Top 10 Favorite Dungeon Synth Albums Of 2023

This was a very interesting year for Dungeon Synth. There were many fantastic releases from some of my favorite artists, surprising releases from new projects, while other artists fell silent for some reason or another. However, I found solace in a plethora of albums that made an impact on me in various ways. Many of those albums are listed below, in my Top 10 Dungeon Synth releases for 2023. I hope you enjoy this list as much as I do and if you’ve not heard of some of these artists, please check them out and support them in any way possible. Happy readings, Happy New Year and I’m looking forward to another fantastic year in 2024.

10. Tales Under The Oak – The Toad Alchemy

https://talesundertheoak.bandcamp.com/album/the-toad-alchemy

Tales under The Oak are back with the fourth installment of amphibia-themed Dungeon Synth music and it’s another constant release in a short, but wonderful discography. Seamlessly blending lush, ambient textures with dreamy synth intonations, ‘The Toad Alchemy’ is a reminder of how vast the Dungeon Synth sound can stretch. Not quite raw and Medieval but nowhere near the Comfy Synth spectrum either, this album takes inspiration from all aspects of Dungeon Synth and delivers the good with impeccable songwriting and production efforts. In a unique twist, the final seventy six minutes or so consists of ‘The Toad Academy Audiobook’, which is a fantastic treat that continues the fantasy appeal of the album itself. Don’t pass up this enchanting adventure.

9. Elminster – Through The Mossy Archway

https://ithildintapeproduction.bandcamp.com/album/through-the-mossy-archway

Elminster is one of my favorite Dungeon Synth artists so it should be of no surprise that at least one of the mighty Elminster albums would appear in my Top 10 list. Although each release this year has been nothing short of amazing, it’s ’Through The Mossy Archway’ that came out on top as my favorite. With only three tracks, this spectacular audio adventure is a hefty thirty nine minutes long. These songs are extremely cinematic and create the perfect Medieval scenario of battle, bloodshed and chaotic resilience. The fifteen minute long “Sword Of The Starry Depths” is probably my all-time favorite Elminster song (at least for now) and the remaining two track do not disappoint at all. Definitely check this out if desiring a Medieval soundtrack to get you through the day.

8. Guild Of Lore – Messummur

https://guildoflore.bandcamp.com/album/messummur

There is not a single bad album in the Guild Of Lore discography and whether it’s one that’s part of the Winterstead saga, or a one off release that showcases a varied aspect of the project, rest assure that you’re in for a treat with a dose of top-quality Dungeon Synth music. ‘Messummur’ presents nearly eighty minutes of Middle Eastern inspired tunes that instantly transports the listener to a distant Persian land where congested markets and mischief characters create an incredulous society. Music wise, this album has it all – tranquil ambient backgrounds, jubilant synth work and a cacophony of instruments (including percussion) that extends the perplexity of these compositions. Favorite tracks include “Tuskhorn Scar”, “By Night, The River Snake” and “Tomb Of Luus Torat”. However, the good times don’t stop there as the entire album is an epic treat for all fans of electronic music.

7. Medievalist – Halls Of Time

https://medievalist.bandcamp.com/album/halls-of-time?label=2690771343

Medievalist is a new project by Prometheus Studios and Dark Ambient mastermind, Scorpio V. Although this is not his first foray into the realm of Dungeon Synth (check out Forest Of Yore, Stronghold Guardian & Shogun’s Castle), this one is probably more Medieval centric than the aforementioned projects. Deep, ambient textures and a host of field recordings are prevalent throughout but there are cinematic elements that standout the most that propels this recording into ancient lands of vast kingdoms, harrowing lore and imminent battles. This is best if listened to from start to finish as each track builds off of the previous, creating a dark world where our imagination can construct our own ancient tales and mythos. “The Forgotten Castle”, “Homecoming” and “Knighthorn” are standout tracks that truly represent the output of this astonishing project.

6. LANDSRAAD – Mark Of The Worm

https://landsraad.bandcamp.com/album/mark-of-the-worm

LANDSRAAD, the Dune-inspired synth project, released their third album this year and it’s another impeccable offering. ‘Mark Of The Worm’ delivers nearly an hour of synthwave-induced intonations that are otherworldly to say the least. Although aesthetically appeasing to fans of Dungeon Synth, LANDSRAAD plays more of a classic synth style more akin to 80’s electronic-based movie soundtracks and that’s not a bad thing at all. Building upon layers of introspective synth leads and lavish ambient drones, each track has a unique style that is refreshing and adventurous. Tracks such as “The Prince Of Salusa Secundus” and “The Preacher At Arrakeen” produce a massive wall of sound while delivering somber melodies. This is such a great album that can be listened to over and over again without it growing old and tired. I’m already looking forward to the next effort by this always-consistent project.

5. Aufhocker – Ascent

https://aufhocker.bandcamp.com/album/ascent

It’s about time that Aufhocker made it to my year end list. Always a consistent Dungeon Synth artist, Aufhocker goes without notice (for the most part) and doesn’t seem to get any recognition through the various social media channels. The fact is, Aufhocker has been releasing persistent material since 2017 and doesn’t seem to be slowing down at all. Even though ‘Ascent’ was just recently released, I’ve been playing it almost non-stop and it easily made its way to my Top 10 list. Additionally, this has also become one of my favorite Aufhocker releases as it’s showcases a variety of audial flavors, backed by incredible songwriting. “Obsidian Chronicles”, “Whispers In The Abyss” and “Amidst The Umbral Void” are amongst my favorite tracks and they all have contrasting styles that still blend together very well. That’s the unique aspect of this album as no two song sounds alike, but as a collective whole, they all synchronize very tastefully. If you’ve not checked out this project before, this album would be a great start!

4. Mountain Realm – Grayshadow Ruins

https://cryocrypt.bandcamp.com/album/grayshadow-ruins

Simon Heath, the mastermind behind the Dark Ambient project Atrium Carceri, as well as the massively influential Cryo Chamber label, has released a new project in the sphere of Dungeon Synth called Mountain Realm. This masterful release, called ‘Grayshadow Ruin’, is thirty three minutes of tasty (and gritty), dungeon-influenced offerings that are equally mesmerizing and ghostly. Featuring a lo-fi production effort, along with the sound of tape hisses, the songs themselves are of top quality and detail an ancient world of hypnotizing chaos and mythical characters. My favorite tracks include “Beyond The Mist”, “Goblin Cave” and “A Lone Wizard Emerges”, while the remainder of the tracks are not that far behind. For this being the first release by this project, I’m impressed and intrigued by the quality of each song and how well this album pays homage to such a wonderful genre of music. Don’t pass this one up and stay tuned for the future offerings from the newly created Cryo Crypt label.

3. Valen – Fortress Of The Black Sentinel

https://obsidianrelicrecords.bandcamp.com/album/fortress-of-the-black-sentinel

If you ever want to introduce someone new to Dungeon Synth music, I would consider this the ultimate album for making that connection. From the lo-fi production to the completely Medieval sounding compositions, ‘Fortress Of The Black Sentinel’ is the consummate soundtrack for ancient times. Not only are these battle hymns for the weary, but this is the soundtrack for a kingdoms majestic reign of all the lands. With only three tracks, and a playing time of just under thirty five minutes, these offerings are not only majestic, but they yield the sword of Medieval might and honor. “The Battle Of The North Reach” is my favorite track of the three and could easily be a song that represents the entire Dungeon Synth genre.

2. Fogweaver – Magelight

https://thefogweaver.bandcamp.com/album/magelight

Like a lucid dream, where everything is in slow motion and mysterious beings speak a voiceless thought, ‘Magelight’ by Fogweaver shines through like a luminous entity of tranquility and mesmerizing audial substance. This is an absolutely sensational album that will captivate the listener with dreamy compositions and emotive arrangements. Every single track on this album is stunningly beautiful and full of effervescent life. Representing the more serene side of Dungeon Synth, this can easily be enjoyed by all as it still contains the traditional genre aesthetics and the synth lead work is simply captivating. Even if you’re not a fan of Dungeon Synth but are still into electronic music, I can’t recommend this album enough. Fogweaver is a very consistent project and after hearing this new album, there is no doubt that it was completed with a massive amount of heart and soul.

