Celestial Ephemerides: A Collection Of Dark Ambient Summary Reviews, Part IV

I present to you my final round of Celestial Ephemerides for the year 2021 and I hope you enjoy the following Dark Ambient recordings as much as I have. I certainly wish that I had the time to give these albums a long form review but with the amount of request that I get on a daily basis and the actual time I have to spend on doing them, there just isn’t enough time in the day, week, month or year. At any rate, I hope these summary reviews will do and again…enjoy!

1. Beyond The Ghost – The Desolation Age

One of my favorite Dark Ambient artists, Beyond The Ghost is back with not only his greatest achievement yet, but a sensational recording that incorporates a magnitude of synth styles. With the deep drones in tact, he manages to include elements of synthwave, retro synth and a ton of melody to make this one of the most triumphant releases of the year. Emotional highs run rampant on tracks such as “Exodus”, “Pale Conquerers” and the piano-heavy “Slow Motion Downfall”. The Cryo Chamber label hits another home run with with valiant effort and I’m glad to see Beyond The Ghost release another effort that supersedes all expectations.

https://cryochamber.bandcamp.com/album/the-desolation-age

2. Max Corbacho – Nocturnes III

What an honor it is to be alive during the existence of Max Corbacho. He is a world renowned ambient artist that has no problem producing either light or dark ambient and anything in between. On Nocturnes III, he darkens the mood on his brand of bleak, yet powerful ambience. Tracks such as “Altar Of Stillness” and “Lunation Sequence” produce a celestial boundary of deep space vibes and ominous sound effects. It’s easy to get lost in these long tracks as the mesmerizing drones continue to captivate from start to finish. Another brilliant album by the Ambient Master himself.

https://maxcorbacho.bandcamp.com/album/nocturnes-iii

3. Kalte – Morphology

Kalte puts the “minimal” in minimalistic with the starkly austere ‘Morphology’. Four tracks of space-like drones with the occasional soundscape that sounds like looping, industrialized textures that are sure to creep you out. “Stochastic Resonance” and “Coleoptera” are my favorite tracks on this short, thirty four minute EP. However, as a whole, this album contains epic creations that are sure to please fans of both Dark Ambient and Industrial Droning. Looking forward to hearing more from this promising artist.

https://kalte.bandcamp.com/album/morphology

4. Uburgrund – Dionelos

Uburgrund doesn’t hold back with their maniacal version of noise ambience. Harsh, looping effects and industrial-like distractions creates a whirlwind of discontent and uneasiness. However, there is a mesmerizing sensation when listening to this album as a whole that goes unmatched. Standout tracks include “Colonia De Sarcopti Din Palma (Swarm Of Another Life)” and “Trusa Iua Hinton (Rubik In Wonderland)” with endless fusillade of extreme modulations and frequency manipulations that will send the sensory glands into maximum overload. Also, at times the music seems audibly unbalanced but I think that’s another tactic that is completely relegated in this insane group of recordings. Highly recommended but listen at your own risk!

https://kalaminerecords.bandcamp.com/album/dionelos-2

5. Cities Last Broadcast – The Umbra Report

Cities Last Broadcast always brings a warm, vibrant tone with his brand of Dark Ambience. Including loops, tape hisses and various oddities that embrace a particular twilight, you can always expect a nostalgic walk down a darkened noir path. The Umbra Report is no different, as it entwines the same smoky sentiment found on the ‘Black Stage Of Night’ and ‘Black Corner Den’ releases with Atrium Carceri. Tracks such as “Unvocal”, “Disembodied” and “Antumbra” carry the minimalistic torch while creating a spacious, articulate texture that embraces more warmth than darkness. Simply put – another brilliant album by Cities Last Broadcast!

https://cryochamber.bandcamp.com/album/the-umbra-report

6. Dr0ne – Nimb

Listening to Dr0ne’s ‘Nimb’ is like a complete exercise in futility. If you can make it through this one hour nightmarish drone-fest, then you can get through just about anything. With just two tracks – each almost thirty minutes long, this is like a bleak excursion like no other. These tracks slowly rip away your soul until there is nothing left but a skeleton of audial dissonance. At times, a deep plunge into darkened chambers occurs, taking the listener to cold outlets of deafening voids, while at other times, perpetual static remains consistently mesmerizing. This one is definitely worth checking out, especially if blasphemous droning is your thing.

https://dr0ne-sb.bandcamp.com/album/nimb

7. Daughter Of Dawn – Crushed Into Dust By The Weight Of The World

Fans of Peter Bjärgö should not pass up on this tasty offering of blissful, folk ambient by Daughter Of Dawn. These compositions are excitedly serene, but it’s the overall melody that will heighten your emotional state and draw you in for a near thirty minute ride down a soothing atmospheric aurora. Album opener, “Juniper Boughs Collide Upon My Shores” is quick to set a euphoric mood with reverberated acoustic guitar chops and dreamy vocals. “The Liminal Space In Which I Reside” has shades of shoegaze and dream pop genres that are feverishly fused with masterful songwriting and constructive vocal harmonies. This is a fantastic album that must be heard to be believed. Don’t pass on this magical offering.

https://kalaminerecords.bandcamp.com/album/crushed-into-dust-by-the-weight-of-the-world

8. Alphaxone & Proto U – Back To Beyond

Alphaxone & ProtonU create a spacious, sonic atmosphere like no other. On their second collaboration effort, ‘Back to Beyond’, they produce a colossal space ambient recording that takes the listener to the far reaches of space and set them in a drifting motion that transcends the relevance of time and speed. As if floating through a galaxy of stars, a gathering of soundscapes and effects paint a galactic portrait of uncharted territories. With a mix of light and dark drones, standout tracks such as “Dreams Of Solace” and “Delusions Of Omniscience” present a space odyssey like no other. It’s always a magical occurrence when these two artists join forces and I hope this wont be the last recording of its kind.

https://cryochamber.bandcamp.com/album/back-to-beyond

9. Bonzaii – Death In The Cities

Bonzaii is a unique artist for the Dark Ambient genre and they successfully combine two of my favorite things on the ‘Death In The Cities’ EP, and that is emotional Melodie’s and distorted synth effects. Although both of these sound qualities are at distant ends of the musical spectrum, together they provide a monumental output that can be both soothing and terrifying. Tracks such as “Liturgy” and “Eyes In The Water” stand out with their breathtaking atmospherics and masterful arrangements. The looping synths are at times retrospective and borderline on Berlin School sequences without actually maintaining a stronghold on that style. All in all, this is top quality ambient music and recommended for those that know no boundaries when it comes to genre styles.

