beat, the overall obscure melody loops infinitely while soundscapes develop random clusters of sonic sound structures. This is just the arcane lead off track that this album needs to push through this collection of arsenic hymns. Following that amazing introduction is “Disembodied Consciousness”, a merger of enigmatic synth chops and sinister acoustic guitar riff that spreads its proverbial angst for the duration of this haunting track. “Projection” begins with a soothing radiance that is more inline with traditional Dungeon Synth, and contains a melodic ambience that resonates deep within the soul. Thumping percussion bits adds a mournful characteristic of impenetrable battles. Esoteric sound effects complete the odyssey of this track, creating a bleak adventure like no other. “A Strange Existence” starts with thick and obtrusive keyboard effects before a cleaner synth emerges, adding a cryptic layer of effulgence to the overall sound. Moments of synthwave excellence can be heard throughout, as this track continues a sonic build until it’s conclusion. “Disturbed Visions” initiates a dreamy synth sound that suffocates the listener with a thick, brooding lead that emulates a tone that can be heard from underwater or a far off distance. Various synth leads compete for auditory space as they weave amongst themselves with assorted flare and cadence. “Upon The Horror” is an edgy piece that contains whimsical keys and tense buildup, as this faster-than-normal paced journey develops into a haunting forest synth monument. “Aeon-Dead Black Gulf” is like a nighmarish scene as random pulses of energy create a series of cosmic pulses that rage out of control before suddenly shifting into a classic synthwave anthem. Sounding more like a track from an 80’s horror movie soundtrack, this is probably my favorite track on the album. “Down From The Stars” showcases an industrial ambient beginning before settling into a malevolent drone, and then ultimately fusing into a consoling synth piece that is more in line with Forest synth (with a touch of comfy synth as well). “Scattered Echoes” is a light-hearted song with modulated sound effects and a light drone in the background. Delicate guitar melodies add a sense of ease, as this is one of the lighter (and warmer) tracks in this collection. The final track is also the longest one on the album. “Abyss Of Sleep” is nearly eight and a half minutes long and borders on the edge of strangeness and synth wizardry. Mostly consisting of minimalistic keyboard chops, there is a looping bass sound that is quite amusing and works well in conjunction with the various synth manipulations that take place throughout. This is definitely an interesting piece of music and fits right in as the closing element of this bizarrely astonishing album.
With five albums released in just a year and a half of time, Arbadax is quite the busy artist and has done an excellent job of producing material that is memorable and that successfully translates awesome stories into masterful Dungeon Synth songs. On latest effort, ‘Yithian’, Arbadax summons the spirit of Lovecraft and renders a fascinating tale into a spectacular audial escapade that eclipses the Dungeon Synth genre and ventures into other musical territories. This is a wonderful album that I recommend to fans of both Dungeon Synth and the Lovecraftian universe. Please check it out at the link below and show your support for this enigmatic artist.
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It’s a tranquil Sunday afternoon and I’ve decided to take a little time to catch up on some reading, as well as to focus on my next Dungeon Synth review. Since I love to listen to music while I read, I put on ‘The Eternal Traveler’ by Nachtjäger. It was the perfect arrangement, as the somber vibes emitted from this album played in to the harrowing novel that I was reading. This near seventy minute opus consists of eleven tracks that range in a myriad of synth varieties, albeit remaining steadfast in the realm of Dungeon Synth. The result is an amazing adventure through bleak – but alluring – domains, with minimalistic modulations and calming synth leads.