1. Erythrite Throne – Wrath And Anguish Of The Black Wyrm

https://serpentsswordrecords.bandcamp.com/album/wrath-and-anguish-of-the-black-wyrm

Erythrite Throne is my all-time favorite Dungeon Synth artist and I consider it one of the GOAT projects of the genre. So, it shouldn’t come to a surprise that at least one Erythrite Throne release will make it to my Top 10 list. The questions is, which one. Sometimes this is more difficult than coming up with a top 10 list in general, but this year that wasn’t a problem. ‘Wrath And Anguish Of The Black Wyrm’ is not only my favorite Erythrite Throne album of the year, but it’s my top pick for Dungeon Synth album of the year for 2023. The six tracks contained within maintain that tradition Erythrite Throne sound while expanding on genre aesthetics such as an enlightened classical palette, compositional integrity, enchanting synth leads and even a touch of Black Metal-style vocalizations throughout. My favorite tracks include “Forgotten Spirits Feast On Dragon’s Flesh” and “We Slumber Deep Within Realms Of Vampyric Wisdom”, as they showcase all of the characteristics mentioned above and so much more. Make sure you check this one out for a masterful Dungeon Synth treat.

Top 10 Favorite Dark Ambient Albums Of 2023

This was another fantastic year for Dark Ambient music. Not only were there many releases from well-known artists, but there were many great releases from up and coming artists as well. That being said, I was a fan of so many Dark Ambient albums this year, that it was almost impossible to come up with a Top 10. I could have easily had a Top 100 but it would have taken me forever to compile and write about each of them. After much thought (and a few changes along the way), I’m happy with this Top 10 list and hope you enjoy it as well. If some chance you’ve not heard any of these projects, I highly recommend them. Happy readings, Happy New Year and I already can’t wait for 2024!

10. Monasterium Imperi – Sanctium Choir Collection

https://monasteriumimperi.bandcamp.com/album/sanctium-choir-collection?label=2690771343

Scorpio V has released four extremely impressive albums under the Monasterium Imperi moniker this year but ‘Sanctium Choir Collection’ is the grandest of them all. Over two hours of bleak, Gregorian chants over haunting drones is exactly what I love about this project and ‘Sanctium Choir Collection’ delivers in a monumental way. In all honesty, I wish this album was about four hours long but the seven epic tracks contained within will do just fine. Perfect for meditation, background noise or sleep music, I can’t recommend this one enough. Even though it’s only been out about a week, it definitely deserves a spot on my year end list. Don’t sleep on this one!

9. Infinexhuma – Denown

https://infinexhuma.bandcamp.com/album/denown

Infinexhuma released ‘Denown’ back in March and it’s been one of my go-to Dark Ambient albums ever since. Featuring a murky blend of industrial noises and immeasurable drones, this album almost has a ritualistic essence to it. This intense collection of colossal modulations is – at times – downright terrifying. There are bits of sinister vocalizations that will have you checking the perimeters for evil entities and I wouldn’t recommend this to fall asleep to, unless you desire the most extreme forms of nightmares in existence. Highly recommended for fans of more extreme forms of Dark Ambient music.

8. Metatron Omega – Kataphasis

https://cryochamber.bandcamp.com/album/kataphasis

Scorpio V’s second entry in this year end list is for his bellwether project, Metatron Omega. Released on the mammoth Cryo Chamber label, ‘Kataphasis’ continues a long string of Metatron Omega albums that emphasizes Dark Choir chants and haunting ambient textures. In addition to the elongated droning modulations, there are some beautifully melodies throughout that adds another dimension to this imposing offering. Chances are, if you’re reading this article, then you’re already aware of this massive project and the consistent vibes of the six releases available on the Cryo Chamber label Bandcamp site; but if you’re not familiar with Metatron Omega, I highly recommend ‘Kataphasis’ as a starting point.

7. Dev-I-Ant – A Place Of Warmth And Tears

https://raubbau.bandcamp.com/album/a-place-of-warmth-and-tears

Dev-I-Ant is another amazing project that has a pretty consistent catalog of sinister offerings. From the opening modulations of ‘A Place Of Warmth And Tears’, I knew this album was going to be a malevolent journey into the depths of darkness. From terrifying soundscapes throughout and the horror-like theme that spews from every track, there is no way that I could leave this masterpiece off of my year end list. If your aim is to be aghast while experiencing Dark Ambient music, then look no further than this album and be prepared for a frightful encounter.

6. Sonologyst – Shortwave Spectrum

https://sonologyst.bandcamp.com/album/shortwave-spectrum

Sonologyst excels at releasing masterful Dark Ambient albums that build upon isolationism through elongated drones and minimalist haunts. On the projects latest effort, ‘Shortwave Spectrum’, the intonations go above and beyond than ever before. Featuring over ninety minutes of ghastly sequences that are reminiscent of sounds that may be heard at an abandoned communication station, these tracks provide the full experience of abandonment and psychotic terror. Although not as ominous as other releases in my collection of Top 10 releases, there is an everlasting presence of dread that has an equivalent effect. If nominal Dark Ambience is your thing, then the works of Sonologyst will be right up your alley and ‘Shortwave Spectrum’ would be the perfect starting point for diving into this eerie style.

5. Eshaton – Pneumos

https://eshaton.bandcamp.com/album/pneumos?label=2690771343

The third and final entry for this Top 10 list by Scorpio V is the enthralling, latest chapter of raw, Gregorian Chants by Eshaton called, ‘Pneumos’. Consisting of a single, thirty four minute track, ‘Pneumos’ builds upon coarse production efforts, grainy synth modulations and persistent dark choir effects to deliver an ancient – almost Medieval – sound that is consistently bleak but with an emotive posture. As Scorpio V continues to expand his unique sound fit for a fantastical universe, Eshaton is quickly becoming my favorite project out of all of his endeavors. Even fans of Dungeon Synth will become drawn to this effort and appreciate this massive sound for what it is – dismal and introspective.

4. Blackweald – The Fermi Exhibit

https://blackweald.bandcamp.com/album/the-fermi-exhibit

I continue to be astonished by the consistent output from Blackweald. Not only are the albums filled with dreadful, Dark Ambient soundscapes, but the theme choices and album length are a huge undertaking as well. ‘The Fermi Exhibit’ is over five hours of unhinged, maniacal ambient music that contains bits of Space Ambient, Ritualistic tones, industrial Ambient and Isolationism all wrapped up in a single release. Additionally, the use of field recordings and demonic effects are prevalent throughout, making this a true Dark Ambient masterpiece. My favorite track is the one hour, forty four minute long “Vast Emptiness”, as it is a Space Ambient showcase that goes from nominal tones to penetrating horror and the listener gets to experience the dark unknowns of doomed space travels. Don’t pass on this immaculate offering.

3. Stars Without Light – Beneath And Before

https://cycliclaw.bandcamp.com/album/beneath-and-before

Stars Without Light is a completely new listening experience for me and I was immediately hooked when listening to ‘Beneath And Before’. Even though this is the first album from this project, it’s easy to identify that the music contained within is the product of a veteran Dark Ambient musician. From crisp drones to apocalyptic soundscapes, this is for certain, one of the darkest offerings in my Top 10 list. At times, it borders into complete noise terror with complacent Industrialism, with a surprising ritualistic twist, and other times it sways through chaotic soundscapes that are equivalent to vicious nightmares. Even though this offering is just under thirty six minutes, you’ll feel completely drained of any comforts upon the first listen. This is a brilliant release that must be heard by all fans of Dark Ambient music.

2. Ruptured World – Xenoplanetary

https://cryochamber.bandcamp.com/album/xenoplanetary

If you’re not familiar with the Planetary series by Ruptured World, then you’re probably living under a rock or are not familiar with Ambient music in the first place. All jokes aside, This series – which consists of four releases – is an enthralling experience that has a complete story narration that is just as exhilarating as the music. In the latest installment, ‘Xenoplanetary’, Ruptured World goes all out to provide one of the best listening experiences ever recorded and – in my opinion – the best chapter of the Planetary series. The music, which is completely captivating and full of trance-induced emotions, plays on loop until the listener is completely entrapped. Then, the haunting narrations of Alistair Rennie will send you spiting into an otherworldly experience like no other. Tracks like “The Cruel Darkness” and “The Daze Of Foreboding” are so good, they’ve remained on repeat since the album was released in January.