https://decayingspheres.bandcamp.com/track/death-in-the-cities

10. European Drought – By Ways Of Winter Past

“By Ways Of Winter Past” is a single, twenty eight minute long track of austere winter synth that catapults the listener right into the eye of a winter storm with no end in sight. This immensely minimal track is so chilling, that it can be downright alarming at times due to the notion of unknowingness around every corner. Synth effects remain absolute throughout this recording, representing the cold adventures that are experienced along the way. As the track continues, there is a sense of overwhelming chaos that takes over and deafening tones signal the downfall toward an icy oblivion. Nothing about this track will sent the mind at ease, but it will set a chilling mood for mindful atonement.

https://europeandrought.bandcamp.com/album/by-ways-of-winter-past

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Interstellar Space – All Hallows’ Eve Extravaganza

It’s time for everyone’s favorite celebration day, Halloween! Although believed to be rooted in Medieval Christian beliefs, Halloween – Also known as All Hallows’ Eve – is the beginning (or vigil) of Allhallowstide, which is followed by All Hallows’ Day on November 1st and All Souls’ Day on November 2nd. This celebration was once used to honor Saints of the Church, both known and unknown. However, in modern times, Halloween has been heavily influenced by Gaelic folklore and traditions with Pagan roots to hold it together. This has ultimately lead to guising, trick o’ treating, haunted houses, movies that pay homage and more importantly, music that is influenced by the aforementioned festivities. No matter the genre, there are a slew of artists that use this heavily celebrated day to create haunted-infused dirges. For this article, I have conjured ten artists that have summoned ghoulish vibes to create excellent albums that are perfect for this morbid season.

1. Erythrite Throne – Vampyric Fables

https://serpentsswordrecords.bandcamp.com/album/vampyric-fables

What better way to start Allhallowtide than with a festive dose of Erythrite Throne. Here with an annual creation of dark enchantments, ‘Vampyric Fables’ presents six tracks of ominous dungeon synth that showcases all aspects of the Erythrite Throne sound. From the mournful melodies of “The Cruelty Of Immortality” to the blackened intonation, “A Great Castle Just Beyond The Forest”, these tracks epitomize the Erythrite Throne standard and set a precedent for dark dungeon music. “Somber Incantations From The Blood Soaked Scrolls” is a eerie concoction of haunting synths, scathing sound effects and a cadence that conjures the dead for a sinister manifestation. ‘Vampyric Fables’ is another spectacular release and makes for a perfect listen during All Hallows’ Eve!

2. Sanctum Umbra – Through The Last Known Veil

https://sanctumumbra.bandcamp.com/releases

Robes Of Snow creator shifts focus on new project, Sanctum Umbra, replacing the usual Post Black Metal mayhem with an ultra-focused dark ambient experience laced with retrospective effects and sonic disturbances. The albums title track, “Through The Last Known Veil” is the perfect example of harrowing drones that are fused with nostalgic keyboard chops and the cracks & hisses of tape loops. “Banished Empyrean” commences with infused modulations that find a melodic hum while soft keys are structured malevolently in the background. These five tracks create a stellar ambience that is most fitting for the night of the dead. This Halloween, light a green candles and embrace the power of this stunning release.

3. Lamp & Dagger – This Tape Is Haunted

https://lampanddagger.bandcamp.com/album/this-tape-is-haunted

Lamp & Dagger has put together one of the most unique collaboration efforts that I’ve experienced. Tailored specifically for the Halloween season, these artists have assimilated to present a ghoulishly haunting encounter that is sure to frighten the faint of heart. These eight grisly tracks portray scenes of darkness and death with macabre ambience and synth effects that will send chills down your spine. Over an hour of terrorizing, sonic adventures, this recording will make for a perfect soundtrack while handing out treats to the ghouls in disguise – if they dare come close enough to ring the door bell. Production wise, this is an extremely well put together effort with every track seamlessly flowing into the next. There is also a ton of morbid detail in each track to ensure that this spooky album will provide an ultimate dark adventure for all of your lurid needs. Don’t pass up on this masterclass in horror sounds!

4. Pvmkyn Mage – Fvn Sixe Bits

https://highmage.bandcamp.com/album/fvn-size-bits

Pvkmyn Mage brings the Dungeon Noise in this terrifying blast of eerie soundscapes that are meant as an all-out audial assault. At only nineteen minutes of playing time, these five tracks present a barrage of lo-fi modulations that are equally creepy as they are alluring. There are enough bits of charred sound effects to keep one in suspense as these tracks will easily grown on the listener with intense pleasure. There are plenty of frequency fabrications and reverb to set this album sonically apart from others of its kind. In addition, playing this in the dark at increased volumes are sure to give the Trick ‘O Treaters a bout of hesitation before approaching the abyssal door of doom (and candy). Highly recommended if creepy intensity is your thing.

5. Andeddomeiji – Biohazard 2

https://highmage.bandcamp.com/album/biohazard-2

This Biohazard-themed treat is perfect for the Halloween season and offers a different flare than some of the other recordings in this article. Adding a touch of comfy synth as well as 8-bit effects, ‘Biohazard 2’ generates quite a buzz when it comes to the grim interpretations of All Hallows’ Eve. Providing a soothing and structured soundscape across eight tracks, there are subtle hints of malevolence and dark creativity while maintaining an ethereal stance throughout. Several tracks contain the harsh vibes of Dungeon Noise, while others are saturated in serene benevolence. This is a very unique album but at the same time, intriguing enough even for the moderate listener.

6. Born From Pain – Night Of The Living Dead

https://bornfrompainbm.bandcamp.com/album/night-of-the-living-dead-rescore

‘Night Of The Living Dead’ is a reinterpretation of the film score for one of the movies that started it all. Born From Pain provides a solid translation of the zombie-infested film with droning guitars, subtle keys and luminous improvisations, thus yielding an alternate audial perspective. Listening to these tracks individually may not offer the clarity needed for visualizing a common theme, however a complete listen through – while imagining the original film of the same name – will offer a grim aesthetic for this nightmarish excursion. A bold mix of Dungeon Synth, Ambient and various guitar tones, this album portrays a stark foundation for a lo-fi, bleak experience.