“My Watchtower In The Darkness” commences with a darkened intonation that would be fitting for a Medieval crusade. Slightly grim, yet composed in a way that exudes strife and victory. With a dirge-like cadence, this is such an emotional song to kick things off. “Crystalline Caverns” is one of my favorite songs on the album with its eerie vibe and haunting ambience that is detailed throughout. Limpid synth leads establishes a transparent connection with the layers of bleak atmospherics, causing a ritualistic effect. “Traveling On Spectral Vessels” once again changes the vibe of the album, giving off a lighthearted appeal that is enough to sooth a savage beast. Well written, there is a plethora of melodic parts and they are woven together seamlessly in an orchestral fashion. “Woodland Sanctuary” is a chilling abode with minimalistic drones and sparse synth leads. However, this approach is extremely effective, especially with creating an emotional sound of theatrical proportions. “Insights Born From Ashes” again alters the audial course and gives forth a Renaissance-era anthem with gothic undertones and slightly reverberated keys. “Lost Scripts Of Old” is an enticing piece that includes a psychedelic vibe and clean synth leads that are reminiscent of the Comfy Synth sub-genre. There are several layers of keys that create a delicate harmony and the outcome is quite mesmerizing. “Ancestral Homelands” takes us back to a darker sound, almost emitting a Black Metal-style song introduction. However, whimsical effects elicit a funereal vibe and concludes with a buildup of synth leads that has a massive sound. “Winds Tell Of A Dying Age” is constructed like a saddened symphony, with a reluctant pace and a passionate arrangement that is redolent of somber times and post-war struggles. Without a doubt, this is the most elegant track on the album and another of my personal favorites. “Astral Signs In The Northsky” is a besieging song that combines many elements of ambient music and Dungeon Synth variants. The slow climb and descent of the musical scale is fused with eccentric synth effects, producing a slightly lurid sound that ends rather abruptly. “Heralds Of The New Dawn” is a dreamy little dirge with retrospective effects and a heartfelt arrangement that combines rhythmic tones and atmospheric expression. The final track on the album is a majestic masterpiece. “Transcendental Relics” is a twenty three and a half minute long treasure that integrates soothing ambience and elongated synth tones is an epic symphonic composition. There are bits of synthwave, orchestral arrangements, and obscure melodies throughout that definitely keep this long player interesting and most of all, relevant to the theme of the rest of the album. With a substantial amount of reverb, this song sounds really thick and quixotic, demanding multiple listens with it’s addictive appeal. This is my favorite song on ‘The Eternal Traveller’ and such a beautiful way to finalize this exhilarating album.
Nachtjäger has successfully produced an amazing Dungeon Synth experience with ‘The Eternal Traveller’. With tracks that transfer the lister to majestic dimensions of castles, Medieval setting and mystical elegance, this album is a spectacle of synth amazement that resists genre tags and symbolizes musical growth in the community. If you’ve not heard this album, I highly recommend checking it out and please support the artist by downloading it from the link below.
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Welcome to The Nebula Breviary! For starters, I’m not sure if this will be a continuous column or just a one-off publishing. In either case, I wanted to create something where I could spotlight an artist that is involved in a variety of projects, with a steady amount of releases. I couldn’t think of a better entity than Ithildin Tape Production. The home of Dungeon Synth maestro Elminster, Ithildin Tape Production is the mainstay of many other activities that performs in the Dungeon Synth realm and beyond. Enjoy these summary reviews of some of the many projects from Ithildin Tape Production!
1. The Owl Knight – Chamber Of The Starplotter
One thing I love about this release, is that it covers a lot of ground although being very compositionally minimalistic. This assortment of flavors included winter synth, raw Dungeon Synth and nominal chip tune without the cheerful undertones. The constant tape hiss gives off a nostalgic vibe and the flow from track-to-track is well thought out. You’ll definitely be reminiscing through retrospective Medieval content and this truly sounds like something that could be played in a deep, dingy dungeon. This one is worth checking out and adding it to your collection is a must.
Elminster, the flagship project of Ithildin Tape Production, sends a mesmerizing reminder as to why this is one of the best, traditional Dungeon Synth projects out right now. ‘Caern Mist’ is an exceptional release that features a range of dynamic orchestrations and light-hearted patterns that are enough to sooth the soul. These lengthy tunes drift in slow motion as if waiting for the seasons to change or the lapse in light as day fades to nocturnal bliss. Beautifully produced and elegantly composed, this album is a true testament of the mature path traveled for Elminster.
This is one of those recordings that you can turn on and then get lost in its vast atmospherics. A soothing ambience starts this twenty one minute long track and then it faintly reforms into a juggernaut of ritualistic beats and hypnotic loops that will keep you sedated for the duration on the track. Hints of Dungeon Synth effects are scattered throughout in a tasteful manner, as to not take away from the complete submersion of this audial spectacle. I would love to hear more from this project, especially if this is the material we have to look forward to.