1. God Body Disconnect – The Weight Of Regression

https://cryochamber.bandcamp.com/album/the-weight-of-regression

God Body Disconnect is one of the most consistent artist on the Cryo Chamber label and whereas his albums has mostly a dystopian feel to them, I find myself drawn in by the simple (and sparse) narrations that provide a huge amount to expression to each release. However, ‘The Weight Of Regression’ is a monumental achievement in multiple ways and this seventy six minute endeavor is my favorite Dark Ambient album of 2023. Not only are the dreamy synths still present throughout, but the addition of percussion instruments provides a Dark Noir texture which ultimately emits a potent sound that is highly addictive. “Remnants Of A Soldier” is almost like a Post-Rock track that hypnotizes for over eleven minutes, while “Dosed And Dreaming” is one of the most calming experiences on the entire album. All in all, there is a lot of variety on this album that gives it the ability to remain fresh and relevant for a long time to come.

Eyre Transmissions XXVI: Interview With Ambient Experimentalist, Anser Flare

As I continue to explore the depths of Ambient music, I often find myself amazed at the talent that is out there. Daily, I dig through the trenches of Bandcamp, in search of something new and innovative. Other times, it’s chance encounters on social media that brings in the amazement. My introduction to Anser Flare was the latter. Where as a lot of Ambient and Dark Ambient music slowly builds in layers, creating songs of epic lengths, Anser Flare takes a more modest approach, creating celestial incantations that are shorter and often times more lively. I recently had the opportunity to have a discussion with the artist known as Anser Flare (now simply known as Anser), to find out what this project is all about. Hope you enjoy this interview and please check out the fascinating works of Anser!

1. Thank you for taking the time to answer a few questions for The Dungeon In Deep Space. Let’s start with the origins of Anser Flare. How did this project come about?

I was originally interested in doing something more minimal than my old project Madrigals. It made sense to keep the styles separate as in July ’22 I was in the middle of recording a DS split.

2. Your first release was ‘Gnosis’ back in September of 2022. I find a lot of musical influences on this recording and it transcends the thresholds of just Dark Ambient. Who were some of your influences at this time?

Gnosis was heavily inspired by Aphex Twin, Kraftwerk, Prurient, and some of my dark ambient collaborators on Umbra Vulgaris such as Sylvanum and Narbaiz. Gnosis was about a young man who leaves Earth after it’s rendered mostly uninhabitable by a meteor. There is a full story but lately I’ve paid less attention to shaping the narrative.

https://anserflare.bandcamp.com/album/gnosis

3. After the ‘Gnosis’ release, you had a track on the ‘Falling From A Star’ collaboration. Can you talk a little about that project and how it came about with the other artists?

This split was fairly spontaneous. Aradias Kingdom and Fenrir both expressed interest in a “space ambient” split after they had original tracks on UVR’s “Shades of Dark Ambient V2”. My comfort zone leans more to the “pure dark ambient” side with less percussion or overt DS.

https://anserflare.bandcamp.com/album/falling-from-a-star

4. In June of 2023, you released ‘The Ethereal Hours’, which is another stellar musical journey that branches outside of the ambient genre more than ever. What led to the inclusion of these elements?

Thank you for your kind words! I have always been a big fan of 80s electronic, its revival with outrun/retrowave, and needed to step out of the comfort zone and make something pop fans might like. “Can You See Heaven” came about in trying to channel the 80s. As well as hearing The Weeknd in every shop for over a year and needing to get those songs out of my head!

https://anserflare.bandcamp.com/album/the-ethereal-hours

5. I really dig the track, “Space Habitation” as it perfectly sums up the discordant and sonic journey for this album. What’s the story behind this 8+ minute track and is this longest song you’ve produced to date?

Space Habitation is the longest track across all my projects so far, yes. At this point in the story, the main character has left earth for good and lives permanently on a space station closer to Mars.

6. In October of 2023, you released the ‘Apostate’ album and it’s more of a Dark Ambient adventure, filled with a good amount of celestial drones. What influenced the soundscapes on this album?

“Apostate” was influenced a lot by Mortiis and Burzum, but without high fantasy reference points. Where the previous album was more extroverted, I tried to create a very subdued, solitary feeling. It also basically ignored the story written so far.

https://anserflare.bandcamp.com/album/apostate

7. In my opinion, the track “Reincarnate” is some of your best work and has a minimalistic quality that can easily be built upon. What’s the chances of releasing more works of this nature?

Very high. One of the Logic synths “Haunted Castle” from that song makes its way onto each release at least once.

8. I know that 2023 is coming to a close but do you have any more releases planned for the immediate future?

Nothing immediate. There will be another full-length from Anser in mid 2024.

9. How about collaboration efforts? Is there any more of those in the works?

You might know that I play synths in the Dungeon Synth project “Deabruen”. I consider that a long-standing Anser-Narbaiz collaboration. But no splits planned at the moment. “Ethereal Hours” will also be out on cassette this winter from Fantasy Audio Magazine, and “Apostate” from Umbra Vulgaris on November 17.***

10. I know that for many independent artists, the Bandcamp platform has been extremely reliable (up to this point) but do you release music on any other platforms, including physical releases?

Bandcamp is the main way. All the tapes and CD-R’s of Anser are available through UVR on Bandcamp and Discogs, and for streaming on Spotify, Apple etc.

11. You’ve mentioned Umbra Vulgaris a few times so far. Is this a label that you put together? If so was it intended only for your own projects or was it open to other artists as well?

Yes, UVR was an idea dating back to early 2021 as a way to release my own music on CD or cassette at low cost. There have been multiple people tangentially involved behind the scenes but it’s always been my label. It was open to other artists from Fall 2021, but with an emphasis on split EPs and albums, such as those with Sylvanum, Narbaiz and Frostgard. Full length albums from other artists arrived in 2022 and it became a “proper” label.

12. If I’m not mistaken, the first release on this label was ‘Fallen’ by Madrigals. Can you talk a little bit about this project and is it one that you plan to continue at some point?

That’s right, it was a digipak limited to 100 copies. I still have about a dozen. Madrigals was a melodic dungeon synth project that mostly used ideas I had been holding onto for years, before really becoming aware of DS as an active genre. After realizing a lot of it existed, and people were doing much cooler things with it than me – e.g. any of the other artists on those splits – it lost its magic and Anser became my primary focus. I don’t plan to continue as Madrigals.

13. What’s your opinion on digital releases versus physical releases? How have both formats helped shape Umbra Vulgaris Records?

Digital releases without a physical tend to get unfairly written off. Cassettes have their obvious charm, and CD’s too in my opinion; so they’ll always be part of what I do. As far as the label goes, it would be great to try and grow the digital side – free compilations, e-zines, even considered a podcast. In the current setup, we’re trading and wholesaling off a lot of cassettes to build up an extensive distro selection, which will help support more digital output. The distro is overwhelmingly tapes, so we’ve been pigeonholed as a “tape label” which is probably fair.

14. I really appreciate you taking the time to have this interview session. Do you have any final thoughts for those that may be reading this?

Thank you very much for your questions, and thank you to the readers!

Eli aka Anser Flare!!