7. Marishiten – Scott Creek Communion EP

https://hiakukumizu.bandcamp.com/album/marishiten-scott-creek-communion-ep

‘Scott Creek Communion’ is a minimalistic drone ordeal that falls somewhere between industrialized madness and harsh noise exploitations. Deafening modulations provide a haunting, atmospheric setting that is sinister enough to frighten the souls of those that dare to listen while producing a menacing backdrop for evil incantations. Although only three tracks with a seventeen minute playing time, the angst one will feel while listening is enough to engage the dreadful displeasures of the emotional state of mind. The chilling sound effects fused with the endless reverberations are quite unsettling but is the perfect soundtrack for the season of the dead and haunted spirits – especially if trapped in a haunted building or remote location. Listen at your own risk!

8. Vaeyen – Liminality

https://vaeyen88.bandcamp.com/album/liminality

‘Liminality’ is an obscure little recording that uses a plethora of soundscapes and samples to maximize the depth of dread that is imposed on the psyche. The conglomerate of effects are systematically fused to create a suspenseful state, allowing the listener to harvest whatever self condition is vulnerable. Although there are thirteen individual tracks, this twenty six minute minute outing is meant to be listened to in a continuous state. As your mind drifts off from the opening sounds of elevator music, you will quickly be subjected to a sinister realm of maniacal proportions. The more I listen, the more I can identify with the terrifying sounds that are appropriated from every day life. This is the perfect recording to meet all of your spooky endeavors.

9. Moonrise Of Dead Masses – 10/31/1978

https://deadmasses.bandcamp.com/album/10-31-1978

This album is a chilling homage to one of the greatest horror movie franchises of all-time, Halloween. How more appropriate than to release this tribute than during the season of All Saints’ Eve. This album has it all, spine-tingling keyboard chops, retro soundscapes, drum pad beats from the 70’s & 80’s, as well as haunting atmospherics that will thrust the listener back to the greatest time period of horror cinema. The layers of keyboard madness create a culture of sonic malevolence that is completely addictive to listen to and frightening enough to to make you want to sleep with a nightlight on. This is another excellent album to get you in the mood for Allhallowtide and should be played at loud volumes to cause apprehension in the kiddies that want to solicit for a tasty treat!

10. Wrought Records Presents – Reliquary Of Terror Vol. 2

https://wroughtrecords.bandcamp.com/album/reliquary-of-terror-vol-2

Leave it up to Wrought Records to come through with the goods – especially for the Halloween season. ‘Reliquary Of Terror Vol. 2’ is a superb compilation of spooky intonations, compliments of some of the most distinguished artist in the Dungeon Synth genre. Featuring over an hours worth of frightening endeavors, this anthology of awe makes for a perfect companion while celebrating the dark festivities. Featuring menacing soundscapes, seasonal field recordings, and a deluge of synths and effects, each artist brings their own special “It Factor” to these recordings, showing their unique individuality, while jamming in unity in the spirit of long forgotten Saints! Finally, that album cover is nothing short of amazing and sets a bleak but festive mood for the audial invasion that will soon occur.

Special Thanks To Droned Artworks!!

Huge shoutout to Droned Artworks for being so kind to let me use some of their artwork for this article. Waclaw Traier does an amazing job at creating some of the most obscure and unique paintings around. Even the artwork for my site was commissioned by him and it sets the perfect tone for what I’m trying to convey in my publishing’s. His artwork has also been commissioned by numerous bands and artists across multiple genres to create some of the most unmistakable album covers ever. Please find his amazing artwork at the site below:

http://www.droned.eu

If you’re into ominous, single player card games, look no further than Warclaw Games. Still an up-and-coming game developer, there are already several fascinating games available for digital release. Check out the website for more details:

https://www.warclawgames.com

Metempsychosis Physical Release:

https://www.thegamecrafter.com/games/metempsychosis:-abyss-of-horrors

The Opinionated Optimist Podcast Halloween Reviews!!

Episode 49 The Movie Malignant Is Quite Benign

https://pod.fo/e/e8293

Episode 50 – Halloween Horror Nights 30: The Good, The Bad, The Plexiglass

https://pod.fo/e/eb416

Episode 51 – Howl-O-Scream Orlando

https://pod.fo/e/edfd0

Additional cemetery photos courtesy of Carlton Whittle Photography. Please follow him on IG:

https://instagram.com/a_window_with_a_view?utm_medium=copy_link

Sphäre Sechs Takes Flight On A Celestial Adventure With ‘Beta Pictoris’

Of all the ambient sub-genre’s, Space Ambient is without a doubt my favorite. There is something about the fusion of warm & dark drones and layers of cosmic soundscapes that I find completely captivating. Whenever I’m in the mood for such deeply atmospheric occurrences, there are a few artists that I can always count on for those undeniable sonic excursions and one of them is Sphäre Sechs. On their latest otherworldly offering, ‘Beta Pictoris’, they offer seven tracks of Exoplanet inspired modulations that are more than just a junket through deep space, but a mission through spectacular visuals told by supreme synth arrangements and articulate improvisations.

“Planetesimal Debris” commences with soothing, warm drones, like a space ship drifting through the outer reaches of a familiar solar system just before exploration begins into the realm of deep space. Cosmic soundscapes accent randomly as if vague transmissions become more distant and unclear. An accretion of synth effects begin to produce a thicker sound as the expedition boundaries become broader. I love how the jolting signals continue to play out in the background, increasing in strength but decreasing in clarity. This ten and a half minute opening journey is exactly what’s needed to create a celestial mindset for the remainder of this captivating album. “Doppler Spectroscopy” begins with an alluring drone that has a slight industrial edge to it. The spacious reverb effect really gives that feeling of floating in the depths of pitch black space, almost motionless, while random particles of space dust fly by at a blistering speed. These drones are layered so perfectly that you’ll loose track of time while lapsing into the intensity of its structure. “Seeking The Infinite” starts with a single drone and a variety of peculiar notes being played. A slight crescendo happens at various times, while the keys & pads create a cosmic sound of interstellar adventure. There is mystery and buildup in this track, as if a dark force is lurking around every corner and avoidance is creating an anxiety that continues to build until the end. “Collapsing Cloud” is my favorite track on the album as this is the point where things begin to turn dark and the drones start to sound quite menacing. As if the constant meander through space wasn’t enough, a sinister plot begins to develop as cosmogonal soundscapes establish an eerie sensation of doom and imminent catastrophic failure. The intense use of reverb continues to build an outer realm of darkness and horror and it doesn’t get much better than this. “Infrared Emission” is the longest intonation on the album at almost eleven minutes in length, and it’s an ethereal journey with alluring drones and consoling soundscapes that are extremely hypnotizing from start to finish. The sound of wind blowing is an added surprise, making this another standout performance. “Exosolar” begins with eerie effects that resonate abruptly in a horrific fashion. With piercing drones layered in a way that oscillates through the upper registers of the sound spectrum, this must be a true representation of what unexplored space must be like – creepy and desolate. The final excursion on this deep space adventure is, “Unstable Orbit”. Deranged effects place an incredible spin on the ominous drones as they continue to intensify and increase with electrifying resilience. Slight variations of synth modulations create dismal patterns of haunting fills and abrasive undertones. Whereas the album opened with warm colors, it definitely ends with a bleak performance, that is astounding nonetheless.