‘Ire Of the Crescent Reborn’ is an interesting blend of lo-fi Black Metal and sparse Dungeon Synth undertones. Minimalistic in approach, these three tracks complete a 20 minute cycle of trance-inducing wall of noise that is more of a controlled chaos that an all out blitzkrieg. The drums shift between blast beats and industrial thumps that maintains a deafening cadence. Overall a good release but the faster parts definitely stand out and create a whirlwind of noise that’s addictive and refreshing.
Atmospheric, primitive and seductive are a few words that come to mind while spinning ‘Earth End’s Panthron’. This thirty four minute opus is a single-track, tour de force of atmospheric black metal that is a melting pot of twisted & sinister riffs, ambient textures and grainy vocals that redirects the listener to early incantations of icy cold Black Metal. Other than a quaint acoustic intro and outro, this track procures a relentless pace and delivers top quality low fidelity music. I highly recommend this recording for those that love that old school necro sound.
‘The Curtain Of Time’ exhibits two long-players of primordial Dungeon Synth with the essence of Medieval yearnings. Complete with hisses, cracks & pops of ancient recordings, the music leans on the side of melancholic compositions with somber soundscapes and a passion for mellow, emotive terrain. With both tracks extending beyond the thirteen minute mark, these depressive dirges are best heard on a dark, dreary day where emptiness is of the essence. This is a very entertaining release and amongst my favorites by Moss Keep.
‘Answering The Hidden Summons’ is like an album of distraught ellegies, assembled for those mournful souls lost in ancient battles. The keyboard work throughout this album is amazing and truly showcases a sophisticated effort from the Ithildin Tape Production camp. Complete with background hisses to supplement the overall dismal ambience, these four tracks are over before you know it, even though totaling almost thirty minutes worth of music. Save this one for a rainy day and it will fit right in.
8. Dyvyná – Within The Walls Of The Promised Kingdom
From the music to the art work, this has the Renaissance era written all over it. Crisp synth leads and dreamy effects solidifies a haunting atmosphere of bright, effervescent colors. There is a slight reverb on the instrumentation as well, emitting a powerfully thick sound that aligns perfectly with the production efforts. This Dyvyná project is definitely one to look out for and an extensive catalog of music is already building up.
Whispers Of Umbar is one of my favorite projects from Ithildin Tape Production. There is just something about that primitive sound that blurs the line between Dungeon Synth and Dark Ambient that brings joy to these ears. ‘Hail The Voidlord’ is a near twenty seven minute experience that is crafted in noise and brutal harmonics that produces visions of bleak landscapes and unfathomable bloodshed. By the time this insane track is over, you’ll need a nap and a chalice of spirits before your next listening experience.
10. Üvegszakadás – In The Ashes Of The Fallen Empire
‘In The Ashes Of The Fallen Empire’ is a mammoth of an album, especially in regards to previous releases in the Ithildin Tape Production catalog. Almost an hour and forty minutes of granular Dungeon Synth that feels like a massive compression chamber of ghastly intonations that are sequentially summoning Medieval spirits for an upcoming apparitional raid. Haunting melodies compounded by wobbly effects and battle-ready cadences, this is an imposing outing that is sure to become a fan favorite.
‘Hávamál’ is one of six Sorrow Of The Moon demo’s released this year (thus far), each containing a single track ranging from twelve to twenty minutes of playing time. This project is a firm mashup of Elminster and Üvegszakadás, with its own production value that is gothic influenced and completely introspective. What I do love is the upbeat nature of this demo and how complete it sounds, with regards to the traditional Dungeon Synth sound. This is one that I can easily play over and over again without getting tired of it.
Unlike the other Black Metal releases on Ithildin Tape Production, Maeglin infuses more distorted guitar chords and focuses on melody and song structure, instead of trance-like atmospherics. The results – at least for ‘Screams Of A Frozen Heart’ – is that it’s more focused, catchy and quite enjoyable. There are definitely some Dungeon Synth undertones, specifically in the intro and various spots throughout the release. However, they are used more of as a background discord than being the focal point of the music. This is another admirable release from ITP!