Links:

BC:

https://anserflare.bandcamp.com

https://umbravulgaris.bandcamp.com/

Instagram:

https://instagram.com/anserflare?igshid=dHpwNnIwb3BmNnRo

https://instagram.com/umbravulgaris?igshid=MWlpc2dkOWsxZHl6OQ==

Interstellar Space – All Hallows’ Eve Extravaganza 2023

We have finally reached our favorite holiday of the year – Allhallows Eve, or Halloween as it’s referred to in modern times. For the youngsters, the festivities are completed by dressing up as their favorite characters and obtaining as much candy as possible while Trick o’ Treating! However, for others, it’s the perfect opportunity to embrace the darkness and dwell in all things maniacal and evil! Whether it’s watching your favorite horror series or getting an ear full of brooding music, there is no other day quite like this. My favorite thing to do is to have a dark music marathon of new and old music, no matter the genre. If you’re like me, there is never a shortage of music to listen to but if you’re down for checking out something new, I’ve compiled a set of summary reviews for seven new releases that are bound to get you into a dark, atmospheric mood. I hope you enjoy these recommendations and please support all of these artists and the labels that provide a platform for their ominous craft.

1. Halloween Scene – Issue No. 1-The Graveyard Manor

If you’re not spending Halloween with the sounds of spooky intent, then unfortunately you’ll not get to experience the full effects of the most ghostly night of the year. Thankfully, we have ‘Issue No. 1 – The Graveyard Manor’ by Halloween Scene to supplement our sinister audial needs. Over an hours worth of grim incantations of darkened ambience, this recording is just what we need to provide the eerie atmosphere for this special night. Whether it’s the ominous textures of “An Old & Gloomy Road”, “The Haunted Manor” and “An Eerie Secret Passage”, or the discordant soundscapes presented in “A Safe Room To Escape?” and “Cadavers Unearthed For Fiendish Reasons”, there is an uncanny presence though out that magnifies the intensity of this horror-filled evening. I hope that Halloween Scene continues to release these seasonal recordings, as it sets the mood perfectly.

https://halloweenscene.bandcamp.com/album/issue-no-1-the-graveyard-manor?label=2567335590

2. Onasander – Eltanin

Onasander never fails to deliver the darkness and on the latest outing, ‘Eltanin’, we find a heavily drone-induced recording with the expansive elements of deep space ambience. Delivered in a soothing arrangement of flowing, broad textures, there is an ominous presence on each track that creates an unhinged barrier of menacing darkness. Tracks such as “Acrid” and “Council Of War” generate a dreamy scenario of comprehensive modulations akin to drifting in a celestial dimension, while “Ancient Nightsky” and “Outer Primitives” produce a range of eccentric soundscapes that may provoke a sense of fear. At any rate, this six track offering by Onasander is not only another amazing recording in his consistent discography, but it has a persistent sound direction that easily aligns with the theme of Hallows Eve.

https://essentiamundi.bandcamp.com/album/onasander-eltanin-em060

3. Dev-I-Ant – A Place Of Warmth And Tears

Some Dark Ambient recordings are not meant for the squeamish; and by squeamish I mean those that are adversely triggered by haunting timbres and disturbing soundscapes. ‘A Place Of Warmth And Tears’ by Dev-I-Ant is a resounding journey through the macabre via unhinged, nightmarish textures and ominous field recordings. There is a frightful presence throughout this album that will send chills down your spine and may give your nightmares a nightmare. At almost seventy minutes in length, there is no escaping these terrifying modulations as they continuously elicit a sense of dread and provide jolts of disarray without any notice. Whether it’s Halloween or not, this is how Dark Ambient was intended to be played. If you think you’re ready for this menacing journey, then test the waters with tracks such as, “Carriage Of The Fox” and “The Room Of Despair”. These are prime examples of how disquieting this album is.

https://raubbau.bandcamp.com/album/a-place-of-warmth-and-tears

4. Erythrite Throne – Forever At The Mercy Of Thy Abhorrent Cruelty

Erythrite Throne has never released anything short of amazing. After all, in my opinion, Erythrite Throne is the G.O.A.T. of modern Dungeon Synth. On ‘Forever At The Mercy Of Thy Abhorrent Cruelty’, Wyrm constructs six tracks of Medieval enchantment, with powerful orchestrations and somber emotions that are compelled to bring out a sense of ensorcelled sorrow. It’s inevitably special when you can produce a sound of lugubrious intent and captivating beauty at the same time. At just under an hour, these six long players succeed in setting a gloomy mood and maintaining it for the duration of the recording. Not only is Erythrite Throne a treat to experience all year round, it’s uniquely amazing to experience it during the Season Of The Witch as well, as it magnifies the intensity of the darkness and all of the evil it brings with it.

https://serpentsswordrecords.bandcamp.com/album/forever-at-the-mercy-of-thy-abhorrent-cruelty

5. Skuggkonungen – Skördetid

Skuggkonungen, an adept purveyor in the realms of Dark Ambient and Dungeon Synth music, presents his latest recording of minimalistic ambient music called, ‘Skördetid’. As if endlessly adrift in a vivid, hallucinating dream, these six modulations are crafted with enlightened intent. The electronic spectrum is a hallowed spectacle on this recording as each track presents a variety of soundscapes and modulations that flow seamlessly into the next, offering a unique, emotional experience along the way. Whether it’s the cold, disturbing drones of “Den Sista Frosten” or the retro soundscapes of “Vilan”, this amazing album has something to offer for all fans of ambient music. As Halloween festivities present a fabric for chaos and unhinged enjoyment, ‘Skördetid’ can be listened to for winding down from all of the abrupt discord that may have played out previously. Needless to say, this is a beautifully ominous album that can be enjoyed at anytime!

https://skuggkonungen.bandcamp.com/album/sk-rdetid-2

6. Mora-Tau – Music For Ghosts

When it comes to ambient improvisations, Mora-Tau is one of the best in the business. ‘Music For Ghosts’ is no exception as it showcases a sense of disharmonic nostalgia in the form of three epic tracks. At seventy two minutes long, there is plenty of room to balance haunting atmospherics with audible storytelling. Just in time for Halloween, this album can be used a a backdrop for those bleak moments that are to be expected during this dark, festive season. With layers of dissonant synth leads, there is a particular grimness that lurks around every corner and nothing is as it seems while churning through these long players. At just over twenty one minutes, the lead off track, “The Water Dripping From The Veins Of A Leaf” is the shortest on the album, but sets an ominous mood for what’s left to come. The albums title track (and fitting closer for this amazing recording) is twenty six minutes of sporadic modulations that complete the soulful journey that only Mora-Tau can present so eloquently.

https://mora-tau.bandcamp.com/album/music-for-ghost

7. Various Artists (Dustopian Frequencies) – Ghost Stories

In true Halloween fashion, Dustopian Frequencies presents ‘Ghost Stories’ a collection of tracks from four artists that go above and beyond the confines of basic presentation, by manifesting audial renditions of their favorite hauntings. With each song being around ten minutes in length, there is an endless space for translating these stories into magnificent audial performances that maintain the same level of impact. From Dark Ambient and Hauntology to Industrialized trance pieces, each convey a story or horror in their own unique way. My favorite amongst these transmissions is “Dullahan” by Everyday Dust. This whirlwind of a performance is a sonic journey through various modulations and sound sequences that are not only mesmerizing but paint a picture of a dystopian time where perpetual escapism becomes the norm and defeat by death exists at all costs. Each of the remaining tracks are high-level outings that demands the listeners attention with the utmost reward hanging in the balance.

https://dustopianfrequencies.bandcamp.com/album/ghost-stories
Until next Halloween…

Mombi Yuleman Evokes A Sensation Of Upbeat Terror On The Chimerical Album, ‘Underground Dwellers’

Mombi Yuleman is one of the most versatile electronic producers making music today and there is no doubt that he’s one of my favorites as well. Whether it’s the nightmarish effects of his conceptual Dark Ambient masterpieces or his upbeat Psychill offerings, he can almost be considered a one-stop shop for all of your electronic audial transmission needs. This year has been one of his most accomplished to date has he’s released a string of albums that elicit a variety of styles. One of my favorites (thus far) is the buoyant offering called ‘Underground Dwellers’, a maniacal Psychill adventure that is inspired by 80’s horror cinema and details the terrifying experience of diseased rats banding together to take over a futuristic Chicago setting. Featuring eight tracks of contentious beats and retro-styled synths, this is an amazing album that can be played and enjoyed on just about any occasion.