Sphäre Sechs continues their streak of masterful Space Ambient performances with ‘Beta Pictoris’. Although one of the most minimalistic sub-genres of the ambient community, this album epitomizes an array of soundscapes and dream-like drones to produce a celestial atmosphere that needs no words for explanation or understanding. This is an amazingly meditative album and I highly recommend it, especially for those that are seeking a hypnotic experience through sonic modulations. Click on the link below and download this fascinating album.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://cryochamber.bandcamp.com/album/beta-pictoris

Hilyard Unveils Another High-Caliber Drone Excursion With ‘Division Cycle’

There is a reason why Cryo Chamber is the premiere label for cinematic, dark ambient music, as they consistently release stellar albums on a continual basis. Even artists such as Hilyard – that release other albums independently – seem to put out his best work under the leading label in the genre. ‘Division Cycle’ is no exception and it’s slowly becoming one of my favorite Dark Ambient releases of they year. Not only does it excel in drone modulations, but the cinematic quality is stellar and creates an addictive combination of mesmerizing tunes and emotional concepts, that demands multiple listens. Whereas 2018’s ‘Furthermore’ was a masterclass in Space Ambience, ‘Division Cycle’ is an exploration into an anatomical realm of grand design.

Lead off track, “Division Cycle” is heavy on the soundscapes in the beginning while a sustainable drone slowly builds. Synth effects provide a bit of melody while the trance-like forces maintain a powerful timbre. After several minutes, the track quietly (and slowly) descends into darkness, providing a dynamic introduction to the remainder of the album. Next up is the mesmerizing, “Equal Segments”. Not only is this my favorite song on the album, it is probably my favorite Dark Ambient song of the year so far. The layers of drones are extremely thick and they are positioned in such a way that emotions can be felt from their reverberations. A couple of minutes in, synth pads create a beautiful melody that is not only captivating, but equally serene. Although this track is just over six minutes long, I wish it were about fifteen or twenty minutes in length, in order to sustain that mindless state. “Of Hatred And Wrath” is an excellent follow on track as it continues the calming nature of the previous track, but adds a bit of depth and darkness to it as well. The flow of this song is so smooth and haunting, you’ll not want it to end, as it’s inductive of an out-of-body experience. Subtle soundscapes portray an ominous escape, but the over arching theme is relaxation of the mind and spirit. “Altars Of Warflesh” commences with a malevolent drone and theme-worthy soundscapes, as mischievous activity seems perpetual. The drones grow louder and closer as if destruction is imminent, but consoling synths & pads play dismal melodies that add to this daring adventure. “Feed The Earth” is another track of consoling drones but this time complimented by ghostly vocals. There is something eerie about this track that will leave the listener in total awe and unnerved at the same time. This is probably my second favorite track on the album and I could listen to this one over and over again and feel several types of ways with each listen. “Roots And Bones” begins with maniacal field recordings and minimalistic soundscapes over quiet albeit drifting drones. It’s as if you’re floating in a field of nothingness but headed slowly to a destination of importance, however as you get closer to the end, it seems to drift further away. The power of this music speaks in volumes with the variances of emotions that are created and observed with each listen. “Heartwood Reverie” contains bleak drones that leisurely builds in layers, while providing a stable platform to transform the mental state to another dimension. This is one of the most minimalistic tracks on the album, but it’s extremely alluring and conforms to the rest of the album perfectly. “Abandoned The Ramparts” initiates with ghastly soundscapes that fade into a spacey drone with a soft water-like field recording in the background. As the field recording dissipates, the drones become more existent and remain consistently hypnotizing until the completion of the track. The final song on the album is “To The Warmth Of Pyres (feat Dronny Darko & ProtoU)” and it’s an immaculate way to close out this impeccable album. Beginning with soothing field recordings and soundscapes, layers of synths & pads start to release audial tension as an audible dreamscape begins to unfold. The superb collaboration of these artists can be felt in each elongated note as a quest for solace and darkness unravels. So adventurous, yet remaining calm and pretentious, this is such an amazing track to close out the album as it properly summarizes the approach of all of the previous tracks.

Hilyard’s second album on the Cryo Chamber label is much different from his initial offering, but it speaks in volumes of the type of artist he is. Whether it’s lighter ambient (that is mostly presented on his own Bandcamp page), Space Ambient, or the haunting drones of ‘Division Cycle’, Hilyard is a seasoned ambient artist that has the skills needed to release countless cinematic adventures. Not only is the cover of ‘Division Cycle’ a proper representation of the album, but the music contained within is some of the best Dark Ambient/Drone music released this year so far. I highly recommend checking out this album so please click on the link below and support Cryo Chamber and ‘Division Cycle’ by Hilyard.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://cryochamber.bandcamp.com/album/division-cycle

Eighth Tower Records unveils companion book for ‘The Black Stone – Music For Lovecraftian Summonings’

The Black Stone – Stories For Lovecraftian Summonings

In January of this year, Eighth Tower records released another groundbreaking album of Dark Ambient resonance that featured the best-of-the-best artist of the genre. Some of them are amongst my favorite and include Mombi Yuleman, Alphaxone, Ashtoreth, NEW RISEN THRONE and Moloch Conspiracy to name a few. All of these artist successfully constructed Lovecraftian-themed tracks of fascinating darkness and a sonic exploratory of unmatched mythical subject matter. Fast forward a few months and we find another innovative event for Eighth Tower Records in the form of their first-ever book release. A companion to ‘The Black Stone’ album, it is entitled, ‘The Black Stone – Stories For Lovecraftian Summonings’ and features twenty seven tales of horror inspired by H.P. Lovecraft and his Cthulhu Mythos.