Last year was a tremendous year for the Dungeon Synth community. We saw a plethora of albums being released by a lot of our seasoned favorites, cassette releases all over the place, and a ton of new artists making their way on the scene with various intonations of the genre and gaining a stronghold of fans that typically remain loyal to the music and fascination that it brings. One of those new artists, Landsraad, was a standout in my book with the mesmerizing album ‘The Golden Path’. Paying homage to the Dune series, that album could have easily been an unreleased soundtrack to the classic movie of the same name. The album was also in my “Top 10” list for Dungeon Synth albums of 2021. Fast forward to August of this year, and we are greeted with the sophomore follow-up album, ‘Fate; The Inevitability Thereof’ and another trip back into the Dune universe. How does this album stack up to the debut? Let’s take a deeper dive into each track to find out.
From the opening progression of “A Secret Meeting//Edrics Precience”, the fantasy-based synth harmonies present a range of otherworldly emotions and melodies. Berlin School styled sequences places the listener directly in the middle of the Dune Universe, in the presence of a sandstorm of influential characters and fascinating plight. This is a beautiful album opener that respects the thematics of classic storytelling and fictional magnificence. “Face Dancer” immediately opens up with a bold modulated synth sound and an array of leads that build off each other, but always seem to be in unison in this heralded composition. “A Body In The Sand” is a light-hearted track that flows like a brisk breeze over vast mounds of endless sand, while the heat radiates off of its bright surface, producing hints of valuable spice. As if moving in slow motion, the droning nature of this track will leave one breathless and wanting more. “The Lion Throne//Walking The Path” brings a musical shift toward darker, somber tones and audacious radiance. Bringing back a classic, synthwave sound that will resonate with fans of 80’s electronica, the rhythmic succession of tone in this track leads to bleak adventures in euphony as imaginative excursions play out in the subconscious. The melodic journey really picks up with “Hayt”. The opening harmony is memorable and would last a lifetime (if I had my way). As one of my favorite songs on this album, it truly transcends categorization and could easily be included in a motion picture soundtrack. The sequential intonations casually ascend into a world of honor and dignity. “Stoneburner” continues on with the same emotive spirit of the previous track and the monumental music it contains creates an imposing force of majestic synth wizardry. This is another treasured track that is sure to gain multiple listens from fans of electronic music in general. Truly a masterclass in exquisite synth compositions. “Scytale (feat. Thanaphos)” returns to the buoyant sounds of the first several tracks, with dreamy passages and warm droning ambience in the background. This is an enlightening foray into more peaceful times and the arrangements are just a bundle of ear candy, full of tonal flavors that can’t be resisted. “Abomination Pt. 2” is a ballad of sorts, with minimal use of Berlin School sequences and deep pounding synth pads that thicken the sounds of this semi-upbeat performance. It’s as if a daunting trip to find a land of paradise, finally played out in the favor of the songs protagonist, proving the journey was worth the battle to get there. “All Things Yet To Be Said” is another noteworthy achievement that includes crisp, Berlin School patterns, wavy celestial drones and resolute synth leads that describe a drama unfolding with only the use of alluring arrangements. “Bijaz//Oracle” is an introspective offering that features an ornate harmony arrangement that is kind of hidden behind a wall of reverberated chaos. However, if you listen closely, you’ll be able to find a soothing culture of tones that are simply amazing. The albums final song, “A Path Broken//Walking Into Dune” is a breathtaking display of conclusive audial proponents that combine the efforts of the previous songs into an awe-inspiring summation. Multiple layers of haunting melody calmly collide with synth leads that extend beyond the reaches of space, yet gather all of the sounds into a cluster of tonal perfection. This track is such a a wonderful outro to this chapter of Landsraad’s Dune Universe and leave plenty of room for more innovative synth compositions to come in the future.