The vigorous album opener, “Sewer Rat With Babies” may sound very familiar – especially if you’re a Rush fan. The very first sequence sounds like a homage to the album ‘2112’, with its sonic sequences and space-like modulations. However, that’s where the similarities stop and the Psychill action begins as this track goes into a full-throttle, dance mode inflection. Peculiar soundscapes and galloping rhythms continue to drift with ease, as a looming darkness continues to impress. “Subway Tunnels” begins like an 80’s synthwave soundtrack piece, as inner city soundscapes and Sci-Fi cinematic timbre sets a bleak vision of classic soundtrack vibes and haunting Dark Ambient structures. With shrills of sewage vermin and Berlin School sequences, this is the perfect build up to the next track while maintaining the overall vision of the album. “Experimental Growth Formula” commences with thunderous drones and melodic pads, leading to a head bobbing cadence that is groovy without being over the top. New wave styled synth leads and bits of reverberated keys lead the charge in this mid paced, late night excursion. About halfway through, an abbreviated pause followed by a quick narration leads right into a grinding Psychill section that continues to build with synth leads and ambient atmospherics. “Increasing Metabolism” is a bleak intonation that continues with the audial storyline and presents a precipitous beat, solid keys and and just enough atmospherics for the listener to continue their own interpretation of the theme of the album. There is an amazing shift in keyboard effects toward the end that finds a balance between melancholy and controlled chaos. As the synth leads continue to build this track ends in a wall of sound that you just want to continue for longer than it actually does. “Gods Feast” slows the pace down a bit but certainly conjures a wall of sound in the form of modulated drones, captivating sequences and distant sounding synth soundscapes. As the Berlin School sequences start to progress, it’s apparent that the underground dwellers have taken over and morphed into an indestructible force that is bringing their subterranean terror to the surface. “Contamination Hazard” starts with some grimy ambient textures and a short narrative before breaking into a minimalistic beat. This track is a slow builder but with each layer we get an addictive blend of fabulous synth arrangements and upbeat percussive parts. There is a futuristic vibe to this track represents a complete takeover of the mutated vermin, as they steadily devour everything in their path. “Saving The Day” is probably my favorite track, as it supremely represents the best in retro synthwave and 80’s electronic soundtrack recordings. Although there isn’t a percussive element to this song, the multi-dimension synth leads provide a harrowing cadence that magnificently assembles into a synchronized arrangement that is as much grimly lit as it is enveloping a sense of light. The final track on this amazing nocturnal adventure is “Hidden Nest”. At almost nine minutes long, it’s the longest track on the album and is a fitting conclusion with its blend of celestial sounds, jubilant synth leads and rapid beats that remain constant throughout. About halfway through, this song becomes a cinematic marvel in that it creates such a dynamic sound of flowing textures and elongated synth impulses. By the time we reach the end of the track, there is a myriad of thunderous activity that illustrates complete havoc, as the subsurface vermin demise all in their path.

Mombi Yuleman continues his streak of masterful albums as he dominates in multiple electronic genres. Whether it’s ghastly Dark Ambient albums or invigorating Psychill releases, there is no doubt that he is at the top of his game. Although I’m more of a fan of his Dark Ambient works, ‘Underground Dwellers’ is quickly becoming my favorite album from his extended discography of greatness. As of this writing, I’m excited to learn that there is already a plan to release ‘Underground Dwellers II: Swamp City’. This is excellent news as this is a story line that could continue across several albums and I’m glad that the next one will see the light of day in the near future. As for ‘Underground Dwellers’, don’t sleep on this amazing album, as I can assure fans of electronic music, this one is an Album Of The Year contender. Please click the link below to check it out and please show your support for this amazing artist.

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Links:

https://mombiyuleman.bandcamp.com/album/underground-dwellers-psychill-dark-progressive-psytrance

Eyre Transmissions XXV: Interview With Multi-Genre Synth Specialist, Dragon-Orb

I continue to be amazed by the vast amount of electronic artists that exhibit a level of creativity that transcends a single genre. I know this is something that happens more often than none, but to find an artist that excels in this variety of creativity is wonderfully compelling. Since last year, I’ve been following the works of Dragon-Orb and often find myself completely absorbed in his innovative prowess – specifically when it comes to what genre will be the focal point of each release. Whether it’s Dungeon Synth, Crypt Hop or Ambient, Dragon-Orb has a musical gift that keeps on giving with each new album. I recently had the opportunity to chat with the mastermind behind this project, gaining a good insight on the intricacies that circulate around the being known as Dragon-Orb. I’m happy to share this interview here so please enjoy and support this gifted talent that is dedicated to making some killer electronic synth tunes.

1. Thank you for taking the time to answer a few questions for The Dungeon In Deep Space. You’ve been putting out music for a few years now but for those that are not familiar, how would you summarize the musical vision of Dragon-Orb?

I started this wanting to try and make fantasy music. I can’t exactly remember how I came across the genre of dungeon synth but I believe it was from black metal and fantasy music and I loved the whole vibe of it and thus I wanted to try create my own. In life I was feeling down and low but I said you know what I want to try do this genre, I want to make something that brings some value and maybe that was me trying to give myself that feeling. It took me some months to try make the sound and figure it out but then I finally found my so called sound with a track I made called The Heavens and from there I just kept at it, learning to do better melody’s and learning layering and what vsi felt right with another, what reverbs worked, delays and so on and so on. The musical vision for me was to create fantasy worlds with dungeon synth, I wanted to tell a story through sound and as amateur as I am with no theory education I managed to create that vibe. From there I’ve kept at it and learned better ways to mix, produce and better ways to present but I consider myself an amateur at everything. I’ve done 2 tracks for a video game called Doodle Taxi and I’d be glad to make music for other things but the goal is generally for me to create, I like the fact I can express myself through music and I can try different things and genres to be creative. I also like the idea of my music helping people in a positive way through my fantasy music for that fantasy feel, my ambience to help people chill, meditate and some of my ambience has a fantasy feel or my spiritual hip hop poetry to help people be inspired or think on a deeper level. The goal of Dragon-Orb is to create art and in general an outlet for me to be creative and for others who like my stuff to listen to. There is some things I would like to do on a grander scale however I want it to impress people and it will be magical so I won’t get into it but there is vision for Dragon-Orb and its just to be creative and if good opportunities occur and I can collaborate great but I’m also content with creating for the sake of creating also.

2. To me, you blend the influences of hip hop and grime with Dungeon Synth aesthetics. Which genre came first for you and how did you decide to fuse everything together?

Dungeon synth to me was first when I started doing this Journey and then I decided to express myself vocally as spiritual, conscious rap inspires me and seldom do the masses hear it and like every smaller genre now you come across it on the internet and it opened my mind. You may get the odd meaningful mainstream song now and then but most is made for club rotation and indie artists are smaller but are more free than say a major who has a job to speak what someone else has wrote or a tailored image. I think with rap beats its not really sometimes a melody or professional musician on the beat that brings people as rap beats are quite simplified and sometimes they aren’t but feel simplified, it is a genre to me of a vibe and you don’t have to be a fully trained musician to do it because it can be a rhythm. Generally I just don’t care what others may think to an extent and I just make whatever I feel sounds good beat wise from a synth, sitar, so on  and in my opinion to be creative you generally have to just be your self, sure you can be inspired by people or a genre but don’t try be exactly like the top mainstream artists and be you unless you want to make just party music then all the best with it. Some people say my beats are unique and my style of writing, expression but I’m just being myself and don’t conform to a sound everyone may be chasing or style. Most casual listeners of music who don’t want to create who are listening to the top 10 or whatever chart wise are probably not into the art of writing or expression as a artist actually is or writer.

3. Your first album, ‘Optimistic’ came out in April of 2021. Looking back on that album now, did you achieve the musical endeavor that you set out to do or did that progress over time?

I would say it has progressed over time but for that time I achieved my endeavour. I didn’t know how to I guess properly mix back then, I’m still an amateur at it and my computer back then couldn’t handle much. Mixing wise was basic, I wasn’t sure how to make my voice more impactful on some stuff hence the second take vocals being overlaid on some tracks and sometimes that was experimenting with the sound also but for that moment in time it felt good that I done it and I expressed myself and looking back it’s still an alright quite raw album. Senses I felt was much more of a step up

https://dragon-orb.bandcamp.com/album/optimistic

4. Correct me if I’m wrong but ‘Ancestral Wolf’ is one of your first all Dungeon Synth album. Who/what were some of your influences for this lighthearted and majestic recording?