Here is some additional information about the book and writers, as found on the Eighth Tower Records Bandcamp page:

Featuring: Ramsey Campbell, Brian M Sammons, Glynn Owen Barrass, Lucy A. Snyder, E.A. Black, Chris Kelso, Andrew Coulthard, Stephen Mark Rainey, Kevin Lewis, Richard A. Scott, Russell Smeaton, John Buja, Made in DNA, David Agranoff, Pete Rawlik, Brian C. Short, Michael Housel, John Chadwick, David Voyles, Konstantine Paradias, Edward Morris, Parry Milton, Phil Breach, Garrett Cook, Andrew Freudenberg, Love Kolle, Sarah Walker.

Curated by Raffaele Pezzella
Cover illustration by John Chadwick
Editing by Parry Milton

https://eighthtowerrecords.bandcamp.com/merch/the-black-stone-stories-for-lovecraftian-summonings-book-cd

https://eighthtowerrecords.bandcamp.com/album/the-black-stone-music-for-lovecraftian-summonings

Grab a copy of this book before it’s sold out and if you’ve not heard the amazing album that was released back in January, do yourself a favor a download that one right away for a stunning audial experience.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://eighthtowerrecords.bandcamp.com/music

https://unexplainedsoundsgroup.bandcamp.com

Cryo Chamber Label’s Seventh Lovecraftian Collaboration, ‘Yig’, Is The Most Versatile Offering In The Series Yet

Since 2014, the Cryo Chamber label has embarked on an annual endeavor that epitomizes the meaning of artist collaboration. Paying tribute to world renowned author – and creator of the Cthulhu Mythos – H.P. Lovecraft, these musical ventures have proven time and time again to be epically daring and adventurous beyond the realm of typical artistry participation. Consisting of mainly album-length tracks, these Lovecraftian collaborations find the gathering of current Cryo Chamber artists, alumni of the label, and additional artists that are some of the best in the business. As each album culminates an evolution of sound and dynamics, they also improve with more sophistication and a variation of modular potency. The seventh (and latest) album in the series, ‘Yig’, consists of two songs that are around seventy minutes in length each and the transparency of these arrangements make it the most accessible and auditory one yet.

“Yig 1” wastes no time in creating a cinematic ambience, as mystifying soundscapes and fearless drones find a balance between sinister accord and Middle Eastern vibes. Percussive elements of a tribal nature begin to create a ritualistic groove that challenges the senses which results in being caught between darkness and a theatrical emotive state. As the percussion slowly fades, it gives way to deep, peaceful drones that succeed in delegating mental prowess to the subconscious. Various field recordings and effects paint an eerie scene, but this is just the beginning. At the twelve and a half minute mark, electronic beats add a rhythmic cadence that is downright sinister, but it is also a well designed section for this track as it adds an authentic layout to the ominous subject matter. One of my favorite sections of this track starts at around the twenty eight minute mark. Up to this point, the output has been mostly dark and malevolent in nature, but here there is a particular calmness that is a perfect inclusion. Layers of vibrant drones create a spacey vibe while keeping it melancholic at the same time. It’s so easy to get lost in this section as it’s so dreamy and introspective. If you’ve not done so up to this point, you’ll want to close your eyes and soak in the fantasy world that is being created. This section carries on for about seven minutes or so before traversing into darker territories again. At around the forty seven and a half minute mark, another important section of this track is introduced. Commencing with a good mix of field recordings, it is soon joined by West Asian instrumentation and some wicked vocalizations that are barely audible. After a few more very powerful sections of this track, we finally make it to the last few minutes, which ends in the same fashion as it started – unique field recordings and beautiful instrumentations that provide the cinematic finale to this grandiose piece. “Yig 2” is another impressive feat of legendary proportions. Starting with dark, desolate drones and apocalyptic soundscapes, the beginning sets a ravaging pace of systematic annihilation for the next seventy minutes. At around six and a half minutes, spacious drones meander in slow motion while a calming effect pierce through its dense layers. The looping effect creates an arcane sensation and the trance-like results are mind blowing. Another impressive section begins at around nineteen minutes in. As one section transparently fades into the next, this one has soaring guitar and piano leads with almost a dark noir sound. I could listen to a whole album of this stuff. Well played and just enough distortion on the percussive parts to change things up a bit, this is one of my favorite parts on the whole album. Starting at around the thirty two minute mark is probably one of the most essential sections on the album, as it really provides that nostalgic Lovecraftian vibe of horror and fascination for darkness. The bombastic drum beats combines with various drones and soundscapes create a menagerie of sound that is addictive and suggestive of the subject matter. Ominous and explosive black ambience is captured at around fifty two minutes in, as elements of industrialized drones begin to take over. The sound continues to grow darker and more perilous as a sense of anxiety begins to mount. However after a few minutes, that is counteracted by soft, soothing drones that successfully develop into an emotional journey for the final few minutes of this monumental album.

One of the most impressive aspects of the ‘Yig’ collaboration is how over twenty artists from all over the world, supply a version of their craft for this themed story with absolutely no opacity between parts. We’re talking two, seventy plus minutes tracks of some of the best arranged Dark Ambient material that has been produced recently. That extraordinary effort has made ‘Yig’ one of my favorites amongst the Cryo Chamber Lovecraft Collaboration series. If you’ve not heard this yet, I highly recommend checking it out by clicking on the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://cryochamber.bandcamp.com/album/yig

Eyre Transmissions X: Interview With Dark Ambient, Dungeon Synth & Metal composer, Scorpio V

Scorpio V is one of the most accomplished musicians in the synth world. The multi-genre specialist has achieved insurmountable triumph in most of the projects that he’s released. From Dark Ambient mainstay, Metatron Omega to the amazing Dungeon Synth act, Stronghold Guardian, Scorpio V utilizes his musical dexterity to create synth music of another level. I recently had the opportunity to find out a little more about his prodigious projects, musical background and what’s to come in the near future. I hope you enjoy this interview with one of the best in the business.

1. First of all, thank you for taking the time to answer a few questions about your amazing projects. What is your background (musically) and have you always played synth-based music?

My pleasure. I don’t have a formal musical or some other “artistic” background. I’ve just always found myself having the need to either reproduce what I see (by drawing it) and hear, or to create something new based upon what I’ve been presented with. I was always the type of person who cannot just passively listen to music – I had to get involved in the process of making it. As for the musicianship itself, my early beginnings were with keyboards. Although I’ve grown up listening to metal and held great esteem for electric guitar as an instrument, it was only after I’ve dabbled with keyboards, synths and industrial/ambient music that I’ve started also playing the guitar. So, yes, one can say that synths, sound programming and sound design were, and still are, my main niche.