Landsraad is such an amazing project and it’s hard to categorize the true genre of the music contained within the highly impressive (but small) catalog of album. Of course there is a traditional Dungeon Synth influence but Landsraad also incorporates classic synthwave, Berlin School, soaring harmonies, and an amazing theme to produce a signature sound that can’t be denied. ‘Fate; The Inevitability Thereof’ is a thoroughbred recording of the highest caliber and just may end up on my year end Top 10 list. I highly recommend checking this album out as it has so much variety to offer. Also, the songwriting is out of this world and will surely peak the interest of those that love a good science fiction themed musical outing.
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Ruins Of Xibalba, the soaring new project of Tir main man, is much more than a Dungeon Synth side project. It is an ambient adventure into outer realms, where cosmic soundscapes compliment daunting melodies and admirable song structures for an outcome of refreshing proportions. Bits of synthwave and cinematic arrangements elicit a high level release that eclipses the boundaries of many electronica genres. Mystical second album, ‘Gobeklitepe’ is an excursion through ancient mythos and compelling sacred cultures through 9 distinguished compositions that erupts in almost an hours worth of synth greatness.
Celestial album opener, “Sirius”, commences with a soothing drone that is reminiscent of gothic overtures from a classic, transcendent period. As altering tones shift like a slow flowing current of vast oceans, luminescent soundscapes and peaceful synths build a scene full of dreamy characters and endless landscapes. “Reverie” begins with a calming tone that creates a sense of relaxation and drifting timbres while utopian synth leads play somber intonations that pay homage to 80’s synthwave. Harrowing textures build into an austere arrangement that is addictive and completely mesmerizing. This is one of my favorite tracks on the album and one of the most played songs in my synth playlist. “Pedestal” is one of the shortest tracks on the album and has more of a traditional Dungeon Synth flare than the previous songs. Layers of synth leads build in crystal clear context and this beautiful little dirge is over just as it starts to create a dream state for the listener. “The Flame In The Temple” fires off on all cylinders as bombastic samples paint a picture of dread and anguish. As if a battle is looming near, this particular sound continues for a few minutes until a melodic chop begins to integrate, forming a massive sound of Medieval spirits. Alluring female vocals are added, sending this song to soaring heights and giving the listener a sensational overture of adventurous development. Additional spoken words enhance the terrain of musical endeavor, making this a supremely well rounded song. At just over ten minutes in length, “Prophesy” is the longest track on the album. Combining elements of synthwave and atmospheric effects, this song is a slow build into a captivating cinematic performance. Sonic drones and spacey keyboards fill the void as a wall of sound is created in hypnotic fashion. Representing the subtle changes that occur at dawn, “Prophesy” runs the gamut of sounds, from elongated and peaceful to melodic and grandiose. “Shaman Of The Welkin” is a change of pace, as a rhythmic drum beat leads the charge in this eerie dirge. Written in a very theatrical way, it features a gigantic orchestral sound that flows in a very emotional way. This track could very well be featured on a soundtrack of a fantasy/adventure-based movie. “Göbekli Tepe” is a whimsical outing featuring a quirky keyboard chop that plays in the background, while sounds of the orient take center stage with colorful effects and serene synth elements. “Eternal” is a daring, ambient adventure with a host of menacing soundscapes and effects. Immediately commencing with a sinister drone, mind-melding effects play sporadically, showcasing a sense of dread and endless agony. About halfway through this eight minute opus, fluid keys begin to play, opening the depth of this track like an endless black hole in deep space. It’s as if a constant storm reaping havoc on the mind and causing a depth of internal commotion. The final track on this spellbinding album is, “Reverie – Yetzer Remix Version”. For over seven minutes, we are treated to a masterful drone experience with minimalistic effects that bridge the gap of various electronic genres. With an anodyne of modulated tones, there are similarities to the original track but this remix version is a darker presentation of an already bleak performance that demands multiple listens.
This sophomore album by Ruins of Xibalba is an extremely fascinating affair and a one-of-a-kind experience. Overall, ‘Gobeklitepe’ is a consoling journey through time, space, the mind and any other relatable experience and certainly fulfills a particular destiny with thoughtful arrangements and mesmerizing cadence. Although this album was released last year, it’s still extremely relevant now and I highly recommend this for fans of ambient textures and the wonders of Medieval soundscapes. Please click on the link below to dive into this amazing adventure.