Passing Moments was my first album and Ancestral Wolf was my second. Ancestral Wolf was dedicated to my fathers dog who sadly passed away and he was the inspiration, it’s also dedicated to our pets ancestors and that can apply to anyone with a dog who wants to think of its ancient lineage. The comfy synth Archives has been very good to me and has helped me a great deal and a lot of artists there have dedicated albums to deceased pets. But yeah a family pet was my inspiration and its ancestors.

https://dragon-orb.bandcamp.com/album/passing-moments

5. I’ve really enjoyed the ‘Passing Moments’ album and the mix of Medieval Dungeon Synth and Ambient textures is just fascinating to listen to. Do you have a particular theme in mind when recording all Dungeon Synth albums such as this one?

This was when I was figuring out how to do melody, maybe I used a little to much harp, not so much a theme but like aspects of a world from its seasons, places, adventure hence the dwarves sneaking around dragons gold track, that was inspired by the hobbit film. I generally try and create a story with my music but often the title comes after the songs completion and my track titles can say where we are in the story.

6. In July of 2021 you released the amazing ‘Communicating Harmony’, which finds you submerging into Dark Ambient territories. Was releasing a Dark Ambient album a part of the Dragon-Orb mystique? Do you plan to release more Dark Ambient albums?

I most certainly will, I like to create ambient as well so yes most definitely. My last Dark Ambient album was Dark Dreams. I definitely want to venture into that ghostly ambient world again. I enjoy making dungeon synth fantasy music but I also like to try express myself or just in general be a creative and try different genres also. Not really a mystique though, I just wanted to try create atmospheres

https://dragon-orb.bandcamp.com/album/communicating-harmony-2

7. The album, ‘The Reunion: Mitakuye Oyasin was a very intriguing release. How did this collaboration come about?

It was another rapper called Eternal Turbulence who reached out to me and also a artist called Truthseekah, he wanted me to produce it though and mix it so I thought cool it may be a fun thing to do and I can say I have a collaboration album. I guess we are 3 artists on a spiritual journey and translating our thoughts into song.

https://dragon-orb.bandcamp.com/album/the-reunion-mitakuye-oyasin

8. Have you thought about releasing an album that contains Hip Hop, Dungeon Synth and Dark Ambient?

I’ve just done on a project now that has dark ambient and rap called Ghost where it follows a ghost in a ghost story on the other side and it’s a concept album however the lyrics can relate to real life also

I maybe might venture into the dungeon synth world with hip hop but I like my Dungeon Synth to have that Medieval and fantasy world type feel.

https://dragon-orb.bandcamp.com/album/ghost

9. What are some of your own indicators for what type genre album you release? Do you get quick hits of inspiration for one genre vice the other?

I find it’s best to just go with the flow, normally I don’t plan things that much I just go with the feeling of what do I want to create today but I want to do some Synth wave, dark wave kinda stuff next so maybe that will be a plan and different direction as I wouldn’t mind doing vocals but more of a gothic style I’d say as well as a possible just instrumental synth wave release.

10. For your hip hop recordings, what is your lyrical vision? Do you write lyrics naturally for whatever comes to mind or are you influenced by world events?

I write naturally what comes to mind, sometimes its just appears there in my head and I write it fast like the whole vision just appears in my mind instantly at random moments and I have to write it down or I will say I want to write something today so I will then try craft the thought

11. What type of equipment do you use for recording? For your Ambient albums do you record your own field recordings?

I’ve been going out recording sounds in nature now yes, generally I just use my phone to record in nature and try not to breath heavily haha. Sometimes I will record myself walking, all sorts really. People who do music that doesn’t really require instruments perhaps should record themselves and learn how to lower pitches, Paul stretch and stuff as you can make some unique sounds with the most simplest of things including your own voice.

Generally if it’s studio recordings I use a microphone and an audio box interface.

12. What are the plans for Dragon-Orb for the remainder of the year? Do you plan to beach out into other forms of music?

Yeah I will probably be venturing into the Synthwave style a little more but for those that like the Dungeon Synth Fantasy stuff I will be venturing into that yes so something could be out by winter at least, maybe earlier. 

13. I really appreciate your time! Do you have any final words for those that will be reading this interview?

Thanks to you first and foremost for this interview and to everyone who’s been on this journey with me.

Links:

Bandcamp: https://dragon-orb.bandcamp.com

Instagram: https://instagram.com/dragon_orb_official?igshid=MzRlODBiNWFlZA==

Frog Concert Takes Us On An Amphibious Journey With The Absorbing Album, ‘Slumbering Sounds Of The Frog Fellowship’

What do you get when you combine the whimsical aesthetics of Dungeon Synth with an amphibian-themed agenda? You get the quirky natured Frog Concert and their diabolical but idiosyncratic release called, ‘Slumbering Sounds Of The Frog Fellowship’. Featuring eleven peculiar tracks delivered in a span of twenty minutes, this is a quick and satisfying audial incursion that emits a soothing tone amongst an aggregated plethora of noises and nuances. Never one to stray away from obscure music, I find this dainty little album entertaining and refreshing.

Commencing with a short intro called, “The Green Downstream From A Hyperdimensional Now” a retro havoc is created that is reminiscent of a classic cartoon. Just as it begins to catch your attention, it briskly fades into the second track, “In Boreal Pose”. Featuring the sounds of nature and haunting organs, it exudes an alluring feel but quickly diminishes before you know it, abruptly leading into the next track, “Fate Fortune And Flies”. With a more upbeat rhythm, it reminds me of a video game anthem with its harmonious synths and overall psychedelic vibe. “Serenade At The Bug Banquet” is another unorthodox offering that contains noise oddities and blaring synths with a grimly retrospective production feel to it. “The Croak Of Life Is But A Kiss” is my favorite track on the album and is more of a traditional sounding Dungeon Synth track with layers of Medieval synths and looping hisses in the background. “Beyond The Paddock” is another majestic offering that aligns with the same delivery of the previous track. There is an all-embracing synthwave feel to this one and the touch of evening time, naturalistic soundscapes adds an eerie feeling. “Toad Antigua” has more of an abrasive sound due to the loud synth mix and sporadic field recordings. However, even though this is a short track, it produces quite a memorable punch. “A Walk On The Water” starts with a hissing sound and then a whimsical synth chop begins to play, sounding much like a looping soundtrack on a Disney ride. Various frog sounds and croaks can be heard in the background as the amphibious theme continues in gleeful fashion. “Birds Of Tragedy” kicks things off with a droning, space ambient sound with celestial soundscapes that is just under a minute long. This is another favorite of mine and it also had major potential to turn into an elongated Dark Ambient masterpiece. “A Dive In The Current” is another light-hearted adventure that finds a contentious synth lead played aggressively atop of a soft, naturalistic field recording. There are small bits of layering here but the real winner is the lead synth chop that plays effortlessly throughout the entire track. The final track on the album is amply titled, “Frogs From Heaven”. At nearly three and a half minute long, it’s the longest song on the album and probably the most ambitious one as well. Wonderfully arranged, this mesmerizing composition sounds like a classical piece played by a synth soloist at an orchestra concert, as the flow of this song is very engaging and it never slows down for its duration. This is an excellent way to end the album and it will leave you wanting more.

The bottom line is, Frog Concert delivers the goods and ‘Slumbering Sounds Of The Frog Fellowship’ sounds better with each listen. Although I wish some of the tracks were a little longer, this project has blooming potential and the wide array of electronic music influences are apparent on every track. I particularly enjoyed the heavy use of soundscapes, samples and field recordings and it added to the overall appeal of this molten journey through swamps and amphibious stomping grounds. Please check out this wonderful little album by clicking on the link below.