2. The albums on your Prometheus Studio Bandcamp page range from metal, dungeon synth, dark ambient, and various other synth projects. What usually sets the tone for the style of album that is released at any particular time?

There are absolutely no rules for me when it comes to creating something, although as one may have noticed, what I create can mainly be defined by atmospheric, lush, dark or sometimes “grandiose” spectre of experience. I just get the inspiration for something and start channeling the energies. If I should pinpoint what exactly influences the process, it is my life and experiences, my imagination and philosophy. Other than that, it could be the stuff I listen to, literature I read, sometimes a game whose lore or atmosphere I find immersive (although I very rarely actually play them). Same goes for a movie, especially soundtrack and visuals (LotR being a great example here).

3. My first introduction to your music was the Metatron Omega project – which releases music via the Cryo Chamber label. That is by far, one of my favorite Dark Ambient projects of all time. What inspired you to write such monumental arrangements for this project?

Metatron Omega is a story for itself, as is Paleowolf. The main inspiration for creating Metatron Omega was mainly philosophical, coming from the spiritually oriented literature (and readings about the inner workings of some historically important secret societes). I think that on some level, I had the need to create a kind of a “soundtrack” for myself while studying those topics and wandering through my own path of self-discovery. Through the landscape of sound, I’ve channeled what I was experiencing while searching for something greater than myself. I also listen to a lot of church music, litanies, gregorian chants, orthodox russian and Byzantine monastic music, therefore creating ambiental music with those elements has been a natural process.

https://cryochamber.bandcamp.com/album/evangelikon

4. ‘Evangelikon’ was my Dark Ambient album of the year for 2019 and I’ve since been hoping for more Metatron Omega releases. Do you have any plans this year for that project?

Yes, there’s a new album in preparation since the beginning of the year. A few things that happened in the meantime slowed it down. I can’t say for sure if it’s going to be this year, but I’m holding a place in my mind to get back to it.

5. After Metatron Omega, I soon discovered you were behind the projects on the Prometheus Studios Bandcamp page and spent a lot of time deep-diving into those projects like Gaetir The Mountainkeeper and Paleowolf. Although those are Dark Ambient projects as well, they are so very different from each other. Can you talk about how each of those projects came about?

Paleowolf’s story is a big one, I’m not sure if summing it up in a sentence or two would do the justice to the journey I went on with that project. For the sake of this interview, let’s say that I was always interest in prehistory (human or not), and shamanism drew my attention in my teenage years. All these years listening to Mongolian throat singing and shamanic overtone singing, and then one night of immersive myself in Syven’s “Aikantaite” the energies collided into something beyond me. So, put all this together and Paleowolf was born. And it all came spontaneous, natural to me, I had little to ponder about. Gaetir the Mountainkeeper begun somewhat differently, as a way to channel my imagination and journey with Norse mythology, put through my own emotional lense. I felt the need to take my own part in creating the atmosphere for the mythos and nature of the North. Although I can’t say why exactly I “chose” to manifest it in the style I’ve chosen.

https://gaetirthemountainkeeper.bandcamp.com/album/vetrarlj-s

6. Another project that I love – and one that helped solidify my love for modern Dungeon Synth – is Stronghold Guardian. Are you a big fan of that genre as well, and who are some of the artist that you looked to for musical direction for that project?

Dungeon synth followed me since my early plunge into the water of Black metal (as, I suppose, happened with majority of people in DS circles). Of course, in those time I didn’t know that if you put synths and black metal vocals together you call that a ‘dungeon synth’. I always went for the dark atmosphere – using synths and other instruments than electric guitar proved to work very well in achieving this kind of atmosphere. I actually begun finding synths, strings, drones to work much “better” than guitars when it comes to delivering something a lot more immersive. As for the influences, Summoning has been, and still is, one of my favorite projects and influences in a couple of my creations.

7. You recently released a new album under that moniker – ‘Castlelord’ – which is a rework/remastering of earlier material, to include metal guitars. How did this creation come about?

I just wanted to hear how Stronghold Guardian material would sound with electric guitars added. Seriously. And since I was satisfied with the outcome, I’ve decided to share it with the rest of the world.

https://strongholdguardian.bandcamp.com/album/castlelord

8. On some of the tracks, I sense an early Graveland influence. Did any of the mid 90’s Viking Black Metal bands/albums inspire any of these reworks?

Viking black didn’t have much of an influence on Stronghold Guardian. I listen to a lot of different genres and styles so most often than not, I’m not aware of the actual inspiration. When I think about it now, perhaps some clean vocal parts may have come from Limbonic Art’s “In Abhorrence Dementia”. That album also had a magnificent synth work. Fantastic album overall and certainly another influence.

9. One project that has really grown on me is Nebulon. It’s a great project but the ‘Across The Solar Tides’ album was on another level. It had more of a Berlin School/early Tangerine Dream influence. Was that the direction intended?

Sure, Nebulon is definitely following the trails set by ’70-’80 German-French electronics and Berlin School. Early Tangerine Dream and Klaus Schulze’s solo works too. Let’s also not forget early Vangelis (his synth work) and the masterpieces of Jim Kirkwood, such as “Middle Earth” and “Souls that Dance on The Edge of the Sword”, “Nightshade in Eden”, etc. Nebulon somewhat tried to merge all these into a different gestalt and drown it in the sea of lush cosmic, interstellar ambient with its own complex narrative.

https://nebulonambient.bandcamp.com/album/across-the-solar-tides

10. You recently released two albums [edit: a third album had been released by the time of this publishing] under the Monasterium Imperi name. These are the perfect albums to listen to, especially while waiting for more Metatron Omega, but what makes these projects so different?

The way I see it, the major difference is in the structure of the tracks and type of chanting. Metatron Omega is using heavy and masssive church choirs, most often processed in a droning/brooding manner in the midst of the ‘wide’ atmosphere and heavy dark ambient drones; while Monasterium Imperi keeps things a bit ‘simpler’ and more focused, using structured solo chants upon melodic strings. And of course, there’s a great difference in thematic. Metatron Omega deals with spiritually-oriented philosophy of our world and Universe, a journey of self-discovery, while Monasterium Imperi leads us into the fantasy-inspired Cathedral-worlds spread throughout the Galactic Empire set into an alternative universe, in a far future.

https://monasteriumimperi.bandcamp.com/album/chants-of-liberation

11. What process do you use for recording the amazing Gregorian chants?

It depends where I want them and what I try to achieve. Some are sung by me, some are sampled, and something is a work of the VSTs.