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Hope all is well and please enjoy this latest round of Dungeon Synth summary reviews. I know that many of these absolutely deserve a full review. However, being a one-man shop, periodically doing these Celestial Ephemerides articles is the best way for me to keep up with the high review demand. These ten albums are all very intriguing and different in their own right, but are still firmly planted in the mysterious genre that we all know and love.
1. Countryside Views – ‘Mountain Country Memories’
This comfy synth projects takes us to far away hills and farmland settings in this tranquil synth outing. Featuring field recordings of the peaceful endeavors of country living, this album will make almost anyone feel right at home in the serene setting of all things nature. Elongated droning keyboards and crisp, enjoyable synths complete this reposeful recording and provides the feeling of refreshment and undisturbed emotions. ‘Mountain Country Memories’ is perfect for creating a placid start to your day or just having a moment of calmness.
2. Ferrydor Archive – ‘Tale Of The Foolish Dreamer’
Another multi faceted outing that moves Dungeon Synth music beyond the blurred lines of tradition and incorporates a slew of other styles and techniques. From ambience, whimsical interludes to modulations composed of chip tune technique, ‘Tale Of The Foolish Dreamer’ is an impressive album that could very well be a soundtrack for a fantasy-based story. Sometimes cheerful and sometimes somber, it is unequivocally a meticulous synth recording that has superlative elements of classical compositions.
The purveyor of multi-genre greatness, Archanist, surpass all expectations on the darkly fantastic offering, ‘Poseidonis’. From lush, textured synths to Berlin school sequences, this album runs the gamut of soulful and emotional sounds that exclude melody and magnified feelings. Each track produces a unique vibe while maintaining a constant, bleak posture. A wonderful, modern take on Dungeon Synth aesthetics while brilliantly weaving in retro synthwave, this album is an instant classic and is sure to be a fan favorite for all.
Over an hours worth of well crafted, beautifully orchestrated music, ‘A Walk Amidst The Cairns’ is an epic release that transcends any genre. Even though it’s rooted in Dungeon Synth, these soothing tracks emit an energy of classical instrumentation and exuberant scenes of endless landscapes and peaceful times. This is the perfect album to have for filling the void of background ambience, or slipping away into a meditative bliss. This is top quality synth music and is highly recommended.
‘Death Cannot Contain You’ is a hefty collection of quirky canticles with ominous undertones and endless exploration of synth madness. Watch what’s lurking around every corner, as these tunes provide the soundtrack for lurking evil and heinous ambition. Nearly forty five minutes of non-stop keyboard and percussive repose, these tracks offer an impressive melding of various instruments sounds and effects to bring forth a sense of gritty contentment. Don’t pass on this album as if offers an audial satisfaction like no other.
The Sage Of Seers hit the jackpot with this release as it’s one of the most momentous collection of tracks I’ve heard in a while. Heavy use of reverb give it a huge wall-of-sound feel and the instrumentation is performed in a flawless, mesmerizing way. Songs such as “As I Slept Upon The Ancient Barrow” and “The Path Leads To The Light” pay homage to quaint, Medieval settings, while “Under The Frozen Lake” contains Dark Ambient passages and idiosyncratic effects. Very impressive release that covers an array of genres without sounding fatigued or over played.
7. Thalmar – ‘Pried From Winter’s Frost Laden Grip’
Strident, lo-fi project from the Ithildin Tape Production camp, Thalmar epitomizes the despotic side of Dungeon Synth with epic, grinding tracks of looping discord. Creating an uneasy approach to layering with a consternation of bleak arrangements, ‘Pried From Winter’s Frost Laden Grip’ is a disturbing audial ride through chaos and the horrors of Medieval battles. Edgy production that borders on tense distortion and restive modulated impulses, this is the ultimate album for your dark inquisitions.
Fantoma Sânge takes the listener on a colossal adventure that is part whimsical and part theatrical. From big sounds to quirky arrangements, this is a twenty four minute excursion that you don’t want to miss. Jubilant drums and massive synth tones pave a path toward eccentric oblivion while the lo-fi production maintains a tradition of Medieval spirit. Don’t pass up this dainty little offering and enjoy all the turns and twists along the way.