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Links:

https://frogconcert.bandcamp.com/album/slumbering-sounds-of-the-frog-fellowship

https://fiadh.bandcamp.com/album/slumbering-sounds-of-the-frog-fellowship

The Nebula Breviary – A Voyage Through The Black Hole With Strange Mono Records

If your seeking a label that incorporates a menagerie of artists from different backgrounds with a broad sense of musical direction, then look no further than Strange Mono Records. Releasing everything from Dungeon Synth and Ambient to Dream Pop and Extreme Metal, Strange Mono knows no boundaries and has safely provided a home for such artists since 2021. Since I’m always seeking the most obscure forms of music around, it’s no wonder that Strange Mono has resonated with me since the beginning. In order to pay homage to this amazing little label, I decided to write a few summary reviews on ten of their latest releases. These albums are all over the place but equally enjoyable – at least to these ears. Enjoy reading these reviews and please consider listening to and downloading some or all of these fantastic recordings.

1. Forge Of Tears – Softly In This Vale Of Tears

What’s more excruciating than a razor burn filled with rubbing alcohol and sealed with a gob of crazy glue? Probably two long form tracks of chaotic noise terror by way of Forge of Chains. With no compassion for delicate, tender moments, ‘Softly In This Vale Of Tears’ is thirty minutes of intense discord that is as addictive as it is disturbing. With an unrelenting wall of modulated audial pungency, Forge Of Tears produces a mesmerizing soundscape for a pallet of maniacal indulgence, not letting up from start to finish and only adjusting the molecular structure of things between tracks. At first you may be in disarray by the abrupt jolt of power but you’ll soon find yourself drawn into a world of corrupt audial sequences. This is a magnificent release on many levels.

https://strangemono.bandcamp.com/album/softly-in-this-vale-of-tears

2. Grey Windowpane – Ice The World

‘Ice The World’ presents nearly seventy minutes of abstract noise intrusion by way of ambient subtleties, haunting voice recordings and an array of soundscape to catapult this recording to its own unique design. As if being dragged through a vast world of distinct cultures and influences, Grey Windowpane finds a way to gratify all of the senses with a massive kaleidoscope of musical happenings. Presented in four elongated pieces, each track extends a sonic adventure of various themes but ultimate create a fabric of likeness and audial intimacy due to its compelling modulated bonding. This amazing album is the result of obscurity becoming an acceptable criterion of musical bliss.

https://strangemono.bandcamp.com/album/grey-windowpane-ice-the-world

3. Thecia – My Sojourn Among The Torturers

Now on to something more abrasive, as Thecia emits an angered, repugnant blend of distorted guitars, thick drum beats and destructive vocals in their brand of unrelenting Death Metal. ‘My Sojourn Among The Torturers’ presents three tracks of ripping metal that fuses Black and Death Metal with a tinge of classic Heavy Metal riffing. This mixing is both loudly askew and causticly raw – the only way to listen to metal in my opinion. The songwriting is incredible and they are perfectly lengthened to maintain headbanging integrity without becoming dry and sparse. I’m definitely looking forward to hearing more from this prominent act.

https://strangemono.bandcamp.com/album/my-sojourn-among-the-torturers

4. Jonathan Patrick – Open Heart EP

Jonathan Patrick gives us an abridged taste of Americana on his soulful new EP, ‘Open Heart’. Featuring two tracks of heartwarming guitar compositions, I can imagine listening to these out in an early morning Midwest setting, where the Dawn of the sun of slightly obscured by thick fog and towering, natural forestry. These tracks sound new and refreshing while providing a proper callback to acoustic classic rock sounds from the 70’s and 80’s. Two tracks just isn’t enough and my hope is that the next Jonathan Patrick release has at least five hundred tracks on it. All jokes aside, this is simply incredible!

https://strangemono.bandcamp.com/album/open-heart-ep

5. Webb Chapel – Speeding

Webb Chapel presents the unparalleled offering, ‘Speeding’, a lo-fi collection of alternative rock arrangements with obvious influences from synthwave, dark pop and electronica genres. This album sounds as if it could have literally been released in 1984. Even with the gnarled production, this entire albums is an addictive listen with impeccable songwriting and masterful musicianship. I could listen to these tracks over and over again without getting bored and as they say, the louder the better! This is a fantastic release that certainly deserves top tier recognition.

https://strangemono.bandcamp.com/album/speeding

6. Clang Quartet – A Slow Death For The Peacemaker

I’ve only recently crossed paths with the musical endeavors of Clang Quartet, but it’s certainly been a pleasant experience getting to know the output of this artist, the values that he represents and the impactful delivery of the chaotic noise that is consistently presented. On ‘A Slow Death For The Peacemaker’, harsh noises are more conservative and are augmented by spoken word segments and bits of contemporary instrumental parts. That doesn’t mean that there isn’t a sense of pandemonium, because this albums is a breakout achievement for the Noise Ambient genre. In between the more serene parts we can still find a massive wall of industrialized chaos that is hypnotizing as it is war piercing. This is a captivating album that has earned its praise, but demands so much more!

https://strangemono.bandcamp.com/album/a-slow-death-for-the-peacemaker

7. Idiot Mambo – Flamingo In Limbo

‘Flamingo In Limbo’ is a lighthearted soundtrack of summer rock & pop with a passion for shoegaze and low fidelity tones of the late 80’s. With whimsical instrumentation and jocular lyrics, this is a fun album that can be played and enjoyed on just about any occasion. Adding to the dynamics of these tracks are glitchy samples, hissing loops and slightly distorted melodies that all come clashing together in solid harmony. There are eleven tracks on this album and every single one of them portrays a slightly altered style, but at the same time, is very much an Idiot Mambo manifestation. Whether you need a vibe for a steamy summer drive, or some background music on a gloomy, rainy afternoon, ‘Flamingo In Limbo’ is a sure recommendation in order to facilitate an enlightened mood.

https://strangemono.bandcamp.com/album/flamingo-in-limbo

8. Ruah – Ruwa

Strange Mono continues to hit it out of the park with their consistent picks of amazing talent and Ruah is no exception. On ‘Ruwa’, Ruah continues to explore an array of genres to compliment the stellar vocal arrangements contained within. At times, they tread down the Darkwave path with gothic influences and undertones, while on some tracks, they emit a heavy Swans influence with repetitive music play and looping vocal deliveries. No matter what they’ve intended to explore, each track is an alluring endeavor that stands on its own while delivering an arcane composition with ominous intent. This album is totally captivating and it’s hypnotic effects will leave a lasting impression on the listener, while demanding repeated listens. Perfect for fans of The Swans, Vaura or 80’s Darkwave!

https://strangemono.bandcamp.com/album/ruah-ruwa

9. Ixian – Collective Indiscipline

What do you get when you combine harsh noise with Grindcore and Black Metal aesthetics? You get what’s known as unruly, dystopian cybergrind. As if just having one extreme genre wasn’t enough, Ixian goes all out on the pummeling new EP, ‘Collective Indiscipline’. As deranged as it may sound, there is actually a sense of atmospheric control amongst these tracks, as they provide an overwhelming sense of ominous disarray. Discordant tones and hyperactive drum beats create an onslaught of droll modulations. Although it’s only nineteen minutes in length, a back-to-back listen of all five tracks will have you perspiring an illusive sudor, while your brain continues to scramble in a desperate exodus of audial release. This is a very intriguing album and I would recommend this to fans of all forms of extreme music.

https://strangemono.bandcamp.com/album/collective-indiscipline

10. Fugue State – Subtlety’s Dead

Fugue State presents an upbeat, grungy depiction of old-school punk rock. With reverberated vocals (reminiscent of early Les Claypool), fuzzy guitar tones and audial hisses all over the place, ‘Subtlety’s Dead’ is a proper call back to a time when music was routinely presented in raw form to represent the most jubilant crowds of fractious souls. Even at just sixteen minutes in length, there is enough output here to satisfy the tortured umbra that resides in all of us. This makes for a great driving album, especially when blasting it at loud volumes. Can’t wait to hear more from Fugue State in the near future.

https://strangemono.bandcamp.com/album/subtletys-dead

Links:

BC: https://strangemono.bandcamp.com

Instagram: https://instagram.com/strange_mono?igshid=MmJiY2I4NDBkZg==

Merch: https://strangemono.bigcartel.com

Twitter: https://twitter.com/strangemono?s=21&t=XJy864ZhViZB0VAW0YrwBw

Chaigidel & Neraterræ Unshackle An Explosive, Ritualistic Experience On ‘Lamaštu’

It’s not enough that Chaigidel and Neraterræ have already established themselves as prominent musicians within the Dark Ambient genre, but to come together to produce one of the most daring ritualistic experiences in recent years, is a refreshingly bold statement. ‘Lamaštu’ is not your typical Dark Ambient offering, as it relies less on extended drones and dreamy soundscapes but builds it’s captivating sound around ceremonial instrumentation, haunting vocalizations and eerie nuances that give it a completely bleak listening experience. The eight tracks contained within, will take the listener on a ritualistic journey through barren darkness and meditative atmospherics that will result in the ultimate Dark Ambient listening experience.