12. One of your more serene (and popular) projects is Forest of Yore. How hard is it to go from bleak and ominous sounds to a more somber and tranquil sound without losing the Scorpio V identity?

For me not ‘hard’ at all. I’m very close to Nature, I’ve spent great deal of time in forests since I was young (and still striving to spend even more time). Forests are one of my main inspirations, not just for musicianship but for my life conduct, philosophy and spirituality. A forest can provide both ‘dark’ and ‘light’ contexts and evoke an entire spectrum of emotions. So, as much as I’m awed by the darkness and mystery of it, the forest also evokes a feeling of blissfulness, a kind of aural peace that surrounds you while you make your way through the unknown path, and into the distance of the trees. Forest of Yore is a soundscape for just this tranquil ambiance far away from the rush of modern society.

https://forestofyore.bandcamp.com/album/mythical-woodlands

13. You have a couple of older projects (Temple of Gnosis & Grailknight) that haven’t produced any new material in a few years. Do you have any plans to keep this projects going?

I don’t have precise plans for some of my projects, such as those two mentioned. I’ve created something out of a ‘need’ to create and that’s it. I usually don’t have a ‘yearly plan’ of what I’m going to do, not to mention a plan to create this or that album. So, we’ll see.

14. There are a few other projects that I love, but didn’t ask about specifically such as Orkforge & Shogun’s Castle. Can we expect new releases from these projects as well.

I think you can, because I’ve already worked on some material with Shogun’s Castle. Still, I have to get into the mental spaces for both projects in order to properly think about hows and whats.

https://shogunscastle.bandcamp.com/album/the-ancient-arts-of-self-discipline

15. These days, cassettes are making a comeback – especially in the Dungeon Synth scene. Do you plan to continue cassette releases for some of your projects? How about a second run of cassettes for the Shogun’s Castle project?

Indeed, cassettes have (again) come a massive hit these days. It’s just amazing to see so many people involved in it and being interested in a pretty much overly outdated medium compared to the technology of this day and age. So, yes, I’ve thought about continuing to put out cassettes for other projects, and perhaps a re-release of some of Shogun’s Castle albums.

16. I really appreciate the time that you’ve take to answer these questions. Do you have any final thought or comments for your fans that may be reading this interview?

You’re welcome and thank you for your interest in my work. Actually, the interview was quite comprehensive thanks to your questions, so I’m satisfied in leaving it as it is.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

Bandcamp: https://prometheusstudio.bandcamp.com

Facebook: https://www.facebook.com/prometheusstudio.official

YouTube: https://www.youtube.com/channel/UCttFYkVyUGHWsopvkRZgJbg

Patreon: https://www.patreon.com/prometheusstudio

‘Voices Of The Ainur’ Is A Podcast That Showcases The Best In Dungeon Synth, Dark Ambient, The Obscure, And Beyond

It’s rare to find a podcast that properly showcases the mystical wonders of Dungeon Synth, placating matters of Dark Ambient and the arcane obscurities within the realms of synth music. However, ‘Voices Of The Ainur’ just may be the premier podcast that embodies the spirit of these genres in a supremely engaging platform.

Commencing in October of this year, ‘Voices Of The Ainur’ produces high-quality episodes of the music that we love on a weekly basis. Each episode is around an hour long and features multi-genres of music in some of the most fluid mixes I’ve heard. Best of all, no talk, no interruptions, and all music! Additionally, each episode has its on mini-site with visionary photos, quotes and the playlist (with Bandcamp links) for the artists that is featured. Although this podcast was recently brought to my attention, it’s already my “go-to” platform for getting a weekly dose of the genres that I love.

In summary, ‘Voices Of The Ainur’ is a supremely composed podcast that demands to be heard. I know that we all have our favorite platforms for listening to music, whether it’s by digital download, streaming media, or physical platforms, but if you’re like me and still enjoy great podcasts, then you must check out ‘Voices Of The Ainur’. Not only is the music great, but the possible exposure to new artists makes it that much better. I’ve included the link for Apple Podcast below, but ‘Voices Of The Ainur’ is available on at least fifteen podcast platforms. The links to those can be found on the main web site (also below). Please give this awesome podcast a listen and enjoy!

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://podcasts.apple.com/us/podcast/voices-of-the-ainur/id1534862806

https://www.voicesoftheainur.com/

https://www.facebook.com/VoicesOfTheAinur

https://twitter.com/oftheainur?s=21

Fusing Lo-Fi Melodies With Binding Drones, Ataşehir Unleashes The Stunning ‘AVM’

I’ve often wondered if it’s possible for a dark ambient album to provide a sense of euphoria. While the genre is typically the subject matter of dismal, apocalyptic setting or doomed, deep space missions, lighter sentiment can certainly be ascertained, albeit through equally grim music. Such is the case for the latest release by Ataşehir called, ‘AVM’ – a soundtrack (of sorts) that describes a single days worth of events in a shopping mall. It’s a fairly unique theme, with quirky song titles, that stretches the boundaries of dark ambience into a more jubilant state. Let’s examine these peculiar tracks more closely.