Produced with a sense of isolation, this gritty offering presents a cloudless perspective of ancient times. Full of sorrow and melancholy, these tunes range from light-hearted dirges to jarring compositions that truly reflect life back in ancient times. With an array of synth effects and tonal changes, ‘Guardian Of The Realm’ is a complete listening experience and will surly meet all of your Dungeon Synth needs and desires.
Unofficially rooted in the aesthetics of Dungeon Synth, Disemballerina charges forth on ‘Fawn’, their latest EP of Medieval fueled orchestrations and discordant instrumentation. Nearly fifteen minutes of classical interpretations that dive into various genres of avant-garde liking. Subtle, smooth, and at times unconventional, this enticing release is worth multiple listens as well as a gander into their back catalog of impressive albums.
Since 2020, Temple Of The Fractured Light has gone above and beyond with their brand of psychedelic-infused Dungeon Synth music. Combining soothing anthems with whimsical instrumentation and vivid expression across five amazing albums, there is a sense of joyous wonder when experiencing these amazing recordings, especially since they get better and better with each new release. Last years ‘The Groovopolis’ A was met with high praise and amazement and it would be hard to imagine future recordings outshining this pentacle release. However, that has happened as ‘PSYOP Theory’ is an astounding effort into multicolored territories of consoling synth greatness. Six tracks and nearly thirty seven minutes of mind-bending synth compositions, this album contains a multitude of twists and turns and supremely weaves them into massive sounding arrangements so that audial transparency remains intact.
Tantalizing lead-off track “Circle Or Square::Black Or Grey” begins with a 70’s style synth effect, playing a catchy, melodic chop that is soon joined in unison with orchestral instrument sounds. With a very mellow vibe, this ghoulishly mixed track is a spectacular way to start off the album and sets a melancholic mood. Next, is the uptempo “Roswellian Waltzes”. A droning synth slowly crescendos just before a crashing symbol cascades into a histrionic percussive beat. Lush synth effects and mesmerizing echoing sounds maintain the psychedelic appeal while traditional Dungeon Synth melodies exude a tempting resonance. “Sacred Geometry And The Eye Of The Pyramid” is a hypnotic blend of clean synth arrangements and grandiose leads that are reminiscent of classic – and even gothic – intonations from 70’s and 80’s cinema. This is a very impressive track and one that I seem to return to the most often. Following this is a song of similar caliber, “That Which You Should Not Know”. Starting with a few single-note keys that are equally gloomy and ariose, this track maintains a serene prowess from start to finish. Even with additional synth leads that are slightly louder in the mix, this savory piece is a delicate treasure. “The Persuant Theories Of MK Ultra” is a proverbial nod to the illegal experimentation program designed by the CIA. However musically, whimsical keys and spacey synth effects are arranged in a slow looping pattern and become more mesmerizing with each passing. Sudden symbol crashes and sparse percussion add to the mystique of this track as it continues to build into a psychedelic frenzy all the while maintaining a beguiling Dungeon Synth essence. The final endeavor on the album is the alluring title track, “PSYOP Theory”. Beginning with beautifully modulated synths and charming leads, this inspiring track provides a haunting platform for a barrage of strange sounds and peculiar drum beats. I can imagine a group of travelers back in ancient times, escaping the grips of an invisible force while running through and endless, multi-colored forest. Eccentric and atypical, this is an intriguing piece and solid way to close out this magical album.
Another crowning achievement for Temple Of The Fractured Light, ‘PSYOP Theory’ is an exquisite addition to the Dungeon Synth community. From whimsical to battle-ready anthems, these tracks set a prescience for quality Dungeon Synth music while adding a stunning psychedelic aesthetic. In a category all of its own, ‘PSYOP Theory’ is an addictive listen and capable of cleansing the audial pallet for a new, fresh sound. Please click on the link below to support this exceptional artist and enjoy this amazing experience.
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Dungeon Synth & Dark Ambient Reviews!! 