This enveloping ritualistic encounter begins with the ceremonial, “Da’at”. Deep, grumbling drones ascend from the silence and embark on a malevolent path for us all to descend upon. A caressing ring from a singing bowl creates a grim encounter and sets the tone for darkened ride through chaotic atmospheres. Layers of drones continue to sway in and out of the mix as the looping soundscapes present a mesmerizing adventure. “A’Arab Zaraq” commences as a soothing but gloomy celestial encounter. However, whisper-like narrations present an inaudible storyline that is complimented by industrialized, harsh ambient tones and textures. As if traveling through an bludgeoned wasteland, this track presents an angst-riddled mission through the psyche, filled with unfathomable implications. About halfway through, haunting vocalizations made by throat singing techniques and mild percussive patterns are introduced, adding more frightening textures to this sinister soundscape. “Entrails Of Souls” begins with theatrical modulations and soft noise field recordings while successfully enriching the sound with ritualistic endeavors. Alluring chants are added in with hypnotizing results while tribal-like percussive patterns can be heard throughout. This track presents a bit more melody than some of the others, but it’s done in high-quality and fits in well with some of the more darker tracks. Next up is the ominous offering, “Mac Benach”. Leaning more toward an industrial ambient experience, this has to be one of the coldest tracks on the album thus far. Deep chants resemble the stark grumbles of heavy machinery and the sound couldn’t be more apocalyptic than this. Bits of frantic noises create moments of chaos as the drones will have you pinned down, unable to move at all. Slight orchestral variants create a horror-like ambience that is normally heard in horror films. There is no turning back, as this tracks continually increases in volume and discord. “Purson” stars with a blissful white noise that resembles the perpetual crashing of ocean waves on soft shores. However, it slowly fuses into a turbulent mix of industrial soundscapes and celestial drones. There is a sense of derangement in this track as clashing samples of heavy machinery and chains perpetuate a chilling picture of complete destruction. “Satariel” commences calmly, with minimalistic drones and hollow tones. As the modulations slowly grown more intense, a barrage of instruments and harsh samples begin to take shape, presenting an isolated vibe buried deep in the trenches of ritualistic voids. Even as the music remains embellishing, deep throat-singing chants fuses seamlessly, producing a stellar ceremonial tone. “Eloi Eloi Lama Sabacatni” is the shortest track on the album at a little over three and a half minutes long. Not a filler by any means, it uses cold winds, chants and industrialized noises in a molecular way to promptly lead into the final track, “Malkuth”. Beginning with cosmic drones and eerie soundscapes, this is the beginning of the end for this completely satisfying ritualistic endeavor. Reverberate narrations and ethereal ambient textures create an undefined space of dreary awareness. As pulsating drums get louder, unhinged white noise crescendos in unison, producing a blasphemous breadth of chilling sounds. Although this track builds and ends abruptly, it supremely represents closure for this ethereal listening journey.

Chaigidel and Neraterræ have done an amazing job of creating an ambient album that incorporates elements of Industrial Ambient, Ritualistic and Dark Ambient, intertwining them all into a chaotic but controlled sonic environment. ‘Lamaštu’ is the ultimate soundtrack for ceremonial destruction or life in a dystopian universe filled with possessed heavy machinery in endless industrial wastelands. Every track is masterfully pieced together to provide ups and downs, sensations of calmness and fear, as well as a sense of involuntary meditation. I can’t recommend this one enough so click on the link below and enjoy this truly compelling Dark Ambient album.

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Links:

https://cycliclaw.bandcamp.com/album/lama-tu

Hours Of Worship Presents A Multi-Genre Mashup On The Retrospective ‘Death & Dying, Vol. I’ Album

As I continue my lifelong descent into the abysmal territories of obscure music, I never cease to be amazed at the gems that perpetually cross my path. Despite the genre, if it goes against the grain of normalcy and wide-spread acceptance, there’s a good chance that it will resonate with me in the most appreciative of ways. An artist that I recently came across, continues that endeavor with their multi-genre blend of darkened modulations. Hours Of Worship successfully integrate the likes of Darkwave, Goth, Shoegaze, Dungeon Synth and just about everything in between and beyond. On their latest endeavor, ‘Death & Dying, Vol. I’, we find an obscure journey through dismal happiness and bleak soundscapes. Containing six tracks of melancholic, lo-fi entanglements, it’s safe to say that the listener will be transported to a retrospective era where dark music matched the atmosphere of more contemplative times.

From the very first note of a somber piano chop, to the vibrant ambience that soon ensures, “Loyal To Misery” immediately takes us back to a gothic landscape where the color gray was as vibrant as the sun and surrounding activities seemed to take shape in slow motion. As this scenery evolves, haunting vocals begin to croon while dreamy instrumentations build a lethargic wall of sound. Although completely bleak, there is something peaceful about this track that will sooth even the darkest of souls. “Forgotten Like The Cross” commences with a Dungeon Synth vibe as ominous keys play elongated notes, while synth leads emit a Medieval vibe. Monotonous vocals add another layer of dreariness and it seems purposefully mixed lower than some of the instrumental parts, extending the eerie expulsions of the overall sound. However, during the chorus, the vocals stand out with a full on gothic-style onslaught. “Smoke Yourself To Sleep” is a more traditionally arranged piece with an alluring amount of harmony. The addition of celestial ambience and deep synth grumbles produces a unique sound, making this one of the standout tracks on the album. A guitar riff can be slightly heard amongst the other instruments but plays a relevant part in the overall delivery of this amazing song. “Blood On Stone” slows things down a bit with its sludgy tempo and discordant harmonies. A lot of focus is put on the vocals, include the heavy reverberations during the chorus sections. This track would be the perfect example of a Darkwave ballad due to its slow, soulful arrangement, combined with the ghastly, harmonizing vocals. “Torn Like Lace” forges ahead in this underground path to renaissance-like emotions with a surprisingly uplifting melody arrangement mixed with impassioned vocals that range between deep, guttural narrations to near falsetto croonings. The medieval, battle-like drum fills near the end is a welcomed edition to this already serene track. The final song on the album is “The Eggs Of Melancholy”. At just over seven minutes, this is the longest offering on the album and it superbly brings this prodigious album to a close with Black Metal-styled screams, reverberated instrumentations, and a slow, galloping tempo that allows everything to come together in unison. Synth leads stand out as they deliver loud, grandiose modulations during the chorus parts. The vocals are mostly sung with deep resonance while an assortment of instruments deliver a minimalistic landscape of darkness and passion for retrospective surroundings. As the song draws to an end, it takes a dark turn to a more evil vibe and then suddenly concludes at sinister depths.

Hours Of Worship have only been around a few years but I believe they’ve found their niche in the Darkwave genre. They’ve also managed to challenge the norm by including other genres such as Dungeon Synth, Synthwave and Shoegaze to name a few. On their latest offering, ‘Death & Dying, Vol.I’, they continue to showcase their musical talent while expanding their catalog of consistent releases. Even if you’re new to this project, this album is the perfect introduction to what they have to offer. Click on the link below to check out this bewildering album and support the blissful existence of Hours Of Worship.

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Links:

https://hoursofworship.bandcamp.com/album/death-dying-vol-i