“Your Message Woke Me Up In The Middle Of The Night And I Couldn’t Get Back To Sleep” commences with a somber energy like no other. Although at first it seems like you’re drifting through space in a motionless void, cold nebulas and other space phenomena begin to flash by you in a silent instant. Narration samples are barely audible, but make their presence felt as the tide changes to a darker tone through fierce drones. The last minute and a half introduces beautifully toned guitars that play a ceremonial chord before fading out. “A Slight Feeling Of Euphoria As We Entered The Place Where Everything Is Shiny And New” has a nostalgic feel too it, as the dreamy keyboards play a 80’s synthwave groove and multiple layers of luminous synths provide a lush atmosphere. “The Had The Right Size But The Wrong Color And This Triggered Something In Me” is an introspective piece with retro synth tones and more spots of barely audible narrations. There is a slight echo throughout this whole track that gives it a slightly cold and grim feel. “Leaving The Cinema To An Empty Food Court, We Believed The World Was Ours Or At Least Could Be” has a soft, cinematic texture that emits volumes of emotions. From the slight reverberation that are taking place in the background, to the keyboard leads that are as melodic as they are harmonious, this track builds up slowly and has a long fade out as well – stretching out whatever emotive state is present here. “This Is My Ice Cream And Yes You Can Have Some” is a minimalistic piece that places layers of beautiful drones at the helm, and then builds wonderful melodies around them. This track also has a nostalgic vibe that will take your memory back to yesteryear, as the quintessential arrangements play in looping pattern until they slowly fade out. “A Cold Breeze Blew Through The Smoking Area And I Shivered For A Second” is a bit of a serene offering with a space-like synth presence as well as an obscure looping sound that is peculiar to say the least. “The Wait For The Elevator Seemed Like An Eternity, Our Lives Encapsulated In That Moment” begins with a smooth keyboard arrangement that is backed by layers of harrowing drones and obscure soundscapes. Alluring keyboard compositions are the standout on this one and it’s probably my favorite track on the album. Cryptic voices, haunting guitar riffs and mesmerizing loops account for some of the additional things that make this a standout offering. “Outside Shake Shack” may seem like randomly played notes at first, but after listening to the melodic contribution that the instrumentation has to offer, this is such an elegant track that just isn’t long enough. “While Lost In The Otopark We Felt A Sudden Sense Of Our Own Mortality And It Was Beautiful” starts right away with warm drone sounds while faint instrumentation can be heard in the background. As that looping sound slowly crescendos into a more audible arrangement, additional drones are added to provide a thick layer of sound and uncompromising atmosphere. “Theme From AVM” is a minimalistic drone showcase as congenial sounds modulate warm tones throughout this simplistic but necessary track. The final track on the album is “Epilogue”. Although this is another minimalistic offering, drones are traded in for looping keyboard arrangements that are slightly discordant, but at the same time played in a pattern that is memorable yet slightly disturbing.

Ataşehir has found a common ground between dark ambient and euphoric music and ‘AVM’ provides the perfect platform for those results. Combining keyboards, synths, guitars and soundscapes to take the listener on an everyday nostalgic journey, ‘AVM’ is one of those albums that can be listened to over and over again. Each time I’ve played this, I’ve come across small nuances and subtleties that weren’t previously noticed and that says a lot about the effort that was put into this release. I highly recommend checking out this album so please support this artist by downloading ‘AVM’ from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://sumatranblack.bandcamp.com/album/avm

Xerxes The Dark Escalates Industrialized Tension On Monumental Dark Ambient Effort, ‘Final Crisis’

Anyone that knows me or follows my site, must know by now that Xerxes The Dark is probably my favorite Dark Ambient artist. Whether sketching out bleak, industrialized madness on his solo projects or lending his captivating production work to collaborations, XTD embodies the true, stark nature of Dark Ambient music. That being said, anytime there is a new XTD release – without hesitation – I’m ready to spend my hard earned money because I know it will be well worth the investment. ‘Final Crisis’ does not disappoint in the least bit and may be XTD’s darkest (and most ruthless) offering to date. To summarize the ‘Final Crisis’ listening experience, it’s like being embedded into a nightmare, or a relentless horror story where there is no escaping the agonizing terror of the unseen entities that haunts you.

Beginning the horrific ordeal is “The Hiding (Alternate Edit)”, with uneasy and ominous drones seeping into audio range while sinister static noises causes unrest. As the hollow sounds increase and tension builds, various soundscapes detail a malevolent mission of violence and dread. The listener is now locked into seventy two minutes of ambience filled with malicious intent. The intensity continues to build with “Antimatter Emergence”. Filled with industrialized drones that are accompanied by bizarre effects and field recordings, the minimalistic feel will easily increase all anxiety as the anticipation of lurking evil never seems to dissipate. The torment continues with “Parallel Disturbance”. If the abundance of screeches and unknown nuances weren’t enough to increase your blood pressure, the sudden blast – of what seems like – air brakes from a vehicle will definitely get your heart pumping. There is no escaping the unnerving soundscapes of the rainfall, traffic sounds, mixed with other unidentifiable noises to keep you on edge. A steady low end drone continues to play in the background as a storm races to the forefront of this track. There is a sense of ferocity as this near ten and a half minute nightmare displays a furious depth like no other. “The Leakage Between The Worlds” starts with a space ambient drone with a multitude of effects and soundscapes that gives an otherworldly feel. There are some excellent minimalistic moments on this track that are cold and dreary, with spots of inaudible narrations that are muffled and downright sinister sounding. “Crisis (Pt. 1 – Microscopic Black Holes)” immediately begins with an industrial feel as static materializes at a frantic pace. Vocal modulations are added, along with destructive soundscapes and field recordings. The impression of urgency can be heard, as all of these sounds are thrown together in perilous unison. Drones and synthesized tones increase in volume as the intensity reaches its peak. “Interaction” crystallizes from a somber drone that shifts in tone, as an industrial sample creates a harsh moment in the album. This chaotic sound ruptures into a loop and echoes from speaker to speaker before finally shifting into an all-out industrialized audible assault. “Crisis (Pt. 2 – Vacuum Bubbles)” continues down the path of deafening sounds as the synth modulations use various pitches and depths – especially in the beginning of this track. At times, there is a bit of distortion added to the drones, giving it a thicker, meaner tone as it accompanies some of the fiercest soundscapes and samples thus far. There is no rest for the weary, as bitter, severe noises wait around every corner. “The Hiding” is just as intense as the album opener but is a little more minimalistic at times. There are still periods of madness and mayhem as this original cut is just as menacing as the Alternate Edited version. The final track on the album is “Theory Of Nothing”. Displaying a great mix of dark and space ambience, there is a beautiful instrumental melody that is guided along with layers of clear, tonal synths. Unlike the other tracks on this recording, the soundscapes take a backseat (volume-wise) to the somber drones and instrumentation. What a genius move to close out such a dark and gruesome album with a brilliant track like this.

Xerxes The Dark continues his streak of releasing exceptional Dark Ambient albums, and has been doing so for the better part of fifteen years. Although he’s (lately) been devoting time to the downtemp/IDM project known as MOREGO, I’m glad to see that he still has the dark desire to continue releasing amazing albums such as ‘Final Crisis’ under the Xerxes The Dark moniker. This album is not for the faint of heart, nor one that you would probably want to fall asleep to – as you’ll sure to wake up sweating from a terror-filled nightmare. On the other hand, this album epitomizes what Dark Ambient is all about and is one of my favorite releases of this year thus far. If you like your Dark Ambient on the more sinister side, look no further than ‘Final Crisis’. Please support XTD and download this amazing album from the link below.

Please Like/Follow my blog so that you’ll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!

Links:

https://xerxesthedark.bandcamp.com/album/final-crisis-24bit